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The 3 L’s: Laugh, Learn and Likeability

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During my time in St. Louis, I had the privilege of hiring Rick Venturi as a talk show host. Aside from being a very talented communicator, Rick had spent his entire adult life coaching college and professional football. More than 35 years were spent designing schemes, motivating players and gaining knowledge with the ultimate goal being to use it all to help the teams he worked for win a championship.

While Rick didn’t win a Super Bowl or National Championship during his career, he had a wealth of knowledge to share and after working with great leaders such as Bill Belichick, Mike Ditka, Jim Mora, Jon Gruden and Jim Haslett, I was curious to find out what made each of them and their teams unique and successful.

What I remember most was a discussion we had about the importance in every team having an identity and philosophy that was understood and shared by every member inside the organization. During our chat, Rick mentioned how he could look at a team in the NFL and know if they were a sound organization with a strong game plan or if they were a collection of parts just hoping to stumble into the right place. In most cases, he felt it was reflective of the Head Coach and GM’s attention to detail and overall vision for the organization.

I recall asking specifically about Bill Belichick because Rick had worked under him in Cleveland from 1994-1995 and following a number of Super Bowl titles in New England, I felt Bill knew a thing or two about winning and getting the most out of his players. Bill not only had a strong plan but he also surrounded himself with outstanding leaders who understood his vision and were committed to helping him realize it.

If you look back at the group that Belichick assembled in Cleveland it’s one of the best groups of all time. Nick Saban, Eric Mangini, Al Groh, Jim Schwartz and Kirk Ferentz were all coaches under Belichick and every single one of them went on to be a Head Coach. Inside the organization, the team employed Scott Pioli, Thomas Dimitroff, Ozzie Newsome, Michael Lombardi and Mike Tannenbaum. Each of them went on to become a General Manager.

While the Browns didn’t deliver on the field the way they should have given that amazing array of expertise, if you look at the Patriots of the past 14 years they’ve been one of the NFL’s most consistent and elite franchises. Once again Belichick surrounded himself with great people. Romeo Crennel, Charlie Weis, Bill O’Brien and Josh McDaniels all have worked under him and each has gone on to become a Head Coach too.

What jumped out to me when I spoke to Rick was how quickly he could tell you what a Bill Belichick football team looked like. He took me through the way Bill looked at various positions on a football team and what he expected out of those positions from a performance standpoint but even more important, he could tell you every detail of what the position should look like from the player’s height, weight and speed. If a player didn’t fit the description of what they looked for, more times than not they’d take a pass.

I asked Rick to provide a few examples and he was able to do so without missing a beat. He mentioned how Bill would look for physical running backs who could take a toll but wouldn’t necessarily be the fastest guy on the field. He liked wide receivers with a chip on their shoulders who weren’t afraid of contact. He liked taller corners who could play man to man and punish a wideout for 60 minutes even if they weren’t the fastest at their positions and he preferred heavier defensive tackles who could clog the middle and stop the run, even if it meant less ability to sack the QB.

When I took a look at Belichick’s teams I was blown away by the similarities. From Andre Rison in Cleveland to Randy Moss and Wes Welker in New England. At RB he went from Leroy Hoard, Tommy Vardell and Kevin Mack in Cleveland to Kevin Faulk, Antowain Smith, Corey Dillon and Laurence Maroney in New England. All very much similar type of players from a height, weight and style standpoint. If you log on to Pro Football Reference and look at some of those Browns and Patriots rosters you’ll be really surprised at how many similarities exist for players at each position.

Now when you ask Rick about his time with the St. Louis Rams, it’s not something he enjoys spending much time talking about. While he liked and respected Scott Linehan and was grateful for the opportunity to coach with the Rams, Rick knew the team was in trouble the first day he walked into the locker room.

He’d recall how each position had inconsistencies when it came to player attributes and styles. The vision on draft day would be cloudy which caused confusion on what the team was trying to become and when it carried over to the field, the organization lacked an identity and as a result finished with an 11-25 record under Linehan.

That isn’t to suggest that Scott Linehan can’t coach because he did a nice job for the Detroit Lions as their offensive coordinator and now he’s the passing game coordinator for the Dallas Cowboys but it illustrates the importance in knowing what you want your team to look like, feel like and ultimately play like in professional sports.

When you think of how that applies to sports talk radio, the comparisons are endless. Every detail inside an organization is critical to having success and it’s very true that much of the personality of the leader is reflected in the mindset and overall attitude of the team.

When I started programming radio stations I didn’t think about this at all. I was just trying to focus on helping guys out with doing a good show while also trying to convince myself that I was ready for the opportunity I had been handed. I didn’t know what I wanted out of each position on my radio stations, I just knew I wanted to win.

While that goal was one that everyone shared, having a plan for how to do it was absent. I certainly didn’t have enough of the right type of people around me to reflect my vision, but that wasn’t their fault, it was mine. I didn’t create the identity and brand vision that was needed for everyone to have success.

Since that time, I’ve grown a lot as a leader. It started at 101 ESPN in St. Louis and has continued for me in San Francisco with 95.7 The Game. The best thing to happen to me was going through a bad situation at 590 The Fan in St. Louis. Because the end result was failure and a 6-month stay on the beach, I used my free time to analyze every aspect of my game. I thought about what I wanted to accomplish if I got another chance, and who would be part of my team to carry out my vision if I got the call.

What I ultimately came up with was, any Jason Barrett programmed radio station was going to carry with it the identity of the 3 L’s. While there are other things that are important to a show or radio station’s success, these are the core principles that I believe in and seek out of my personalities. If I don’t feel an individual possesses these traits, then it’s difficult for me to bring myself to adding them to my team.

Learn: On the radio station’s that I have programmed, I have hired on-air personalities who possess the ability to help our audiences learn something new about the subjects were discussing. Any talk show host can throw out a basic statement and get an audience to react if they do it with passion. I want my hosts to dig deeper and give me some piece of insight I can’t get anywhere else. I should always feel as a listener that the host on the radio station is smart, prepared and informed and gives me things to think about that I can use with my friends to make myself look good. A few examples of hosts who’ve worked with me and fit this bill would be Bernie Miklasz, Greg Papa, Ric Bucher, Chris Dimino and Randy Karraker. There are plenty of others too.

Laugh: Let’s face it, the audience looks to us to take them away from the stress of their day. We are in business to entertain people. If you can’t laugh at yourself or with the audience, then what’s the point? Sports is supposed to be fun. So is doing a sports radio show. We’re not digging ditches or searching for the cure for cancer. Those are tough jobs. This is a labor of love, a passion play if you will. If you don’t have the ability to laugh, make people laugh, be vulnerable, and make an audience feel like they’re entering a sports bar to have a beer and shoot the shit with you, then you’re missing the point. Laughter brings people together and our job is to form a bond with our audience. When I think of hosts who deliver the laugh trait consistently I immediately think of John Lund, Zack McCrite, Whitey Gleason, Tim McKernan and Damon Bruce. Once again, I’m leaving some others out.

Likeability: This is the toughest of the 3 because the audience ultimately decides whether or not you’re likable but there are some factors that I look at that play into it. For example, are you willing to put your heart and soul into your content and let your audience into your world? If so, that matters to people. Can you acknowledge you’re wrong when you miss on an opinion or statement? It’s OK to be wrong in this business. You can strive to be right but need to be smart and own up to it when you’re not. People appreciate it because it tells them you’re human and you make mistakes just like them. Last but not least, are you approachable when you’re in front of people or are you the person who can’t wait to break away from the crowd? We’re in the people business. If you don’t like being around people, then that’s going to make it really hard to build lasting relationships. When I think of some hosts I’ve worked with who have the Likability characteristic, D’Marco Farr, Chris Duncan, Rob Ellis, Guy Haberman and Frank Cusumano all come to mind. Yes I know, I’m leaving a few others out too.

While I may seek personalities for my brands who possess the 3 L’s, it doesn’t mean you’re guaranteed to be successful if you have them. You could have a slow pace show that bores the audience. You could conduct 30 minute interviews each hour that fatigue the audience. You could talk fast and loud and cause the listener to only listen in small doses. Or, you could use references to help your positions that the audience simply can’t relate to.

In each of those cases, I believe coaching can help make a difference. Having the ability though to make an audience laugh and learn and come across as someone who’s likable is something you either have or don’t. It’s kind of like following the Belichick system. You can check all the boxes but if you’re not a good football player eventually you’ll be exposed.

The purpose of this exercise isn’t to instruct you to go back to work tomorrow and implement the 3 L’s, it’s to get you thinking on what makes you or your brand unique and what strategies you plan to use to help you further establish that philosophy.

Think about how it compares to sports since that’s what our format focuses on 24/7. Bill Walsh teams were known for playing the west coast offense and the players who were picked to play for his teams either fit that system or they played elsewhere in the NFL.

This didn’t mean that other players like Dan Marino, Lawrence Taylor or Marcus Allen couldn’t adapt and fit in, it just meant that the people who were already in place fit the system so well and helped the team win so much that there was no need to worry about changing anything. The same applies to the radio business.

There are always talented people out there who could help us perform. The question you must ask though is, do they fit the organization and my philosophy or not? If they don’t then it doesn’t matter how good they are because the end result will be your own dissatisfaction. That’s not just for a PD either. It can be a Host’s view of a Producer. A Producer’s view of a Board Operator or any other part of your organization.

Yes we all want to win but we also want to win with people who we enjoy working with and who we believe reflect the values and mission statement of our brands. Having an understanding of who you want to be and how you’re going to become that type of team is essential to determining whether or not you’re built to succeed or fail. Knowing or not knowing could be the difference of whether you become Bill Belichick or Scott Linehan.

Barrett Blogs

Where Are The Sports Radio Programmers of Tomorrow?

“As someone who’s helped many aspiring programmers over the years, I’ve seen less new people seeking out advice the past few years than they did from 2011-2019.”

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Photo Credit: Roman Gorielov

I don’t get the opportunity to write as often as I’d like to. Consulting projects make that harder these days but I do miss it. Fortunately I’ve been able to assemble a quality team to deliver news and industry opinions to your inbox and social media platforms each day. If you receive our emails, then you should notice one of those improvements today with our BSM 8@8 Newsletter. If you aren’t receiving our emails and would like to, click here to sign up.

The reason I chose to write today is because there’s one specific area of our industry that I’m concerned about and need to draw attention to. That’s the emergence of tomorrow’s sports radio program directors.

If you work in or follow this business, can you recall a year during the past decade where we saw more programming changes in sports radio than this one? I can’t. WFAN in New York, WEEI in Boston, KNBR in San Francisco, WIP in Philadelphia, Arizona Sports 98.7 in Phoenix, ESPN 97.5 in Houston, 93.7 The Fan in Pittsburgh, 750 The Game in Portland, ESPN 94.5 in Milwaukee, The Fan in Indianapolis, 107.5 The Game in Columbia, ESPN Las Vegas, 1620 The Zone in Omaha, and 98.1 The Sports Animal in Oklahoma City have or are soon to undergo PD changes. This follows a year where 101 ESPN in St. Louis, 104.5 The Zone in Nashville, WFNZ in Charlotte, and 680 The Fan and 92.9 The Game in Atlanta changed programming leaders. 98.5 The Sports Hub in Boston, ESPN 1000 in Chicago, 710 ESPN in Seattle, and ESPN LA 710 went thru changes too in the fall of 2019.

Twenty three brands undergoing change at the top of a station’s programming department in that short period of a time is an eye opener. But what really stands out are the lack of new faces to arrive on the PD scene let alone even come up during the interviewing process.

For every Rick Radzik, Amanda Brown, Kyle Brown and Qiant Myers who were elevated to PD positions over the past two years, there are proven leaders like Kevin Graham, Jeff Rickard, Tommy Mattern, and Terry Foxx who’ve landed in new situations. Those folks absolutely deserve those positions, so let me be clear, proven PD’s should always be valued. As I’ve told many decision makers before, a great PD is a difference maker. The film industry pays big money for Steven Spielberg, Martin Scorcese and Quintin Tarrantino because their track record highlights their abilities to deliver box office hits. Proven PD’s who can do the same for a radio station deserve similar respect.

But if you’re a younger person looking to advance your career into a programming role today, how do you take that next step let alone earn the nod when more experienced people want the same gig? Who’s advocating on your behalf? How would a corporate executive or market manager know that a producer, board op, promotions director or part-time host is capable of becoming the next great programmer?

Better yet, how does any corporate executive or market manager running a local brand know anything about your management style, vision, multi-platform skills, ability to lead people and work with multiple departments, and create exciting content, events and promotions if you’re working for another company in a different city? Here’s the answer, most times, they don’t. You apply for the job, your resume and email arrives in their inbox, which leads to them asking others about you. If someone you’ve crossed paths with says something good about you, you might get a call. If not, your materials go on file should the station have future needs.

Having led PD searches for a number of brands the past few years, I think the first step is finding out who’s interested in growing. Does anyone know of your desire to one day lead a brand besides the host you work with and the programmer you work for? Who have you sought out to gain knowledge and mentorship from outside of your building? Are you counting on an internal promotion to become a leader or assuming your PD will hype you up to potential employers? What are you doing to make sure the right people know you’re hungry to take the next step and you’re ready to go wherever an opportunity exists?

As someone who’s helped many aspiring programmers over the years, I’ve seen less new people seeking out advice the past few years than they did from 2011-2019. Maybe folks don’t think to come my way as much. Maybe they assume the company they’re working for will take care of them when the time comes. Maybe they don’t have the motivation to relocate or upset their current situation. Maybe the pandemic forced folks to press pause on pursuing advancement. Or maybe the role of a program director isn’t as appealing as it was to leaders from my era.

Some assume that because they’ve been successful at producing, and have done it for a long enough time, it means they’re ready for the next step. But programming is much more than managing a show. Not everyone is built to handle a verbal lashing from a market manager, balance a budget, negotiate deals, coach high profile talent, understand and examine PPM ratings, and unify departments. Let’s not forget interactions with corporate, being multi-platform skilled, knowing how to study and attack the competition, dealing with negative PR, and being the brand leader who keeps play by play partnerships in a healthy state.

If you’re behind the scenes in the sports radio industry, your path will most likely lead to becoming either a host, PD, moving into sales/marketing/imaging/digital/corporate or leaving the business. Top 10 markets and national networks are an exception as there are some very talented producers who’ve continued to work with top shows/stations for a long time. Both invest more in off-air positions. In many other cases, the financial upside for behind the scenes help is limited so eventually you reach a fork in the road when you have to decide the best path forward to make a decent living.

But those looking to take the next step don’t often think about positioning themselves to land the next big opportunity. They don’t take time to build relationships with key executives who they’ll one day interview with for a top job. Instead they think about that day’s show and the immediate tasks at hand. You can be the most creative, multiplatform savvy, best guest booker and strongest talent coach in America as a producer but if nobody else knows it outside your building, it’s going to be hard to take the next step. Which is why you have to make time to help yourself. You can start by emailing me. That can’t hurt.

Program directors have a responsibility here too. They should be making time to teach and push their behind the scenes people to want to advance their careers. They should also be telling anyone who will listen why one of their own is ready for the next step. Not enough do that. I can count on one hand the number of PD’s who’ve come to me championing one of their own for a top programming job over the past six years since I began helping stations find PD’s. Just going thru the interview process can be huge for an off-air professional who dreams one day of leading a brand. It helps them learn what to expect, how to present themselves, which areas they need to improve on in order to make the jump and most importantly, it shows them you care about them and their professional development.

I know that the job is busier today than ever for a PD and finding time is a pain in the ass. But coaching people is one of your biggest strengths. It’s why why you’ve been trusted to lead your brand. When twenty three positions open up and more than half require hiring elsewhere in the country and turning to folks inside different companies, that should raise eyebrows. Have you told others to consider someone on your staff? Did you push for them to be interviewed, even if they weren’t the right fit because you knew it’d serve them well later? Did you invest time in them to to make sure they were ready for the next step? And that doesn’t mean just giving them the crap you hate like filling out affidavits, building clocks, and corresponding with the traffic department.

Have you conducted 1 on 1’s with all of your off-air crew and learned who aspires to one day do what you do? Have you taught them how to analyze ratings and content? Sit in on show meetings? Critique talent? Recruit future staff? Participate in creative brainstorms or sales meetings? Have you told your GM or other high ranking executives or PD’s in your company about their passion to lead?

It should go without saying that if you’re in a position to lead and develop people, that it applies to more than just on-air talent. It should include grooming future programmers too. Any executive with oversight of your brand should be asking “who on your staff is ready to take a step?” If the answer is no one, they should be asking what your plan is to change that so the answer is different the next time they ask. If you’re skilled enough to lead a brand for years or even decades, those above you should want to protect the future by having you develop the next crop of programmers too. Your report card as a PD isn’t complete if all you can point to are good quarterly ratings. There are plenty of brands who’ve won in spite of their PD and others who have lost despite having an elite program director.

By the way, shouldn’t a PD want to see people inside their operations get called upon to take the next step? As hard as I pushed my crew to perform in St. Louis and San Francisco, when one got an opportunity to become a PD, APD or EP I was proud as hell. There’s nothing more fulfilling than seeing someone you have mentored, challenged and cared about take their career to a higher level. If you spend years in the position and have producers and assistant programmers not landing opportunities, let alone receiving calls to be interviewed for openings, you should be asking yourself ‘what haven’t I done to get them to that next level’ and ‘do I have the right people here who want to grow?’.

Lastly, I recognize everyone is under pressure to add good help. A station operating without a leader in the programming department creates a lot of problems, especially when it lingers for months. But you also need to find the right people or you end up with bigger problems later, most notably, others questioning your ability to hire the right people. If there’s one thing I’ve learned going thru these processes with different companies is that often times, decision makers want to move fast and find people who are referred by others they know and respect. If they hear a few good things said in conversation by a candidate that match what they value, they’re ready to move forward. Some get caught up in resumes or similar experiences/interests but not all ask the right questions and research people well. It’s amazing what you’ll learn if you investigate properly and ask questions that make folks uncomfortable. If you’re going to trust someone to lead your brand and staff, and set the tone for your operation, spending the extra time to be sure about those you hire is absolutely necessary.

Taking a chance on the APD or smaller market PD isn’t as safe as hiring a veteran leader. If you have a proven winner interested in your opening and feel confident that they fit your needs, I’m all for them being hired. But don’t make the mistake of assuming someone with less experience can’t make a greater difference. Imagine if we were back in 2004 and you passed on Jack Dorsey or Mark Zuckerberg in favor of a proven Newspaper editor to lead your brand’s digital strategy. How would you look today? That could be your radio station in five years if you overlook those with an ability to see the future better than the present when future openings arise.

To grow this format we need a mixture of new blood, new ideas, people who view the audio business differently from those in the present or past, and proven performers who’ve helped turn this format into a very successful one. We have to ask the right questions, fully research candidates, challenge our executives and programmers to take a greater interest in developing the next crop of sports radio executives, and consider new roads rather than the ones we’re most familiar with. We also need to hear from people who haven’t told us of their interest in taking the next step. We need to encourage them to want to grow and show them the path to do so. If we each do those things better, our format is going to spend a lot more time thriving and less time surviving in the years ahead.

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John Skipper To Speak At The 2022 BSM Summit

“In January 2021, Skipper’s plate became even more full when he reunited with Dan Le Batard to create Meadowlark Media. Since joining forces, the group has raised millions of dollars in funding, lured key talent to join the brand, and in April, Meadowlark closed a deal with DraftKings for a reported fifty million dollars over three years. Not too shabby for year #1.

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Putting on a two-day industry conference comes with a fair share of challenges. Months are spent building sessions, selling sponsorships, and talking to so many people that by the time the event rolls around, all I can think about is reaching the finish line and avoiding major issues.

But then the event happens, and there are moments where I’m able to block out the noise for 30-40 minutes and just be present in conversation. It’s what I enjoy most. Being able to sit across from an industry leader who’s been successful in business, and pick their brain on the past, present and future of our industry is both personally and professionally fulfilling. Not only does it provide me with an education, but it helps everyone in attendance too. That’s my motivation for running this conference.

When we return to New York City on March 2-3, 2022, I’m thrilled to share that I’ll have a chance to do that once again with someone I’ve professionally respected and admired for a long time. It is an honor to announce that Meadowlark Media CEO John Skipper will join us for a special on stage conversation at the 2022 BSM Summit.

If you’ve worked in this industry or aspire to, then you’re likely aware of what John has accomplished. He’s seen the business from many different points of view and remains very much involved in helping shape its future. But before we discuss his present involvement, let’s revisit the past.

During his tenure with ESPN, John spent five years serving as company president where he secured a series of long-term, multiplatform agreements with key rightsholders such as the NBA, NFL, MLB, Major College Conferences, US Open Tennis, FIFA, the Masters Tournament and British Open, the College Football Playoff, and the Rose, Sugar and Orange Bowls. He also oversaw the evolution of several brands including The Undefeated, Grantland, five thirty eight, and espnW among others.

Prior to becoming company president, John held the position as EVP of Content, which he earned after helping create and introduce one of the most successful magazine launches of the 1990’s with ESPN The Magazine. His understanding and belief in digital helped ESPN move ESPN. com forward in 2000, adding a paid section, ESPN Insider, and delivering a revamped site approach to generate more advertising. His foresight also spurred the launch of ESPN3, a television network producing more than 4,000 live events on the web and through mobile devices. If that wasn’t enough, John also supported the creation of the Watch ESPN app, played a key role in elevating the careers of many of the industry’s top sports media stars today, and oversaw the growth of ESPN Films, ESPN Radio, and many of ESPN’s key television programs.

After exiting the worldwide leader, John signed on as the Executive Chairman of DAZN. In January 2021, Skipper’s plate became even more full when he reunited with Dan Le Batard to create Meadowlark Media. Since joining forces, the group has raised millions of dollars in funding, lured a number of key talent to become part of the brand, and established a strong presence in podcasting and on YouTube. In April, Meadowlark closed a deal with DraftKings for a reported fifty million dollars over three years. Not too shabby for year #1.

What I’ve appreciated about John is that he’s never been afraid to roll the dice and take risks. Some of his moves have worked out, others haven’t. The wins have been recognized across the industry, but so too have the losses. He’s had to lead a company thru high profile talent controversies, cord cutting challenges, understand the world of video, audio, print, digital, advertising, subscriptions, talent, and rights deals both domestic and internationally, all while keeping his finger on the pulse of the present state of the media business while turning an eye towards the future and knowing which areas the company should make significant investments in.

John has been thru all of it as a media executive, and he’s still doing it while building the Meadowlark brand. A recent story in Bloomberg captured some of his views on growing the Le Batard empire and navigating various parts of the industry. I highly recommend taking time to read it. You can do that by clicking here.

We have five and a half months until we’re inside the Anne Bernstein Theater in New York City, so who knows where the industry will shift during that time. One thing is for certain, John Skipper will be ready for whatever lands on his doorstep. I’m eager to spend time with him in New York treating industry professionals to his insights, opinions and leadership lessons. I’m confident those in attendance will gain value from hearing his perspectives on the industry.

I invite you to join us either in person or virtually for the 2022 BSM Summit. Tickets to the event can be purchased by clicking here. For information on sponsorship opportunities, email JBarrett@sportsradiopd.com.

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2022 BSM Summit Adds Pablo Torre, Joe Fortenbaugh, Kazeem Famuyide & John Jastremski

“By the time March’s conference rolls around, we’ll have somewhere between 50-60 people announced to participate at the two day Summit.”

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The announcements continue for the 2022 BSM Summit. After recently sharing the news that former ESPN Radio executive Traug Keller would join us in the big apple to accept the Jeff Smulyan Award, and previously revealing the first fourteen participants scheduled to appear, it’s time to inform you of a few key talent who will participate in sessions at March’s show.

I’m thrilled to welcome ESPN’s Pablo Torre to the 2022 BSM Summit. Pablo’s been with the worldwide leader since 2012. During that time he’s served as a senior writer for ESPN.com, the host of the ESPN Daily podcast, and has appeared on shows such as Around The Horn, Highly Questionable, and The Dan Le Batard Show. He also previously co-hosted High Noon with Bomani Jones. Prior to joining ESPN he spent five years writing for Sports Illustrated. Having worked with a mixture of talent from various backgrounds, I’m looking forward to having him share his insight and opinions on the value of it at the show.

Pablo isn’t the only ESPN personality joining us in New York for the conference. I’m excited to welcome back a great friend and one of the smartest sports betting analysts on television, Joe Fortenbaugh. Joe is regularly featured on ESPN’s sports betting program Daily Wager. He also appears on other ESPN programs and segments on television, radio and digital platforms. Prior to joining the network he hosted 95.7 The Game’s morning show in San Francisco, and hosted “The Sharp 600″ sports betting podcast. He’ll moderate a conversation with sports betting executives at the show.

Given that this two-day sports media conference is taking place in the heart of New York City, it’d be silly to not include someone who’s passion, energy, sound, and content embody what New York is all about. The Ringer’s John Jastremski will make his BSM Summit debut in 2022. The ‘New York, New York’ host is known to many for his years of contributions on WFAN. It’ll be fun picking JJ’s brain on the differences between performing on a traditional platform and the digital stage.

Jastremski isn’t the only one with a connection to The Ringer who will participate at our 2022 event. My next guest is someone who I’ve followed on YouTube and Twitter for years, has infectious energy and likeability, and has taken his life experiences and sports passions and turned them into opportunities with MSG Network, SNY, The Ringer, Bleacher Report, WWE, The Source and various other outlets. Kazeem Famuyide will join us to shed light on his journey and offer his perspective on the value of traditional vs. non-traditional paths.

By the time March’s conference rolls around, we’ll have somewhere between 50-60 people announced to participate at the two day event. I’ll be announcing the addition of a very special executive in mid-October, as well as a few high profile speakers and awards recipients in the weeks and months ahead. I’m appreciative of so many expressing interest in speaking at the conference, and as much as I’d like to include everyone on stage, I can’t. Keeping the Summit informative, fresh and focused on the right issues is important, and to do that, I’ve got to introduce different people, perspectives and subjects so our attendees gain value to further improve the industry.

A reminder, the 2022 BSM Summit is strictly for members of the sports media industry and college students aspiring to work in the business. It brings together people from more than thirty different media companies and focuses on issues of relevance and importance to media industry professionals. The show takes place March 2-3, 2022 in New York at the Anne Bernstein Theater on West 50th Street. Tickets and hotel rooms can be secured by visiting BSMSummit.com. For those unable to attend in person, the Summit will also be available to view online. Virtual tickets can be purchased by clicking here. Hope you’ll join us!

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