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Arky Shea Wants to Sit at This Campfire

Demetri Ravanos

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Arky Shea is one of my favorite people in sports radio. He’s a guy that always strives to put entertainment above information. That doesn’t mean he has bad information. It’s just less important to him to be the guy breaking news than it is to be the one with the best joke about it.

When he was partnered with Cole Cubelic on WUMP’s morning show, they had two of my favorite regular bits. One, Arky Reads Rap, had Shea giving his spoken word interpretations of some of Cubelic’s favorite rhymes. The other, True Southern Gentlemen, saw the two put on very fancy, southern affectations to discuss the issues of the day. In one episode Cubelic referred to fans rushing the field after Auburn beat Alabama in the Iron Bowl by saying “there they go jumping around like a bunch of new money again.” It is a line that still makes me laugh whenever I think of it.

It shouldn’t be a surprise really that the guy has a track record of funny, memorable bits. Arky has one of the most entertaining Twitter feeds you could come across. Plus, he spent time as a stand-up comedian.


Last month I had to go to Alabama to pick up my kids, who had just spent the last week with my mother, who lives in Birmingham. I decided to drive the hour and twenty minutes north to Huntsville to sit down with Arky.

His studios at WUMP are mostly empty. The station will soon launch a new morning show with Arky and former NFL defensive bark Jerraud Powers. For now though, the station syndicates morning and midday shows from its sister station, Jox 94.5 in Birmingham, and its afternoon host Thom Abraham actually lives in Tennessee and does his show over a Comrex. Arky, who is the station’s PD, will serve as Thom’s producer until next week when the new morning show launches.

The WUMP studios look like a very fancy fallout shelter. There’s red soundproof foam on the walls, but those walls are made out of cinderblocks. My initial idea was to do this interview while modeling western wear for each other, but time got in the way, so we are here.

Thom is ranting about how baseball players wear their socks when I walk in. Arky isn’t having it and calling Thom old and crotchety. They seem to like each other, but my first thought is that maybe it’s a relationship that is strengthened by knowing they won’t be working together much longer.

After a little basketball talk (Arky is a Knicks fan. I love the Celtics.) we dive into a conversation that touched on Arky’s hatred of other cities, the Three Stooges, minor league baseball, and why Arky never wants to leave Huntsville.

Did you always want to be in sports radio or was it just media of some sort? 

It was always sports radio. When I first went into college, I wanted to be a high school English teacher, but then I got into college and the reading list was impressively bad. 

Bad, like you couldn’t believe what they were making you read?

Oh no. I mean like too many books.

So I thought “well, then what do I want to do most?”. First it was writing and then sports. I still do a little writing if I’m asked, but mainly I realized I wanted to talk about sports. I was doing this college show, where we were being filmed by the mass communications department, and I was the guy that was at all the games anyway, so I was being asked my professional opinion, at 20 years old, about these games. 

What school?

The University of Montevallo. The show was called Falcon Fever, and we had it! I would just give my opinions on the baseball and basketball team. One day I got a call from the sports information director at the time, Alfred Kojima. He said “I want you to audition to be the play-by-play guy for the baseball team.” I thought that was great, so I came out that next Sunday. It was February. It was very cold.

The guy who was doing it at the time, would let me call an inning or two. It was great! I thought this could be really fun. He says “Why don’t you just come back tomorrow and we can do it all again.” So I came out the next day and the other guy was not there. I got the job not knowing I would be doing the whole series and then the whole season and then for a few years after that.

I kinda walked into this backwards. Even though I kinda knew where I was going, I didn’t really have the path or the destination figured out. I just knew that if I stayed in the woods of sports and talking, eventually I’d find the campfire I wanted to sit down at.

So we talked a little bit about your passion for the market. I know you’re from this area originally, did you always feel that way, or was it a matter of finding the right situation for you to feel like you could be here for a long time?

I definitely didn’t always feel that way. I always thought I wanted to be regional. My ultimate, big goal was to be sort of be a regional sports radio guy, so to do something in Birmingham, Charlotte, or Nashville would probably have been the most ideal. 

I came back home to Huntsville after college and really thought I was outgrowing it after high school. I thought I was over it, but I was really just outgrowing some of the more country parts of the market. That’s just not the kind of personality I am. I started to really fall in love with the city itself. Then I met my wife. My wife has family here. 

I had done a little bit of traveling with radio before. I thought Huntsville is a big enough market for me where I can make enough money, I can accomplish what I want, and I can reach a big enough fanbase. I can be happy here. Plus there are enough play-by-play gigs around for me. 

The market I think is like 106 or something right now, but it won’t be that in ten years. By the time I retire, there’s a real chance it could be a top 50 market. I don’t know if it will ever get there, but I don’t want to be…Like SEC Media Days were in Atlanta and I fucking hated it. I never want to go to Atlanta if I don’t have to.

My wife and I went to DC. I hated DC. Never want to go back. That one’s mainly a traffic thing, but like look, I come back to Huntsville and people complain about traffic here and I’m like “What? Come on!” Highway 72 and University Drive are nothing compared to the interchange in Atlanta or what people in DC go through every single day.

When did you become PD of the station?

January 2016

What has that experience been like? Thom Abraham has always been remote and is kind of his own deal. Cole was just starting to really establish his national identity at that point. What sort of credit do you take for those guys on air? How frustrating can the set up like that be? Give me the overall feeling of what you have accomplished in these two and a half years.

I take all the credit for Cole. I also should be getting a percentage of whatever he makes. He’s late this month, by the way.

For Thom especially, I take some credit for Thom being more open to ideas. I think I’ve been able to open his eyes to different…It’s weird, because he’s 58. I’m not. 

I’m technically his boss, but in a way I’m not because he really advocated for me to get the PD spot. It can be weird. I try to caress him and push him in certain directions, but I can’t take away from Thom who he is, so I don’t want to take a lot of credit for Thom. 

For Cole, I think I brought a lot of good out of Cole. I think I brought out fun, radio Cole, because when he started, I was an intern and it felt like Cole was talking at people. It felt like he was just trying to get through a show. 

When we started doing a show together, we had a show. We started having fun, and we figured out the silly parts of sports radio that some people gloss over to get in more numbers and facts. For us, it was morning radio. We wanted to make it fun, so to be able to let his silly side come out and let him be who he is and is capable of being in that space, I take credit for making him comfortable there.

I…you know, I don’t really want to take credit for anything with them. That’s just sort of the way you phrased it. My job is to be a brick wall for you to play handball off of. I want you to be able bounce stuff off me and go back and forth, because if you’re playing handball against the curtain, you’re not getting anything back, and it’s awful to listen to.

I want to be the brick wall that gives you just enough. I want you to bounce something to me and I get it back to you to set you up to bounce it again. That’s my role as the PD and as a co-host.

It sounds like from a show perspective you realize you might be better as a number 2, that that is where your strength is.

Well, it depends on who it is. When I had my own show, I thought I did fine. If I ever get the chance in the future, I would have no problem running a show again. 

The guys I was dealing with, Cole and Thom, those are dominant personalities. Those guys were brought here to make it their show. So, I was brought on with Cole because Cole wanted someone he trusted. At first it was the Cole Cubelic Show, but because of who we are and our relationship it became the Cube Show. With Thom, it may be the Thom Abraham Show with Arky Shea, but it’s really just Thom. He is the one getting the talent salary in that slot, so I have to be his number two.

It’s not about being comfortable being a number two. It’s about being comfortable in my environment. I’m comfortable with being a number one, but I am comfortable with number 2 too. 

Beyond just the fact that your friend isn’t here every morning, was there ever a worry for the station in losing Cole? I know technically he is still on in the midday (Cubelic is part of 3 Man Front, which is syndicated from WUMP’s sister station Jox 94.5 in Birmingham), but you don’t have that kind of presence in mornings now. So when he says “hey, I’ve been offered this thing in Birmingham and I am going to take it,” what were your first thoughts not from the show standpoint, but from a PD standpoint?

What now?

Ratings-wise and financially we had built something pretty good. We built something where Jason Barrett recognizes our little show as a top 25 mid-market show. I even got a plaque printed for Cole. Jason doesn’t send them. I went and got one made. I mean, it is a huge honor that in little Huntsville, we could accomplish something like that. 

I was proud for Cole because that was his dream, so I can’t be mad. Cole is my guy and he got his dream and I want him to be able to chase it. 

From a station standpoint it was sad, because we had built a good following. We just had people start buying t-shirts with our show logo and some sayings on it. We had won two Alabama Broadcasters Association awards for best morning show in the state. We were doing something really special. It was kind of hard to see that the end of that special thing was there.

It was hard from a station standpoint too. I have nothing against anyone in Birmingham. Ryan Haney (Jox 94.5 PD) has been very good to me. I like The Roundtable (Jox 94.5’s morning show, which is also syndicated to WUMP) guys a lot. But it sort of felt like that we were becoming a satellite station and I thought that could really hurt us.

Just so I understand, you are talking about feeling like a satellite station after Cole left and your first two daypaerts are coming from Jox, right?

Correct.

With that being the case right now, do you ever feel the right or ability, as a PD carrying that programming on his station, if you hear something that you think is detrimental to The Ump, can you pick up the phone and call Ryan Haney?

I have before. Especially trying to figure out technical things that allow a station in Birmingham to play a local spot on our airwaves. 

I wouldn’t have a problem going to Ryan if there were an issue, but there has never been an issue. The only issue I have ever had is on the technical side.

Is Alabama and Auburn fandom so overwhelming across the state that you can pretty much count on that programming coming from Birmingham matching what your listeners want to hear?

Not completely. This area is so transient. We have so many people from so many different places. 

I was at a big Fourth of July fireworks show. There were a couple thousand people there. Everybody is in their lawn chairs, and so many of them had some kind of team logo on them. I was at this dinner, which was overlooking the field where all these chairs were, so I watched all the people walking in and saw all the people set up their chairs and blankets. You would be surprised by how many of those people coming through had hats or logos on their chairs that were not Alabama and Auburn – that weren’t even Tennessee. They were Iowa and Michigan State and Florida State.

Our listenership, I feel, gets a discredit done to it if the hosts are only catering to Alabama and Auburn. That’s not what those Jox shows are doing all the time. Their hosts have done a better job covering the Braves. We have tons of Braves fans here.

Hockey is big for us here. The minor league team here sells out regularly. People like to hear some talk about hockey, especially too with the Predators being right up the road.

Huntsville is a much different city than Birmingham. The county might be Alabama and Auburn die hards, and there’s plenty of that in the city too. The metro just cares a lot about other things. We have opinions on other sports. 

In football season though, does the SEC still blanket everything, or are there enough people here that care about the Titans that make it so their games will be a big part of a Monday morning show too?

Alabama and Auburn are still number one for us, but absolutely the Titans get a lot of coverage. During football season it will be almost all football. Basketball doesn’t really show up until January or late December. It is better now that those two teams with the most fans are better.

It will be Alabama first, Auburn second, and probably Tennessee third. College always comes before pro, but people here love the NFL. We have a lot of Cowboys fans and Steelers fans to go along with the Titans fans. Trying to cater to all of that is difficult, but it is also a challenge that can be met.

A good reflection of how much you want to focus on the market instead of doing all Alabama and Auburn talk all the time is this new double-A team coming to town. I think 70% of what I have seen you post on Twitter over the last few weeks has been about the team’s naming contest. Did they come to you with that, or is that something that, as the PD, you recognized an opportunity for your station to get involved and throw your arms around this?

I was doing a little bit of reporting. I broke the story that we were going to get a new team. The Baybears were moving here (the Baybears are the Dodgers’ double-A affiliate and currently play at the other end of the state in my hometown of Mobile). 

Did you have on a fedora with a piece of paper that said “press” sticking out of it while you were breaking the story?

That’s right.

Ol’ Scoops Shea

It was that old Three Stooges joke with the three hats that said “Press,” “Press,” “Pull”.

I started with that story and I just kept following up and following up to put a timeline together. When is the stadium going to be voted on? When will we vote on a tax to put funding together? That eventually got me in contact with the CEO of the ownership group that had just bought the Baybears.

We set up a partnership where they saw value with being associated with us and our cluster. Cumulus Huntsville covers every format you’d want. We struck things up from there.

We broke the news about the top ten teams for the team. That took some work, but it was a situation that turned from me reporting on them to them seeing the value of our reach and saying “let’s see if we can work together on some things.”

I don’t consider myself a reporter. I am a radio entertainer. I am prideful of the area. I want the baseball team to succeed. I am not going to hold my tongue if they make bad decisions, but I’m not out to submarine the team.

Very selfishly, I want baseball back in North Alabama. It’s coming. I think it makes our area look better and is more family friendly.

And the name you want to win the contest is?

The Madison Moon Possums. It’s alliteration. The stadium will be in Madison, but I picked Moon Possums first.

When you are sampling other shows, what is it you think sports radio is getting wrong about guys in their 20s and 30s?

Fun. So much of it is missing any sense of fun. I think we lecture too much. I think it is good to go on rants. Passion is always good, but there are still too many hosts that want to lecture you about their opinion.

Look, it’s fine for Joe Simpson to go on TV and complain about the Dodgers taking batting practice in shorts and a t-shirt, but don’t come on and talk about it the next day if all you are going to do is tell me why you agree or disagree. It’s the laziest kind of radio to do – someone gives an opinion and then asks the listeners if they agree or disagree. I hate that.

Do something with it. Ask listeners to give you ideas of what you want to see them wear. I don’t care. I hate to hear hosts read an article on air and go line by line and telling me if you agree or disagre. I hate lecture radio.

One of my favorite shows is Toucher and Rich in Boston. They’re what radio is supposed to be. We’re passionate about our team. We’re going to scream about Gronk retiring and joining the WWE. We’ll also do funny bits about Guy Fieri, and then we’ll all go home and live our lives.

What else do you listen to?

Really other than those guys it’s mostly just podcasts.

Do you see their influence on radio? Like do you look at podcasts and take away something that other program directors should be paying attention to?

Hmm…I don’t think there is a lot radio can learn from podcasting right now, because until podcasting gets past the point where so many of those shows are long discussions, we are just so different. I really don’t know the answer there. 

Maybe it is not a content lesson other than you’ve gotta always be thinking about how to innovate.

Yeah. You’ve gotta innovate, but podcasts have to deal with that. Sometimes you get a guy you like but he is just talking forever. There’s nothing radio can really do with that.

But radio has to embrace podcasting. You have to put up everything. It is almost ridiculous not to at this point. I have fought with people about this before because their mentality is “Well, sponsors pay for the show. Why put it somewhere that sponsors aren’t paying for it.”

Look, that’s not a crazy mentality to have, but I have…what? Maybe 2 listeners that will stay with all four hours of a show? Maybe one that listens to the station the entire day? 

People work. They want to go back and find what they missed. People want interviews. They want to hear your best bits.

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One Question About Stuart Scott’s 30 for 30: What Took So Long?

“Whether it was references or catchphrases or just his general vibe, Stuart Scott was can’t miss TV.”

Demetri Ravanos

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Stuart Scott

There haven’t been many celebrity deaths that have truly left me in tears. I am a Nirvana super fan, and I remember exactly where I was when I found out about Kurt Cobain’s suicide, but I don’t remember breaking down. I can only remember three celebrity deaths that left me feeling true, uncontainable sadness: Robin Williams, Tom Petty and Stuart Scott.

So many documentaries and episodes of television have been made about the life, times, and deaths of Williams and Petty. They are icons. Their respective deaths left millions of fans in mourning. 

Scott’s impact is no less significant, particularly in the sports media world. I am happy to hear that he is finally getting his due with a life and career retrospective as part of ESPN’s 30 for 30 series.

I hated school as a kid. Each morning felt like a march from the courthouse to the bus that would take me to prison. I loved sports and loved to laugh. Scott and Rich Eisen felt like my last little bit of joy before I was dragged to Hell each weekday morning. That’s why he meant so much to me.

His impact can be felt everywhere in our business. Countless black men and women who work in sports media will tell you about the impact they felt seeing someone who looked and talked like them. A generation of broadcasters, regardless of race, will tell you about how they connected to someone who embraced the idea that this is fun and unserious. 

Whether it was references or catchphrases or just his general vibe, Stuart Scott was can’t-miss TV. The fact that he was, revolutionized sports television.

Because of his influence, we were introduced to new faces. The whole style of highlight shows changed. Dan Patrick and Keith Olberman moved it away from a newscast and closer to a watercolor conversation. Scott pushed the genre closer to a block party.

ESPN has been careful about which broadcasters become the subject of a 30 for 30 documentary. Some of that has to do with drawing the line between sports and sports media. Some of it has to do with ESPN not being keen to turn a critical eye on itself. I mean, what other explanation could there be for why we have never gotten a documentary on the aforementioned Patrick and Olberman years

Scott clears whatever bar there is though. His story is one of social impact and industry dominance. On top of that, the way ESPN and its charity partner, The V Foundation, stood behind Scott during his battle with cancer, allows the company to give the story the Disney Princess treatment and erase any flaws or animosity that may have ever existed. That part isn’t necessary, but since ESPN is owned by Disney, it’s a nice bonus.

For a certain generation, this documentary will be a look back at the glory days of ESPN. The cultural dominance the brand enjoyed in the 90s could have come to an end after Keith Olberman’s exit and the end of Sunday night’s “Big Show,” but Scott’s rivalry with Dan Patrick (real or perceived) was an important part of extending that relevance. I mean, you could find boxer shorts in Disney World with “booyah” and “en fuego” scrawled across the ass at that time. 

Rich Eisen will surely figure prominently in the film. How could he not? He and Scott became the SportsCenter’s new gold standard. Their friendship and chemistry were real. They dealt with each other offscreen with no filter and the onscreen product was better for it. To this day, Eisen gets emotional when talking about his friend.

No one who dies at 49 lived a full life. How could they? There is so much left to do and give. But Stuart Scott packed a lot of life and made a lot of impact in his short time on Earth. 

Maybe you need the benefit of time for a 30 for 30 documentary to make a real impact. Scott died in January 2015. By the time the documentary comes out, a decade will have passed. As someone who was 15 years old when I discovered his voice and remained a fan until his dying day, I have one question. Why did we have to wait so long to get this movie? 

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Seller to Seller: Sandy Cohen, Union Broadcasting

“You are putting people together and you are seen as a connector. People love being connected with other people, and we like to do that with local business owners.”

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Graphic for Seller to Seller with Sandy Cohen

In last week’s Seller to Seller feature I had asked several sellers what the hardest part was of selling sports media right now. One of the replies was, “Prospecting, I feel like the number of categories willing to spend what they need to is dwindling.” That response prompted my old foe, Union Broadcasting partner and vice president of sales Sandy Cohen, to reach out to talk further about the topic.

Sandy and Union Broadcasting have been in the game since 1998 in Kansas City where they have Sports Radio 810 WHB and ESPN Kansas City. They also have ESPN Louisville and ESPN Wichita and Cohen oversees sales for all of the properties. I competed against them in Kansas City as the GSM for 610 Sports and learned how well-respected Sandy and his team are in the advertising and business communities as well as how good of a job they do when it comes to servicing clients and building relationships.

Sandy said when he read last week’s piece, a thought kept running through his mind, which was that as an industry, sports media needs more people on the street and a next generation of sellers. He had some great insights on the topic as well as Union Broadcasting had been in a hiring mode recently in Kansas City and he wound up hiring three people with a year or less of experience in the workforce.

When we spoke, I first asked him if we need more or if we need better. As any good salesman would do, he asked for it all. “Yes! We need more, better,” he replied. “I think there’s benefits all the way around. You can increase your sales with more people, and you can energize your existing sales team by hiring brand new salespeople.”

Cohen said they put a full-court-press on recruitment and ran ads on air, on their stream, on their website and all of their social channels. I wondered if people were still excited to work in sports media sales and if they had a solid response.

“We had lots of choices, I was pleased,” Cohen said. He told me they went through a few rounds before inviting some candidates in to make presentations in their conference room. “We looked at how they prepared, how they dressed, did they make eye contact, and did they use props or anything to stand out. Lastly, did they follow up with a thank you and stay in touch throughout the process.”

We talked about what types of things he looks for when screening candidates and he said, “I think they have to have a passion and an interest in sports, be a go-getter with a lot of good energy. I think they need to be money motivated and a self-starter, detail oriented with solid communications skills…If they’re not going to pay attention to the details, they’re not going to make a very good salesperson.”

We agreed that after you go through the difficult process of recruitment and then eventually hiring the new sales talent, the real work begins as now you have to make sure they get trained as best as possible.

As for the training process Cohen uses, he said, “It’s a combination of two things. We have our own in-house training system. We have everything mapped out, what the first two weeks look like, day by day, and then at the end of each day there is a recap. Then it continues, but not as structured as the first two weeks.

“We also use P1 Learning through the Missouri Broadcasters Association which is several weeks and is done in bite-sized pieces. They have homework and video calls and assignments they do to really learn the basics.” Cohen said a couple of the new hires had finished at the top of their P1 Learning class.

“It’s nice because it’s an outside voice, I like the way it is structured, and they go through everything. Beyond that, it is a lot of hands-on attention with new sellers, ongoing training, goal setting, lead distribution, and following up with them on how they are making their contacts. It’s talking to them and seeing what they are experiencing and how we can work on those and that works hand in hand with the formal training.”

I was also curious about the role the other sellers on the team play in training of new hires. Cohen said he is fortunate as he has a lot of senior sellers who are willing to help when called upon.

“We’ve got several veteran sellers who have been with us for 20-plus years,” he said. “So, while they are very busy with their own stuff, they recognize that at some point in their career somebody did that for them as well. They will let the new hires shadow them on calls or spend time with them one on one answering questions.”

Cohen hopes that as an industry, sports media makes a commitment to network with area colleges to form relationships with the professors in business schools or journalism schools to have a chance at some of the top talent coming out of college. “We need to have a presence in these classes and try and be in line when kids are graduating,” he said. “We can bring up the level of interest…it requires a lot of work. But we have to find a way to train new sellers and spend a lot of time with them.”

Of course, once the training wheels are off, at some point the new hires have to perform. We talked about the benchmarks of time as to when you should expect to know what you need to know about a new hire. “In the case of somebody who is fairly new…in six months, are they making progress? One year is definitely a benchmark. I think based on activity, new business, work ethic and habits you have observed you will know…It’s effort and activity and you can teach the nuances of what it means to be a solid individual in our industry.”

As mentioned previously, Sandy and his team are exceptional when it comes to having strong relationships with their clients, built through a quality product but also from the amount of time they spend with their clients and connecting them to one another.

“I just think at its core, what we do is fun,” Cohen said. “Some of the days are going to be long if you’re working all day and then taking someone to a sporting event or whatever it may be. We have always felt like entertainment is what sets us apart and one of the most important aspects of what we do.

“I just think if you’re doing business with someone, why shouldn’t you go and have some fun with them, too? You can certainly just hand them some tickets, but there’s nothing better than experiencing an event or planning a party for a group of clients so that they can all network together. You are putting people together and you are seen as a connector. People love being connected with other people, and we like to do that with local business owners…it becomes almost a club where they all work together because they met at one of our social events.”

Cohen said they try and have at least one significant quarterly entertainment event where they bring large groups of people together in addition to connecting one on one at a sporting event. A couple of recent examples of the larger events included a movie preview where a partnership with a local theater allowed for pre-show fellowship, followed by interaction with a talent who would host the event and then an opportunity for the group to see a movie before it has come out to the public.

Another example was a bus trip to Lawrence, Kansas for a KU-Oklahoma State basketball game which included a behind-the-scenes tour at Allen Fieldhouse. The team broadcasters showed the group the locker rooms and other areas that are not open to the public, followed by a KU chalk-talk and VIP treatment for the game.

In summing it up, Cohen said, “Whenever we can bring groups together like that and have a good time, that’s what we do.”

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Ian Eagle Will Always Remember His First Final Four

“This time is allowing me to exhale a bit and truly appreciate the path.”

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Photo of Ian Eagle
Courtesy: For The Win

Over the course of his career, Ian Eagle has called what seems like a million basketball games.  His approach for all of those games, whether it was the New Jersey/Brooklyn Nets, nationally televised NBA games, or college basketball games, has always been the same.  And when it came to taking over as the new play by play voice for the Final Four last week in Arizona, Eagle remained consistent with that approach.

Eagle subscribes to theory that “if it ain’t broke, don’t fit it”. 

“I recognized that I didn’t want to make sweeping changes to my approach because it was a bigger stage,” said Eagle.  “I wanted to be myself and do the games the way that I’ve done them for a number of years now and I think that comes with experience and maturity and muscle memory.  I do think that having done so many NCAA Tournaments put me in a very advantageous position of knowing what I was walking into.”

One part of that approach was to have fun.  It’s certainly a job that comes with a big responsibility because of the big stage and the number of eyeballs that are on you, but doing play by play is a lot of fun and a really cool job to have, no matter what sport or what level.

In Eagle’s case, he made sure that he was not only prepared for the job at hand, but he also made sure he was having a good time with his crew that included Bill Raftery, Grant Hill and Tracy Wolfson.

“We had a blast,” said Eagle.  “I made a conscious effort to remind myself to enjoy it.  Sometimes in life, we forget that it’s supposed to be fun, and it’s supposed to be joyous.  I had this sense of calm just before going on air for the Final Four.  I didn’t feel nerves.  I didn’t feel stressed.  I felt in the moment and comfortable and excited.”

This was a moment for Eagle that had been in the works for a few years and something that he certainly had been thinking about.  When it was first reported that legendary play by play announcer Jim Nantz would be winding down his long run as the voice of the Final Four, it had been suggested that Eagle was going to be the heir apparent.

In October of 2022, CBS and Turner Sports announced that the 2023 Final Four would be the final one for Nantz and that Eagle would take over in 2024.

For Eagle, it was big shoes to fill succeeding Nantz, but he knew the transition would be smooth and that his job was not to be Jim Nantz but to simply be Ian Eagle.

“I think because it was being discussed over the course of a few years, I never felt that level of enormity,” said Eagle.  “For me, it was recognizing that Jim was synonymous with this event and respecting the run that he was on.  It was incredible.  No one is ever going to match it so why think of it in those terms?  Just go do your job and be you.”

Perhaps this could be viewed as a “passing the baton moment,” but on the day before the national semifinals, a message came up on Eagle’s phone.

It was from Nantz.

“Yeah, he texted me on Friday,” said Eagle.  “We had a really nice exchange.  I think he was being very respectful with the job that I had to do.  There’s a high level of respect between the two of us.”

Even before the Final Four, Eagle had established himself as one of the great play-by-play voices in sports broadcasting.  From his days as a student at Syracuse University to his early days at WFAN in New York, to being the radio and television voice of the Nets and national NBA and NFL games, Eagle had already accomplished so much in this industry.

A premier event like the Final Four seemed like the appropriate next chapter of his career.

“It felt very much like the next step,” said Eagle.  “I think all of your experiences play a role in some way.  Even while you’re experiencing them, you have no idea how that’s going to affect you down the road.”

It has been quite a ride for Eagle, and it was a road that started as a producer at WFAN before that run morphed into an on-air role hosting and ultimately becoming the radio voice of the New York Jets.

The road to the top has to start somewhere and for Eagle it was at the nation’s first sports radio station.

“My time at ‘FAN…I learned so much,” said Eagle.  “I was around some of the most legendary figures in sports radio history and I benefited greatly from osmosis of being in this really unique situation that helped me when I got the next job and then the next job and then the next job.”

From hosting “Bagels and Baseball” on WFAN to doing play-by-play for the Final Four, it’s been quite a ride for Ian Eagle.

“It’s pretty wild if I take a step back and think about it but when you’re in the moment, you don’t necessarily reflect,” said Eagle. “This time is allowing me to exhale a bit and truly appreciate the path.”

And who knows where that path is going to take him next.

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