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Carmichael Dave Only Works In Sacramento

“I’m not here for any political bullshit. It’s always, always, always listeners first, Kings fans first.”

Brian Noe



There are a lot of radio hosts that say they have great passion for sports and the broadcasting industry. There aren’t as many of those same hosts who actually show it. David Weiglein — better known as Carmichael Dave – isn’t one of these fake smooth talkers. The guy oozes passion for the Sacramento Kings and his sports radio gig. He doesn’t prove his enthusiasm solely through words. Carmichael Dave proves it through his many actions.

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Carmichael is a suburb in Sacramento where Dave grew up. His stage name originates from the many times he called Sports 1140 KHTK as a kid. Dave was so fired up to participate as a teenager that he recorded his calls on a boombox. It was a drug to him. He now hosts a weekday show from 6-9am on the same station he grew up adoring — KHTK.

Dave details the highs and lows of getting fired and re-hired by his current employer. While out of work, he didn’t sit around twiddling his thumbs feeling sorry for himself. Not only did he start a podcast back then, Carmichael Dave raised money and commandeered a 27-foot RV. This dude ended up in New York City during a Board of Governors meeting as he fought for the Kings to remain in Sacramento. If that isn’t real, authentic, genuine passion, I don’t know what is. Enjoy.

Brian Noe: With you being a former caller, does that impact the way you engage with callers now because you understand what it’s like to be on the other end?

Carmichael Dave: One trillion percent. But radio is going away from calls in a lot of ways because of texting and emails. I think the lifeblood of sports radio is trying to create passion. You throw out as a host that bait and you’re trying to hook passion. Every single blinking hold light to me was like a biting fish. As somebody who had gone through it as a kid and as a young adult, I’m taking it very seriously. The radio is off, nobody can talk to me, and I’m shut in a room somewhere because I’m afraid the host is going to come to me at any point. I have taken the time to completely shut my life down so that I can call in unpaid on a radio show and contribute free content.

Sometimes that content sucks, we all know there are crappy callers, but it doesn’t matter. These people are taking time to contribute to your show. You better respect what they’re doing. When they get on the air, we may yell, we may scream, I may think the person’s a moron, but you’re damn straight I’m going to respect their time. You’re taking the time out of your life to participate in my show, I’m going to respect that and I’m going to talk to you.

BN: What helps you connect with your audience the most?

CD: My brand is like an anti-brand. I’m a kid from Carmichael that lucked his way into being able to work at the station he grew up listening to and covering the team that he adores more than anything, the Sacramento Kings. My name is local. Carmichael Dave doesn’t work in Houston. It doesn’t work in New York or L.A. It works in Sacramento and that’s it. I am bonded to this city.

Sacramento is not the first prize in the Price Is Right Showcase Showdown for the vacation. That’s not what we’re known for. It’s a stepping stone.

Think about some of the shittiest cities in the country like Detroit. Everybody thinks Detroit is shitty, right? Like you do not want to go to Detroit. That is a terrible city. But talk to people from Detroit. They’re like yeah D-Town what’s up? They are the most loyal people in the world.  Same thing with Stockton here, which is like the Detroit of California. That’s their reputation. But they’re so loyal to where they’re from. That’s my brand.

This isn’t a cultivated character. I’m going to go at it with you. I’m very active on Twitter. I won’t say your mother’s a whore or anything, but in the end I’m a native Sacramentan. I’m born here, raised here, going to die here. We’re all kind of an extended dysfunctional family. If you want to say a brand, that’s my brand. It’s local.
BN: How did things unfold for you going from a caller to being on the air?

CD: The program director at the time was a guy named Mike Remy. He’s one of my big-time mentors. I had an internship when I was 17. The guy who was running the board, who was kind of in charge of everything, he opens the door and he goes “Alright, step into my office. I’ll give you the rundown.” His name was Steve Goss. He’s still there today. He’s our traffic director.

Well, his office was the bathroom. He just starts taking a leak while I’m sitting there at the sink. He says all right here’s what you do, here’s what you don’t do. He’s like turning around from the urinal talking to me. That was my first indoctrination into the inside of a radio building. 

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From there I did everything I could working for free. Mike Remy said hey dude check it out, you got to learn how to be on the air and you’re not going to get the time you need here right now. There’s a bunch of music stations in town. Go work at a music station, come back to me in a few months and we’ll see what we can do. So I went to this alternative rock station in town. I worked there about a year.

Then eventually I went back to KHTK in ‘01. I got my first break doing backup sports updates for Jason Ross. Jason was doing updates for our afternoon drive host Grant Napear who is also the play-by-play TV voice for the Kings. I grew up absolutely idolizing this dude. He was the alpha and the omega to me. I’m 23 or 24. I called him Mr. Napear. I don’t know what that first update sounded like, but I know Grant will often say that I was like this scared little bunny. He actually told me at one point hey speak up. I did backup updates for four years. 

Then one day Mike Remy hired somebody else to do a show from 9 to midnight. That dude lasted a year. His name was Tim Montemayor. He got a job at KMOX in St. Louis and quit that day. I get a call at 4pm. I had a 104-degree temperature. I had strep throat. I was lying in bed but I recognized Mike Remy’s phone number. He said hey I need you to fill in for Tim. He’s no longer with us. The show starts in five hours. It’s at a Hooters for a live remote. So with strep throat and a 104-degree fever and Hooters girls being shoveled in and out of my broadcast, that was the first time I ever hosted a show. Two weeks later they let me keep the spot. I did 9 to midnight for the next six years.

BN: Man, only a few hours to prepare — you’re on location so that’s a whole different animal — what do you remember most about that first show?

CD: I just shit my pants in front of Hooters girls because I was scared to death. I was on right after a Kings-Timberwolves game and thank God it was a win. But I didn’t know enough to know anything. I had never hosted a show. I had never, ever done anything but a sports update on the station and here I am soloing for three hours.

During that broadcast, after I got through all the schematics and phone numbers and stuff, all of a sudden I heard that telltale white noise in my ear again and I was a caller. I was on the air and it was time to dance. All the times that I had spent calling in on Grant Napear’s show or Scott Ferrall’s show or any of these radio shows I called as a kid, instead of having a five-minute phone call it was now a three-hour phone call with commercial breaks. It just kicks in. You’re either able to do it or you’re not. I certainly wasn’t great. I was far from perfect, but I did it well enough to get called back the next day.

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It’s always been like that. I’ve always had that attitude that I’m really on a day-to-day contract. What I did today doesn’t matter now. It’s what I do tomorrow that matters. I don’t think I’m ever going to get rid of that attitude. That’s the attitude I had from the very first day I did a show.

BN: What led to you being fired and how tough of a situation was that for you?

CD: The Sacramento Kings had announced that the ownership had come to a deal and they were going to sell the team and move to Seattle. You’ve got to understand again I’m a native Sacramentan. There’s nothing else here, at least at the time. It was the only professional team. I became very vocal as a fan and used my platform as much as I could to speak out against ownership and against the move.

I’ll never forget it; it was a meeting with the bosses in our corporate office. I remember the market manager at the time saying we no longer need you and thank you for your service basically. I was just unbelievably crushed. I just got fired. I didn’t do anything wrong, but ultimately what I did is the powers that be within and outside of the station thought I was being a little bit too noisy and a little bit too much of a nuisance.

At the time I had my brand new wife and I had a two- and a one-year-old child. My wife had not yet gone back to work. I was the sole breadwinner and I got fired in part for speaking out about the Kings.

I started a podcast in my garage. The local magazine here did a cool little front-page cover photo with me in a Kings jersey, wearing handcuffs that were broken to symbolize being free to speak freely. I did a podcast in my garage for a few months where I was basically bringing in a thousand bucks a month in sponsorships, which just barely kept the roof over our head while I was getting unemployment. 

In a sense me getting fired from KHTK took me from the idea I always had that I was a caller who was lucky to be there who had a seat at the kids’ table at Thanksgiving and not the adults’ table. When I came back I had kind of proven to myself that even without this station I was able to make some waves and had a voice. The people in Sacramento had my back. They saved my life. They saved my job. When I came back it was like I grew up. I was an adult now. I knew I belonged here and I’ve never looked back. That was almost eight years ago.

BN: The day you got fired compared to the day you returned — how did those completely different experiences impact the way you look at the business?

CD: When I left I thought I’d never work in radio again. I thought that was over. I was going to have to go wear a suit and tie. What happened was…necessity is the mother of invention. It allowed me to spend time on the Kings saga that I couldn’t have before. It allowed me to free myself from the politics that were attached to me — because the Kings and KHTK were partners — and really be an independent voice. It allowed me to rally with the city itself.

What leaving also showed me again, when I returned it was because the people here supported what I did. They supported me and they let their voices be heard. We banded together and it created this bond between myself and this base of listeners and fans where I’m forever indebted to them. I am merely one of them who happens to have a platform and a microphone. When I go to ball games I don’t dress in a suit and tie, dude. I wear a Kings jersey. I’m not a journalist. I’m a fan with a microphone. I’m here to represent the fans. I’m not here for any political bullshit. It’s always, always, always listeners first, Kings fans first.

When I came back it gave me humility. It gave me, not paranoia, but it gave me an understanding that this is a fleeting business. The moment that you sell out, the moment that you stop respecting the people that listen to your station, the moment that you take for granted the fact that you have an audience — with Spotify and Apple Music and streaming services and everything else — for someone to tune in to terrestrial radio and listen to you whether live or on-demand, that is such an insane compliment and an amazing responsibility.

BN: However many more years you have left in radio, what do you want it to look like?

CD: I think the first thing I’d say is that I don’t think I’m much longer for this business. I’ve done what I want to do. Radio is changing. I don’t want this to sound like an old guy fighting the new wave, but what works now are quick-hitter, minute-half sound bits and little video bits. What works now is having two guys at a microphone screaming at each other and throwing out these outlandish takes that they don’t believe. Then you put the video clip of them on Twitter yelling at each other. Then everybody on Twitter yells at each other. Meanwhile you throw in a 30-second commercial for Purina dog food and that’s how you make your money. I don’t want to do that. I don’t want to be a part of argue radio.

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I expect I’ll have another two, three, four years in the business at most doing what I do. I’d like to be able to broadcast on my last day. I don’t want to do one of those things where I was fired on a Thursday, there was no show on Friday, and then my replacement is there on a Monday. I’d actually like to go on the air and be trusted enough by my radio station to thank the station and thank the listeners and actually say goodbye. Then I want to go do some real stuff.

BN: Do you have something specific in mind that you want to do whenever you hang up your headphones?

CD: Yeah, I’m going to be the mayor of Sacramento when I get out. I’ve spent years watching and studying people on all levels. When the whole fight for the Kings thing happened I got to know a lot of people here locally, politically. Whether it’s our current mayor Darrell Steinberg, I was very close to Kevin Johnson before him, a lot of our city council members — I see what they do. 

What I want to do is take the love and energy I have for Sacramento and the insane growth pattern it has shown since that turning point in 2013 where we have a new arena, Major League Soccer, businesses are coming out here, the Bay Area silicon sector is beginning to expand out here, things are happening in my city that we couldn’t have even dreamt about 20 years ago. 

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I want to be a part of taking that into the next generation. To spend my life selling the city, getting new business to come here, making it affordable for our current residents, and being able to literally go out there and speak to people each and every day that have problems in this city. Instead of it being a problem with our starting lineup, it’s a problem with the bus system or a library or their school — and really be able to make a solid impact.

I know it sounds silly, but someone’s going to pull this article in some weird Google search in 10 years and you’re going to see me saying I’ll be the mayor of Sacramento at some point in my life. Not out of a sense of ego, but simply out of a sense of duty and out of a sense of wanting to give every part of my being back to the city that gave me so much.

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Jen Lada Has Built a Multiplatform Presence at ESPN

“I always say my job is to make the viewer care about somebody and root for somebody that they might ordinarily not root for or care about.”

Derek Futterman



Jen Lada
Courtesy: Phil Ellsworth, ESPN Images

When Jen Lada appeared on Around the Horn earlier in the month, she became the 58th panelist to be part of the program since its launch in 2002. Facing off against three other panelists from around the country, she garnered a victory in her on-air debut and elicited plaudits from her colleagues. Throughout the program, Lada demonstrated her deft sports knowledge and nuanced opinions that have crafted her into a venerated, skilled reporter at the network.

Although she had appeared on many ESPN programs previously, Around the Horn represented a show to which she wanted to contribute for many years. In fact, she has memories of watching the show just out of Marquette University and remarking about its brilliance and ingenuity.

Utilizing reporters with comprehensive knowledge of various sports who have chronicled several events, the show provides them an opportunity to give their opinions on issues and engage in debate with their contemporaries. Lada earned a spot on the show by being persistent, continuing to express her proficiency in commentary and sports discussion. The journey to arrive at this stage of her career, through which she has realized high-level assignments and a presence both at the local and national level, required adaptability and fortitude, and she continues to never take opportunities for granted.

“It’s great that I won, but it just sets the bar really high for the next time I go out there, which is not something I’m afraid of,” Lada said. “I love a challenge, and I love proving to myself that I can keep trying new things and doing new things well, and I hope that if people see me as some sort of example in the industry, that that’s what they walk away with.”

The approach adopted by Lada within her multifarious career ventures is to develop and maintain versatility, always innovating within her approach to content. As she looks to build off her initial victory on Around the Horn, she aims to be more compendious in her discourse and applying a more succinct approach. Making the adjustment in order to deliver compelling, distinctive points quickly differs from her other work, but it is all ultimately centered on sports.

While studying at Marquette University, she observed her classmates having a conversation about the men’s basketball team and what had happened in a recent game. Lada, who at the time was dating a player on the team and cheerleading at games, began to give her thoughts and was subsequently asked if she had ever considered sportscasting.

“I didn’t know that women could be sportscasters,” Lada said. “It wasn’t on my radar as a real career that women held because there were so few of them at the time doing it, and so once I realized that that was something I could do, then I kind of turned all my attention to, ‘Well, how do I make this happen?’”

As Lada began to complete internships and navigate through the media industry, she learned to develop a thick skin and refined her conduct. Out of school, she had completed a year of a non-paid sports internship and was waitressing on the side to pay the bills. The first interview she took for a job at a television station in a top-10 market ended with her being sexually harassed. It was a jarring experience that disappointed Lada because of her propensity to give people the benefit of the doubt, and it also forced her to evaluate her own disposition.

“I think it’s only natural that you wonder how you contributed to the circumstance or what you could have done differently to maybe not put yourself in that space,” Lada said, “but I was very lucky that when I told my family about what had occurred, they very quickly knocked any notion of that out of my head.”

In navigating the industry with good intentions, Lada recognized that it is not her fault if other people fail at treating others professionally and create a misogynistic work environment. Receiving the lesson early in her career has made her more aware of the people to avoid, and she remains wary of advice given to women in the industry that they should just be nice. Lada was recently on a panel where someone advised a broadcast class that being nice would result in things working out for them in the future.

“I felt myself cringing internally because I don’t think that that is a luxury women are afforded,” Lada said. “I don’t think – maybe now is different, but when I was coming up, and I’ve been doing this for more than 20 years, there were people who preyed on niceness. And so the way that I would tweak that is to be professional; to carry yourself in a professional manner and recognize that sometimes being ‘traditionally nice’ puts a target on your back to be mistreated, and the best thing you can do is alert those people who would see you as a target that you’re not going to fall victim to that or you refuse to be victim to that.”

Lada joined ESPN in 2015 where she was hired to contribute to Colin Cowherd’s radio program. When Cowherd left the network and joined FOX Sports on a full-time basis, she started co-hosting a new, national program alongside Jorge Sedano. The show, however, had an evanescent run and left her feeling as if she had failed.

It took her a full year to recognize that she had been involved in a series of circumstances and decided to enact the necessary change, asking producers for advice and attending seminars. One of these was an interviewing course hosted by journalist John Sawatsky where he synthesized the art of the craft. Akin to when she was in college, she overheard in passing that the network needed more women in the features space.

“I was fortunate enough to have done a lot of features during my time in Milwaukee because we had a 9 p.m. newscast that required a local sports feature every night of the week, so between our three-person department, we had to fill that timeslot,” Lada said. “I had done a lot of lengthy sports features in Milwaukee [and] had a good foundation of what that job required.”

The meeting led to Lada doing features on an interim basis at the network and later granted her a spot on College GameDay, where she works as its features reporter. Lada presents stories every week to the audience that go beyond the gameplay and divulge a bigger picture.

“I always say my job is to make the viewer care about somebody and root for somebody that they might ordinarily not root for or care about,” Lada said. “One of the things that has occurred to me over the last few years is just what a skill is required to do that job well because not only are you preparing questions to ensure that you have all of the details and information, you’re also gathering perspective on what they’ve been through – the adversity and the situation that has led them to where they are now.”

Lada recently found herself in a high school classroom at 8 a.m. sitting with other students taking the ACT standardized test. She had to complete the exam as punishment for finishing last in fantasy football at ESPN Milwaukee this past season. After four hours, Lada emerged from the school and revealed her score this past week on the Jen, Gabe, and Chewy morning show. Hosting the local program alongside Gabe Neitzel and Mark Chmura, she has established chemistry over almost four years in the three-person format discussing hyperlocal topics.

“I try to be conversational,” Lada said. “We don’t lean on stats – obviously, we want to be accurate, and we want to be, again, fair to the subjects we’re talking about, but we try to also just be friends who are talking about what’s going on on any given day on the Milwaukee [and] Wisconsin sports scene.”

In balancing a variety of different roles, Lada has tried to master everything that she is doing, refraining from being content with her abilities. Although working in local radio regularly has been a newer role for her, she has grown into the job and has co-hosts who understand the subject matter and allow her to utilize her strengths.

“I just want to keep learning,” Lada said. “I’m not satisfied with what I’ve done, [and] I’m not complacent about the skills I have. I’m always interested in adding more jobs to the résumé, and I think that in this industry, you’re rewarded for versatility.”

Once College GameDay commences, Lada adds the responsibility of feature reporting on that program to her schedule and continues making appearances across additional ESPN programming. Lada hosted the Friday edition of College Football Live last season and has also filled in as a host on shows such as First Take and SportsCenter. Moreover, she continues to complete projects for SC Featured and is working on a documentary for E:60 scheduled to premiere later in the summer. 

Lada aims to keep showcasing her indefatigable work ethic and passion for the craft without slowing down. Whether it is hosting a podcast, taking part in more panels or writing essays, she is open to exploring new forms of disseminating stories.

“I have a lot of knowledge and experience rattling around my brain, [and] I think the next iteration is figuring out a way to continue passing those experiences on to the next generation.” Lada said. “I don’t ever want to gatekeep the secrets of success – I think that’s selfish – so as I continue to do the media work, I think the next phase for me is figuring out how to pass a lot of these lessons on to future broadcasting generations.”

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Local Radio Advertisers Can Become Experts with Hosted Shows and Interviews

Overall, local radio interviews and talk shows can be a strategic and effective way for a local expert to enhance their business, build their reputation, and connect with the community.

Jeff Caves



Photo of people talking on the radio

When looking for that extra edge for local radio advertisers, packaging radio commercials with an “expert” client-hosted talk show or interviews on your local shows or newscasts can be a game-changer. This strategy can build long-term business relationships with suitable clients, such as lawyers, business accountants, agents, psychologists, or sports handicappers. These professionals can provide valuable editorial contributions to sports and news stations. Of course, the expert must have good communication skills, be comfortable speaking their mind, and be ready to be the face of the business.

The radio commercials can tout the expertise the person has and give a call to action for listeners to move on. You can often find these experts on social media writing blogs or doing a series of vignettes about their business. For these types of clients, engaging in local radio news interviews or hosting a 1-2 hour talk show can enjoy several advantages:

Visibility and Brand Recognition

Visibility and Brand Recognition: Regular appearances on local radio help the expert become a well-known figure in the community. This visibility can lead to increased recognition and brand awareness and is a much faster track than just blogging on social media. Attorney Bill Handel and his ” Handel on the Law” show have created a directory business for Handel.

Public Trust and Credibility

By sharing their expertise and providing timely insights, the expert can build trust and establish credibility with the audience. Being perceived as an expert can enhance any client’s reputation and create top-of-mind awareness needed to lead business categories.

Client Acquisition

Listeners impressed by the expert’s knowledge and demeanor may seek their services. This exposure can lead to new clients who might not have been reached through other forms of advertising and give credibility to the expert who uses social media.

Community Engagement

Engaging with the local community through radio shows helps experts connect with potential clients more personally. This can foster a sense of community and loyalty. Question and answer segments can lead to deeper connections.

Educational Outreach

The expert can educate the audience on various issues, which can empower the audience. An informed audience is more likely to recognize when they need the expert’s assistance and whom to contact.

Stand Out in a Crowd

Stand out in a crowd: Being active on local radio can set the expert apart from competitors who may not use local radio. Often, the local shows or interview segments are exclusive to the expert.

Immediate Audience Feedback

Interacting with the audience through call-ins or live questions provides immediate feedback and allows the expert to address common concerns directly in real-time. The expert can be of service NOW.

Professional Development

Regularly discussing current topics can keep the expert sharp on trends and issues, contributing to their ongoing professional development.


Local radio stations often have a vast network of listeners and other professionals. This can open doors to new professional relationships and opportunities for collaboration. The station also provides a loyal audience who typically don’t follow the expert on social media. But they may start to after hearing the expert.

Overall, local radio interviews and talk shows can be a strategic and effective way for a local expert to enhance their business, build their reputation, and connect with the community.

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‘We Need To Talk’ is Insightful, Intelligent Conversation on CBS Sports Network

The show is not going to be a ratings giant like ESPN’s First Take or offer the decibel level of commentary on FS1’s First Things First, but it is a necessary and unique slice of sports television.

John Molori



A photo of the women who host We Need to Talk on CBS Sports Network
Photo Courtesy: CBS Sports Network

CBS Sports Network’s ‘We Need To Talk‘ features a rotating roundtable of female sportscasters offering their views on a variety of topics in sports. The premise is important. Female voices in sports need to be heard. They bring perspective, weighty conversation, and thoughtfulness to each discussion.

Over the past few years, women have made major strides in being heard and seen in sports media whether it is hosting, commentary, reporting or play-by-play. This is a good trend, but We Need To Talk is about more than just female talking heads. It’s about insight, depth, and needed attention to athletes and sports that do not bask in the mainstream limelight.

This particular episode featured host AJ Ross joined by Summer Sanders, Katrina Adams, and Renee Montgomery. It was an eclectic and accomplished group with Ross, an experienced and versatile reporter, Sanders, the erstwhile U.S. Swimming star and a broadcast veteran, Montgomery, the former WNBA star, activist, and co-owner of the WNBA’s Atlanta Dream, and Adams, former tennis player, CEO of the United States Tennis Association, and chair of the US Open.

Montgomery got the conversation going looking back on the Celtics winning the NBA Championship. She also made a telling comparison between the Celtics-Lakers rivalry, renewed in the 1980s with Larry Bird and Magic Johnson, and compared it to the current WNBA rivalry between the Indiana Fever and Chicago Sky with Caitlin Clark and Angel Reese. It’s a valid comparison, and Montgomery brought it to life effectively.

The WNBA was up next with Montgomery talking about Cameron Brink, the LA Sparks’ rookie who is making a splash not only on the court, but on the social media and fashion scenes as well.

It should be noted that this episode of We Need To Talk was taped before Brink suffered a season ending torn ACL, but Montgomery’s point was clear. It is not only important to be a great player. Today’s athletes also need to use multimedia platforms to raise their profiles.

Adams segued into a discussion on Wimbledon and No. 2 ranked Coco Gauff. It was good to hear some tennis talk on the airwaves, but this is a hallmark of We Need To Talk. The show makes it a point to move beyond the front-page stories and hit angles and areas that do not get much coverage.

These ladies are not afraid to get in each other’s grills as well. Sanders actually interrupted Adams to start a discussion about the upcoming Paris Olympics, but Adams would not relent and moved forward to an analysis of 2023 Wimbledon men’s singles winner Carlos Alcaraz.

The variety of sports continued with Ross starting a discussion about US track star Sha’Carri Richardson. I’ve been a fan of Ross for a long time. She does an expert job of mixing in her own commentary, while making sure all of the panelists on We Need To Talk get their due time. She’s also multitalented, seamlessly moving from reporter to host to debater.

We Need To Talk takes its roots in diversity with an all-female cast, but there is a deeper variety within the makeup of the cast. Sanders is a longtime veteran of sports, sports broadcasting, and entertainment. Ross is in the prime of her journalistic career. Adams brings perspective as an athlete, administrator, and leader, and Montgomery offers a fresh and contemporary style with her commentary.

Block 2 of the show featured Montgomery and Ross interviewing Naomi Girma of the San Diego Wave women’s professional soccer team. Girma was named 2023 US Soccer Women’s Player of the Year, the first defender to ever win that award. This is what We Need To Talk offers those who watch the show. It is almost like a smaller scale, studio version of the classic Wide World of Sports on ABC, “spanning the globe to bring you the constant variety of sport.”

The interview was managed well with Ross asking meaningful questions and Montgomery enthusiastically following up with her thoughts and input. This edition of the program also featured a wonderfully produced feature story on USC basketball player Aaliyah Gayles.

The talented Trojan hoopster was on the fast track to basketball stardom when, in April 2022, she was shot at a house party in Las Vegas. Gayles required two emergency surgeries to save her life.

The pace, video, and sound bites in the package were equal parts frightening, sobering, and uplifting. Gayles literally had to learn how to walk again as the feature focused on her rehabilitation and eventual return to the USC lineup.

Coming back from a break, the panel engaged in a great discussion on the talent link between collegiate and US Olympic athletes. A graphic showed that 75% of Team USA athletes and 82% of United States medalists played an NCAA sport.

As the discussion expanded, Montgomery talked about the fact that in order to enter the WNBA, players have to complete four years of college or be of the age of someone who has completed four years of college. I actually did not know that. We Need To Talk passes my personal litmus test for important sports television, namely, it tells me something I don’t already know.

Bringing still another sport and recognizable female athlete into the fold, Dara Torres joined the show next for an interview. The 12-time Olympic swimming medalist talked about her new role as head coach of the Boston College men’s and women’s swim and dive teams. Sanders asked a solid question about how, as a world-class athlete, Torres will manage her expectations of the BC athletes.

 As sports continues to meld with social issues, so too does the subject matter on We Need To Talk. Ross introduced a segment on the National Gay Flag Football League. Again, kudos go to the show’s production team for a slick and enlightening feature story. Praise should also go to the program itself for expanding the boundaries of sports and opening up a whole new world of knowledge for viewers.

Following the feature story, Montgomery and Adams made a point that sports unite people and bring diverse groups and personalities together as one. Montgomery is a fast-developing on-air talent. Her wit, energy, and knowledge go far beyond the basketball court making her a rising star in sports media.

The program continued to bring sports and life together by connecting the June celebrations of Pride Month and Father’s Day with an emotional poem written by renowned DJ Zeke Thomas, the son of NBA Hall of Famer Isiah Thomas. This was part of the We Need to Listen segment of the program.

Let’s keep it real. We Need To Talk is not going to be a ratings giant like ESPN’s First Take or offer the decibel level of commentary on FS1’s First Things First, but it is a necessary and unique slice of sports television.

The show consistently provides uncommon subject matter with an inimitable approach and tenor. Check it out when you get a chance and bring an open mind and a joy of sports. They need to talk, and we all need to hear them talk.

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