BSM Writers
Rich Moore Still Learning After 25 Years on the Job
One of the great sports radio brands in this country is 950 KJR in Seattle. The station could be nicknamed KRM due to Rich Moore working there full-time for nearly 25 years. Rich has one of the most unique career paths in this industry — he hasn’t worked in 17 different cities like many other people have. Some view it either as a gift or a curse. Rich sees it in a positive light.
It makes sense that he views his career path favorably because Rich is a big believer in positivity. He believes that positivity is a winning formula for his on-air talent. I wouldn’t put it past Rich to stress a spin-off message from a Dave Chappelle Show skit — when keepin’ it real goes right.
Rich’s intelligence is very easy to detect. He’s a smart dude for sure. His thoughts on programmers being scared to work on their weaknesses is something that also applies to many other employees. A handful of other insightful thoughts — like the qualities he loves most in a good sports talk host — are well worth your time reading. Enjoy.
Brian Noe: Where and when was your first gig in the sports radio business?
Rich Moore: I’m still in it. I’m a rarity in this business because I always had a passion for sports and radio. When I had that passion, the format hadn’t really come to life yet. Then when it started to come to life, I was young enough where I didn’t really pay attention to it, but I tried to get on the radio and do all of the radio broadcast schools et cetera.
My other passion — just sports in general — kind of led me to an opportunity when I was in college to work for a promotional company that basically did all of the promotions for the Sonics. I got hired and then the following year, one of those people from that company got hired by the Sonics — it was the daughter of Ackerley — to implement everything we did out-house, in-house. She brought me on board to do it.
I worked for the Sonics in the marketing department. Back then Ackerley owned KJR Sports Radio. I just started gravitating upstairs to the radio side and pretty much have done everything in the building for the radio station. I’m fortunate to have grown my career in Seattle in radio, but never have left my baby since day one, which has been 950 KJR. I’ve built and maintained and rebuilt that station almost since day one. I became full-time with that radio station in basically January of ‘94.
Noe: When you go that far back with the Sonics, what were your personal feelings when they moved?
Rich: If you’re ever fortunate to work for a team, it’s not just a job. If the team wins, obviously it’s a different environment. If the team loses, it’s a different environment. But you do feel like you’re a part of the team no matter what level you’re in. It wasn’t like being a fan even though I was of the Sonics. For me, I felt like I was part of that team in some shape or form. When I worked for them, that was the NBA Finals versus Jordan.
It probably affected me more than a fan. It’s been a bummer. It’s been a big part of my career not only because I worked for them, but we were the home of the Sonics on the radio side for many years — Kevin Calabro et cetera — and a big part of building the 950 KJR brand was based and built around the Sonics and their success. It’s affected me in numerous ways.
Noe: What do you think it would mean for what you do in the Pacific Northwest if Seattle is able to get an NBA team there again one day?
Rich: I’m one of those people that thinks it will never be like it was. I don’t have experience like in Cleveland or anything like that with a team coming and going, but it’ll never be like it was. There’s a giant hole and it needs to be filled. I think fans need to be validated with that and I think it will start a new era with a little bit of passion from the old era. Bottom line is we need an NBA team back in this town.
What’s interesting is I think the way that passion is and how long it extends. The NBA product isn’t necessarily the big great radio product anymore, right? It’s at night. Most of the games are on TV. But if the NBA came back I think the storyline would make it a pretty interesting experience for sure.
Noe: Without you having to move around very much — that’s very rare in the business — are you just thankful that you’ve never had to do that, or is there a small portion of you that says it might have been nice to experience a different part of the country for a little bit?
Rich: I feel like I’m wired in the sense where I always need to be challenged. I’ve just been really, really fortunate where I work, where I constantly had that next challenge, that next opportunity. Now I’m overseeing radio stations outside the format. I’ve been fortunate that way as far as my own career path.
Some people are adamant that you need to go places. Some people are saying you’re fortunate and there’s some value to completely being embedded and knowing your market for that long of time. I see both sides. Like I said, I’ve constantly been around new leadership or a new support staff where I’ve always seem to be able to pick up something or learn something from the next guy. The learning curve has been constant. My opportunities have been constant and my challenges have been constant.
I think at times I know there’s some advantages where if I had been in other markets I’d be better at what I do. But I also know I’m good at what I do because of how long I’ve been in the market and how well I know the market. The pressure or the stress or the goal of mine because of that is I’m a strong, strong believer of building up a network — sharing ideas and studying things from afar — and putting an ear to things. You should anyways, but that’s a big part of what I do, and I make sure I do it.
Noe: What have you learned, especially at the beginning when you were just growing into your role, where you look back now and you’re like, “Wow, I really should have known that beforehand”?
Rich: That’s a great question. I don’t know if I have the answer because it’s always in hindsight. I do think we always talk about you’ve got to evolve and you’ve got to adapt. From the days I got in the business we were cutting reel-to-reel tape and now we’re talking about podcasts. There’s such a long path in between there.
I do think there’s an advantage of evolving to when you’ve been an embedment in a market with a certain brand for so long. You know the people that you’re talking to, the people you have, in addition to the things you’ve got to evolve to. I think it makes it easier to do that to some extent. It’s such a big important part of our business is forming relationships with listeners and building up a brand that you’re affecting their listening habits everyday. Especially in the sports format because the pond we fish in of the men demo — we’re already fishing in a smaller pond. Having those P1’s and that loyal connection — having a better understanding of them and building that brand with them — I think it helps.
The thing I learned that I wish I would have known — this whole business is about people — so I think there’s things you learn by different talent and different people that you can apply to the next. You always go, “Man, if I would have known this when I was dealing with that morning show the first time around, I know I would have done things differently within a better place. I guess that would be the answer.
Noe: When you talk about evolving and adapting, if you apply that to sports radio it seems like we evolved and adapted toward topics that dipped into politics. Now it feels like we’re moving away from that because it might be a tune-out. Would you agree with that?
Rich: I totally would agree with that. The great thing about our business is that we’re so spontaneous. We can do things — if it works, we can pile it on quick. If it doesn’t work, we can pull it off and go in a different direction and half the people don’t even know. When it comes to the topic of politics and the level that it’s consumed us in the country. Debating how we do it. Do we do it? Do we not? Is it regional? Is it the market you’re in?
We all saw what NPR did and how many people that didn’t even consume spoken word were finding it and what it was doing to our ratings. Then we’re seeing what it’s doing to everyone’s lives from the headline stuff that you have to react to. We’re always late to decide what we’re going to do. It almost feels like once everyone figured out what we need to do, well now it’s trending back the other way.
I was just getting to a point where — just talking about the everyday topics that everybody is as it comes out as a personality — I was just getting open to. Lately I’ve started to see some research that early on it was saying it was trending that way. Now I’m seeing research it’s like, no, now it’s time to run from it again. I just think it was a tight window there. I do think it came, but I also think it’s going again.
Noe: How would you say the Pacific Northwest is different than other areas in the country when it comes to sports radio?
Rich: Well specifically with Seattle, we just don’t have a depth of history of teams and their success. Our baseball team and our NFL team are some of the newer teams in theory. We just don’t have the depth in history.
This market likes winners, good stories, and players they can relate to. They don’t care who. If the teams aren’t winning, or if the story is not there, there’s too many other things to go do. It’s a fast-paced city for the West Coast. We don’t have that deep-rooted loyalty because of the history of success or multiple teams.
Not having a major winter sport of NBA or hockey right now in the market, there’s nothing that’s luring people in there for a while. It allows people to check out. I told my staff in 2005 — I still remember to this day — we had a staff meeting before we were going to the Super Bowl to play the Steelers. I had done all this research. We were moving the whole station back to Detroit. Back then we were the only sports station in town. I said, “We’re going to own it. Here’s what we are doing.” We built this whole thing out and I said, “Hey, if we win this thing, it’s going to change the sports market and we’ve got to be prepared.”
We didn’t win. A lot of people think we got screwed, but it did affect us anyways. We raised our cume about 40 percent. We maintained that — I think it dipped down to 30 almost a year later. It did have an effect on it. That was the first sign of a popular sport that we had success in. It started to change how we could talk about failures or teams on the air.
This town, if you talk about firing coaches and trading players, it doesn’t go a long way like it might on the East Coast because the town wants to hear the positive things. Getting to that Super Bowl started to change that and by all means when the Seahawks finally won one, it elevated it to another level.
I think the struggling teams like the Mariners in town could probably attest to it because I think fans became more critical of them. This market, that’s where it comes from. A fan’s support and their passion, it’s increasing, but again with not having one or two more pro teams in the market, we need those to continue to put the depth of passion of sports fans in this market.
I think the other factor is — and I guess you could criticize me for not being in other markets at this point – but our part of the country — we’re similar to San Francisco. We’re fast growing, high tech, high intellect. It’s one of those expensive markets to live in and it’s really hard to capture and engage the audience.
If you look how we index in certain things, we might be the number two station in the market overall with total household income. Where you go to a sports talk station in the South and the Midwest, that may not be the case. They’ve got a little bit different passion of fans that are more willing to carry a PPM or to participate in contests. Out here we get those fans, but it feels like in that sense a little bit harder. It’s a little bit more compressed in the game of getting those listeners.
Noe: It seems like an L.A. vibe where you’ve got to be relevant for them to care. If you have teams that are underperforming, how do you instruct your on-air staff to connect with the audience if they have all these other options?
Rich: Fortunately or unfortunately, we’re not a radio station that’s built off play-by-play. We never were. We had the Sonics, that kind of got us going, but we’ve been built around personalities since day one. We’re live and local from 6a to 7p and we don’t have a major pro play-by-play partner. That’s kind of rare. Our philosophy is we want to be where the fans come and where the fans react.
We try to be as real as we can. We don’t want to talk down to our teams or our fans. We don’t want to be cynical to a point where it’s a turn off. We just really put an emphasis to try to get the vibe of the fans of how they’re reacting and how they’re thinking. It’s a complete turn off if the Mariners are struggling and it’s the middle of the summer and they’re not in it, because we’re so built around personalities, we really do push and strive of being as entertaining as we can in the lifestyle ways.
It’s not full overboard like guy talk, but we try to be as real and as connected to our audience as we possibly can and as entertaining as we can. If the Mariners are in a pennant race, they’re going to turn us on in the morning. If they’re not, they’re going to turn us on in the morning because we’re going to make them laugh, or we are going to make them feel good on the way to work. That’s kind of that tightrope that we walk. The access to the x’s and o’s. That’s gone. It’s all about personalities at that point.
Noe: What’s the most rewarding part of your job?
Rich: That’s funny because I think that question for me, my answers probably evolve like every four or five years. I still get a kick out of the sports bit, brainstorm idea. Something that’s topical, that’s engaging, that comes to life and you put it together. Then people are talking about it and then you become known for it. I think that’s just so cool.
The other part is, the part of our business nowadays is really putting pressure on us to add knowledgeable people. I’m fortunate to have a Mike Holmgren, a Cliff Avril, a Hugh Millen. Guys who have been executives, coaches, GM’s or Super Bowl champions on our staff. Then putting them all together and just get out of the way and let them talk. We always want to eavesdrop on that conversation in the bar. I think sometimes you get some pretty special stuff in that regard.
And then I’m a fan of play-by-play. Having play-by-play — we’ve had the Huskies, we’ve had the Sonics — so being part of magical broadcasts and putting them all together is fun because people are so emotionally involved. Overall I think you always want to be known for the one thing or things and to have listeners come up and be able to say, “Hey, I remember when, and that was so cool. That was awesome when you did that.” It’s pretty cool when you know you’re impacting people’s lives in that way.
Noe: You mentioned overseeing other formats — is there anything from a non-sports radio format that you’ve applied to sports radio?
Rich: Absolutely. I was fortunate enough to get an opportunity to be Vice President of Programming about two and a half years ago. With that, I now oversee eight stations in our building — 3 FM’s, 3 AM’s — and then I’ve got my hands in some other things. Building a brand is so tricky. I’m just a big believer in this business that programmers just like to really gravitate to things that they do well. Partly because how fast we move and how fast things happen and what we have to get on the air. We have all kinds of report cards. We’ve got Nielsen and we’ve got listeners. Programmers are always scared to work on their weaknesses or things that make them uncomfortable. To me that’s becoming the secret sauce that makes radio stations better.
When you oversee other radio stations and how they build their brands, it’s easy to pick things out that you missed or you see that you need to add that might be out of your realm. It’s being able to reflect. You can’t reflect as easy when you’re only focusing on one station, but you get that opportunity overseeing the others. The other part is when you oversee that many radio stations, there’s so much more feedback. There’s so much more research. There’s so much more data that you just kind of say, “Oh, this could apply to me. I could steal that. Oh, this makes sense. Ahh, now I see a common theme here.” From a strategic standpoint for sure it’s been a huge advantage.
Noe: If you were building the ideal sports radio host what quality would you include that typically seems to be lacking with hosts?
Rich: I don’t know if there’s one thing. I really stress being real. There’s a lot of times people try to become a character. There’s a lot of times people want to be perceived one way. I just think day in and day out for someone to get a relationship with you on the air you’ve got to be as real as possible.
You’ve got to be self-deprecating. You’ve got to have high energy and how you present yourself. You can’t talk down to people. You’ve got to have some knowledge. You’ve got to entertain. You’ve got to have fun. I would say more and more and more and more, cynical scares me now. Cynical is negative. Negative is a bad tone and that formula doesn’t work anymore. I think there was a point where it did, but it just doesn’t. I like quick wit. I like storytelling. And I like real.
Noe: It’s funny to ask you about your goals or where you see yourself — you’ve been at the same place the whole time, man. (laughs) Where do you see yourself or where would you like to see yourself over the next 10 years?
Rich: No, it’s a great question. I’ve always been the guy that says, “I need the next thing, I need the next thing. That’s the next thing? I’m going to go get it.” I’m at a point where I have my hands in so many things I might still be molding that clay a little bit. But I’m so lucky, right? I still get to get my hands on a cool brand everyday and be a programmer, but on the other side I get to be behind the curtain and manage more of the bigger picture and the business side of things.
It’s like every programmer, if they leave being a program director and they come back, they always say, “Man, this is what I miss. I miss the day to day.” I’m fortunate to be doing both, but I’m also liking the aspect of overseeing multi formats of business operation and to that level as well. I could take more responsibility on from a management standpoint of the business side like that. I could also see myself putting more of a hyper focus on some key part of our business that’s about evolution or the next future of what our industry is going to be.
Brian Noe is a columnist for BSM and an on-air host heard nationwide on FOX Sports Radio’s Countdown To Kickoff. Previous roles include stops in Portland, OR, Albany, NY and Fresno, CA. You can follow him on Twitter @TheNoeShow or email him at bnoe@premierenetworks.com.
BSM Writers
Robert Griffin III Wants to Tell Your Story the Right Way
“Even if I do know you personally, I’m not going to bring that to the broadcast because that’s not my job.”
During last season’s VRBO Fiesta Bowl, Robert Griffin III was part of ESPN’s alternate telecast at field level alongside Pat McAfee. Suddenly, the Heisman Trophy winner took a phone call. Once he hung up the phone, Griffin divulged that his wife had gone into labor and proceeded to sprint off of the field to catch a flight. An ESPN cameraperson documented his run and jubilation as he returned home to welcome his daughter, Gia, into the world. It encapsulated just what motivates Griffin to appear on television and discuss football, and why he is one of ESPN’s budding talents with the chance to make an impact on sports media and his community for years to come.
“This was an opportunity for me to go out and be different in the way that the media covers the players and truly get to the bottom of telling the players’ stories the right way,” Griffin said. “I look at this as an opportunity to do that.”
Griffin was a three-sport athlete as a student at Copperas Cove High School, and ultimately broke Texas state records in track and field. In addition to that, he played basketball and was the starting quarterback for the school’s football team as a junior and senior, drawing attention from various schools around the country. He ended up graduating high school one semester early and quickly became a star at Baylor University in both football and track and field.
Robert Griffin III’s nascent talent was hardly inconspicuous, evidenced by being named the 2008 Big 12 Conference Offensive Freshman of the Year and then, three years later, the winner of the Heisman Trophy. In the end, he graduated having set or tied 54 school records and helped the program to its first bowl game win in 19 years.
Ultimately, he transitioned to the NFL in a career with many trials and tribulations, but through it all, he never lost his sense of persistence. Nearly a decade later, he returned to college, but this time as a member of the media covering the game from afar. Unlike a majority of former players though, Griffin did not formally retire from playing football when inking a broadcasting contract with ESPN.
“I haven’t retired yet at all,” he said. “I tell everyone that asks me the question that I train every day [and] I’m prepared to play if that call does come. I’ve had some talks with teams over the past two years; just nothing has come to fruition.”
While Griffin’s focus as a broadcaster is undeniable, he never thought about seriously pursuing sports media until his broadcast agent pushed him to do so. He was urged to take an audition at FOX Sports. Griffin broke down highlights and called a mock NFL game alongside lead play-by-play announcer Kevin Burkhardt. He was not prepared for that second part, but impressed executives and precipitously realized a career in the space may not be so outlandish after all.
Griffin then moved to ESPN where he experienced a similar audition process, this time calling a game with play-by-play announcer Rece Davis. Once the audition concluded, it was determined that Griffin would not only begin working in the industry, but that he would be accelerated because of his ability to communicate in an informative and entertaining style.
As a player, he saw the way media members covered teams – sometimes bereft of objectivity – and therefore saw assimilating into the industry as a chance to change that. Now, he is focused on telling the stories of the players en masse while being prepared to pivot at a moment’s notice.
ESPN’s intention was to implement Griffin on its studio coverage, but once executives heard him in the broadcast booth, the company had a palpable shift in its thinking. He was told he was ready to go out into the field and start calling games immediately, something of a surprise to him. FOX Sports felt similarly. This led to a bidding war between the two entities, which ultimately concluded with Griffin inking a contract with ESPN. He appeared over its airwaves plenty of times as a player, and even participated on a variety of studio shows in 2018 where he was almost permanently placed on NFL Live. This time around though, Griffin was suddenly preparing to work with Mark Jones and Quint Kessenich on college football games. He did not have time to consider the implications of the decision, instead diving headfirst into the craft and remaining focused on what was to come with producer Kim Belton and director Anthony DeMarco at his side.
“These guys took me under their wing, and I’m beyond indebted to them for that,” Griffin said of his colleagues. “They taught me everything that I know about the industry. They taught me everything I know about how to present things to the masses to where it can be easily digestible. They’ve allowed me to allow my personality to shine through.”
Demonstrating his personality was a facet of his makeup Griffin felt was inhibited by playing professional football, but he knows it would have been considerably more difficult to attain a chance to cover the game had he not laced up his cleats. Calling college football games with Jones accentuated his comfort in the booth because of Jones’ adept skill to appeal to the viewers and penetrate beyond the sport.
“He has the way to connect different generations of listeners to hear what he’s saying and perceive it in the same way,” Griffin said. “To me, that’s what we all strive to do in this industry is to be able to find the connective tissue between the fan who is 60 or 70 years old, and the fan who’s in their late teens or early 20s.”
From the beginning, everyone told Griffin to be himself and not adopt an alternate persona in front of the camera. That advice has guided him as he approaches his third year working in the industry.
“It is so hard to maintain a character or try to be someone that you’re not, but if you are who you are every single day, then every time you show up on camera you will be that person,” Griffin said. “I’ve made sure that when I stepped foot in front of that camera, I was going to be myself.”
Griffin identifies his style as pedagogical to a degree, critiquing players as if he was coaching them on the sidelines. He will never look to penetrate beyond football with his criticism, as drawing conclusions and using unrelated parlance could be viewed as indecorous. In short, Griffin III knows what it means to represent ESPN.
“We’re not a gossip website. We’re supposed to be critically acclaimed, prestigious journalists, and at the end of the day, that’s how I try to approach the job that I do. That’s why I got into the business – because I felt like there was a little of that going on, especially during my career, so I would never do to somebody else what was done to me.”
Over the course of his NFL career, Griffin was subject to immense criticism that went significantly beyond the gridiron. For example, sports commentator Rob Parker suggested that Griffin was not fully representative of the Black community and proceeded to question if he was a “cornball brother.” The incident resulted in Parker receiving a 30-day suspension from ESPN, and after he defended his comments and blamed First Take producers in a subsequent interview, the network decided not to renew his contract.
“My goal as a member of the media is to tell players’ stories the right way, and if I don’t know you personally, I’m never going to make it personal,” Griffin said. “Even if I do know you personally, I’m not going to bring that to the broadcast because that’s not my job.”
In addition to broadcasting college football games with Jones on ESPN and ABC, he also appears on-site for Monday Night Countdown, the network’s pregame show leading up to Monday Night Football. Making the decision to add NFL coverage to his slate of responsibilities meant that Griffin would be able to tell more stories and utilize his knowledge of players during their collegiate careers to enhance the broadcast.
The energy that he felt attending tailgates and interacting with fans at the college level gave him a unique skill set to translate to the NFL side, leading him to present the production team with an unparalleled idea for Week 1. He wanted to race Taima the Hawk, the live game mascot for the Seattle Seahawks who flies around Lumen Field prior to the start of each home game. It was an outlandish idea, but one that made sense for television because of the visual appeal it can present.
“If you know anything about hawks, they can fly up to 120-140 miles per hour, so they’re like, ‘There’s no way he’s going to beat this hawk in a race, but we’ll do it,’” Griffin said. “To that crew’s credit, they never once balked at any of the creative ideas that I brought to the table because they want to try different things and be exciting and have fun on the show.”
Griffin ended up winning the race, commencing the new season of Monday Night Countdown with immediate excitement before the Seahawks’ matchup against the Denver Broncos. He thoroughly enjoyed his first year on the show and having the chance to work alongside Suzy Colber, Adam Schefter, Booger McFarland, Steve Young, Larry Fitzgerald and Alex Smith.
“They always tell me, ‘Hey, anything you’re not comfortable with, you just let us know and we won’t do that thing,’” Griffin said of the show’s producers. “My answer always back to them is, ‘Well, I won’t know if I’m uncomfortable with it if I don’t try.’”
While Griffin had what looked like a seamless assimilation into the broadcasting world, he had a difficult moment when using a racial slur on live television in discussing Philadelphia Eagles quarterback Jalen Hurts. The clip quickly gained traction across the internet, and Griffin issued an apology on his Twitter account for using the pejorative language and claimed that he misspoke.
“I was shocked that it came out in the way that it did, and I immediately jumped on it and apologized because there’s no need to deny,” he said. “You messed up. You move forward, and I think that’s the easiest way to get over those types of things and to get back on your feet.”
The football season at both the college and professional level is undoubtedly a grind, and it requires a combination of dedication, passion and persistence few people possess. Robert Griffin III has garnered the reputation of being an “overpreparer,” often partaking in considerably more information than necessary to execute a broadcast. The information he consumes and conclusions he draws combined with his experience at both levels has cultivated him into a knowledgeable analyst who makes cogent, intelligible points on the air.
“I over-prepare for everything, and 70% of the information that I soak in going into a game or going into a broadcast for Monday Night Countdown, I don’t use because there’s just not enough air time,” Griffin III said. “There’s not enough opportunities to talk on it all.”
At the same time, he makes a concerted effort to make the most of his time with his family and separate himself from the field, engaging in activities including playing ping pong, going to the movies and supporting his children. He also embarks in charity work through his RG3 Foundation and strives to teach his daughters the importance of giving back. The mission of the nonprofit foundation is to discover and design programs for underprivileged youth, struggling military families and victims of domestic violence, and it has made a significant impact since it was launched in 2015.
“Trying to end food insecurity; making sure that our under-resourced youth have access to the things that they need just to survive – talking about food, clothes, books, the ability to learn [and] putting on these after-school programs,” Griffin elucidated in describing the organization’s mission. “We want to have an impact on our community. We mean that with everything in us and have shown that to be the true case of why we do this.”
Griffin’s wife, Grete, serves as the executive director of the foundation and also runs her own fitness business. Staying physically and mentally in shape is something they actively try to accomplish in their everyday lives, and lessons they are passing down to their daughters.
“I’m 33 years old right now, so if I want to continue to train every single day, I can do that for the next 10 years if I need to,” Griffin said. “Not taking hits and being physically fit is also a good thing for your own health, which is something me and my wife are extremely passionate about.”
Although his experience is in playing football and working in sports media, Robert Griffin III does not believe in limiting himself and would consider exploring opportunities outside of sports and entertainment. He wants to become the best broadcaster possible no matter where he is working in the industry and continue finding new ways to be distinctive en masse.
“We’re storytellers,” he said. “We’re here to break down things [and] to tell people a story the right way; things that people are interested in, and that expands across all media levels. We’re not closing the door on anything from that standpoint.”
While he was playing in the NFL, Griffin dealt with a variety of injuries that ultimately kept him off the football field and made it difficult to display his talents. Ranging from an ACL tear, shoulder scapula fracture and hairline fracture in his right thumb, staying healthy was a challenge for him over the time he played in the NFL.
Through surgeries and rehabilitation, he learned how to face and overcome these challenges. It has shaped him into the broadcaster and person he is today as he looks to set a positive example to aspiring football players and broadcasters everywhere.
“The eight-year career that I was able to have thus far didn’t come without roadblocks in the way [and] didn’t come without adversity. Learn from the adversity that you go through and learn from all the things and the lessons that you have that sports teaches you, and then go be able to present that to the masses.”
Derek Futterman is a contributing editor and sports media reporter for Barrett Sports Media. Additionally, he has worked in a broad array of roles in multimedia production – including on live game broadcasts and audiovisual platforms – and in digital content development and management. He previously interned for Paramount within Showtime Networks, wrote for the Long Island Herald and served as lead sports producer at NY2C. To get in touch, find him on Twitter @derekfutterman.
BSM Writers
Pac-12 Pushing Enhanced Access, Deion Sanders Reeks of Desperation
What good is enhanced access for TV broadcasts or the star power of Coach Prime if those game telecasts aren’t seen?
Ian Casselberry is a sports media columnist for BSM. He has previously written and edited for Awful Announcing, The Comeback, Sports Illustrated, Yahoo Sports, MLive, Bleacher Report, and SB Nation. You can find him on Twitter @iancass or reach him by email at iancass@gmail.com.
Ryan Brown is a columnist for Barrett Sports Media, and a co-host of the popular sports audio/video show ‘The Next Round’ formerly known as JOX Roundtable, which previously aired on WJOX in Birmingham. You can find him on Twitter @RyanBrownLive and follow his show @NextRoundLive.