Connect with us

BSM Writers

Around the Diamond With Kevin McAlpin

Tyler McComas



Have you ever attempted to plan out an ultimate baseball trip? A cross-country journey that takes you to various cities and ballparks in America? It’s the ultimate dream for any hardcore baseball fan to experience all the nuances each stadium from Safeco Field to Fenway Park has to offer. For most, that’s a dream that will remain a fantasy. However, for Kevin McAlpin, it’s a daily job.

But to know how McAlpin is traveling the country with the Atlanta Braves Radio Network, you first have to know about his journey. A Temple University grad, McAlpin’s road started at a small AM station north of Philadelphia owned by Eagles play-by-play voice Merrill Reese. 

He was told he would do a little bit of everything, which was meant literally. McAlpin would serve multiple roles, ranging from news and sports updates, to play-by-play for high school football and basketball, to over-night shifts at the station, even when he felt his parents and girlfriend were only ones listening. It was invaluable experience to a young kid that was fresh off an internship with the Philadelphia Phillies in ballpark operations. 

From there, an opportunity with an ESPN station in Philadelphia came about, but it wasn’t the role he was looking for. Strictly dealing with promotions, McAlpin wanted to find a way, whatever the cost, to get back in front of the mic. He did so by approaching his program director and expressing the desire to fill any opening the station had. 

That’s valuable experience to any young person in the business. If you want a larger role in the station, sit down with your PD and show you’re willing to work any shift to make it happen. That’s exactly what McAlpin did, as at the age of 25, he was pulling a Friday night un-paid 7 p.m. to 1 a.m. shift. It wasn’t glamorous, but it was certainly a start in the right direction.

While most of his friends were probably out and enjoying the Philadelphia nightlife, McAlpin was balancing 90-second updates every 20 minutes, with Boston Market dinner dates alongside his girlfriend in a back room of the station. Now his wife, McAlpin calls Melissa the ‘Real MVP’ of the family, as she not only stuck by his side during the tough times, but essentially becomes a single mom during baseball season. 

Wives of successful personalities in the business don’t get the recognition they deserve, but show me someone who’s had a decent run in radio and I’ll show you someone who’s likely had a woman by his side throughout the entire journey. McAlpin is no different. 

Shortly after proving his worth as an over-night update anchor, McAlpin finally got the big break he was waiting for. Meredith Marakovits, who’s now a reporter for YES Network covering the Yankees, left the station, which opened up a position covering the Phillies as a beat reporter. Once again, McAlpin approached his PD and expressed his desire for the position. And once again, he received the new opportunity by showing ambition. 

Though the station didn’t have much money in the budget, McAlpin offered the station a deal. He’d do the first home stand to show his capabilities and a decision would be made following the series. As fate would have it, the station loved what he brought and put him on the beat for the following two seasons. McAlpin didn’t get to travel with the team in either season, but did all 81 home games for a Phillies squad that eventually became one of the best teams in the National League.

In his new role, McAlpin had a chance to meet a lot of the visiting teams, including the Atlanta Braves, who used him as a stringer for 50 bucks per game. The job included obtaining post-game audio from the Braves’ clubhouse and sending it to their post game show. It may have seemed insignificant at the time, but it would turn out to be a major connection. 


After the 2011 season, McAlpin noticed a job posted online for the Braves Radio Network. Wanting to expand its coverage, the network was looking for a full-time radio reporter to travel with the team and be there from the first day of spring training until the last game of the season.

McAlpin then reached out to a few people he had already communicated with at the Braves Radio Network and asked what they knew about the position. After being one of a couple hundred applicants, his previous working relationship paid off, when he was offered the reporter position for the 2012 season. 

For McAlpin, the 2018 season marks year No. 7 with the Braves Radio Network. His career has allowed him opportunities such as meeting Vin Scully, signing his name inside the Green Monster at Fenway Park and even the opportunity to cover the farewell season for Chipper Jones. When it comes to baseball, he’s experienced almost everything the game has to offer. 


If you take away anything from McAlpin’s experience, let it be these two lessons: First, if you’re looking for a new role at your station, make it known to your PD. Amazing things can happen in your career if you simply ask and show the desire to work. Secondly, make as many contacts as possible. Whether it’s at a press conference, game, wherever, make sure you’re meeting new contacts not only from people in your market, but others as well. 

TM: When was the very first time you got in a radio station? 

KM: I always knew I wanted to do radio or TV since I was in middle school. My high school outside of Philadelphia actually had a radio station. I was able to get my feet wet and get on the air by the time I was a freshman in high school, which was pretty awesome because there’s not a lot of high schools that have those type of opportunities. A cool fact about it, It’s actually the oldest high school radio station in the country. I was mostly a music DJ and other little things. I was just trying to get a feel of how the business works. 

TM: What’s a normal game day like for you? 

KM: Typically, I’m in the clubhouse about four hours before the game starts. I’m there gathering sound we use for the pre game show, as well as one-on-one interviews we use for our weekly show. After that, I go upstairs to edit all the sound and send it in to the studio so those guys can have it for the pre-game show. Once the game starts, I’m covering it and doing updates on social media, stuff like that. 

After the game, I’m getting all the audio for the post game show from the manager, starting pitcher and usually a couple of players. We do a lot of different Braves content, here in Atlanta. So, my day actually starts at 7:45 in the morning when I do about a 10-minute segment with our morning show, called Atlanta Braves Today. We do that every week day from the final week of spring training to the end of the season. 

Basically, I get to the ball park around 3:30 most days, if I’m lucky we’ll get a three-hour game and I’ll get home around midnight or 12:30. 

TM: Since you’re in the clubhouse for every single game of the year, how important is it for you to build really good relationships with the players and coaching staff? 

KM: That’s everything. It takes a long time to establish trust with guys, fortunately I’ve been able to do that with basically everyone I’ve dealt with over the years. The one thing, is that it only takes one screw up to de-rail that relationship you spent so much time building up. 

I think a lot of it is just earning their trust and with traveling with the team, some things happen away from the field that you’ll see and hear but keep to yourself, if you know what I mean. I always respect the guys and never run with things I see off the field. I know where our time is and where our place is, I’m lucky enough to go on the team plane and stay in the team hotel, so I just respect that guy’s privacy as much as possible. It takes one stupid tweet to mess up a relationship and it’s really hard to do your job when you do that. 

TM: With that being said, since you’re with the Braves Radio Network, is it your role to ask tough questions to a guy that’s in a slump or not playing well? 

KM: Yeah, I think you have to because the listeners aren’t idiots. There’s only so much you can try and put a positive spin on. That’s always been my personality, it’s always been how I was raised, to be a happy, look at the bright side kind of guy. But look, if a guy is struggling, you have to point that out. 


I think there’s a way you do that without crushing a guy. You can say, look, this guy is 1 for his last 20, but he had a similar stretch last year and still had 200 hits. I think you have to be honest with the fans and people that are listening, but I don’t think you have to go out of your way to bury a guy either. 

It’s easy to say Freddie Freeman is on pace to win the MVP, but it’s not as easy to question what’s going on with Ozzie Albies lately. You’ve just got to find a balance and the players understand we have a job to do. I don’t think many of the players read or listen to what we put out, some do and they’ll tell you about it, but I think you owe it to the listener to be honest and open. 

TM: Is it hard to find a story line for all 162 games during the season? 

KM: It’s hard. Even when things are going well for the team. It’s just so different from any other sport, because it is every day and you’re always trying to come up with new storylines. I think the one area we’ve been lucky with, is all the storylines that have rolled through since there’s been so many new faces on the roster the last four years. 

It can be challenging when the team has won 8 in a row, because even though that’s good, it doesn’t necessarily mean it’s easier to create a story line from. That probably sounds weird, but it’s just another reason why baseball is so different. There’s some days where there’s not a whole lot going on, so you have to dig and find something worth talking about. 

TM: I’m guessing you have to be really up to speed on every team in the National League? 

KM: Yeah, and with Interleague play, you have to an eye on the American League. We go to Toronto this week, we’ll be in Canada about 40 hours after we play a night game and then we’ll turn around and play the next afternoon and fly out after. 

We played Boston in Fenway Park a couple weeks ago, which was easy because they’ve been killing everyone so you didn’t have to dig too deep for stuff on them. It’s not so easy when you play the Tampa Bay Rays. We played down there a couple weeks ago. 

So yeah, I try to do my homework on those teams a couple of days in advance, so when I go into a clubhouse of a team that we don’t see a lot, I’m ready and having an idea on what’s going on with them. I’ll reach out to guys that cover the other teams to see who’s accessible and best to talk to, as well as who to stay away from. But yeah, it’s not just the NL, it’s everybody. 

Fortunately, all the info you could need is at your fingertips, but you have to do keep an eye and ear on what everyone in the game is doing. To me, that’s the fun part. 

TM: How tough is it having a family and having to leave so much during the season? Is that the toughest part of your job?

KM: I would say yes, it’s tough. I have a three-year-old and for 7 months I’m part-time dad. I think the thing people don’t realize, is even when I’m home, I’ll see him for 45 minutes before he goes to daycare and then on FaceTime after he gets home. 

There’s a misconception, because when we’re home, we’re not really home. I do the best I can when we have an off day. I’ll spend the whole day with my son, turn my phone off and try to disconnect for a while, but it’s just so hard because there’s always something happening. 


Don’t get me wrong, I’m so lucky to be able to travel. I went to more cities in my first year covering the Braves than my parents have went to in their whole lives. I put in perspective the fact I’m traveling to places I never thought I’d go. We now know where the best places are to get lunch, or where the best bartender in town is, it’s just cool to be able to go to Los Angeles and have spots that you always hit. 

At the end of the day, I just take the positives with the negatives. I get to be home for the offseason that lasts 4 and a half months. There’s not a lot of people that can say they work every day for 7 and a half months but get 4 and half months off. I’m home for Halloween, Thanksgiving, Christmas, all the fun holidays. I would sacrifice a 4th of July barbecue to be with my family for those holidays. There’s sacrifices in every job, mine are just a little different. 

Sign up for the BSM 8@8

The Top 8 Sports Media Stories of the Day, sent directly to your inbox, every morning at 8am ET.

Invalid email address
We promise not to spam you. You can unsubscribe at any time.

BSM Writers

Vic Lombardi Turns Nuggets Disrespect into Great Content

“I keep telling people they’re going to go where the money is. The money is the Lakers and the big city teams. The Nuggets don’t sell.” 

Tyler McComas



courtesy of Vic Lombardi

There was a feeling of Denver vs. Everyone during the 10 days that separated the end of the Western Conference Finals and Game 1 of the NBA Finals. The word “boring” was being used to describe what it was going to be like watching the Nuggets play for an NBA title. It didn’t sit well with Denver media and sports fans, as the unfair tag was being consistently referenced by certain members of the national sports media.

Vic Lombardi of Altitude Sports Radio in Denver, along with several of his co-workers, decided to fight against a narrative they found uneducated and unfair. In their eyes, all you had to do this season was to actually watch the Nuggets to find them interesting.  

“We assume everyone else knows what we know,” said Lombardi. “We assume that the rest of the country is watching. And all this has done, to be honest with you, has proven that a lot of national folks don’t watch as carefully as they say they do. Because if they watched they wouldn’t be as surprised as they are right now.”

There was even an on-air spat with Chris Mannix of Sports Illustrated on the Altitude Sports Radio airwaves. During an appearance on the Rich Eisen Show, Mannix said there weren’t any compelling or interesting storylines surrounding the Nuggets first-ever NBA Finals appearance.

Lombardi, along with other hosts at Altitude Sports Radio took exception to the comment and fired back with their thoughts. A few days later, Mannix appeared on the station to defend his position and stick up for what he thought was accurate. Though the tensions were high during the back-and-forth it was incredible content for the station. 

But Lombardi says he doesn’t take the spats, whether they’re public or private, all that seriously when other fellow media members. 

“The arguments, if they’re anything, they’re all in fun,” said Lombardi. “I don’t take this stuff personally. We had a little back and forth with Chris Mannix. That was fun. I actually saw him in Denver when he came out for media. I respect anyone who’s willing to make their point on the air. It’s not the media’s job, it’s not your job as a host or a writer to tell me what I find compelling or interesting. We’re all from different parts with different needs and you can’t tell me what I desire. Let me pick that. Chase a story because the public may learn something. We’re curious by nature, that’s why we got into this business. All I ask is be more curious.”

The entire team at Altitude Sports Radio did an incredible job of sticking up for their own market and creating memorable content out of it. That should be celebrated inside the station’s walls. None of the outrage was forced; it was all genuine. But what’s the lesson to learn here from media folks, both local and national with this story? 

“I think the takeaway is number one, it’s a business,” said Lombardi. “I keep telling people they’re going to go where the money is. The money is the Lakers and the big city teams. The Nuggets don’t sell. 

“Well, you start selling when you start winning. They’ve got to sort of earn their way into that club. I think with what the Nuggets have done recently, and hopefully with what they’re about to do, they’re at the adult table. The media business is not unlike anything else. The biggest common denominator is what sells. I get that. I just don’t understand why a team like this, with the most unique player most people have ever seen, why wouldn’t that sell?”

Maybe it’s still not selling nationally, but locally in Denver, Nuggets talk is on fire. For years, the Denver market has been seen as one where the Broncos and NFL rule. The Nuggets have not been close to the top of Denver sports fans’ interests and have probably fallen routinely behind the Avalanche. 

But there’s been a real craving for Nuggets talk during this historic run. Granted, it didn’t just start two weeks ago, there’s been momentum building for the team ever since Nikola Jokic started asserting himself as one of the best players in the NBA. But there’s more than just an appetite for the Broncos in the city and the past few years have shown it. 

“I think it’s just proven to people in the city that the town is much different than it was 10, 20, 30 years ago,” said Lombardi. “The Broncos continue to rule this town and will do so because the NFL is the NFL. But I can tell you this. There are sports fans outside the NFL. I’m born and raised in Denver and I always believed, what’s so wrong about being an ardent fan of every sport? If you’re a fan, you’re a fan. There’s nothing I hate more than territorializing sports. Like, ‘oh I’m just a football fan’. Or, ‘oh I’m just a hockey fan’. Why? Sports crosses all borders and boundaries.”

Lombardi and Altitude Sports Radio have settled into local coverage of the NBA Finals, rather than fighting with a national narrative. The payoff for the entire ride has been very rewarding for the station. It included what Lombardi called the “highest of highs” when the Nuggets beat the Lakers on their own floor. It even included one of the biggest events the city has seen in the last five years, when the Nuggets hosted its first-ever NBA Finals game last week. 

The last few weeks could even be considered one of the most rewarding times in station history for Altitude Sports Radio. 

“Our ratings have never been higher,” said Lombardi. “It’s a great display of, sometimes in the media, we think we know what the listener wants. We think we do and we try to force feed them. I think the national folks do that, but so do the local folks. You think they know, but if you give them a nice diet, they’ll choose what they want. And that’s what we’ve done.”

Sign up for the BSM 8@8

The Top 8 Sports Media Stories of the Day, sent directly to your inbox, every morning at 8am ET.

Invalid email address
We promise not to spam you. You can unsubscribe at any time.
Continue Reading

BSM Writers

The Top 5 Bangs of Mike Breen’s Career

“Whether it comes in the playoffs or the regular season, it’s an unmistakable, yet simple way to convey the message that something extraordinary has just happened.”

Avatar photo



Courtesy: AP Photo

Even though he isn’t thrilled by the moniker, Mike Breen has become the voice of the NBA. The veteran play-by-play announcer is too modest to brag about the name. He’s very respectful of those that have come before him. Whether or not he likes the title, for a certain generation of NBA fans, he’s the only television voice they’ve known. 

Breen has occupied the big chair for ABC/ESPN since 2006 and is in the midst of calling his record 18th consecutive NBA Finals. Breen is professionalism personified, but the thing that separates him from most is his ability to infuse wit into his broadcasts. He’s not stuffy, and always seems to enjoy the moment. 

“Bang!” is the word Breen has used for pretty much his entire career. He started using it as a student at Fordham. When he wasn’t calling games there, he’d watch from the stands and yell “Bang!” every time a Fordham player hit a shot. Then he took it to air. It’s taken off from there. 

Breen’s “Bang!” is synonymous with a big moment. Whether it comes in the playoffs or the regular season, it’s an unmistakable, yet simple way to convey the message that something extraordinary has just happened. 

With that in mind, I have compiled a list of the five best “BANG!” calls including a couple of Honorable Mentions. There really were no criteria, so the call could have come in the playoffs, or in a few cases the regular season. 


The Bulls were playing in front of a packed house at the United Center. They were trying to ride native son Derrick Rose to a series win over the Cavaliers. Game 3 of the 2015 Eastern Conference Semifinal v. Cleveland came down to the wire. 

“Dunleavy, looking, finds Rose, Rose trying to get open, fires away….BANG! It’s over! The Bulls win at the buzzer! It still is a Madhouse on Madison as Derrick Rose nails the three. And the Bulls take a 2-1 lead in this Eastern Conference semifinal.”


This was a pretty simple, yet very effective call. After a key turnover by Steve Nash, the resulting jump ball finally got into the hands of Bryant. 

“A one-point game…final seconds Bryant for the win….BANG!!” 

There was a lot of silence after the call and the pictures were allowed to tell the incredible story. 


During the height of “Linsanity” Jeremy Lin hit a game winning three pointer at the buzzer on February 14, 2012.  This was a regular season game in Toronto and the crowd was into it like it was game 7 of a playoff series. The call shows you that Breen succeeds when the game is intense and close late whether in the playoffs or a regular season game. 

“Mike D’Antoni won’t call timeout and let the Raptors set up their D. The crowd on its feet here at the Air Canada Centre. Lin puts it up. Bang! Jeremy Lin from downtown and the Knicks take the lead! Amazing here at the Air Canada Centre. Five tenths of a second remaining. Lin-sanity continues.” 


Eric Gordon hit a tough double-clutch three-pointer to send this regular season game in 2019 against the Lakers into overtime. This one led Breen to pull out the rare double bang!

“They find Gordon. Gordon puts up a three. Bang! Bang! He ties the game!”

It wasn’t a playoff game or even a very memorable game overall. Perhaps Breen got caught up in the moment? It happens. 


Dallas was already down 2 games to 1 in the first round of the 2020 NBA playoffs in the Walt Disney World bubble. The Mavericks didn’t want their own bubble to burst, so they turned to Doncic. The Mavs were down 1 in OT with 3.7 seconds left to go. Luka Doncic took a dribble, created some space and let it fly. 

“Doncic pulls up, three-pointer, BANG, BANG! IT’S GOOD, DONCIC WINS THE GAME AT THE BUZZER!” After a little time and some replays, Breen astutely added, “We are witnessing the next great star in the NBA, in his first playoff series.”

The rare double bang rears its head again. Kudos to Breen for generating this much excitement without any fans in the building. It’s pretty impressive and hard to do, just shows that he can rise to the moment without any help from the vibes in a building during a game.


This shot was one of the biggest in the career of Ray Allen. Playing for the Heat in the 2013 NBA Finals, he hit a crucial shot to send Game 6 into overtime. Breen made the moment iconic.  “James catches, puts up a three, won’t go, rebound Bosh, back out to Allen, his three-pointer, BANG. TIE GAME WITH 5 SECONDS REMAINING!”

Breen’s voice captured the emotion of the moment, without being out of control. He recalled to the Athletic in 2020 what went into that call. 

“I remember looking over at the Spurs’ bench. They were, I don’t want to trash them and say they were celebrating, but they were ready to celebrate. It was that giddiness, the hopping up and down, we’re about to win a championship.” Breen said. “It seemed like it was a foregone conclusion. And then, the thing about it, there had to be about six or seven things to fall into place for that to happen, over the last 30 seconds and every single one of them fell into place.”


The original “double bang” game, came in 2016 as Steph Curry and the Warriors faced Oklahoma City in February. The Warriors entered 53-4 and Curry had already hit 11, 3-point field goals on the night. Who could blame Breen for getting caught up in this play? The game-winning and record-tying basket came from a spot on the floor that almost nobody hits from. 

“They do have a timeout. Decide not to use it. Curry, way downtown. Bang! Bang! Oh, what a shot from Curry! With six tenths of a second remaining! The brilliant shooting of Stephen Curry continues. he ties the NBA record with his 12th three-pointer of the game.”

“Don’t ask me why or how it came out,” Mike Breen was quoted of saying after the game. “It was like an out-of-body experience.” 

Breen’s effect on the players has been noted on a few occasions in recent months. 7 years after the call of Curry’s 40-footer, and the birth of the double-bang, Curry honored the call with a pair of his new shoes. They’re called the Curry 2 Bang Bang PE Retros. Curry delivered the shoes to Breen in person and included this video message: 

“I realize there’s no way we can drop these without the involvement of the man who gave these shoes a nickname seven years ago. You’re the first person to get these in hand. We got a double bang and call in 2016, before it’s all said and done, I think I need a triple bang call from Mr. Mike Breen himself.”

Breen saw the shoes, then embraced Curry. He also shared a message of gratitude, saying “It’s an honor calling his games. And to have him say I have a small part of it means more than he knows and more than you can imagine. Thank you.”

Other players seem to really enjoy being immortalized with a “Bang!” Just the other day, Jamal Murray hit a three-pointer for Denver. Breen called the play, “back to Murray, another three-pointer. It’s good! Jamal Murray red hot.” Mark Jackson jumped in after noticing something after the shot.  “Hey Mike, you didn’t see this, but Jamal Murray just looked over here and said BANG.” That’s pretty cool. 

Breen continues to shine on the biggest stage of basketball, surely he’s setting up for another terrific run in this year’s finals. 

Sign up for the BSM 8@8

The Top 8 Sports Media Stories of the Day, sent directly to your inbox, every morning at 8am ET.

Invalid email address
We promise not to spam you. You can unsubscribe at any time.
Continue Reading

BSM Writers

Meet the Market Managers: David Yadgaroff, Audacy Philadelphia

“It’s hard to replace somebody as iconic as Angelo, who really lived and breathed his role, setting the agenda for the Philadelphia sports fan.”

Demetri Ravanos




David Yadgaroff doesn’t talk just to hear himself speak. He gets to the point and he does it quickly, whether he is telling you what he is thinking or he is answering your questions. That fact is evidenced by the length of this week’s entry to the Meet the Market Managers series presented by Point-to-Point Marketing.

It has been a wild ride for WIP over the last 18 months. Yadgaroff had to find a new PD, figure out the best way to send off the station’s iconic morning host, and launch new shows in two different day parts. In the middle of it all were World Series and Super Bowl runs to deal with, too.

Yadgaroff discusses all of it. He also makes time to weigh in on how he addresses Audacy’s stock issues with his staff, the climate of political advertising, and the best practices he has found for making sure advertisers are making the most of digital products.

Demetri Ravanos: Tell me about life since Angelo Cataldi retired. What has changed in terms of the atmosphere in the building? 

David Yadgaroff: It’s a great question. It’s hard to replace somebody as iconic as Angelo, who really lived and breathed his role, setting the agenda for the Philadelphia sports fan. But we’re really proud of what Joe (DeCamara), Jon (Ritchie), James (Seltzer), and Rhea (Hughes) have done in the morning to deliver a show that’s fresh and new, but also lives up to the expectation that Angelo set.              

The addition of Hugh Douglas to midday with Joe Giglio has been very fun, too, because Hugh is a great character and teammate, and fun around the office, as well as very compelling and entertaining radio. 

DR: So I do want to circle back on Jon and Joe here in just a second, but I do wonder, because Angelo had sort of made some hints before he officially announced his retirement. At the time you were looking for a new program director, was his decision about when to call that a career something that ever came up as you were searching for Spike’s successor? Is it something candidates wanted to know about? 

DY: Yeah, absolutely. Angelo was a great partner and expressed his interest in retiring. At that time, Spike had got promoted to New York, so we discussed the radio station as a whole. Angelo, obviously his brand was so closely tied to ours and ours so closely tied to his, he said that he’d do whatever we needed at the radio station to make the transition smooth. That is how we ended up with that last year where Angelo took Wednesdays off to give him a little bit of rest and peace as he finished out his agreement. Then, obviously, he wanted to remain on until the Eagles’ season finally ended, so we had the gift of having Angelo with us until February. 

DR: Let’s circle back on Joe and Jon. They are obviously known commodities to WIP’s advertisers. The job of getting that particular population on board with those guys moving into mornings, it’s very different than getting listeners on board, right? So many of your advertisers are going to be on in multiple dayparts, whereas the listeners may only come in on their drive to work or on their drive home from work. I would imagine on the business side, this was a pretty smooth transition. 

DY: Very smooth. We retained the vast majority of the legacy morning show advertisers, as well as retaining the advertisers that came from middays to mornings. The fresh perspective and excitement about the radio station helped drive more sales as well.                   

You think about the last 12 months of the radio station, Angelo is talking about his farewell, we’re doing a lot of fun stunts about that time, the Phillies postseason, the Eagles postseason, the farewell event, and officially the beginning of a new show that already was a fan favorite. Really, we are very fortunate to have been at the forefront of the sports media narrative in Philadelphia for quite some time. 

DR: The elephant in the room when it comes to Audacy right now is what’s going on with the company’s stock price. I know you cannot give me specific answers, but I do wonder, as somebody that is charged with leading a cluster, you have so many people that you are responsible for. Do you find yourself having conversations where you’re talking to someone that assumes you have more answers than you actually do right now? 

DY: Let me give you the general vibe. We have a very robust business with six radio stations creating a lot of multi-platform content, selling a lot of advertising, and doing fun things. So for our staff on this side of the building, it’s business as usual. We’re having success in many metrics and marching right along. 

DR: The thing I wonder about that’s different for you than other Audacy stations is you literally share a space with Audacy Corporate.

DY: I run a culture of transparency and when things happen that are newsworthy, I make sure to address them. When things aren’t newsworthy, I try to reinforce our core business here, which is one that is very profitable and healthy. 

DR: So last year was extraordinary sports-wise in Philadelphia. Tell me a bit about the new opportunities that were created for WIP, whether we’re talking about interest from new potential clients or an influx of new listeners. 

DY: So WIP has the benefit of being the voice of the fan for decades. We talk a lot about the Eagles. Fans want to talk Eagles 52 weeks a year, and when the Eagles perform, there’s such enthusiasm and excitement. So, yes, I think we pick up new listeners and I know we pick up new advertisers to be part of that fun.               

The Phillies’ season sort of picked up suddenly at the end. It was a much more concentrated and exciting time that everybody just got into from an advertising standpoint, analyst standpoint, and fan standpoint. It was a lot of excitement in a very short period of time.

DR: Given how much Audacy has embraced digital products and where we are in terms of consumption these days, everybody is so used to on-demand content. Nobody works on a station or network’s timetable anymore. Have you found any advertisers that are more interested in the on-demand product than the traditional radio broadcast? 

DY: I don’t think there’s a general statement that describes everyone’s appetite. We focus our salespeople on trying to sell multi-platform campaigns through re-marketing. We find that the more things advertisers are invested in, the more connected they are with our business and the more success they have. All of our salespeople are cross-trained. Ultimately, we try to focus on what an advertiser needs and then make successful recommendations for them. There’s a lot of attention on WIP, so obviously they’re doing a nice job of that. 

DR: Let’s talk about that cross-training as it relates to the stations in the cluster. I recently read this piece that said we are already on pace to see political advertising for the 2024 election cycle surpass what we spent in 2020. Last year, you guys have these two contentious elections inside of Pennsylvania. When it comes to revenue generation, has the fracture between the two parties been relatively good for business in radio? I mean, do you find that people that candidates are advertising further and further out from election day now? 

DY: I think there’s two folds to that question. One is the TV advertising environment gets so toxic and nasty with political ads. It forces out transactional advertisers. That gives us the opportunity to put those advertisers on the radio. So that’s one part. The second part of it is, yes, candidates for PACs are spending more and they’re spending more frequently. 

DR: I would imagine that KYW and WPHT see most of those buys in your cluster, but what about WIP? How much are those PACs and candidates and those campaigns looking to a format to spread their message where maybe the listener is not engaged in the political conversation 24 hours a day? 

DY: I think the first thought is that stations like KYW and PHT do the best, but it really depends on the campaign and the issue and what their strategy is. I mean, there are some issues and campaigns that come down that they can only want to buy. WBEB And WOGL because they are looking for a suburban mom. So it really depends. I think political advertisers are a lot more strategic than they were years ago where they just bought news and news talk. 

Sign up for the BSM 8@8

The Top 8 Sports Media Stories of the Day, sent directly to your inbox, every morning at 8am ET.

Invalid email address
We promise not to spam you. You can unsubscribe at any time.
Continue Reading






Barrett Media Writers

Copyright © 2023 Barrett Media.