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Why Does Eli Do WFAN Call-Ins?



Eli Manning is not a local radio star. He just gets paid like one.

He earns somewhere around $250,000 per season, according to radio sources, for his weekly appearances that last a few minutes on WFAN. This is a mere pittance compared to the $84 million contract ($65 million guaranteed) he just signed with the Giants.

Manning does not need the radio money. So, why does he bother doing the weekly spot? Why deal with the aggravation these sessions produce? Likewise for all the other players — including Odell Beckham Jr., Muhammad Wilkerson and Prince Amukamara — who currently are paid (far, far, far less than Manning) to run their mouth on the radio. Outside of the cash, what good does it do them?

There’s much more downside, even risk.

Look at the week Manning just had.

His scatter-brained approach late in Sunday night’s Dallas fiasco had the media whipping him like desperate jockeys down the stretch at Aqueduct. Instead of being able to lay low Monday, Manning had to fulfill his radio commitment and explain his bizarre decisions to Mike (Sports Pope) Francesa, who on this occasion decided not to interrupt.

Granted, Manning’s audience with the pontiff was followed by a conference call with reporters. Still, Francesa had it straight from the quarterback’s mouth — first, which means even more now in the world of tweetily-dee. WFAN got its money’s worth out of Manning. It was a win for the FANdroids.

Manning? He may as well have left that interview session with a “Rip Me” sign on his back. By no means was this the first time Manning delivered, to his own detriment, on the radio.

In 2011, while yakking for ESPN-98.7, Michael Kay asked him if he was a “top 10, top five” quarterback.

“Yeah, I think I am,” Manning said at the time. Asked specifically if he was the same level as Tom Brady, Manning paused and then said: “Yeah, I consider myself in that class. And Tom Brady is a great quarterback.”

For ESPN-98.7, this was a major score. For Manning it was a another lesson on being an object of ridicule. He had deposited himself smack in the middle of a controversy and a debate that raged inside the Valley of the Stupid and other media precincts. To this very day, it still resurrects itself, especially when Manning pulls a rock and the first-time-caller, long-time-moron crowd takes over.

When station brass enters a radio relationship with a player it is always one-sided. The suits know the eventual upside (aka ANY type controversy) is worth their investment. The minor risk is the cat is reluctant to go off the script (that’s the direction Wilkerson has taken on FAN with Joe Benigno/Evan Roberts) written by the team’s PR department, leaving the Gasbags to carry him.

And Wilkerson is quite a load.

Benigno: “What about your contract, Muhammad?”

Wilkerson: “You better take that up with my agent.”

Scintillating radio, right?

Come on, Manning must have a valid reason to risk being put on the spot for what, in his world, is chump change. There’s this notion as the face of the Giants, Manning wants to put his “message” out to the unwashed masses after each game. That sounds nice but rings totally hollow. Is this about Manning looking down the road at landing a TV gig when he retires? His understated delivery suggests this is not what he aspires to.

A variety of marketing agents, who negotiate radio deals for current NFL players, say Manning actually extends his media profile by doing radio, which could help lead to more endorsements. Considering the number of commercials Manning appears in, the strategy is working.

Others who don’t possess a quarter of Manning’s marquee value take the radio plunge simply so the public can hear them speak. This helps when it comes to landing personal appearances, which are far, far less lucrative than commercial endorsements.

Yet for these guys, the odds of radio appearances leading to more money, in terms of endorsements or a TV job when they retire, are long. In fact, the appearances can have a far more detrimental affect than the fallout Manning got after the “elite” spot with Kay or Manning’s recent conversation with the Pope.

Like when Jeremy Shockey went into self-destructive mode in 2002 doing a weekly appearance with Francesa and Chris (Mad Dog) Russo. They came on strong with Shockey, who was taking their heat for the grand sum of $1,000 per appearance. Shockey reacted to FranDog’s tough line of questioning by either showing up late or not showing up at all. For this, the Gasbags labeled him “unreliable” and “unprofessional.” Shockey never shook that perception.

On the other side of the equation is Antrel Rolle, who was must-listen radio when he performed on WFAN with Benigno/Roberts. Rolle stirred the pot and took the heat that came his way. For all this, Rolle, now on the Bears, can’t get a radio gig in Chicago.

Maybe he should consult with Eli.

Credit to the NY Daily News who originally published this article

Sports Radio News

Pat McAfee Defends His Intellectual Property on Show

A YouTube user had been using videos from McAfee’s show on his own channel and monetizing them.



Intellectual property is the most important asset a content creator has in the digital space. That’s why it should not come as a surprise when Pat McAfee took to his show today to defend his.

A YouTube user named AntSlant had been acquiring video from Pat McAfee’s daily show for a while and putting it on his YouTube channel as his own content for months. McAfee has been a hot commodity and it seems that the personality may have been alerted to this activity thru potential future partners and their social searches. McAfee apparently reached out and sent a warning and today he addressed the account in what he called a little “house cleaning.”

“I have funded everything that you see (referencing his studio),” McAfee began. “Whenever you talk about stealing people’s footage, stealing people’s content and putting it up on the internet – so you can benefit from it – I don’t know how you think that the person that created, funded and paid for the content, worked their dick off, and their ass off amongst their peers and did everything – how they are the scam artists in this entire thing and not the account.”

Pat McAfee started referencing the offending account’s ability to monetize the videos. “We looked it up because we have this ability, [they] probably made $150,000 off of our content – not remixing the content, not getting in there and speaking and being a content creator – ripping content from us. Putting it together putting it up as their own videos and marketing it as if they work for us. And never reaching out to us one time. Not one time.”

The value of this content is immeasurable especially considering the account using McAfee’s IP is on the same platform (YouTube) as he is. McAfee add, “no network would just let you take their shit and profit off it. Nobody on Earth would let you do that.”

McAfee then revealed that he would partner with another YouTube account Toxic Table Edits. That account, which was doing the same thing as AntSlant, created a community around the Pat McAfee Show image. Things went differently for Toxic because when contacted by McAfee, the owner of that account responded “like a human”. Now the two will partner on future projects.

A Twitter account with the name @AntSlant did tweet shortly thereafter saying that the videos McAfee discussed had been deleted from his YouTube channel.

Upon an inspection of a YouTube account named AntSlant, the videos are no longer.

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Sports Radio News

Parker Hillis Named Brand Manager of Sports Radio 610



Goodbye snow and hello heat! Parker Hillis is headed to Houston. Audacy has announced that he will be the new brand manager for Sports Radio 610.

“Parker is a rising star,” Sarah Frazier, Senior Vice President and Market Manager of Audacy in Houston, said in a press release. “He has impressed us since day one with his innovative ideas, focus on talent coaching and work ethic. We’re thrilled to have him join our Audacy team.”

Hillis comes to the market from Denver. He has spent the last three years with Bonneville’s 104.3 The Fan. He started as the station’s executive producer before rising to APD earlier this year.

In announcing his exit from The Fan on his Facebook page, Hillis thanked Fan PD Raj Sharan for preparing him for this opportunity.

“His leadership and guidance set the stage for me to continue to grow and develop in this industry, one that I absolutely love,” Hillis wrote. “This is a special place, one that I am honored to have been a part of and so sad to leave.”

Sports Radio 610 began the process to find a new brand manager in February when Armen Williams announced he was leaving the role. Williams also came to Houston from Denver. He started his own business outside the radio industry.

“I’m excited to join the Sports Radio 610 team in Houston,” said Hillis. “The opportunity to direct and grow an already incredible Audacy brand is truly an honor.”

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Sports Radio News

Schopp & Bulldog: NFL Has To Figure Out Pro Bowl Alternative That Draws Same Audience

“The game just could not be less interesting.”



After years of criticism and declining television ratings, NFL Commissioner Roger Goodell publicly stated this week that the Pro Bowl, as it is currently contested, is no longer a viable option for the league and that there would be discussions at the league meetings to find another way to showcase the league’s best players.

Yesterday afternoon, Schopp and Bulldog on WGR in Buffalo discussed the growing possibility of the game being discontinued, and how the NFL could improve on the ratings it generates with new programming.

“The same number of people [who] watched some recent… game 7 between Milwaukee and Boston… had the same audience as the Pro Bowl had last year,” said co-host Chris “The Bulldog” Parker. “….Enough people watch it to make it worth their while; it’s good business. They’ll put something in that place even though the game is a joke.”

One of the potential outcomes of abolishing the Pro Bowl would be replacing it with a skills showdown akin to what the league held last year prior to the game in Las Vegas. Some of the competitions held within this event centered around pass precision, highlight catches and a non-traditional football competition: Dodgeball. Alternatively, the league could revisit the events it held in 2021 due to the cancellation of the Pro Bowl because of the COVID-19 pandemic, which included a virtual Madden showdown and highlight battle, appealing to football fans in the digital age.

Stefon Diggs and Dion Dawkins of the Buffalo Bills were selected to the AFC Pro Bowl roster this past season, and while it is a distinct honor, some fans would rather see the game transformed or ceased entirely – largely because of the risks associated with exhibition games.

In 1999, the NFL held a rookie flag football game on a beach in Waikiki, Hawaii before the Pro Bowl in which New England Patriots running back Robert Edwards severely dislocated his knee while trying to catch a pass. He nearly had to have his leg amputated in the hospital, being told that there was a possibility he may never walk again. Upon returning to the league four seasons later with the Miami Dolphins, Edwards was able to play in 12 games, but then lost his roster spot at the end of the season, marking the end of his NFL career.

“You might not want to get too crazy with this stuff, but there’d have to be some actual contests to have it be worth doing at all,” expressed show co-host Mike Schopp. “Do you not have a game? I don’t know.”

The future of the Sunday before the Super Bowl is very much in the air, yet Goodell has hardly been reticent in expressing that there needs to be a change made in the league to better feature and promote the game’s top players. In fact, he’s been saying it since his first days as league commissioner in 2006, evincing a type of sympathy for the players participating in the contest, despite it generating reasonable television ratings and advertising revenue.

“Maybe the time has come for them to really figure out a better idea, and maybe that’s what’s notable [about] Goodell restating that he’s got a problem with it,” said Parker. “If there’s some sort of momentum about a conversation [on] creating a very different event that could still draw your 6.7 million eyeballs, maybe they’ll figure out a way to do something other than the game, because the game just could not be less interesting.”

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