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Milo Hamilton Dies

Jason Barrett

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Milo Hamilton, a signature voice of Major League Baseball who roamed the big league map for three decades before finding in the Astros and in Houston the team and town for which he had been searching through a long, storied career in broadcasting, died Thursday. He was 88.

Hamilton’s son, Mark, said Hamilton, who had been in hospice care for several weeks, died at 10:53 a.m., a fan to the end of the Astros and of the sport that was his profession and his passion.

Hamilton, the 1992 recipient of the Ford Frick Award from the National Baseball Hall of Fame, made his final visit to Minute Maid Park in June and spent his final days listening and watching from afar as the Astros made their long-awaited return to contention and as their most storied player, Craig Biggio, was installed in the Hall of Fame.

“He loved the organization, and he loved what was going on with the ballclub this year,” Mark Hamilton said. “Even with his health, the one thing that kept him going until the end was how great these kids were doing.”

Hamilton called Major League Baseball games on radio and television from the 1950s into the current decade, working for the St. Louis Browns (1953), St. Louis Cardinals (1954), Chicago Cubs (1956-57, 1980-84), Chicago White Sox (1962-65), Atlanta Braves (1966-75), Pittsburgh Pirates (1976-79) and the Astros, joining the team in 1985 and serving as its primary on-air voice from 1987 through 2012.

Former President George H.W. Bush remembered Hamilton as “his own Houston institution.”

“Barbara and I mourn the loss of Milo Hamilton, a genuine baseball icon, a Hall of Fame sportscaster — and, happily for us, a good friend,” Bush said in a statement. “In time, Milo was so endeared he became his own Houston institution, and the countless good causes he helped made him one of the brightest Points of Light we knew. It was hard for him, and indeed all Astros fans, when he stepped away from the booth in 2012 after his legendary career, but from this day forward we can take comfort that he will always have the best seat in the house. Holy Toledo, what a good man he was — and we were fortunate to know him.”

Hamilton’s most famous moment behind the microphone came in Atlanta, where he had the radio call of Henry Aaron’s record-breaking 715th home run in 1974.

In Houston, where he spent more than half of his years in the major leagues, he will be remembered as delivering the soundtrack for many of the team’s greatest moments, including a half-dozen playoff series and its first and only World Series appearance in 2005.

And it was in Houston that he finally was able to achieve the longevity, and the enduring connection to a city and its fans, that had escaped him in other stops along the way.

“He loved the city and was passionate about the ballclub. You saw that over the years,” Mark Hamilton said. “He wanted to be involved, and the ballclub was so good to him up to the end by letting him remain involved.”

Curt Smith, author of the book Voices of the Game, said Hamilton’s small-town roots and traditional ways were a perfect fit for Houston and the Southwest.

“In coming to Texas, he found a home and a region that liked him to an extraordinary degree,” Smith said. “He hearkened back to an era where for many people there was only one sport, and that sport was baseball. He called other sports and called them well, but to Milo, there was really only one game, and that was baseball.”

Smith in one of his books on broadcasting history ranked Hamilton at No. 27 among the great voices of the game, “and you can make the case he deserved to be higher,” he said, “He had every took that a broadcaster needed – a wonderful, soothing, wearable voice. And he felt he owed the listener the best that was within him.

“I hope it gave him a sense of satisfaction that there were millions of people who loved him,” Smith added.

To read the rest of the article visit the Houston Chronicle where it was originally published

 

Sports Radio News

Nick Wilson: Deshaun Watson Press Conference ‘Insulting’ To Local Media

“You — neither Deshaun, his lawyers, or anybody involved in this — get to dictate what those reporters get to say, ask, or think.”

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Cleveland Browns quarterback Deshaun Watson met with the media for the first time yesterday since being reinstated by the NFL after the league ruled he was guilty of violating the Personal Conduct Policy due to improper sexual advances towards more than two dozen massage therapists. 92.3 The Fan afternoon host Nick Wilson called Watson’s press conference “trash” and “insulting” to local media.

Watson told reporters he would only answer football related questions from the assembled media members, which Wilson took issue with.

“You can’t bury this story simply by saying ‘I won’t talk about it’,” Wilson said. “It is insulting to the media who covers this team. This is not about Nick Wilson, I promise. This is about the beat reporters who cover this team. It is insulting — intentionally or not — to say ‘You know what, guys? I love y’all, but I’m going to dictate what you ask me’.

“You don’t do that. You dictate when you speak, your opening statement, or how you respond. You — neither Deshaun, his lawyers, or anybody involved in this — get to dictate what those reporters — who work very hard day in, day out covering this organization, covering Deshaun Watson, covering this town — get to say, ask, or think. That was trash.”

Co-host Dustin Fox added the whole job of the media is to bring information to fans, and Watson wouldn’t allow reporters to do that Thursday, and may never do that.

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Sports Radio News

Gregg Giannotti: Biggest Issue With Craig Carton, Jon Jastremski Feud Is “Mole” At WFAN

“The thing that bothers me the most about this is the leak from within the building. Someone here is sending this audio out to a former listener…to cause problems.”

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Gregg Giannotti

A feud has sprung up between WFAN afternoon host Craig Carton and former WFAN host John Jastremski. Boomer & Gio discussed the spat on Friday morning’s show, with Gregg Giannotti being troubled by a revelation.

During his New York New York podcast, a voicemail left for Jastremski asked about Carton’s comments, but the caller said a WFAN employee sent him the clip of Carton’s criticism.

“So that means we have a mole,” Boomer Esiason said.

“That right there is a problem,” Gregg Giannotti added. “‘We both have a mutual friend that still works over there’ and that person shared a link of Craig talking about JJ (Jastremski). So, clearly, that person is on JJ’s side and they’re still working here. That’s a mole! That’s someone going against the team! And I think know who that is!”

Esiason then asked if he knew the person, to which Giannotti said he did. He then asked if he would be upset by who it was, which Giannotti affirmed as well.

The show then played the final portion of Jastremski’s rant, which included him saying to Carton “I’m not listening to a crook. So you know what? Go take a f—ing hike.”

“Jesus!” Esiason exclaimed. “Good for JJ, though. Standing up for himself.”

“I like both of these guys. I do. I got respect for both of them,” said Giannotti. “Everybody doesn’t have to go to the jail, crook thing with Craig every single time. Do they? It’s low-hanging fruit. Everybody goes there. There’s no way he can defend himself in that way because everybody saying ‘You went to jail’ didn’t go to jail, and it’s not apples and oranges. But the business stuff is apples-to-apples.

“So when I hear that, I’m just like ‘Ok, you went there. Be a little more creative than that’. As far as I listen to legend things, please, nobody has given me worse advice in my life than Mike Francesa did. Nobody. I would still be out in the newsroom cutting Islander highlights if I listened to that guy. And the only reason why Mike liked JJ was because he didn’t feel he was a threat. The only people Mike likes is the people he feels non-threatened by. And that’s where that comes from.”

After concluding Jastremski’s rant was a “little over the top”, Giannotti then turned his attention to the “mole” inside the station.

“The thing that bothers me the most about this is the leak from within the building. Someone here is sending this audio out to a former listener…to cause problems. That — to me — is an issue. The guy on the voicemail said ‘We may or may not have a mutual friend that still works at the radio station’ and this guy just slammed the radio station. And he’s friends with the guy who slammed the radio station and then slammed Craig and this guy’s on their side?! And this guy that works here is on their side?! That to me is a major, major problem.”

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Sports Radio News

Dan Dakich: Craig Carton is ‘The Way Talk Radio Should Be’

“If you’re being critical because you want to be the guy that’s always critical I don’t think you can do that either. I think you gotta be honest. And criticism comes with it.”

Jordan Bondurant

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Craig Carton has prided himself on being one of those hosts who tells it like it is, especially when talking about New York’s pro sports teams.

That willingness to call a spade a spade and levy criticism on teams like the Jets and Giants, especially when things are not going well on the field, is something Dan Dakich has always seen as a recipe for success in the industry.

Interviewing Carton on Thursday on his Outkick show Don’t @ Me, Dakich praised the WFAN afternoon host for essentially creating a blueprint for how sports talk should be done.

“In Indianapolis I’m the bad guy right, because I say look the Colts stink, this regime is 46-49-1 – why are you telling me the GM is the best in the country – why are you telling me Frank Reich can really coach?” Dakich said. “New York’s different, though, right? I mean, New York they expect you to say look if you ain’t any good then you ain’t any good. Yu don’t sugarcoat nothing, and I think that’s the way talk radio should be.”

Carton noted that what’s key in how you critique a team or a front office, executive or owner is finding a balance. He said you can’t as a host be the ultimate homer and blow smoke up everyone’s behind.

“You have to be able to be critical when it’s warranted,” Carton said. “If you’re being critical because you want to be the guy that’s always critical I don’t think you can do that either. I think you gotta be honest. And criticism comes with it.”

Carton pointed out that the fan bases in both New York and in Indianapolis are ultimately the same, because at the end of the day it’s all about making sure you have competent people calling the right shots. He added that the organizations are the same too because of how sensitive they can be to criticism, which he said if they don’t like it, “too bad.”

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