BSM Writers
WFNZ: A Tentpole Of Sports Talk In The South
“No matter the lineup, what has really been the key to the evolution of WFNZ is the progress of Charlotte as a sports town, particularly the Carolina Panthers’ fanbase.”
Published
5 years agoon
Sports talk radio is a largely regional thing. Sure, there are as many stations that carry the format in Boston as there are in Nashville, but those stations don’t sound the same. The hosts talk about different topics and they do it in different ways.
There are a few tent poles of sports talk radio in the South. No one covers SEC football more or better than WJOX in Birmingham. If you want big, gregarious Southern personalities, you tune into 1010XL in Jacksonville. At the forefront of it all in the region is WFNZ in Charlotte.
Sports content first showed up on the 610 AM frequency in Charlotte in 1992. The station was even one of the first employers of a young Michelle Tafoya, who went by Mickey Conley on air.
According to former program director DJ Stout, it wasn’t until Mike Kellog moved from Boston to take over as the station’s GM that “things got real.” Kellog came from WEEI and used some of the strategies that made that station legendary to launch the new sound of sports talk in Charlotte.
“Charlotte gravitated to it quickly,” Stout remembers. He also noted that the city’s sports culture was exploding at the time. “We had an NFL team everyone was super excited about, the Hornets were selling out every night and college hoops and football have always been huge here so we all felt that it was the right time for a real sports station and we were right.”
“It was the perfect time where sports talk radio was the hot new thing and Charlotte didn’t really have it,” recalls SiriusXM’s Mark Packer, who’s radio career started at WFNZ.
Packer remains an influential name in sports talk to this day. His afternoon show at WFNZ, Primetime With The Pack Man, put the station on the map and on the preset buttons of every sports fan in the Queen City.
The show was a ratings juggernaut for the station for years. Part of the reason for that success was Packer’s unwillingness to stick to sports. Primetime became the go to place for anyone with something cool to promote in Charlotte.
“We never knew who the guests were going to be,” he says. “When President Carter was stuck in traffic and called to say ‘Listen, I’m in town to promote a book and I turned on the radio to hear you talking about the Atlanta Braves,’ well then all of the sudden out of the blue you get the former President of the United States talking Atlanta Braves baseball.”
Packer also notes that part of the success came from a station-wide attitude that everything was competition. WFNZ was not going to let being the new kid in town give it any sort of disadvantage.
“We took a lot of pride, I think, in knowing that at that time newspapers were still very important. The Charlotte Observer had a lock on things, and we took the approach that we were the ones that you were going to get your sports news from, not anybody else. We took this broad approach that this was the place to be to find out what was going on with the Panthers or the Hornets or ACC hoops and football.”
The station and Mark Packer divorced in 2010, but his influence was felt long after he left. His former executive producer and sidekick Tony “Hitman” DiGiacomo (who is now WFNZ’s PD) and comedian The QCB both stayed with the station for the launch of the next afternoon show, which featured Taylor Zarzour (now with SiriusXM and the SEC Network) and Marc James (now with WEEI and NESN). The name Primetime returned to afternoons when Zarzour and James left and were replaced by Chris Kroeger.
One of the signature elements of Packer’s show “The Whiner Line,” which allowed listeners to leave a message ripping whatever they wanted, was in use for years after his departure. The carryover never bothered Stout. “I decided to keep the Whiner Line because it did so well for us and was always sponsored. The rest of the cast did a great job so we kept Tony and QCB on the show as well and they fit in great. The show kicked butt over the next 3 years and did great in the ratings. Not an easy task replacing Primetime With The Packman which I think is the best show we ever had on WFNZ and we have had some damn good shows.”
For Packer though, trying to keep elements of his show in place without the full show still on the station never made much sense.
“I was flattered, but I thought it was stupid,” he said. He is complimentary of Zarzour, James, and Kroeger and says that asking them to include elements of his show wasn’t playing to their strengths. “It’s like saying ‘hey Coca-Cola, why don’t you come up with a new formula!’ How did that work? I was flattered but what we did was ours. That’s not an ego thing. It worked because we had a unique cast of characters that loved the work. You can’t reconstruct that.”
Losing Packer came on the heels of losing another staple at WFNZ. “It was 2009 Gary and 2010 Packer” says current morning co-host Travis “T-Bone” Hancock in reference to Gary Williams, who is now on The Golf Channel.
“It was weird,” adds Hancock’s partner Chris McClain. “Two real established bookends, Gary Williams in the morning, who has since gone on to the Golf Channel and is doing great stuff. Then Mark Packer in the afternoons, who is also doing well and did awesome stuff for our station. We were kinda the newbies and trying to make our way. We were in a great lineup where we had protection and were never seeing fastballs, and then all of the sudden man, you blinked an eye and we were some of the veterans at the station.”
According to T-Bone, suddenly becoming the station veterans and eventually moving into morning drive meant that their show had to evolve to meet the needs of its new audience and time slot.
“We had to go right up to the line and even cross it sometimes back then in order to establish ourselves, because we knew what Gary and Jim (Celania, who retired in 2016) were. We knew what Packer was. We had to get attention for ourselves, so you look back at what we did then and think ‘wow, how did we get away with that?’. It was a different world then, but we had to push the envelope a little bit more.”
No matter the lineup, what has really been the key to the evolution of WFNZ is the evolution of Charlotte as a sports town, particularly the Carolina Panthers’ fanbase. Former afternoon host Frank Garcia said a lot has changed since he was playing for the team in its infancy and most people in Charlotte didn’t even consider the new hometown team to be their favorite in the NFL.
“That used to be the big thing. ‘I’m a Cowboys fan, but I root for the Panthers.’ Now it’s ‘I’m a Panthers fan!’ The guys that were listening to the radio back then, the ones that are saying they are Panthers fans are their kids.”
In Hancock’s eyes, there’s one player that can be credited with creating that passion. “I think when Cam Newton got drafted, that took the fan base to a whole other level because he’s so controversial,” he says. “He’s always such a topic and the fans are going to defend him.”
Taylor Zarzour, who took over afternoons from Packer agrees with Hancock and said that he knew the third day that he and Marc James were on air together at WFNZ that something major was happening.
“Andrew Luck decided to stay at Stanford instead of being selected first overall by the Panthers. I have no doubt the team would have taken him, and while he would have thrived here, he wouldn’t have changed the daily conversation. Cam did and still does. If we talked about the NCAA Tournament, the Hornets, or college football we still had loaded lines about Cam. At all times of the year.
“When I started I wondered if the city would be more interested in Duke and North Carolina or college football than the Panthers. Everything else became an afterthought as soon as Cam became an option with the first pick. That was eight years ago and nothing has changed. He still drives the conversation around here.”
Garcia notes that Cam Newton isn’t the only thing that WFNZ listeners are passionate about. Remember, they had a hometown NBA team long before the NFL came to North Carolina, and despite never seeing a consistent winner, Garcia says the city of Charlotte still loves pro basketball.
“The Hornets haven’t had that success. The Bobcats were a disaster. But that’s how life goes. You have to fail and fall on your face miserably before you really succeed. We’ve done that quite a bit as a basketball town. This city is really hungry for a winning basketball team.”
As for what comes next, Garcia’s former partner and current WFNZ afternoon host Kyle Bailey says the city is capable of supporting more pro teams.
“New Panthers owner David Tepper has made it clear he wants an MLS Team in Charlotte. He has the money to make it happen and he’s single-handedly put Charlotte back in the mix for an MLS franchise. So I think professional soccer is more likely to happen first, but Major League Baseball makes a ton of sense too. I think MLB will be in Charlotte eventually. Not having a franchise between DC and Atlanta hasn’t made sense for a long time, and Charlotte makes a ton of sense if MLB wants a greater presence in the Southeast.”
Whatever comes next for Charlotte in the sports world, the WFNZ team feels like they are in the best position to handle it. The station was launched by CBS Radio. It was then acquired by Beasley Broadcasting in 2014. In 2016, it became property of current owner Entercom, and according to DiGiacomo, things have never been better in terms of corporate support.
“The transition to Entercom has been great for us, because what we have now that we didn’t have with Beasley or even CBS is a company that believes in sports talk radio and our ability to make a greater impact.”
That belief has shown itself in many ways, not the least of which is the fact that both major local sports properties call Entercom stations their flagship. The Hornets are on WFNZ. The Panthers are on sister station WBT. Vice president and Charlotte market manager Matt Hanlon says that kind of presence is key to WFNZ’s ability to own the ears and minds of local sports fans.
“WFNZ is known as the dominant sports influencer in Charlotte,” Hanlon said in an email. “Tony and the staff at WFNZ understand that responsibility and absolutely embrace what they do. The connection with the community is authentic and continues to grow and make a difference.”
DiGiacomo notes that part of that responsibility is being honest with the audience. He doesn’t want his staff to feel like they have to be a cheer squad 365 days a year.
“Yeah we have the Hornets contract and we have the Panthers contract at our sister station but you don’t have to kiss their ass.” He says that he wants his staff to do three things whenever they open the mic. “Entertain, challenge, and engage. And I need you to be fair. If you’re going to take a stance on the Hornets be fair about it, be consistent about it, and just don’t make it personal.”
That kind of honesty and consistency is what has allowed WFNZ’s newest additions, Nick Wilson and Josh Parcell, to cut through in mid days. Wilson, a Cleveland native, doesn’t mind that since his arrival in August, he has been painted by some listeners as the voice of the city’s transplants. “I think it’s important to acknowledge that I haven’t lived here and then slowly earn those Charlotte bona fides.”
Parcell hasn’t always been the most popular personality on the station, in part because of his criticism of Cam Newton. That hasn’t made him doubt his positions or his style though.
“Something I told Tony and our bosses was ‘you’re going to get what I think every single day,’” says Parcell. “It may not always be right, but I’m not afraid to give my opinion on a topic no matter how controversial it is. I’m going to be informed about it, but I’m not going to hold anything back as long as I believe what I’m saying and have the evidence to support it.”
Bailey, who just signed a contract extension with Entercom, says that whether it is opinions, comedy, or interviews, what has set WFNZ apart is the ability to cut through and remain relevant even as the number of content choices grows.
“Millennials and Gen-Zers crave content so the consumers are there” shares Bailey. “Just like making delicious food is a baseline requirement for opening a restaurant in a city full of great restaurants, making good content is the minimum requirement to compete in the sports content space with other outlets who pump out good content. How do you stand apart? Because radio, television, print, podcast, etc. are all the same now. We’re all digital content companies fighting for downloads, views, and clicks. How digestible is your content? Are you saying something that matters? Because young people care. Young people also have limited attention spans. Can you cut through the noise and tell a story they want to hear? Can you hold their attention for longer than your competitor? The days of brand loyalty aren’t over, but legacy media can no longer take consumers for granted and the competition for attention is fierce.”
Competition isn’t really something WFNZ has ever really had to think too hard about in the terrestrial radio space. 730 AM carries both the ESPN Radio brand and Charlotte sports radio legend Gerry Vaillancourt. 1660 AM broadcasts a direct feed from Fox Sports Radio aside from one hour of local programming on the weekends. Neither has been able to significantly cut into WFNZ’s audience and they aren’t the first to have tried.
“I think Sports is a big commitment to make if you’re going to be local and relevant,” Hanlon says when asked why he thinks no competitor has had real staying power. “WFNZ is all of that and enjoys the equity of 26 years in format.”
As for DiGiacomo, he says not having a successful competitor in the sports format has brought a different, more unique challenge that makes his job more fun. “While I welcome the competition, I would much rather compete against a music station. With Charlotte being such a music-focused town, it’s cool to be the big dog in town in this format and to challenge yourself to find another ratings point by innovating and being mass appeal going up against something completely different.”
“The cool thing about what took place in the beginning of FNZ was that the city caught fire,” Packer says. The station caught fire right along with it. That noteworthiness attracted the kind of attention that lead to hosts leaving WFNZ to pursue opportunities in bigger markets, national networks, national television, and in the play-by-play world.
Nick Wilson says he never really considered what it would be like to call himself a North Carolinian until the opportunity to come to this particular station presented itself. “So much of the allure of this was the WFNZ brand. I’m a bit of a radio nerd, so I’ve listened to several of the lineups that they’ve had here.”
Hanlon isn’t so much worried about WFNZ’s reputation with radio nerds. He says the kind of influence and acclaim that wins praise from that community will come as long as the station continues to super serve its local audience. “As Charlotte continues to grow and diversify, the interest in professional and big league college sports continues to grow with it. We’re committed to leading that conversation.”
Demetri Ravanos is the Assistant Content Director for Barrett Sports Media. He hosts the Chewing Clock and Media Noise podcasts. He occasionally fills in on stations across the Carolinas. Previous stops include WAVH and WZEW in Mobile, AL, WBPT in Birmingham, AL and WBBB, WPTK and WDNC in Raleigh, NC. You can find him on Twitter @DemetriRavanos and reach him by email at [email protected].
BSM Writers
The NBA Play-In Tournament is Simply About Money
By most estimates, the PIT has added millions of dollars in value for the league’s broadcast partners.
Published
16 hours agoon
April 17, 2024No, the NBA play-in tournament won’t save the league. But that’s not the same as saying it doesn’t matter.
In truth, the PIT, as we’ll call it, has done almost exactly what the league’s owners had hoped it would. It drives up a little interest in the NBA’s product before the playoffs proper begin this weekend. It’s sort of an appetizer for the courses to come.
It also drives a few bucks into the pockets of the league’s broadcast partners, and for Adam Silver & Co., that’s the point, of course. Aesthetics aside, if the PIT wasn’t a moneymaker, we’d never speak of it again, very happily.
This creature, after all, is a bit of a mess. It’s clearly contrived. It was hatched during the pandemic as the NBA tried to figure out how to survive its 2020 bubble summer, which tells you most of what you need to know about the motives.
And it can skew ugly. This week’s offerings featured two solidly sub-.500 Eastern Conference teams, Chicago and Atlanta. Under the NBA’s previous top-8 format, the East’s lowest-qualifying playoff team would’ve been Miami at 46-36. That’s respectable.
But the PIT isn’t about respectable; it’s about spectacle. As this year’s version got underway, there were a couple of tantalizing storylines – only a couple, but that’s all you usually need.
In the West, teams featuring LeBron James and Anthony Davis, Steph Curry and Klay Thompson, Zion Williamson, and De’Aaron Fox were all jockeying for their post-season survival. Why? Because their respective teams were merely okay for most of the season, never great.
But you can see why Silver and the NBA owners favored adding a few more playoff possibles in the first place. Again, going back to the top-8 grid of playoffs past, both the Golden State Warriors and Sacramento Kings would’ve been on the outside looking in. Instead, viewers got a Warriors-Kings elimination game on Tuesday night.
The notion of seeing Curry and his crew go out in a one-game tire fire is generally going to be worth a few eyeballs – and that’s the whole ballgame here. Last year’s six PIT games, broadcast on ESPN and TNT, averaged 2.64 million viewers, a 5% increase from the year before.
That’s how this works. By most estimates, the PIT has added millions of dollars in value for the league’s broadcast partners. You can argue that, depending upon the year, the 7-8-9-10 configuration also heightens interest in the last couple of weeks of the regular season, simply because nobody wants to be relegated to the 9-10 elimination game.
It all matters to a league that, like most sports enterprises in America, is trying to figure out the viewer landscape amid a rapidly changing market. Silver acknowledged as much last fall in an interview with Yahoo Sports, saying that the decline in cable subscriptions “has disproportionately impacted the NBA” because the league’s fan demographic trends younger but the remaining cable audience is older.
“Our young audience isn’t subscribing to cable,” Silver told Yahoo, “and those fans aren’t finding our games.”
There’s no doubt the NBA is addressing that issue as it negotiates with TNT and ESPN, whose rights expire in 2025. While cable options might be cut back, the league has to find a way to expand its reach through a significant streaming partnership. It could be part of the impending ESPN/Fox/Warner platform or something else, but it needs to be easily identifiable and easily accessed.
You’d go a little crazy trying to figure out where the NBA stands in terms of viewership. Its opening night last fall was a bust, but the new in-season tournament was a ratings hit. The league got smoked by the NFL on Christmas Day, enjoyed a huge uptick on All-Star Saturday Night, then played a desultory All-Star Game only to see viewer numbers go up from the year before. (Granted, that was a rise from an all-time ratings low.)
Silver, who’s wrapping up a contract extension that will keep him in the commissioner’s job through the end of the decade, has been warily eyeing the TV numbers for years. He isn’t new to any of the concerns, and he has been forcefully behind both the in-season tournament and this PIT creation, which everyone involved has no problem labeling a blatant viewership ploy.
That’s because, for lack of a crisper phrase, it is what it is. The play-in is every bit as basic as it looks, and it was put in place for no reason other than to expand the playoff field and generate a little extra heat through the schedule’s final few weeks, along with these early days of the post-season.
And it generates millions. For Silver and Co, that’s the end of the conversation.
Mark Kreidler is a national award-winning writer whose work has appeared at ESPN, the New York Times, Washington Post, Time, Newsweek and dozens of other publications. He’s also a sports-talk veteran with stops in San Francisco and Sacramento, and the author of three books, including the bestselling “Four Days to Glory.” More of his writing can be found at https://markkreidler.substack.com. He is also reachable on Twitter @MarkKreidler.
BSM Writers
Verne Lundquist Deserved All The Praise and More During Final Broadcast
Verne Lundquist might be the last of a dying breed. And for all of the fantastic moments he’s had behind the microphone, there was a missed opportunity for one final hurrah.
Published
16 hours agoon
April 17, 2024Verne Lundquist deserved to call the final holes of The Masters for CBS Sports on Sunday.
While celebrating his 40th time calling golf’s grandest stage, it also marked the end of his illustrious broadcasting career. Lundquist has been a fixture not only at Augusta but also on CBS Sports properties like the SEC on CBS, the Army/Navy Game, and the NCAA Tournament.
But Verne Lundquist is part of the last of a dying TV play-by-play breed.
He was never going to make his final assignment about him.
When you tuned into a broadcast being called by the 83-year-old, you were bound to witness a broadcasting masterclass. The ability to weave humor in and out of the broadcast, along with tenacious prep work, fantastic storytelling, and an intricate knowledge of letting the pictures tell the story were Lundquist’s trademarks.
Take, for instance, his call of the famous “Kick Six” in the 2013 Iron Bowl. In 25 seconds of action, the only thing he says is “On the way … No. Returned by Chris Davis. Davis goes left. Davis gets a block. Davis has another block! Chris Davis! No flags! Touchdown, Auburn! An answered prayer!”
He didn’t speak for the next 65 seconds, letting the pictures — some of which have lived on in infamy — tell the story.
It wasn’t overhyped catchphrases, screaming, or “look at me!” energy that has somewhat permeated modern television play-by-play that made Lundquist a TV legend. It was a dedication to the craft.
It was great to see so many tributes from not just fellow broadcasters but also from some of the PGA Tour players — especially Tiger Woods — for Lundquist in his final assignments.
Make no mistake about it: Verne Lundquist is a titan of the industry and deserved all of the praise that was heaped on him during his final assignment. And I’m not unreasonable, I don’t know that you could expect Jim Nantz — who gave up calling the NCAA Tournament — to step aside for Lundquist to call the final holes of The Masters, when he gave up another high-profile gig to spend more time focusing on golf’s biggest tournament.
But when a guy like Verne Lundquist — who you could argue belongs on the Mount Rushmore of TV play-by-players — is ending his career at a place that he says “means just about everything, professionally,” I think it has to enter someone’s brain to give him the chance to make the call.
Now, maybe the most likely scenario is that Nantz, or retiring CBS Sports Chairman Sean McManus, did invite Lundquist to wrap his career by cementing Scottie Scheffler’s place in immortality at Augusta National. But watching Verne Lundquist from afar, it’s likely he decided to not shine the spotlight on himself. A quality that took him to the top of the sports broadcasting mountaintop.
I hope Lundquist appreciates all of the admiration shown to him over the past week, from contemporaries and those who participated in the action alike. It was our honor, and our privilege, to listen to Verne Lundquist for all those years. Not only at The Masters, but the Olympics, college football and basketball, and beyond.
Garrett Searight is the Editor of Barrett News Media and a weekly columnist for Barrett Sports Media. He has previously served as Program Director and Afternoon Co-Host on 93.1 The Fan in Lima, OH. He is also the radio play-by-play voice of Northern Michigan University hockey. Reach him at [email protected].
BSM Writers
Q Myers, ‘GameNight’ Places Women’s Basketball at the Forefront on ESPN Radio
“I think everything we’ve done has built up where we continue to allow ourselves to do more because of what we’ve done and our consistency.”
Published
16 hours agoon
April 17, 2024It all started with an idea and aspiration that the momentum would persist and continue to move in the right direction. Qiant Myers, a longtime radio veteran who works as the program director for the Las Vegas Sports Network and hosts several programs centered on the Las Vegas Raiders, was looking to do something different on ESPN Radio GameNight leading up to the NCAA Division I Women’s Basketball Tournament. With March Madness rapidly approaching, the program devised a strategy to implement discussion about the teams and players within the bracket, diligently preparing by booking guests to be interviewed and contribute to the discussion.
Myers and his colleagues take part in a weekly listening session in which they review different parts of GameNight and discuss both strengths and weaknesses. ESPN Radio afternoon program director Mike Urrunaga often joins in these calls to provide his insights and analysis, looking to bolster the quality of the on-air product. The program utilizes a rotation of several hosts, including Myers, Emmett Golden and Jonathan Zaslow, all of whom bring a consistent approach to serve as a source of information and entertainment while inviting listener opinions.
Being based in Las Vegas, Nev., Myers can evince the presence of women’s sports and perceives its rapid proliferation in the marketplace. The Las Vegas Aces have won the WNBA championship in the last two seasons, while the University of Las Vegas is widely considered to have one of the strongest women’s basketball programs in the country.
At the same time, he recognized the success of new teams in establishing fanbases over time, including the Vegas Golden Knights. The defending Stanley Cup champions frequently fill T-Mobile Arena to standing-room capacity, embedded within the zeitgeist and sports renaissance taking place in the city. Concurrently, the Aces averaged at the top of the WNBA in average attendance last season and have leveraged on-court play and stars to help expand its fanbase. With the possibility of more professional sports leagues considering the city for relocation and/or expansion, Las Vegas is among the quintessential examples of sustaining and thriving with both women’s and men’s sports organizations.
“I felt like I already had a foot in the door because I’m paying attention to what’s going on,” Myers said. “I’ve been watching women’s basketball for a long time and really appreciate it.”
When Myers demonstrated his avidity for women’s basketball prior to the start of March Madness, his co-workers recognized that predilection and capitalized on it. In essence, GameNight worked to become the radio home of the tournament by crafting a distinctive sound and disseminating it en masse. The initiative was not only about introducing the athletes to listeners, but also showcasing their personalities and establishing an interpersonal connection.
“I’m a big believer in if the hosts are passionate about something, that passion will carry and it will draw listeners in,” show producer Tara Sledjeski said. “Anything you do – if your hosts are into it – I think you can sell it to the audience because they’re going to be interested in it if the hosts are into it.”
There were several coaches that appeared on the program whose husbands are members of the coaching staff. Additionally, some of the players presented anecdotes about how they would watch and attend women’s basketball games when they were younger and became inspired to pursue the career themselves. By humanizing the guests on GameNight, the interviews were able to more readily appeal to listeners, especially those who are either unfamiliar with or unwilling to accept the burgeoning pantheon of women’s sports.
“I think it is about finding those personal things of why you should be interested in these people, and I think with all sports, it always comes down to the stars, which we’ve especially learned with women’s basketball,” Sledjeski said. “Caitlin Clark – everyone cares about Caitlin Clark, so I think it’s just finding things that will make people resonate with these girls.”
Clark in particular has stood out among the pack of incoming WNBA players, catapulting to become one of the most eminent athletes in the world. Clark was recently drafted No. 1 overall by the Indiana Fever and became the top-selling draft pick in Fanatics history, garnering demand for her jersey from basketball fans around the world.
Nielsen measured the rematch of last year’s National Championship Game between Iowa and LSU to amass an average of 12.3 million viewers. Peaking at 16.1 million, the game marked the most-watched college basketball game to be presented on ESPN platforms before the Final Four.
ESPN went on to break that record two more times in the next five days, beginning with the Final Four game featuring Iowa and UConn that averaged 14.4 million viewers. Although Iowa did not win the National Championship Game, it posted a valiant effort against South Carolina in a game that attained 18.9 million viewers, ending tournament coverage that was up 121% year-over-year.
The metric was significant for Sledjeski, who grew up watching men’s sports and playing softball. When the sport was removed from the Olympic Games in 2008, she wondered what encapsulated the acme of the game, and the fact that these athletes could no longer win gold medals in the games was disheartening and perplexing. Watching the women’s National Championship game outdraw the men’s iteration for the first time in the history of March Madness represented a monumental achievement and step towards further prosperity.
While it can be difficult to attribute a direct correlation, those involved believe that GameNight had an effect on interest in women’s basketball based on observation and logic. Associate producer Rachael Robinson, who also works on the evening program Amber & Ian, enjoyed taking part in the tournament-specific endeavor, during which she learned about personnel within the sport and their indelible impact on its growth.
“Looking back, that was a fantastic idea,” Robinson said. “It’s kind of fun to be ahead of the game. I always enjoy it. People might question you in the moment, but once it blows up, because you know it’s going to eventually, you look like a genius.”
Since GameNight is under the ESPN company umbrella, the program is able to leverage the deep roster of multiplatform talent and have them on for segments during the show. For example, basketball analysts Andraya Carter and Carolyn Peck appeared on the show to discuss the tournament. Following the Final Four games, analyst Jimmy Dikes and reporter Holly Rowe also joined the program to provide their expertise within the overall discussion. ESPN recently reached a new, eight-year media rights agreement with the NCAA that grants the network rights to 40 championships, including all rounds of the Division I Women’s Basketball Tournament.
“It’s great that ESPN has the rights to all this,” Sledjeski explained, “because it helps us then to bring in our analysts and bring in people that were there and people that were on the call to give that insight of what’s going on.”
“They did such a fantastic job that it made ESPN, really truly the home not only on radio, but on TV,” Myers added. “….I felt like we were the voices leading into the tournament on the radio. I feel like it all worked together.”
Before the tournament began, the GameNight team worked to secure and feature several key figures from women’s basketball, such as Notre Dame guard and ACC defensive player of the year Hannah Hidalgo. Big 12 Conference co-player of the year Madison Booker, Pac-12 Conference most improved player of the year Kiki Iriafen and MAAC coach of the year Carly Thibault-DuDonis were also among the guests at this time. Aside from discussing the games themselves, the program also found ways to engage in storytelling that would effectuate a comprehensive synopsis as to their personas both on and off the court.
“We’re going to do all the research, [and] we’re going to get all the fun facts,” Myers said. “Tara does a great job of that, and obviously I’m going to do my research at the same time…. We did the show before the show because we were just so busy grinding, but that’s the beauty of it.”
As the producer of GameNight, Sledjeski knows that it made the program a more compelling listen in going beyond the action on the court. Certain answers and details stood out within its coverage pertaining to a variety of topics, one of which was a joint interview with Iowa State freshman center Audi Crooks and freshman forward Addy Brown. The teammates became close friends throughout the season and discussed the camaraderie between them and the rest of the team. Furthermore, the program welcomed UNLV head coach Lindy La Rocue who shed light on balancing her personal and professional responsibilities.
“My mind is still blown by her story because last year, she literally had her first child in early November and she was back on the sidelines coaching a week later,” Sledjeski said. “That is mind-blowing, and she gave a great answer about her daughter always being around the team and how she can’t separate things.”
Amid the tournament, GameNight had a plethora of athletes and coaches on the airwaves for interviews, including Oklahoma forward Skylar Vann, Oregon State guard Talia von Oelhoffen and North Carolina guard Alyssa Ustby. Sledjeski informed members of the show to tag the specific universities and basketball programs who the players were representing, which led to several subsequent posts and additional engagement. Robinson was responsible for posting audio from these conversations, and she hopes to augment the breadth of digital distribution accompanying the national radio exposure.
“I really enjoyed it because it was different, because a lot of shows were paying attention to it because it was an initiative and it was going so well,” Robinson said, “but they were very good at getting the lesser-known stories out of the tournament and really pushing them and becoming the home of the tournament.”
In addition to guest interviews and discussion on the air, GameNight also cultivated a social media campaign where it ranked and created a bracket to determine the best Division I basketball program in the country. Women’s and men’s programs engaged in head-to-head battles determined by fan votes on social media about who would win each matchup. Sledjeski presented the concept and seeded the teams for the six-round competition situated similar to March Madness. There were 16 teams within each division (East; Midwest; South; West), narrowing the bracket from 64 to the Final Four.
“That was a whole lot of work to put that bracket together,” Myers said. “Just by her wanting to put that together got me excited about it. It made me want to be like, ‘Yeah, let’s lean into this. Let’s do this. If she’s willing to put in that work, let’s lean into it, let’s have some fun with it and let’s talk about it.’”
Visualizing the competition in a bracket format tied into the theme surrounding March Madness, but determining the exact theme of the venture took several iterations. As she continued to ruminate on how such an effort could surface and elicit broad interest, she began to weigh teams experiencing current success and those who had been perennial champions of yore.
“The more you think about it, it’s really tough with all sports and if you’re trying to cover all pros and programs,” Sledjeski said. “I was trying to narrow it down, and I really don’t know what popped into my head, but I thought it’d be really cool when you think about, ‘Okay, we know the UConn women are doing really good; also then how do they compare to the Duke men?’”
ESPN Radio shared polls on X with two basketball teams and asked users to vote on which one was the stronger all-time program. After 60 rounds of voting, the championship matchup came down to the North Carolina Tar Heels men’s basketball program against the UConn Huskies women’s basketball program. In the end, the UConn women’s team garnered just over 92% of the final vote, taking home the championship in the bracket competition. Monitoring the engagement and interaction on social media, Robinson noticed that there was palpable enthusiasm towards the project. In fact, many programs from around the country recognized the campaign and implored their fanbase to vote in an effort to capture the title.
“It was a very interesting way to look at it because it wasn’t the same, ‘Oh, here’s this; here’s this,’” Robinson said. “It was, ‘Look at the history of these two sports and pick the best one.’”
With the book on this year’s edition of March Madness closed, it does not indicate the end of covering women’s sports on GameNight and ESPN Radio. As teams across the WNBA prepare for opening night next month, collegiate stars including Caitlin Clark, Cameron Brink and Kamilla Cardoso aim to make an impact and assimilate into the league. Building off the momentum from the tournament, ESPN Radio intends to feature a WNBA player every week of the season, an effort that will likely coincide with games on television.
Viewership of the league last season reached a 17-year high with an average of 440,000 people watching games presented on ESPN, ABC and ESPN2. With national media rights for both the WNBA and NBA expiring after next season, respective league commissioners Cathy Engelbert and Adam Silver have addressed the growth of both entities. ESPN and Warner Bros. Discovery are currently in an exclusive negotiating window with the NBA that runs through next Monday, April 22. ESPN Chairman Jimmy Pitaro believes that the WNBA will be included in a potential renewal with the NBA, a league that is reportedly aiming to implement a regular streaming element into its portfolio.
For now, GameNight is focused on utilizing its resources and platform to drive awareness of and interest in women’s sports through storytelling and regular discussion. The shifting paradigm within athletics has placed women’s sports at the center of conversations rather than it being disregarded or considered an afterthought.
“I think that it’s continuing to get better and growing, and obviously the star power is always going to help because now there’s people in this tournament obviously that watch the game because Caitlin Clark was fantastic,” Myers said. “Now hopefully, now there’s sticking power [and] now hopefully they come back and say, ‘Oh man, let me see it again…’ Now I feel like I can feature more as well, and it’s appreciated instead of, ‘Oh, they’re trying to force feed it because they’re trying to play nice with the ladies.’”
Deloitte projects women’s sports to generate more than $1 billion in revenue for the first time this year, coverage of which comes from ESPN through its radio, television and digital platforms. The team at GameNight and ESPN Radio have discerned and witnessed audience interest in various leagues, teams and games themselves that comprise women’s sports. These discussions are not derivative or contrived in nature; rather, they are genuine opinions that emanate from keen focus on implications and outcomes therein. GameNight intends to continue shattering glass ceilings while not allowing prejudicial, misogynistic commentaries to impede the progress towards equality.
“I think everything we’ve done has built up where we continue to allow ourselves to do more because of what we’ve done and our consistency,” Myers said. “…We’ve earned the right to continue to build up what we’ve already started and see how far it can go.”
Derek Futterman is a contributing editor and sports media reporter for Barrett Sports Media. Additionally, he has worked in a broad array of roles in multimedia production – including on live game broadcasts and audiovisual platforms – and in digital content development and management. He previously interned for Paramount within Showtime Networks, wrote for the Long Island Herald and served as lead sports producer at NY2C. To get in touch, find him on Twitter @derekfutterman.