Connect with us
blank

BSM Writers

Arky Shea Wants to Sit at This Campfire

Demetri Ravanos

Published

on

Arky Shea is one of my favorite people in sports radio. He’s a guy that always strives to put entertainment above information. That doesn’t mean he has bad information. It’s just less important to him to be the guy breaking news than it is to be the one with the best joke about it.

When he was partnered with Cole Cubelic on WUMP’s morning show, they had two of my favorite regular bits. One, Arky Reads Rap, had Shea giving his spoken word interpretations of some of Cubelic’s favorite rhymes. The other, True Southern Gentlemen, saw the two put on very fancy, southern affectations to discuss the issues of the day. In one episode Cubelic referred to fans rushing the field after Auburn beat Alabama in the Iron Bowl by saying “there they go jumping around like a bunch of new money again.” It is a line that still makes me laugh whenever I think of it.

It shouldn’t be a surprise really that the guy has a track record of funny, memorable bits. Arky has one of the most entertaining Twitter feeds you could come across. Plus, he spent time as a stand-up comedian.


Last month I had to go to Alabama to pick up my kids, who had just spent the last week with my mother, who lives in Birmingham. I decided to drive the hour and twenty minutes north to Huntsville to sit down with Arky.

His studios at WUMP are mostly empty. The station will soon launch a new morning show with Arky and former NFL defensive bark Jerraud Powers. For now though, the station syndicates morning and midday shows from its sister station, Jox 94.5 in Birmingham, and its afternoon host Thom Abraham actually lives in Tennessee and does his show over a Comrex. Arky, who is the station’s PD, will serve as Thom’s producer until next week when the new morning show launches.

The WUMP studios look like a very fancy fallout shelter. There’s red soundproof foam on the walls, but those walls are made out of cinderblocks. My initial idea was to do this interview while modeling western wear for each other, but time got in the way, so we are here.

blank

Thom is ranting about how baseball players wear their socks when I walk in. Arky isn’t having it and calling Thom old and crotchety. They seem to like each other, but my first thought is that maybe it’s a relationship that is strengthened by knowing they won’t be working together much longer.

After a little basketball talk (Arky is a Knicks fan. I love the Celtics.) we dive into a conversation that touched on Arky’s hatred of other cities, the Three Stooges, minor league baseball, and why Arky never wants to leave Huntsville.

Did you always want to be in sports radio or was it just media of some sort? 

It was always sports radio. When I first went into college, I wanted to be a high school English teacher, but then I got into college and the reading list was impressively bad. 

Bad, like you couldn’t believe what they were making you read?

Oh no. I mean like too many books.

So I thought “well, then what do I want to do most?”. First it was writing and then sports. I still do a little writing if I’m asked, but mainly I realized I wanted to talk about sports. I was doing this college show, where we were being filmed by the mass communications department, and I was the guy that was at all the games anyway, so I was being asked my professional opinion, at 20 years old, about these games. 

What school?

The University of Montevallo. The show was called Falcon Fever, and we had it! I would just give my opinions on the baseball and basketball team. One day I got a call from the sports information director at the time, Alfred Kojima. He said “I want you to audition to be the play-by-play guy for the baseball team.” I thought that was great, so I came out that next Sunday. It was February. It was very cold.

The guy who was doing it at the time, would let me call an inning or two. It was great! I thought this could be really fun. He says “Why don’t you just come back tomorrow and we can do it all again.” So I came out the next day and the other guy was not there. I got the job not knowing I would be doing the whole series and then the whole season and then for a few years after that.

I kinda walked into this backwards. Even though I kinda knew where I was going, I didn’t really have the path or the destination figured out. I just knew that if I stayed in the woods of sports and talking, eventually I’d find the campfire I wanted to sit down at.

So we talked a little bit about your passion for the market. I know you’re from this area originally, did you always feel that way, or was it a matter of finding the right situation for you to feel like you could be here for a long time?

I definitely didn’t always feel that way. I always thought I wanted to be regional. My ultimate, big goal was to be sort of be a regional sports radio guy, so to do something in Birmingham, Charlotte, or Nashville would probably have been the most ideal. 

I came back home to Huntsville after college and really thought I was outgrowing it after high school. I thought I was over it, but I was really just outgrowing some of the more country parts of the market. That’s just not the kind of personality I am. I started to really fall in love with the city itself. Then I met my wife. My wife has family here. 

blank

I had done a little bit of traveling with radio before. I thought Huntsville is a big enough market for me where I can make enough money, I can accomplish what I want, and I can reach a big enough fanbase. I can be happy here. Plus there are enough play-by-play gigs around for me. 

The market I think is like 106 or something right now, but it won’t be that in ten years. By the time I retire, there’s a real chance it could be a top 50 market. I don’t know if it will ever get there, but I don’t want to be…Like SEC Media Days were in Atlanta and I fucking hated it. I never want to go to Atlanta if I don’t have to.

My wife and I went to DC. I hated DC. Never want to go back. That one’s mainly a traffic thing, but like look, I come back to Huntsville and people complain about traffic here and I’m like “What? Come on!” Highway 72 and University Drive are nothing compared to the interchange in Atlanta or what people in DC go through every single day.

When did you become PD of the station?

January 2016

What has that experience been like? Thom Abraham has always been remote and is kind of his own deal. Cole was just starting to really establish his national identity at that point. What sort of credit do you take for those guys on air? How frustrating can the set up like that be? Give me the overall feeling of what you have accomplished in these two and a half years.

I take all the credit for Cole. I also should be getting a percentage of whatever he makes. He’s late this month, by the way.

For Thom especially, I take some credit for Thom being more open to ideas. I think I’ve been able to open his eyes to different…It’s weird, because he’s 58. I’m not. 

I’m technically his boss, but in a way I’m not because he really advocated for me to get the PD spot. It can be weird. I try to caress him and push him in certain directions, but I can’t take away from Thom who he is, so I don’t want to take a lot of credit for Thom. 

blank

For Cole, I think I brought a lot of good out of Cole. I think I brought out fun, radio Cole, because when he started, I was an intern and it felt like Cole was talking at people. It felt like he was just trying to get through a show. 

When we started doing a show together, we had a show. We started having fun, and we figured out the silly parts of sports radio that some people gloss over to get in more numbers and facts. For us, it was morning radio. We wanted to make it fun, so to be able to let his silly side come out and let him be who he is and is capable of being in that space, I take credit for making him comfortable there.

I…you know, I don’t really want to take credit for anything with them. That’s just sort of the way you phrased it. My job is to be a brick wall for you to play handball off of. I want you to be able bounce stuff off me and go back and forth, because if you’re playing handball against the curtain, you’re not getting anything back, and it’s awful to listen to.

I want to be the brick wall that gives you just enough. I want you to bounce something to me and I get it back to you to set you up to bounce it again. That’s my role as the PD and as a co-host.

It sounds like from a show perspective you realize you might be better as a number 2, that that is where your strength is.

Well, it depends on who it is. When I had my own show, I thought I did fine. If I ever get the chance in the future, I would have no problem running a show again. 

The guys I was dealing with, Cole and Thom, those are dominant personalities. Those guys were brought here to make it their show. So, I was brought on with Cole because Cole wanted someone he trusted. At first it was the Cole Cubelic Show, but because of who we are and our relationship it became the Cube Show. With Thom, it may be the Thom Abraham Show with Arky Shea, but it’s really just Thom. He is the one getting the talent salary in that slot, so I have to be his number two.

It’s not about being comfortable being a number two. It’s about being comfortable in my environment. I’m comfortable with being a number one, but I am comfortable with number 2 too. 

Beyond just the fact that your friend isn’t here every morning, was there ever a worry for the station in losing Cole? I know technically he is still on in the midday (Cubelic is part of 3 Man Front, which is syndicated from WUMP’s sister station Jox 94.5 in Birmingham), but you don’t have that kind of presence in mornings now. So when he says “hey, I’ve been offered this thing in Birmingham and I am going to take it,” what were your first thoughts not from the show standpoint, but from a PD standpoint?

What now?

Ratings-wise and financially we had built something pretty good. We built something where Jason Barrett recognizes our little show as a top 25 mid-market show. I even got a plaque printed for Cole. Jason doesn’t send them. I went and got one made. I mean, it is a huge honor that in little Huntsville, we could accomplish something like that. 

I was proud for Cole because that was his dream, so I can’t be mad. Cole is my guy and he got his dream and I want him to be able to chase it. 

blank

From a station standpoint it was sad, because we had built a good following. We just had people start buying t-shirts with our show logo and some sayings on it. We had won two Alabama Broadcasters Association awards for best morning show in the state. We were doing something really special. It was kind of hard to see that the end of that special thing was there.

It was hard from a station standpoint too. I have nothing against anyone in Birmingham. Ryan Haney (Jox 94.5 PD) has been very good to me. I like The Roundtable (Jox 94.5’s morning show, which is also syndicated to WUMP) guys a lot. But it sort of felt like that we were becoming a satellite station and I thought that could really hurt us.

Just so I understand, you are talking about feeling like a satellite station after Cole left and your first two daypaerts are coming from Jox, right?

Correct.

With that being the case right now, do you ever feel the right or ability, as a PD carrying that programming on his station, if you hear something that you think is detrimental to The Ump, can you pick up the phone and call Ryan Haney?

I have before. Especially trying to figure out technical things that allow a station in Birmingham to play a local spot on our airwaves. 

I wouldn’t have a problem going to Ryan if there were an issue, but there has never been an issue. The only issue I have ever had is on the technical side.

Is Alabama and Auburn fandom so overwhelming across the state that you can pretty much count on that programming coming from Birmingham matching what your listeners want to hear?

Not completely. This area is so transient. We have so many people from so many different places. 

I was at a big Fourth of July fireworks show. There were a couple thousand people there. Everybody is in their lawn chairs, and so many of them had some kind of team logo on them. I was at this dinner, which was overlooking the field where all these chairs were, so I watched all the people walking in and saw all the people set up their chairs and blankets. You would be surprised by how many of those people coming through had hats or logos on their chairs that were not Alabama and Auburn – that weren’t even Tennessee. They were Iowa and Michigan State and Florida State.

Our listenership, I feel, gets a discredit done to it if the hosts are only catering to Alabama and Auburn. That’s not what those Jox shows are doing all the time. Their hosts have done a better job covering the Braves. We have tons of Braves fans here.

Hockey is big for us here. The minor league team here sells out regularly. People like to hear some talk about hockey, especially too with the Predators being right up the road.

Huntsville is a much different city than Birmingham. The county might be Alabama and Auburn die hards, and there’s plenty of that in the city too. The metro just cares a lot about other things. We have opinions on other sports. 

In football season though, does the SEC still blanket everything, or are there enough people here that care about the Titans that make it so their games will be a big part of a Monday morning show too?

Alabama and Auburn are still number one for us, but absolutely the Titans get a lot of coverage. During football season it will be almost all football. Basketball doesn’t really show up until January or late December. It is better now that those two teams with the most fans are better.

It will be Alabama first, Auburn second, and probably Tennessee third. College always comes before pro, but people here love the NFL. We have a lot of Cowboys fans and Steelers fans to go along with the Titans fans. Trying to cater to all of that is difficult, but it is also a challenge that can be met.

A good reflection of how much you want to focus on the market instead of doing all Alabama and Auburn talk all the time is this new double-A team coming to town. I think 70% of what I have seen you post on Twitter over the last few weeks has been about the team’s naming contest. Did they come to you with that, or is that something that, as the PD, you recognized an opportunity for your station to get involved and throw your arms around this?

I was doing a little bit of reporting. I broke the story that we were going to get a new team. The Baybears were moving here (the Baybears are the Dodgers’ double-A affiliate and currently play at the other end of the state in my hometown of Mobile). 

Did you have on a fedora with a piece of paper that said “press” sticking out of it while you were breaking the story?

That’s right.

Ol’ Scoops Shea

It was that old Three Stooges joke with the three hats that said “Press,” “Press,” “Pull”.

blank

I started with that story and I just kept following up and following up to put a timeline together. When is the stadium going to be voted on? When will we vote on a tax to put funding together? That eventually got me in contact with the CEO of the ownership group that had just bought the Baybears.

We set up a partnership where they saw value with being associated with us and our cluster. Cumulus Huntsville covers every format you’d want. We struck things up from there.

We broke the news about the top ten teams for the team. That took some work, but it was a situation that turned from me reporting on them to them seeing the value of our reach and saying “let’s see if we can work together on some things.”

I don’t consider myself a reporter. I am a radio entertainer. I am prideful of the area. I want the baseball team to succeed. I am not going to hold my tongue if they make bad decisions, but I’m not out to submarine the team.

Very selfishly, I want baseball back in North Alabama. It’s coming. I think it makes our area look better and is more family friendly.

And the name you want to win the contest is?

The Madison Moon Possums. It’s alliteration. The stadium will be in Madison, but I picked Moon Possums first.

When you are sampling other shows, what is it you think sports radio is getting wrong about guys in their 20s and 30s?

Fun. So much of it is missing any sense of fun. I think we lecture too much. I think it is good to go on rants. Passion is always good, but there are still too many hosts that want to lecture you about their opinion.

Look, it’s fine for Joe Simpson to go on TV and complain about the Dodgers taking batting practice in shorts and a t-shirt, but don’t come on and talk about it the next day if all you are going to do is tell me why you agree or disagree. It’s the laziest kind of radio to do – someone gives an opinion and then asks the listeners if they agree or disagree. I hate that.

Do something with it. Ask listeners to give you ideas of what you want to see them wear. I don’t care. I hate to hear hosts read an article on air and go line by line and telling me if you agree or disagre. I hate lecture radio.

One of my favorite shows is Toucher and Rich in Boston. They’re what radio is supposed to be. We’re passionate about our team. We’re going to scream about Gronk retiring and joining the WWE. We’ll also do funny bits about Guy Fieri, and then we’ll all go home and live our lives.

blank

What else do you listen to?

Really other than those guys it’s mostly just podcasts.

Do you see their influence on radio? Like do you look at podcasts and take away something that other program directors should be paying attention to?

Hmm…I don’t think there is a lot radio can learn from podcasting right now, because until podcasting gets past the point where so many of those shows are long discussions, we are just so different. I really don’t know the answer there. 

Maybe it is not a content lesson other than you’ve gotta always be thinking about how to innovate.

Yeah. You’ve gotta innovate, but podcasts have to deal with that. Sometimes you get a guy you like but he is just talking forever. There’s nothing radio can really do with that.

But radio has to embrace podcasting. You have to put up everything. It is almost ridiculous not to at this point. I have fought with people about this before because their mentality is “Well, sponsors pay for the show. Why put it somewhere that sponsors aren’t paying for it.”

Look, that’s not a crazy mentality to have, but I have…what? Maybe 2 listeners that will stay with all four hours of a show? Maybe one that listens to the station the entire day? 

People work. They want to go back and find what they missed. People want interviews. They want to hear your best bits.

Sign up for the BSM 8@8

The Top 8 Sports Media Stories of the Day, sent directly to your inbox, every morning at 8am ET.

Invalid email address
We promise not to spam you. You can unsubscribe at any time.

BSM Writers

Ian Rapoport Is Competing Against Everyone

“When I’m working, when I’m not working – my brain is still going on overdrive.”

Derek Futterman

Published

on

blank

The 2023 NFL Draft was a weekend filled with speculation, intrigue and musing among football fans and experts alike. After two quarterbacks were selected with the first two picks – C.J. Stroud by the Jacksonville Jaguars; and Bryce Young by the Houston Texans – Ian Rapoport had the inclination that something was about to break at the event in Kansas City.

The third pick of the night was held by the Arizona Cardinals, but through previous intel, Rapoport knew there was a chance the team would trade it. His phone then lit up with a text message from a source that simply read, “Texans trading.” Receiving a message of this magnitude takes years of networking, credibility and immense trust from the people you cover. Rapoport has worked hard to attain all of them. 

He replied by asking, “Did the Texans trade up to three?,” as the team was not set to pick again until No. 12 overall. Once he got confirmation of the scenario, he began to visibly shake in excitement and captured the attention of the NFL Network team.

“I sit there with a camera in front of me that’s not always on air – this is during the Draft – and the producer gets in my ear and he goes, ‘Can you go on air with whatever you have?,’ and I just say, ‘Yes.’” Rapoport recalled. “And then I hear Rich Eisen go, ‘Ian, you have news,’ and I was able to break that the Texans have traded up to three to go get Will Anderson.”

This is the craft through which Rapoport has cultivated a successful journalism career, ultimately distinguishing him as NFL Network’s goto insider. He hardly ever separates himself from the job, equipped with an unparalleled work ethic to ensure he can communicate messages accurately and in a timely manner. While some people may argue that he is in direct competition with others in his position, such as Adam Schefter of ESPN, Jay Glazer of FOX Sports and Mike Florio of ProFootballTalk and NBC Sports, the reality of the situation is that it is Rapoport vs. the world.

“It’s such a small world now and everyone is interconnected – and with Twitter, literally anyone could break a story and have it go viral,” Rapoport said. “Obviously, you want everything first, but really you’re competing against everyone that exists because anyone could get the story at any moment.”

Work-life balance in such a role is usually quite insurmountable in today’s dynamic, interminable breaking news environment. Rapoport strives to find some level of normalcy in his life by playing golf and attending his sons’ sporting events. In the end though, he knows the world of football never sleeps, and it is up to him to remain in the know at all hours of the day, essentially always on standby to break the next big story.

“I do not turn my phone off because that’s actually way more stressful,” Rapoport said. “At least now when my phone’s on and near me, if something crazy happens, I can react rather than having a fake relaxation moment and then being caught off guard with something.”

Rapoport recognized that journalism was the field for him almost immediately after stepping onto the Columbia University campus. He worked his way up at The Dial to ultimately become its associate sports editor. In the summer preceding his senior year, he landed a coveted internship with ESPN where he gained invaluable experience in the world of television production. 

By the time he graduated, Rapoport envisioned himself becoming a nationally acclaimed sportswriter, but he knew it was going to require he start small. Three hundred eleven job applications and two interviews later, he landed a part-time role with The Journal News in Westchester, N.Y. covering high school sports. It gave him a start in the highly-competitive business – and kept him close to home while trying many new things.

Two years later, he found himself moving from the bright lights of New York City to the quaint town of Starkville, Mississippi for a notable opportunity. He had landed a job covering the Mississippi State Bulldogs for The Clarion-Ledger in the nearby capital city of Jackson and was under the direction of sports editor Rusty Hampton.

“I knew how to write, but I really didn’t know how to report,” Rapoport said. “He was probably the best [at] showing me, ‘This is all about reporting. It’s all about telling people something they don’t know rather than how well you can pen a sentence.’ To be really valuable to society or your newspaper, you really need to inform rather than entertain. I think he was probably the first and best person to teach me that.”

After spending two years in Mississippi, Rapoport became a beat reporter for The Birmingham News tasked with following the Alabama Crimson Tide. Just months into his new role, the program made a coaching change and hired Nick Saban, who has since led the program to six national titles. 

Rapoport learned the thoroughness necessary to cover the Southeastern Conference as he rapidly watched the program become a perennial contender. In turn, he became an eminent college football reporter and his work began to be consumed nationally.

Simultaneously, Bill Belichick, another accomplished football head coach in his own right, was in the process of trying to lead the New England Patriots back to championship glory. Known to be stoic and restrained in his press conferences, reporters asking him questions knew extrapolating answers was not the easiest of tasks. 

When Rapoport saw a job opening to cover the team with the Boston Herald that required NFL experience, he knew that he was not qualified verbatim per se. Yet he figured the experience he had in covering Saban and Alabama would serve him well in the role, and articulated such in a protracted email to the newspaper’s editors. His strategy worked, proving why Rapoport is considered one of the industry’s best communicators at the micro and macro levels.

“You don’t see a lot of sources within the Patriots or sources within Alabama – there’s not a lot of that,” Rapoport said. “So I learned to report despite that and kind of work the edges and get the information I needed, despite head coaches who weren’t always the most forthcoming with information.”

NFL Network oftentimes has local beat reporters on the air to interact with studio talent and give their perspectives about teams, and it was something Rapoport did while at the Boston Herald. He had no television experience outside of other appearances he made on Comcast New England and certainly no intention to pursue the medium as a career. 

In Super Bowl XLVI, the New York Giants overcame the New England Patriots, who were undefeated for the year entering the game. Rapoport was on hand for the proceedings, and shortly afterwards was called into a meeting with NFL Network executives. 

He didn’t know he was interviewing for a job until he asked just why he had been summoned. He expressed his lack of television experience to the executives, who said the network would teach him everything he needed to know. 

Once the meeting concluded, Rapoport called his wife, who he had met while living in Starkville, Mississippi, and told her what had just happened. She tempered his expectations, warning him not to get his hopes up as he remained optimistic. One month later, Rapoport received a job offer and found himself moving once again – this time to the Lone Star State.

“I hired an agent and moved to Dallas and basically spent the next year reporting on the Cowboys and some other things being very, very bad at TV, but learning and eventually figuring it out,” Rapoport said. “At the time, this guy, Eric Weinberger, who was our boss, kind of mentioned to me the possibility of transitioning [me] from reporter to insider.”

Rapoport acknowledged that he did not have the contacts necessary to effectively work as a league insider for a national outlet, but through his years of experience, he knew how to network and he was ready and willing to take the challenge. 

Once he began the new position, Rapoport, along with reporter Michael Silver, was on the road for Thursday Night Football and contributed to its pregame and halftime coverage. While his television skills improved, Rapoport was hard at work bolstering his contacts and took somewhat of a geographical approach. 

Every time he arrived in a new city, he would contact anyone and everyone he could conjure up, including general managers, scouts and head coaches. If he could not schedule a meeting time with them, he would introduce himself by roaming the sidelines at practices and before games. He engaged in a similar practice before the NFL Draft Combine, training camps and the Super Bowl along with other premier events, always staying focused on the task at hand.

“It probably took me five or six years to get a baseline of sources where if something happened, I had someone to call,” Rapoport said. “And then it took me a couple more years to get to the point where I would know before a lot of people when something was about to happen. It’s all a multi-step process, and just [the] layering and layering and layering of sources is really the sort of engine that drives this thing.”

Ian Rapoport always attempts to triangulate his sources to verify information before he releases it publicly. There is no guarantee sources are always truthful or acting in a professional manner. Therefore, it is incumbent on a journalist to ensure the validity of content before publishing it themselves. 

“If you’re only right some of the time, then none of it is really worth it,” Rapoport expressed, “because then you say something and they’re like, ‘Well, wow, that’s a big story if this is true.’ The whole point of doing this is when I pop up on TV or when people see my Twitter alerts or whatever, they have to know that it’s true – they have to know.”

One day, Rapoport was having a conversation with a source and discovered through their conversation that Rob Gronkowski had informed the New England Patriots that he would return to the game of football under the stipulation he be traded to the Tampa Bay Buccaneers to reunite with quarterback Tom Brady. There had been much speculation pertaining to Gronkowski’s future after he had worked as an NFL analyst with FOX Sports, and now Rapoport realized he had a monumental scoop – that is, if it was true. Within six minutes, Rapoport verified the story with three sources, contacted his editor and reported to the world Gronkowski’s intentions. The story was picked up virtually everywhere.

“I just think about the job all the time, and I make little lists for myself of things that I need to track down, and I just make a lot of phone calls for it,” Rapoport said. “When I’m working, when I’m not working – my brain is still going on overdrive. It ends up just a brain full of football thoughts, and then I spend the rest of the time trying to figure out what I can learn from it.”

Working for a league-owned entity can sometimes epitomize an inherent conflict of interest. For Rapoport however, he has found working at NFL Network to be hassle-free. He knows, however, the nature of his job means he will not be universally liked.

“Whatever you do, you’re going to report and the people you report on are going to be happy or upset or neutral – or whatever it is,” Rapoport said. “I’m never going to criticize a referee, for instance, because that’s a nuanced thing and people might say, ‘NFL criticizes referees.’ I’m never going to do that, but I wouldn’t do that anyway.”

Rapoport continues to appear on a variety of external media outlets, perhaps most notably The Pat McAfee Show, which recently concluded its “Up to Something Season.” The grand conclusion of the proceedings was McAfee announcing he would be bringing his show to ESPN’s linear and digital platforms starting in the fall. 

While McAfee is retaining creative control and has expressed on multiple occasions that his show will not be changing, many have wondered whether insiders employed by other networks will be able to continue making appearances. It is an answer Rapoport himself does not know, nor has he asked about.

“When the news broke, my phone blew up with all sorts of people saying all sorts of different things,” Rapoport said. “I have no idea. I really don’t.”

Even so, Rapoport is elated for McAfee and his team taking the next step in their show’s journey and is genuinely glad to see them succeed. He does not think McAfee’s goal was to reshape sports media, but rather to cultivate a distinctive sports talk program built for fans and today’s generation of consumers.

“You get to know someone and you think they’re a good person and you respect the way they work. Some people have success and some people have a little success and some people don’t. It’s really rare to see someone who has every bit of success that’s essentially possible and deserves every bit of it, and that’s kind of how I thought about Pat. It’s really cool, honestly. He’s built it himself.”

It was on McAfee’s show where another prominent football insider – Mike Florio of ProFootballTalk and NBC Sports – said it would be a matter of “when,” not “if” the NFL would have games seven days per week. While devoted football fans like Rapoport are open to such a proposition, he is not sure the league would ever go that far. 

“I don’t even know that it would affect my schedule that much,” he said. “It sort of doesn’t matter. I’ll report all year round anyway.”

Sign up for the BSM 8@8

The Top 8 Sports Media Stories of the Day, sent directly to your inbox, every morning at 8am ET.

Invalid email address
We promise not to spam you. You can unsubscribe at any time.
Continue Reading

BSM Writers

Face-to-Face Sales Meetings Have Never Been More Valuable

“With the increase in virtual meetings, new buyer preferences, limited time, and better tech, we have our work cut out to get the F2F.”

Jeff Caves

Published

on

blank

When did you last attend a face-to-face (F2F) in-person sales call? Let’s imagine for a second.

In New York, Sarah, a determined sports radio salesperson, got tired of chasing a major client for months. Despite her calls, emails, and text, she couldn’t break through to get a meeting. 

Throwing caution to the wind, Sarah decided to go for it. She loaded her deck and took her burning desire via airplane to Florida to make the pitch. She showed up unannounced at the client’s office and startled the decision-maker. She was given the meeting and won over the client, getting a substantial annual contract and a movie deal in Hollywood. 

We have all seen that storyline. F2F meetings used to be the obvious choice over a phone call, and most buyers were open to that idea. We even conducted market trips to meet our buyers in person and create better relationships. 

With the increase in virtual meetings, new buyer preferences, limited time, and better tech, we have our work cut out to get the F2F. Lots of us work and listen from home. 

Gartner Research points out that live, in person selling is superior to virtual selling in financial services or, as I think, in radio sales. Now, prospecting new clients F2F is much more difficult. You have never met them, you don’t know who you are looking for, and gatekeepers and remote decision-makers make walk-ins more challenging. 

How about getting out and seeing your current or former clients F2F? 65% of outside account executives attain quota, 10% more often than inside reps. Here are some simple strategies to get outside and F2F:

STAY IN TOUCH

Turn the sales faucet on ‘drip’ and contact your current clients with whatever works: phone calls, emails, or texts. Tell them you are checking in to see if anything has changed, give them a local business lead, or share your latest insight on their favorite team. When doing so, tell them you want to meet F2F and go deep into the next quarter’s ad plan or a new idea to get them back on the air. They may start looking forward to your communication. 

GET FORMAL 

Schedule an annual review ahead of their busiest time of year to review the upcoming messaging in ads. Go over what worked or didn’t last year. Share a success story of a similar advertiser in another market or show them a new opportunity that fits. 

Be upfront that with F2F, we can get more specific, work with better feedback, and partner on hitting their goals. Be the person who looks ahead and helps keep your client focused.

EXCLUSIVE EXPERIENCES

Organize workshops for your current clients. Teach that about streaming, OTT, or Google ads. Get your digital person involved. Let them know you are bringing in other local businesspeople they may want to know or network with and meet F2F! A Mortgage broker may want to meet a realtor who wants to meet a wealthy local businessperson interested in meeting the local head coach. Stand out as a leader in the industry and watch clients brag about working with you. 

HIT A TRADE SHOW

Attend trade shows where your current clients will be. This will show you are serious about their business and want to stay current so you can learn and earn. Set up a meeting over coffee or a drink. Share what you learned. 

CAE

Client Appreciation Events held at your town’s most meaningful events or places. Do whatever it takes to get hospitality tents at big games and concert suites to show appreciation and bond with your current clients. Host a luncheon at the hottest new local restaurant. Focus on providing an atmosphere or experience everyone wants, but not many can attend. Be the exclusive person in town.

GET PERSONAL REFERRALS

Leverage your existing client relationships to seek referrals. Do it in person. Tell them you want to see them and ask for help and advice. Ask for introductions to potential new clients they know, and you will be surprised how much they like working with you. 

DELIVER DIGITAL 

Bring your Digital manager to them and do a free review of their SEO, PPC, whatever. Working off your client’s pc and bringing them an expert at no charge or obligation is much easier. Watch your partnership grow by providing so much expertise at no extra expense. 

Don’t forget the value of F2F meetings. It’s a great way to build trust, connect, and unlock new opportunities. We are in a people business doing business with tons of local directs who still make most of their money serving retail customers F2F. Let’s get out and sell! 

Sign up for the BSM 8@8

The Top 8 Sports Media Stories of the Day, sent directly to your inbox, every morning at 8am ET.

Invalid email address
We promise not to spam you. You can unsubscribe at any time.
Continue Reading

BSM Writers

All Jason Timpf Needed Was A Moment of Clarity

“I didn’t know it until after I was hired, but they said they played my video for Colin and he knew right away that I could do this.”

Tyler McComas

Published

on

blank

There was once a time when Jason Timpf always included Colin Cowherd in his commute to work. As he made his morning drive to a sales job at Verizon, The Herd was appointment listening each morning for Timpf. The ex-college basketball player would marvel at Cowherd’s ability to make relatable references and break down all of the same basketball games he would watch the night before. 

One of the unique things Timpf can remember from listening to The Herd during that time was Cowherd saying if FOX ever put someone in front of him, he could tell in five seconds if that individual had the skills to be a host. It was far from a hot take on the Lakers, but still a distinct moment that stuck with Timpf for many years. Little did he know at the time but Cowherd would soon give a five-second evaluation of Timpf’s career.

Jason Timpf was a late-bloomer in basketball. He played college hoops at an NAIA school in Utah, but not until his third year, after being a regular student the first two. After graduating, he pursued a basketball career overseas in India. However, after the league folded, he left the game for a normal job in the States.

There was a real desire for Timpf to get into the sports media business, but he was having difficulties finding the right fit. He wanted advice on the best way to start, but the tips he received just didn’t feel like the right initial path.

“I’d hear, hey, go bang on a radio station’s door and ask if you can work the soundboard,” said Timpf. “Or, try to go to a journalism school. Another big one that everyone was doing was the SB Nation blogs and FanSided blogs. I briefly tried to do that a little bit. But none of it was materializing the way that I had hoped.”

But then the lightbulb went off for Timpf and it happened during the middle of a podcast interview. In October of 2020, Jason Maples of Blue Wire reached out to Timpf to talk hoops on his podcast. It was in the middle of that interview when it all made sense. It felt exactly like the camaraderie he enjoyed with his old teammates and friends talking basketball. It was relaxed, fun and what he used to do for enjoyment. The perfect fit had just found Timpf organically. 

“It was, ‘this is it,’” said Timpf. “‘This is how I want to do it.’ It was like a moment of clarity. Like, this is the way I want to talk about the game. Fortunately, I was working in real estate at the time, so I was super flexible, so I literally was just trying to fake it until I made it.”

While Timpf was grinding away on his new platform choice, he was constantly putting out his content on social media. For a handful of years, he had used Twitter as an outlet for basketball talk – not because he was trying to build his brand, but because it was his preferred method of sharing his takes during and after basketball games. 

“My wife actually played basketball in college but she, like a lot of people, got out of it and was like, ‘actually I’m so sick of basketball, since it’s all I did growing up, that I’d rather not talk about it,’” laughed Timpf. 

As Timpf had built up years of basketball takes on Twitter, he also built up followers. Not a crazy amount, but enough to have regular interactions with several basketball fans. He had no idea at the time, though he remembers occasionally interacting with him, but one of his followers in the beginning was Logan Swaim, who just happens to be Head of Content at The Volume.

Being such a huge fan of Cowherd, Timpf was absolutely familiar with The Volume, a company started by the FOX Sports Radio host. In fact, during his first plunge into podcasts, he quickly took note of how much success The Volume was having with instant reaction and video content. He wanted to emulate what they were doing and would host a Twitter Space after each Lakers game.

Swaim kept up with Timpf’s journey and continued to be impressed with what he saw. He was so impressed, in fact, that a video eventually made it in front of Cowherd’s eyes. It was the moment Timpf had always heard about while driving to his job at Verizon. Cowherd was about to make a declaration on Timpf’s abilities. 

“I didn’t know it until after I was hired, but they said they played my video for Colin and he knew right away that I could do this,” Timpf said. “That was a huge boost of confidence for me, because it meant somebody I deeply respected believed I could work in this business.”

Timpf made his dream come true. He was offered a job by The Volume hosting Hoops Tonight. As much of a dream as it was when he was initially hired, the experience since has been nothing but ideal for Timpf. He gets to cover his favorite sport the way he wants to cover it. 

“When I first started and Logan and I were structuring out the show, he kinda viewed it as my show would be the slower, more methodical pace, where I work through my thought process of a game. And also that I’d be a guest on other Volume shows for more conversational podcasts. I really wanted to break down pick and roll coverage. It’s just going to take me a while, so trying to do that in a debate show format or conversational format can get hard. It’s a place where I can let more of my crazy depth out. And I can also have a side format where it’s more conversational.”

Timpf has learned prep for podcasts is one of the biggest elements to being successful. As Hoops Tonight continues to draw impressive numbers over audio and YouTube, he’s figured out the best method to prepare for a long-form podcast where he’s hosting solo. 

“I digest the game from the simple concept of how the game was won,” said Timpf. “Where was it won? There’s 100-something possessions in this game, there’s seven different storylines and several runs and sequences and sways in momentum, but what’s the one? Usually I’ll target that first in the opening segment of the show.

“While I’m watching the game I’ll take ancillary notes. About five minutes before I record, I sift through everything I’ve written down and limit it down to the things I think are most important. But generally the flow of the show is how the game was won.”

The whole experience has been gratifying and a full-circle moment in many ways for Timpf. Not only has it been vindicating to do things his way and see it become a success, but he’s gotten to do it with someone who he considers an idol.

Sure, Timpf always envisioned growing up he would be talking to Cowherd as a pro athlete, but talking to him as a colleague is certainly the next best thing. So when he got the call to talk with Cowherd during last year’s West Conference Finals, he didn’t hesitate.

“I was so incredibly nervous, as you could imagine,” laughed Timpf. “But I immediately remember him making me feel comfortable and confident. It immediately calmed me down.

“This is probably my favorite part of the entire experience, I think a lot of people think that these networks try to shove people in certain directions and The Volume has given me such freedom to cover the game exactly the way I want to and nobody is telling me to say crazy stuff. Nobody is pushing me in certain directions, it’s like total creative freedom. The way that Logan and Colin have been letting me do me, so to speak, has been so cool. To see my version of what I want it to look like makes me feel vindicated for talking about it the way I want to.”

Sign up for the BSM 8@8

The Top 8 Sports Media Stories of the Day, sent directly to your inbox, every morning at 8am ET.

Invalid email address
We promise not to spam you. You can unsubscribe at any time.
Continue Reading
Advertisement

blank

Advertisement

blank

Advertisement

blank

Barrett Media Writers

Copyright © 2023 Barrett Media.