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Howard Stern Would Listen To Chad Dukes

“The biggest compliments I’m getting right now are people saying ‘I feel normal listening to your show, you’re not all doom and gloom, I feel like my life is a little bit normal because I turn on WJFK 106.7 The Fan and I’m hearing all my favorite shows do their shows.'”

Brandon Contes

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It’s a unique and challenging time for sports radio hosts. Conducting entertaining sports radio while sporting events are paused indefinitely isn’t something many hosts or stations have experience with. But the average listener is equally impacted by COVID-19 in their own life, so the show must go on.

Many hosts are having to adjust, without being able to depend on last night’s game to drum up passion and create entertaining radio. But if we look at Howard Stern’s interview with Tom Brady as an example, sports fans don’t need an expert of last night’s game to be entertained. 

Chad Dukes Vs. The World airs weekdays from 2 – 6:30pm in Washington, D.C. for Entercom’s 106.7 The Fan. Entercom hit a rough patch in recent weeks with two rounds of employee cuts, but Dukes remains focused on what he can control, creating great radio. 

Chad Dukes Vs. The World - A D.C. Sports Show & Podcast | 106.7 ...

Chad has a background hosting on music stations, even working locally on Free FM affiliates in the post-Howard Stern era of terrestrial radio. He hosts afternoon drive for the top sports station in D.C., but Chad Dukes Vs. The World is rarely 100% sports focused. That’s made it easier to transition when forced to create content without last night’s game to discuss.

Brandon Contes: We’ll start with the idea of hosting a sports radio show without live sports. You have a radio background working for stations that weren’t sports focused. Does that give you an advantage when creating content right now?

Chad Dukes: Yes, guy talk or whatever you want to call it, is the format I came from and I feel like I’m adept at it. I try to keep the format as much as possible just because there’s so much content about coronavirus and I want to keep a sense of normalcy on my show. It’s about 50/50 or even 60/40 sports content to non-sports content on my show anyway. 

BC: Has that percentage changed at all since live sports stopped?

CD: Because the NFL is so active and free agency has been so salacious with Tom Brady moving to the Buccaneers, we’ve been lucky. Even here in Washington, the Redskins have been doing all sorts of crazy stuff, so I’ve been able to talk about the NFL because it’s busy.

There’s a lot of lame sports talk content right now, where the uptight sports guys are like, ‘give me your Top 10 sports DVDs!’ and it just – [deep sigh] it feels childish to me. I’m trying to operate my show as I normally would, because I just think everyone else is being completely oversaturated with content. 

BC: So are you saying you didn’t do a bracket?

CD: No. There’s 10 billion brackets out there. So, no [Laughs]. No brackets for us. 

BC: I thought it was interesting once sports came to a stop, there was an adrenaline rush for a lot of hosts. It seemed like they needed a boost, I saw a lot of tweets, ‘this is what separates the great hosts, I’m always creative, I never just fill time, I always entertain.’ Did you get any sense of that mentality? 

CD: No, a lot of that’s virtue signaling, especially on social media. I used to do radio with Chris Cooley and he would say “there’s guys who need to have their facemask grabbed or screamed at by linebackers and I’m not one of those guys.” Well I’m not one of those guys either.

I realize with broadcasting, it’s going to be more important because people are listening for different reasons and at different times. My policy is, this is a difficult time for everybody and people are losing their jobs. I don’t want to be the squeaky wheel. I’m trying to do this with as little bombast and virtue signaling as I possibly can throughout this process.

BC: What are some things you look at as filler radio? Some hosts will say call segments are filler or just saying the word ‘steroids’ is filler. Is there anything you try to avoid?

CD: Yea, who’s better, LeBron James or Michael Jordan? There’s too much of that in our business. It’s lazy. You can get people screaming about it any time.

NBA: Where Michael Jordan, LeBron James stack up after his 1,072nd ...

I try to do stuff that everyone can contribute to.  I don’t want to say it’s a low brow show, but I try to keep in mind not everyone’s an expert. A lot of people have families and other things going on in their lives. I try to do topics where if I’m going to involve the listeners, it’s something a majority of them can contribute to.

BC: I love radio, but it’s more formatted than the podcast space, which is one of the reasons podcasts grew on me. In radio, there’s a way a show needs to sound to make sure you get your commercials, get your sports updates and sports minutes in. Can the strict formatics and regimen take away from creativity?

CD: I have a lot of live reads during my show and I’m lucky to have those sponsors. But some of that stuff gets repetitive from time to time with commercials and updates and traffic – there’s a lot of crap that’s around. But I gotta be honest, I think it gives radio a leg up on podcasts and it’s why you see so many people still listening to radio, because it’s happening now. 

I have a friend, JP Finlay who works for NBC Sports Washington and you’ll see him, ‘We’re going to drop an emergency podcast tonight about Kyle Allen being traded!’ Well I’m talking about it right now on the radio, taking callers, having reporters on that are covering it.

Radio will always be better than podcasts because it’s live as it’s happening, there’s interaction between the listeners and people. A podcast is a static thing that already happened, it’s a rerun. I like them, I do podcasts, but there’s not that interpersonal relationship that you get with live radio because it’s current.

BC: With that interpersonal relationship and without sports, you have an open slate of topics that you can discuss because you don’t need to be focused on what the Nationals did last night. So can bypassing sports make the show even more personal and build a stronger connection with listeners?

CD: I think so. The other day we had someone call in and say you’re not supposed to refrigerate butter. It turned into a 45-minute conversation about condiments and whether or not they should go in the fridge.

The biggest compliments I’m getting right now are people saying “I feel normal listening to your show, you’re not all doom and gloom, I feel like my life is a little bit normal because I turn on WJFK 106.7 The Fan and I’m hearing all my favorite shows do their shows.” I take a lot of pride in that.

BC: Does being in D.C. lead to political conversations on-air? Since you’re in the thick of it?

CD: Not for me. If you talk about politics on sports talk radio, you’re committing career suicide. People on either side don’t want it, I think they want sports. I didn’t do Colin Kaepernick, I didn’t do the take a knee stuff, I didn’t do any of it. Because I don’t want 49% of my listeners to be pissed off about my opinion on it, no matter what it may be. If you want to come find me in a bar, I’ll tell you how I feel about that stuff. I’ve always thought ratings are about getting as many people under your big top as you possibly can and that’s how I look at it, even though we’re right here in the belly of the beast.

BC: Has your segment time and amount of content you produce in an hour changed in recent weeks? Obviously it varies around the country, there are shows that do 33-minute hours and shows that do 50-minute hours, but as advertisers become harder to find, I imagine it will adjust, even in big markets. 

CD: My live spot load has diminished slightly. But no, whatever it is they’re doing, PSAs or regular commercials, we’re still pretty lucky that a lot of our people stick with us. A lot of the people I work with are essential, so thus far it’s been a fairly traditional way of doing it.  

We did something cool over the weekend. All the part-timers unfortunately aren’t able to get hours, but the salaried hosts joined together for mashup shows. I did a three-hour shift Saturday with Cakes from The Sports Junkies. It’s kind of fun to mix and match midday guys with morning guys. 

BC: How do you like working with a PD like Chris Kinard?

CD: He’s the best, man. I’m lucky, I’ve known him since high school. My career took me away from here for a couple years and we figured out a way to get back. He really cares about people and is a tremendous radio mind. He listened and was influenced by a lot of the same shows I was, so he gets where I come from.

He puts up with me being unconventional because I couldn’t do my show in Detroit or Chicago, they wouldn’t put up with my show. He gets it, he gives me a lot of creative freedom and we don’t have many fights. He’s one of the best minds in radio and he just got a big promotion that is well deserved in the company. I think he’s going to be a general manager before he knows it and feel very lucky to have him be my boss for the last 12, 13 years or so. 

BC: Do you know if you’re going to keep hosting with someone different on Saturday?

CD: I’m up for anything. I want to be pulling on the rope in the right direction and like I said, don’t want to be the squeaky wheel. So if I need to put some hours in for free, I don’t mind doing that. 

I loved working with Cakes and The Junkies. They’re an institution here. They’ve been around for 23 years. They took over for Howard when he went to Sirius and never looked back. I interned for their radio show at 21 and I didn’t believe I could be on radio before that. I used to listen to Stern, I listened to Greaseman and Don and Mike and all these shows and said, well I can’t do that. But when I listened to The Junkies, they make it sound so effortless and I thought I could do it. Luckily, I was correct. Being able to do a show with a guy from the program that meant so much to me in my career, it’s really cool for me. It’s an honor and a lot of fun, I hope we’ll do more shows together.

BC: I want to check out The Junkies right now to hear them do it from home. You’re solo, even if you bring your producer in, you control when that happens. I would imagine having four or more people on one show would be really tough to do that from different locations.

CD: Sure, and they’re on TV.  They’re simulcast on NBC Sports Washington and they’re from home and there’s four of them. I can’t imagine what it’s like to put all that together. Their producer, Drab, used to be my producer. He’s now the APD and really coming into his own doing all this in such an arduous process under all these constraints, but they’re pulling it off without a hitch. They’ve really stepped up.  It’s been a learning experience for all of us.

BC: Is there concern because there’s already been a lot of changes? You’re working from home, you’re working on weekends because part-timers were cut. It’s only been two weeks since sports stopped and it could be two, three or even six months more. It’s going to continue to impact advertising dollars and such. Are you worried about the industry?

[This question was asked prior to Entercom laying off a significant number of full-time employees Apr. 2]

CD: Entercom wants to make this work. They’re a radio company, they understand radio and we’re lucky that they’ve been very communicative with us. We need advertisers, we need to sell commercials, I understand that, but I also can’t predict that.

I have a tendency – my brain works a lot when I don’t want it to and I found it helps to focus on what you can control. I can’t control any of this right now. What I can control is doing the best radio show I can. Showing up, being available for whatever they ask me to do and that’s all I’m trying to focus on right now.

BC: Are you someone that does a lot of show prep and planning?

CD: No, we have guests, I have four or five guys that I like to talk to and rotate. If there’s an A-topic, we’ll figure out how to revisit it two or three times during the show because the listeners turnover. I might be tired of talking about it, but Ronnie Rockville’s getting into his car to start his commute and wants to hear about Dwayne Haskins taking a selfie, even though I’ve been talking about it for the last 3.5 hours. I’d say the most prep I do goes into taking the biggest topic of the day and trying to address it in different ways throughout the course of the afternoon.

BC: You mentioned you’re a Stern fan, how was the Ian Rapoport scuffle when Howard played that a couple years ago?

CD: Oh man. It’s just unbelievable. I’ve been very lucky. Opie and Anthony, The Junkies, Ron and Fez, and all these iconic shows, I have good relationships with them. Mike O’Meara, I consider a close friend, he did 15-20 years with the Don and Mike Show, the biggest show in D.C. Stern’s been there my whole life and seemed bigger than life, like I’d never be able to interact with him. He’s generally not all that positive about other radio guys. 

BC: Especially sports radio!

CD: And he literally said, ‘this is the type of sports talk radio I would listen to.’ And he said that about my show. I can’t think of a greater endorsement. 

BC: Is there a specific bit you did on-air that stands out? 

CD: The one I’m known for is the Redskins rant after the Monday Night Massacre, where I believe Mike Vick hung five touchdowns on the Redskins. I came in the next day, as a lifelong Redskins fan with only one year or so in sports talk here at that point. I lost it. I was screaming like a crazy person. Now I’m embarrassed by it, but not a week goes by that I don’t have a Redskins fan tell me they go back and listen to it on YouTube and say it’s the greatest rant of all time. I got booked everywhere, [Laughs] Questlove followed me on Twitter after he listened to it. It was my 15 minutes, even though it’s a little embarrassing. 

BC: Radio’s been impacted right now, but you’re also a small business owner, which isn’t easy, how’s Commonwealth Dry Goods doing?

CD: It’s tough because they just locked Virginia down. My wife runs the day to day, she does a great job of that and we’re able to do online orders. The great thing is, I’m in D.C. doing radio and I’m from here, so I’ve built a following. People are being very generous and want to support the store. So far, we haven’t been impacted too much. We had to change the way we do business, but sales are fine. I appreciate you asking because owning a small business is a very unique thing to do. 

About – Commonwealth Dry Goods

BC: It’s also cool to be a small business owner because it’s something that resonates with listeners, especially now. Everyone that owns a small business is struggling and depending on each other for support. I think the fact that you’re involved with that helps further your connection with listeners.

CD: It does, it gives you a perspective when you’re supporting small businesses, just how much it really means to them. There’s a taco place called Tippy’s that I’d go to back when I was three years old, my dad used to take me. They messaged me the other day that they’re hurting and need customers and I was able to rally people to get there. I’m not getting paid for that, but it makes you feel good to have an impact on a struggling local business that’s been around forever.

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Jen Lada Has Built a Multiplatform Presence at ESPN

“I always say my job is to make the viewer care about somebody and root for somebody that they might ordinarily not root for or care about.”

Derek Futterman

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Jen Lada
Courtesy: Phil Ellsworth, ESPN Images

When Jen Lada appeared on Around the Horn earlier in the month, she became the 58th panelist to be part of the program since its launch in 2002. Facing off against three other panelists from around the country, she garnered a victory in her on-air debut and elicited plaudits from her colleagues. Throughout the program, Lada demonstrated her deft sports knowledge and nuanced opinions that have crafted her into a venerated, skilled reporter at the network.

Although she had appeared on many ESPN programs previously, Around the Horn represented a show to which she wanted to contribute for many years. In fact, she has memories of watching the show just out of Marquette University and remarking about its brilliance and ingenuity.

Utilizing reporters with comprehensive knowledge of various sports who have chronicled several events, the show provides them an opportunity to give their opinions on issues and engage in debate with their contemporaries. Lada earned a spot on the show by being persistent, continuing to express her proficiency in commentary and sports discussion. The journey to arrive at this stage of her career, through which she has realized high-level assignments and a presence both at the local and national level, required adaptability and fortitude, and she continues to never take opportunities for granted.

“It’s great that I won, but it just sets the bar really high for the next time I go out there, which is not something I’m afraid of,” Lada said. “I love a challenge, and I love proving to myself that I can keep trying new things and doing new things well, and I hope that if people see me as some sort of example in the industry, that that’s what they walk away with.”

The approach adopted by Lada within her multifarious career ventures is to develop and maintain versatility, always innovating within her approach to content. As she looks to build off her initial victory on Around the Horn, she aims to be more compendious in her discourse and applying a more succinct approach. Making the adjustment in order to deliver compelling, distinctive points quickly differs from her other work, but it is all ultimately centered on sports.

While studying at Marquette University, she observed her classmates having a conversation about the men’s basketball team and what had happened in a recent game. Lada, who at the time was dating a player on the team and cheerleading at games, began to give her thoughts and was subsequently asked if she had ever considered sportscasting.

“I didn’t know that women could be sportscasters,” Lada said. “It wasn’t on my radar as a real career that women held because there were so few of them at the time doing it, and so once I realized that that was something I could do, then I kind of turned all my attention to, ‘Well, how do I make this happen?’”

As Lada began to complete internships and navigate through the media industry, she learned to develop a thick skin and refined her conduct. Out of school, she had completed a year of a non-paid sports internship and was waitressing on the side to pay the bills. The first interview she took for a job at a television station in a top-10 market ended with her being sexually harassed. It was a jarring experience that disappointed Lada because of her propensity to give people the benefit of the doubt, and it also forced her to evaluate her own disposition.

“I think it’s only natural that you wonder how you contributed to the circumstance or what you could have done differently to maybe not put yourself in that space,” Lada said, “but I was very lucky that when I told my family about what had occurred, they very quickly knocked any notion of that out of my head.”

In navigating the industry with good intentions, Lada recognized that it is not her fault if other people fail at treating others professionally and create a misogynistic work environment. Receiving the lesson early in her career has made her more aware of the people to avoid, and she remains wary of advice given to women in the industry that they should just be nice. Lada was recently on a panel where someone advised a broadcast class that being nice would result in things working out for them in the future.

“I felt myself cringing internally because I don’t think that that is a luxury women are afforded,” Lada said. “I don’t think – maybe now is different, but when I was coming up, and I’ve been doing this for more than 20 years, there were people who preyed on niceness. And so the way that I would tweak that is to be professional; to carry yourself in a professional manner and recognize that sometimes being ‘traditionally nice’ puts a target on your back to be mistreated, and the best thing you can do is alert those people who would see you as a target that you’re not going to fall victim to that or you refuse to be victim to that.”

Lada joined ESPN in 2015 where she was hired to contribute to Colin Cowherd’s radio program. When Cowherd left the network and joined FOX Sports on a full-time basis, she started co-hosting a new, national program alongside Jorge Sedano. The show, however, had an evanescent run and left her feeling as if she had failed.

It took her a full year to recognize that she had been involved in a series of circumstances and decided to enact the necessary change, asking producers for advice and attending seminars. One of these was an interviewing course hosted by journalist John Sawatsky where he synthesized the art of the craft. Akin to when she was in college, she overheard in passing that the network needed more women in the features space.

“I was fortunate enough to have done a lot of features during my time in Milwaukee because we had a 9 p.m. newscast that required a local sports feature every night of the week, so between our three-person department, we had to fill that timeslot,” Lada said. “I had done a lot of lengthy sports features in Milwaukee [and] had a good foundation of what that job required.”

The meeting led to Lada doing features on an interim basis at the network and later granted her a spot on College GameDay, where she works as its features reporter. Lada presents stories every week to the audience that go beyond the gameplay and divulge a bigger picture.

“I always say my job is to make the viewer care about somebody and root for somebody that they might ordinarily not root for or care about,” Lada said. “One of the things that has occurred to me over the last few years is just what a skill is required to do that job well because not only are you preparing questions to ensure that you have all of the details and information, you’re also gathering perspective on what they’ve been through – the adversity and the situation that has led them to where they are now.”

Lada recently found herself in a high school classroom at 8 a.m. sitting with other students taking the ACT standardized test. She had to complete the exam as punishment for finishing last in fantasy football at ESPN Milwaukee this past season. After four hours, Lada emerged from the school and revealed her score this past week on the Jen, Gabe, and Chewy morning show. Hosting the local program alongside Gabe Neitzel and Mark Chmura, she has established chemistry over almost four years in the three-person format discussing hyperlocal topics.

“I try to be conversational,” Lada said. “We don’t lean on stats – obviously, we want to be accurate, and we want to be, again, fair to the subjects we’re talking about, but we try to also just be friends who are talking about what’s going on on any given day on the Milwaukee [and] Wisconsin sports scene.”

In balancing a variety of different roles, Lada has tried to master everything that she is doing, refraining from being content with her abilities. Although working in local radio regularly has been a newer role for her, she has grown into the job and has co-hosts who understand the subject matter and allow her to utilize her strengths.

“I just want to keep learning,” Lada said. “I’m not satisfied with what I’ve done, [and] I’m not complacent about the skills I have. I’m always interested in adding more jobs to the résumé, and I think that in this industry, you’re rewarded for versatility.”

Once College GameDay commences, Lada adds the responsibility of feature reporting on that program to her schedule and continues making appearances across additional ESPN programming. Lada hosted the Friday edition of College Football Live last season and has also filled in as a host on shows such as First Take and SportsCenter. Moreover, she continues to complete projects for SC Featured and is working on a documentary for E:60 scheduled to premiere later in the summer. 

Lada aims to keep showcasing her indefatigable work ethic and passion for the craft without slowing down. Whether it is hosting a podcast, taking part in more panels or writing essays, she is open to exploring new forms of disseminating stories.

“I have a lot of knowledge and experience rattling around my brain, [and] I think the next iteration is figuring out a way to continue passing those experiences on to the next generation.” Lada said. “I don’t ever want to gatekeep the secrets of success – I think that’s selfish – so as I continue to do the media work, I think the next phase for me is figuring out how to pass a lot of these lessons on to future broadcasting generations.”

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Local Radio Advertisers Can Become Experts with Hosted Shows and Interviews

Overall, local radio interviews and talk shows can be a strategic and effective way for a local expert to enhance their business, build their reputation, and connect with the community.

Jeff Caves

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Photo of people talking on the radio

When looking for that extra edge for local radio advertisers, packaging radio commercials with an “expert” client-hosted talk show or interviews on your local shows or newscasts can be a game-changer. This strategy can build long-term business relationships with suitable clients, such as lawyers, business accountants, agents, psychologists, or sports handicappers. These professionals can provide valuable editorial contributions to sports and news stations. Of course, the expert must have good communication skills, be comfortable speaking their mind, and be ready to be the face of the business.

The radio commercials can tout the expertise the person has and give a call to action for listeners to move on. You can often find these experts on social media writing blogs or doing a series of vignettes about their business. For these types of clients, engaging in local radio news interviews or hosting a 1-2 hour talk show can enjoy several advantages:

Visibility and Brand Recognition

Visibility and Brand Recognition: Regular appearances on local radio help the expert become a well-known figure in the community. This visibility can lead to increased recognition and brand awareness and is a much faster track than just blogging on social media. Attorney Bill Handel and his ” Handel on the Law” show have created a directory business for Handel.

Public Trust and Credibility

By sharing their expertise and providing timely insights, the expert can build trust and establish credibility with the audience. Being perceived as an expert can enhance any client’s reputation and create top-of-mind awareness needed to lead business categories.

Client Acquisition

Listeners impressed by the expert’s knowledge and demeanor may seek their services. This exposure can lead to new clients who might not have been reached through other forms of advertising and give credibility to the expert who uses social media.

Community Engagement

Engaging with the local community through radio shows helps experts connect with potential clients more personally. This can foster a sense of community and loyalty. Question and answer segments can lead to deeper connections.

Educational Outreach

The expert can educate the audience on various issues, which can empower the audience. An informed audience is more likely to recognize when they need the expert’s assistance and whom to contact.

Stand Out in a Crowd

Stand out in a crowd: Being active on local radio can set the expert apart from competitors who may not use local radio. Often, the local shows or interview segments are exclusive to the expert.

Immediate Audience Feedback

Interacting with the audience through call-ins or live questions provides immediate feedback and allows the expert to address common concerns directly in real-time. The expert can be of service NOW.

Professional Development

Regularly discussing current topics can keep the expert sharp on trends and issues, contributing to their ongoing professional development.

Networking

Local radio stations often have a vast network of listeners and other professionals. This can open doors to new professional relationships and opportunities for collaboration. The station also provides a loyal audience who typically don’t follow the expert on social media. But they may start to after hearing the expert.

Overall, local radio interviews and talk shows can be a strategic and effective way for a local expert to enhance their business, build their reputation, and connect with the community.

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‘We Need To Talk’ is Insightful, Intelligent Conversation on CBS Sports Network

The show is not going to be a ratings giant like ESPN’s First Take or offer the decibel level of commentary on FS1’s First Things First, but it is a necessary and unique slice of sports television.

John Molori

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A photo of the women who host We Need to Talk on CBS Sports Network
Photo Courtesy: CBS Sports Network

CBS Sports Network’s ‘We Need To Talk‘ features a rotating roundtable of female sportscasters offering their views on a variety of topics in sports. The premise is important. Female voices in sports need to be heard. They bring perspective, weighty conversation, and thoughtfulness to each discussion.

Over the past few years, women have made major strides in being heard and seen in sports media whether it is hosting, commentary, reporting or play-by-play. This is a good trend, but We Need To Talk is about more than just female talking heads. It’s about insight, depth, and needed attention to athletes and sports that do not bask in the mainstream limelight.

This particular episode featured host AJ Ross joined by Summer Sanders, Katrina Adams, and Renee Montgomery. It was an eclectic and accomplished group with Ross, an experienced and versatile reporter, Sanders, the erstwhile U.S. Swimming star and a broadcast veteran, Montgomery, the former WNBA star, activist, and co-owner of the WNBA’s Atlanta Dream, and Adams, former tennis player, CEO of the United States Tennis Association, and chair of the US Open.

Montgomery got the conversation going looking back on the Celtics winning the NBA Championship. She also made a telling comparison between the Celtics-Lakers rivalry, renewed in the 1980s with Larry Bird and Magic Johnson, and compared it to the current WNBA rivalry between the Indiana Fever and Chicago Sky with Caitlin Clark and Angel Reese. It’s a valid comparison, and Montgomery brought it to life effectively.

The WNBA was up next with Montgomery talking about Cameron Brink, the LA Sparks’ rookie who is making a splash not only on the court, but on the social media and fashion scenes as well.

It should be noted that this episode of We Need To Talk was taped before Brink suffered a season ending torn ACL, but Montgomery’s point was clear. It is not only important to be a great player. Today’s athletes also need to use multimedia platforms to raise their profiles.

Adams segued into a discussion on Wimbledon and No. 2 ranked Coco Gauff. It was good to hear some tennis talk on the airwaves, but this is a hallmark of We Need To Talk. The show makes it a point to move beyond the front-page stories and hit angles and areas that do not get much coverage.

These ladies are not afraid to get in each other’s grills as well. Sanders actually interrupted Adams to start a discussion about the upcoming Paris Olympics, but Adams would not relent and moved forward to an analysis of 2023 Wimbledon men’s singles winner Carlos Alcaraz.

The variety of sports continued with Ross starting a discussion about US track star Sha’Carri Richardson. I’ve been a fan of Ross for a long time. She does an expert job of mixing in her own commentary, while making sure all of the panelists on We Need To Talk get their due time. She’s also multitalented, seamlessly moving from reporter to host to debater.

We Need To Talk takes its roots in diversity with an all-female cast, but there is a deeper variety within the makeup of the cast. Sanders is a longtime veteran of sports, sports broadcasting, and entertainment. Ross is in the prime of her journalistic career. Adams brings perspective as an athlete, administrator, and leader, and Montgomery offers a fresh and contemporary style with her commentary.

Block 2 of the show featured Montgomery and Ross interviewing Naomi Girma of the San Diego Wave women’s professional soccer team. Girma was named 2023 US Soccer Women’s Player of the Year, the first defender to ever win that award. This is what We Need To Talk offers those who watch the show. It is almost like a smaller scale, studio version of the classic Wide World of Sports on ABC, “spanning the globe to bring you the constant variety of sport.”

The interview was managed well with Ross asking meaningful questions and Montgomery enthusiastically following up with her thoughts and input. This edition of the program also featured a wonderfully produced feature story on USC basketball player Aaliyah Gayles.

The talented Trojan hoopster was on the fast track to basketball stardom when, in April 2022, she was shot at a house party in Las Vegas. Gayles required two emergency surgeries to save her life.

The pace, video, and sound bites in the package were equal parts frightening, sobering, and uplifting. Gayles literally had to learn how to walk again as the feature focused on her rehabilitation and eventual return to the USC lineup.

Coming back from a break, the panel engaged in a great discussion on the talent link between collegiate and US Olympic athletes. A graphic showed that 75% of Team USA athletes and 82% of United States medalists played an NCAA sport.

As the discussion expanded, Montgomery talked about the fact that in order to enter the WNBA, players have to complete four years of college or be of the age of someone who has completed four years of college. I actually did not know that. We Need To Talk passes my personal litmus test for important sports television, namely, it tells me something I don’t already know.

Bringing still another sport and recognizable female athlete into the fold, Dara Torres joined the show next for an interview. The 12-time Olympic swimming medalist talked about her new role as head coach of the Boston College men’s and women’s swim and dive teams. Sanders asked a solid question about how, as a world-class athlete, Torres will manage her expectations of the BC athletes.

 As sports continues to meld with social issues, so too does the subject matter on We Need To Talk. Ross introduced a segment on the National Gay Flag Football League. Again, kudos go to the show’s production team for a slick and enlightening feature story. Praise should also go to the program itself for expanding the boundaries of sports and opening up a whole new world of knowledge for viewers.

Following the feature story, Montgomery and Adams made a point that sports unite people and bring diverse groups and personalities together as one. Montgomery is a fast-developing on-air talent. Her wit, energy, and knowledge go far beyond the basketball court making her a rising star in sports media.

The program continued to bring sports and life together by connecting the June celebrations of Pride Month and Father’s Day with an emotional poem written by renowned DJ Zeke Thomas, the son of NBA Hall of Famer Isiah Thomas. This was part of the We Need to Listen segment of the program.

Let’s keep it real. We Need To Talk is not going to be a ratings giant like ESPN’s First Take or offer the decibel level of commentary on FS1’s First Things First, but it is a necessary and unique slice of sports television.

The show consistently provides uncommon subject matter with an inimitable approach and tenor. Check it out when you get a chance and bring an open mind and a joy of sports. They need to talk, and we all need to hear them talk.

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