I’m always interested to find out how big names in the sports media business simply come across as people. Are they full of themselves? Can you feel their ego starting to infiltrate your soul? Are they genuine? Michael Jordan’s former agent, David Falk, recently said that what the public really has difficulty understanding is when a superstar puts on his uniform, he’s working. It’s the same concept for media members. Hearing an animated clip from a sports radio or TV show doesn’t mean those people operate the same way in everyday life.
I enjoyed chatting with Jason La Canfora for a number of reasons. Despite being a heavy hitter who covers the most popular league in America, I didn’t catch one iota of ego from the CBS Sports NFL Insider. He has also remains calm while being less than two months into a brand new sports radio show on 105.7 The Fan in Baltimore during a global pandemic. Being quarantined without face-to-face interaction — especially on a new show — will test the patience of anybody.
La Canfora keeps pushing forward as he always does. It’s interesting to learn how an extensive writing background helps La Canfora’s approach to his Inside Access radio show with Ken Weinman. Not one to shy away from opinions, the upcoming NFL draft is a topic we discuss as well. Future endeavors are unknown for La Canfora at this point, but one opportunity could include some sophisticated neckwear down the road. (I vote yes.) Enjoy!
Brian Noe: What’s your biggest challenge launching a new show in this current environment?
Jason La Canfora: I don’t even know where to start. It’s been tricky. It certainly has been a challenge. It’s been a blessing in a lot of ways to be able to try to give people some outlet for entertainment or escapism, the theater of the absurd a little bit. Also to continue to do smart sports talk and to try to stay on top of the pandemic as it affects the sports world; to try to educate our listeners as well. But this is our sixth week so literally it’s been one thing after the next. By the end of our first week there were going to be no college conference tournaments. Then we found out we wouldn’t be able to do any remote shows. Then also that second week, I think was our last week in studio so it was learning this new equipment while we’re just starting to build chemistry.
I’ve known Ken for a while and Ken’s an absolute pro. He makes my life a lot easier on a lot of levels, but there’s no substitute for being there and having eye contact and being able to play off each other.
We had an incredibly talented producer, Alex Woodward, who was if anything underpaid. After the fourth week he was let go as part of the sweeping changes at Entercom and the restructuring that took place there. As much as the station didn’t want to lose him it was out of their hands.
Tim Barbalace has to produce two shows basically now. He’s been with Vinny Cerrato and Bob Haynie for a while. Now he’s also running the board and helping us. I don’t think there’s much that could have prepared us for it. [Laughs] That’s to say nothing about obviously the business climate and the situation that advertisers and potential sponsors are in with the economy being where it is and with people not able to go to bars and restaurants and all of that stuff.
I kind of wanted to do this all my life and we get the chance. It’s certainly been a little more tricky than we would’ve imagined. It’s not ideal, but I’m not complaining. There are people who’ve got it way worse than us. There’s a lot going on in the world right now and a little sports talk show doesn’t mean a thing. But it has been from a business side, from a content side, from the advertising side and just from sort of the mental health side of what we’re all experiencing on a day-to-day basis and how our emotions fluctuate, it has certainly been unique.
BN: I don’t know exactly how to phrase this perfectly, but in what ways does not having live games help a new show, and in what ways does it hurt a new show in terms of you playing off of your partner?
JL: Thankfully Ken and I have been hoping that this would have happened for years. He and I would be texting each other through games even though we didn’t have a show together. We’d be texting each other during Oriole games. The minor leagues are really where it’s at here because the Orioles are in a deep rebuild. I’d go to a ton of games with my kids. Ken probably went to five or six minor league games with me last year, maybe a few more.
Thankfully we had some of that already built up. Otherwise it really would’ve been much more difficult. But we kind of knew each other’s thoughts on certain things and we already had a bit of chemistry. We knew how we could bust each other’s chops. I think that gave us certainly a leg up. Even so, I’m not going to lie, when we got kicked out of the studio I was not happy. I understood why; it was a corporate decision. I get all of that but it was like, man, it just feels like every time we’re starting to build something it goes away. Not through anything we were doing but just through circumstances. Losing Alex was a huge blow.
I feel like it’s just forced us to hit the ground running, to be really creative. We communicate quite a bit already. Now with Tim, there isn’t quite as much contact with him as we had with Alex because he’s got two shows to produce. We don’t want to throw too much at him, but Ken and I are talking all the time about “Do you think this works?” “What if we try this tomorrow?” “What if we get this guest?” It’s just things like that.
BN: Were you an avid sports radio listener before you had a show?
JL: Yeah, absolutely. First of all just from being in the national media for so long, I feel like I’ve done many shows in the past if you just put together all my phoners. [Laughs] I was already doing hundreds of hours of radio a year anyway and had co-hosted some national and some local stuff on a fill-in basis. It’s something that I was always interested in, something that I always wanted to do more with.
I love the medium. I love how creative you can be. I love how it can be like TV where you’re doing things rapid fire and it’s do less with more, but you can also branch out and end up doing two or three segments in a row on something that wasn’t on the rundown just because you have the time and there’s the trust there between you and your partner and you just feel like it’s good radio. I just think it’s a great medium especially in a time like this.
Everything I’m reading is that listenership is actually up. I don’t know how you monetize it in something like this, but even without people going to work they’re still flipping on podcasts and terrestrial radio, or taking it in off the Radio.com app. It’s such a direct medium.
I like being part of a team. As a beat writer you’re always a lone wolf to a certain extent. It’s three of us in this together every day and I like the camaraderie aspect of it. I really like everything about it.
BN: As someone who’s been interviewed so many times does that give you ideas of what to ask now, or is it more what to avoid when you’ve been asked stupid questions over the years?
JL: Interviewing is such a big part of reporting — knowing how to set someone up and how to go here to eventually go there, how to stagger things, how to defuse certain situations, or create a welcoming vibe. All of that stuff. I’m definitely stealing from people sometimes consciously and sometimes subconsciously. But yeah, you have a feel for what you think worked and what you think didn’t work.
BN: What do you think is the trick to getting something really good out of an interview?
JL: One thing that I learned a long time ago was interview somebody when they want to be interviewed. I think part of it is in how it’s presented and why you are talking to them. A lot of times it’s knowing something about a subject that maybe isn’t what they’re known for. Doing a little research and finding out that they have a particular shared interest with you. Something that’s not the typical question they’ll be asked and you say, yeah I’m going to talk to you about some of the stuff that everybody talks to you about, but I really also would like to get a couple minutes with you about X, Y, or Z.
BN: What’s the most useful part of your writing background that you apply to sports radio?
JL: I think it applies in a lot of ways. Certainly interviewing people and knowing how to ask questions. Knowing how to get out of your own way at times. Having been around a locker room environment for so long, I have a pretty good feel with athletes in particular; sort of some do’s and don’ts and a lay of the land. You just have a nose for information.
I feel like a lot of the skill sets do dovetail. You’re always looking for stories and what are people interested in or what’s an interesting way to tell a story that I haven’t seen done a million times before. You’re reading a lot. I think there’s no substitute for that. I’ve been reading and consuming sports media all the time as someone who is involved in it. I think it’s also knowing good reporters. Knowing who to talk to. Something breaks, there’s a pretty good chance that I know somebody covering that story or know somebody who could tell me somebody covering that story who’s really good, or who I’ve worked with before. I have a natural list of contacts or resources that I can go to for different things.
Then also in this case, it has nothing to do with reporting, but I’ve lived here virtually my entire life. Except for when I was in Syracuse and in Detroit, one for school and one for a job, I’ve been here. I’ve lived 46 years pretty much all Baltimore sports. I worked locally at The Baltimore Sun. That’s where I was first interning so I’ve seen a lot of things. I’ve covered a lot of things. I know a lot of people.
It’s Smalltimore. People call it that for a reason. Everybody knows everybody. When they say what school did you go to they mean high school not college. I think that helps versus being in a parochial market like this and coming from the outside. I think it’s just a lot tougher to have a feel for what people are interested in, to have a feel for the way the city ticks and who the movers and shakers are.
BN: When you go back to the beginning what did you always want to do in the sports media business and how did you initially break in?
JL: It’s something I always was interested in. I love to write. When I was a kid I’d walk down to the corner store to buy a Washington Post and a Washington Times. We subscribed to The Morning Sun and my aunt would subscribe to The Evening Sun. Sometimes I’d walk a couple blocks down to her house and see what was in that paper as well. I just was always a sports junkie.
I knew that I was going to do something in the sports realm. I thought about broadcasting and originally went to Syracuse as a broadcast journalism major and switched over to newspaper journalism. I pretty much knew I was going to switch majors by the end of my freshman year. Then like everybody else tried to get internships, tried to get my foot in the door.
I was really lucky and blessed to have great mentors at The Baltimore Sun. It was such a great sports department — Buster Olney and Ken Rosenthal — sitting in the press box with those guys every night. You couldn’t go to school and replicate that in any classroom or textbook environment. There’s no substitute for that. I did some internships in college and ended up getting a job at the Detroit Free Press covering hockey there probably way before I ever should have. I thankfully knew some people, John Lowe the longtime baseball writer at the Free Press, I had sort of befriended and he helped me get in front of their sports editor Gene Myers. That ended up being huge.
It was just really right place, right time. A lot of good luck, over-blessed with tremendous mentors. I just really couldn’t imagine even as a pretty young child doing something that wasn’t involved in sports whether it was broadcasting, working for a team, being in PR, or ideally being a writer.
BN: Are you on board with the NFL draft beginning on the 23rd?
JL: I’ve gone back and forth about this. I get it. I understand it. We had Troy Vincent from the NFL head of football operations on the show and he was really convincing. We went pretty long with him and by the end of that I was like “look, I understand why they’re doing this.” I applaud the telethon component of this. They’re going to use it in large part as a fundraiser for first responders for research to develop some sort of vaccine or some way to better detect this or to eventually be able to curtail it. That’s a huge part of it, which is awesome.
From a football standpoint I understand the general managers and a lot of people have concerns. There’s a lot going on in their lives and they feel like there’s no reason it couldn’t be moved back. I get that and I also understand the morality issue of “hey, there’s other stuff going on in the world right now. Maybe we don’t need to be picking football players for three days.” But at some point we all hope and pray and think that we’re going to be on the other side of this. I do think for a lot of people it’ll be a little bit of escapism. At least that weekend will feel a little different than some other weekends.
BN: What’s your strongest opinion about the draft heading into it?
JL: I just feel that all of a sudden now I’m supposed to believe Tua is like the third or fourth best quarterback in this draft. That just doesn’t pass the smell test for me. The body of work is what it is. I understand he was injured but the doctors aren’t lying to NFL teams about the condition he’s in. It’s just not how it works. That’s crazy talk.
Would you like to get your hands on him and everything else? Yeah, but there’s nothing Justin Herbert has done that’s increased his stock. It’s not like he’s meeting with owners and blowing them away and they’re coming away changing their draft boards. Nobody has any contact with anybody. Everybody’s going back to the film. If you look at the film there’s not a comparison between these two. I just think some people are protesting a little too much about this precipitous fall that I’m supposed to believe that Tua’s in store for.
BN: When you look toward the future is there anything that you haven’t been able to do yet that you’d like to at some point in your career?
JL: I’m always open the new opportunities. I got a lot on my plate right now between CBS and Entercom. [Laughs] I would be lying if I said I’m actively looking for more gigs.
I think I would like to teach at some point. That’s something I’d like to do. I don’t know about now. It would be impossible now, but down the road if maybe I’m not doing quite as much as I am right now in the media realm and once at least a couple of my kids are in college. I wouldn’t mind being a professor teaching some communications classes. That would be pretty cool.
BN: Would it specifically be communications because of the background you have?
JL: I guess. It could be, I don’t know if it would be broadcasting, I don’t even know. What I love to do more than anything else still is write. If I could go teach a sports writing class somewhere at some point, I think that would be pretty cool.
BN: Do you think you would wear an ascot if you ever teach a class?
JL: No. Not unless it was part of the contract and they paid me handsomely to do so. Not of my own volition, but if there’s a sponsorship involved, I’ll listen. I’ve learned that much in my six weeks of radio.
Michelle Smallmon Didn’t Stumble Into Mornings on ESPN Radio
“The humanity and the relatability is what’s going to really bring people in.”
It all started with an accident. While vacuuming her apartment just two days before the first episode of her new national ESPN Radio program, Michelle Smallmon tripped over an air purifier cord. As a result of the maladroit blunder, she fell face first into her coffee table and hit the inside of her eye on a drinking glass.
When Smallmon looked into the mirror, she immediately saw that her eye was bleeding and swelling up and was in a state of disbelief, although she was not surprised that this happened to her because of her inherent clumsiness. The black eye that came out of all of this turned out to be an advantageous opportunity for the program, which opened its first hour on the air with this circumstance.
Smallmon works alongside Evan Cohen and Chris Canty weekday mornings on UnSportsmanLike, the new ESPN Radio morning show that leads off a refreshed national programming lineup. Since the program is also simulcast on ESPN2, there are cameras on inside the radio studio at the Seaport District-based radio studio, granting viewers of the premiere episode an opportunity to see Smallmon’s black eye for themselves. The incident, however, provided a means for the new hosting trio to introduce themselves and showcase their personalities in an atypical fashion by recalling a calamitous occurrence from the onset.
“We have to be ourselves,” Smallmon said. “People are coming for the sports, and hopefully with our opinions and our information and the knowledge that we provide, they’ll stick around, but they’re going to remember us for who we are. The humanity and the relatability is what’s going to really bring people in.”
Once the hosts of UnSportsmanLike were finalized, Smallmon met with Canty and Cohen to determine their collective philosophy for the program. At the crux of their conversation was how sports is supposed to be an enjoyable part of people’s days, making it important to be genuine with the audience and celebrate the festivities.
“I just think that audio provides a really great way for people to weave us throughout their day and it’s something that they can come back to, and I just feel like the audio space continues to grow,” Smallmon said. “So that is really exciting to me that there are so many different avenues for us to explore in the audio space.”
Smallmon and her colleagues understand that their program that was once anchored by Mike Golic and Mike Greenberg in the mornings for 18 years, who created a show that proved to be an enduring facet to sports radio as a whole. Today, UnSportsmanLike is competing for mindshare and attention span in a dynamic media ecosystem where people can consume various types of content by equipping myriad methodologies. The mission to serve the sports fan anytime, anywhere requires the hosts engage in deft preparation and fealty towards the audio vertical, never taking their positions for granted and understanding the privilege in being able to communicate en masse on the air.
“Any time anybody elects to listen to you, they are giving you a vote,” Smallmon said. “They’re choosing you [and] they are saying, ‘I want to spend a part of my precious time with you,’ and particularly in the mornings because we’re the first people that get the opportunity to talk about the games from the night before or to give our opinion on certain things.”
While Smallmon may have stumbled into an enthralling storyline to open the program and captivate the audience, she did just the opposite in landing a spot within the coveted morning drive daypart. Through years of indefatigable persistence and calculated risk-taking, she positioned herself to garner such a chance when the network was in the midst of developing a new lineup.
Despite having a successful morning show in St. Louis, Mo. on 101 ESPN that was finishing with high ratings and bolstering streams of revenue, Smallmon found herself yearning to live in a sprawling metropolis. Because of this, she started visiting her friends in New York City once per month and gradually became enamored with the locale, prompting her to meet with co-host Randy Karraker, program director Tommy Mattern and Hubbard Radio market manager John Kijowski to express her intent to leave the station.
“They have always been my biggest champions [and] they encouraged me every step of the way,” Smallmon said. “They were like, ‘This is going to be a tough transition for us because the show’s going so well, but we care about you as a person more than we do an employee, and if this is your dream and something you think you have to do, we’ve got your back.’ I will always and forever be indebted to them for not only finding a way to help me do that, but for supporting me and checking in with me every step of the way.”
When she was young, Smallmon frequently traveled to St. Louis with her father to attend sporting events, cherishing every chance she could to see a live game. Throughout her childhood, she watched football on television and remembers seeing sideline reporter Melissa Stark interview the players, prompting her to think about working in sports. Quotidian tasks were transformed into beacons of flourishing sports knowledge, catalyzed by her father’s creativity with abecedarian activities such as sorting and folding laundry.
Yet Smallmon concentrated in premedical studies at the University of Illinois, matriculating to try and become a dermatologist. Early on, she realized that she was not dedicated enough to pursue a profession in the field, resulting in a meeting with her advisor about her future plans. Upon being asked her ideal career path, Smallmon demonstrated interest in covering the basketball team with the goal of appearing on College GameDay as a features reporter in the future.
Amid an economic crash, Smallmon was able to land a job as a production assistant at KSDK, a local television station with which she had interned as a college student. Smallmon worked on the outlet’s morning show, Today in St. Louis, arriving at the studios around 3:30 a.m. every day to prepare and execute the broadcast.
Although her shift ended at 2 p.m., she would put in extra effort to stay later and interact with sportscaster Frank Cusamano and sports director Rene Knott, volunteering her time and trying to be productive. In displaying her aspiration to work in sports, she was eventually offered a position in the department, which first started with shooting and editing high school events.
“Most of the work that was done in sports was leading up to the 5 and 6 o’clock newscast until they took a big break before 10 p.m.,” Smallmon said. “I would use that time to just absorb as much as I could, watch the guys at work and try to make myself useful.”
Drawing inspiration from the aforementioned Stark, Smallmon had seen various women working and thriving in sports television; however, this was not the case in the sports radio format. Despite being familiar with the medium, she had never considered going on the air until Knott asked her to be a co-host of his new weekend show on 101 ESPN.
After some time, she received a note from an executive inquiring if she would be interested in applying for an open producer position available at the outlet. Even though she applied thinking she would not receive the job – a thought compounded when she discovered the producer role was for the program hosted by Bernie Miklasz – Smallmon made it to the final round of interviews. Speaking with Miklasz directly, he articulated that while he thought she was a good fit for the role, the other candidate had more qualifications and previous experience.
“I looked at him and I said, ‘Well, if that person is as great as you say that they are and have this much experience, they will have no problem finding another job when you hire me to be your producer,’” Smallmon averred. “I left there and I was like, ‘Man, I blew that.’”
Much to her surprise, Smallmon was hired and ended up working with Miklasz in the role for three years. In speaking with him and observing how he interacted with other people, she learned industry nuances and esoterica that made her even more adept at the role. Smallmon was eventually moved to The Fast Lane in the afternoons with Randy Karraker, D’Marco Farr and Brad Thompson, possessing a mentality of how to best position the show for sustained growth and success.
Smallmon took her skills to ESPN Radio in 2015 when she moved to Bristol, Conn. to work as a producer. The first stint with the network prepared her to excel on UnSportsmanLike, collaborating with hosts such as Ryen Russillo, Danny Kannel and Jorge Sedano, but she always felt a magnetic pull back towards St. Louis. Once Russillo was officially slated to leave ESPN, Smallmon was in talks with the company about different paths she could take and weighing her options. In the eleventh hour, Smallmon received a fortuitous call from Miklasz, who conveyed that he was thinking about changing up his show and wanted to know if she had any interest in co-hosting the program.
“It just felt like all of the cards were falling into place at the right time for me to make that move, and I’m a person that likes to take chances and challenge myself, and I don’t ever want to live with regrets,” Smallmon said. “I thought, ‘Maybe hosting and being on the air is not going to be for me; maybe it’s always going to be production, but I’d like to know.’”
Once she returned, Miklasz offered to change the name of the program to incorporate Smallmon, an entreaty that she declined because of fear that it would disrupt what was a known entity to listeners in the locale. Upon his exit from the station two years later, Smallmon started hosting with Randy Karraker, who implored her to add her name. Even though she never sought out to find the spotlight, she capitulated to the request once her co-host explained why it was important as not only an identifying factor, but also as the first female to be a full-time host on the station.
“I would hear from so many female sports fans across the area and parents whose daughters listened to the show and whose daughters paid attention to the show because someone who looked like them occupied that seat,” Smallmon said. “I really realized how important it was for me to establish myself in that way.”
As Smallmon made the move from St. Louis to New York City, her parents surmised she was recklessly upending her life. Subletting an apartment from a mutual friend in the city, she was working under a usages deal at ESPN Radio where she would deliver overnight updates and host SportsCenter All Night. Smallmon was grateful for the support of her parents and asked them to give her a year, during which she would work hard to land a full-time job in the city. Three hundred and sixty-six days later, Smallmon took to the air with a black eye to commence UnSportsmanLike, officially meeting her end of the bargain.
“It’s hard to explain to people how strange our job is,” Smallmon said. “The three of us sit in a windowless room and talk to one another for four-plus hours a day, so just by nature of spending that much intimate time with someone, you get to know them really well really fast.”
The workday for the morning episode begins the day prior several hours after the conclusion of the previous broadcast, independently reading articles, following sports news and reviewing games. In the preceding afternoon, the program holds a content call where everyone pitches ideas before an early rundown is sent out and added to throughout the day.
While the game of the night is on, Smallmon is in constant communication with her thoughts before getting sleep and preparing for an early wake-up call. There is a pre-show meeting to review the rundown before the four-hour morning show begins at 6 a.m. As soon as the on-air light is extinguished, the process starts again so the hosts are ready for it to illuminate again in 20 hours.
“It’s really a full-time commitment, especially during football season, to do a job like this,” Smallmon said, “but when you’re lucky enough to get the opportunity to host a show of this magnitude, you’ve kind of got to make it your life in a lot of ways.”
When she takes her seat behind the microphone in the morning, Smallmon believes that two of the most talented people she has ever worked with are sitting by her side. In her view, she needs to be at the same level as them on the program and effectuates that through her preparation and by bringing different perspectives to the air.
“I have zigged and zagged and occupied different roles throughout my time,” Smallmon said. “It’s really just been surprising opportunities that I have emerged and that I’ve really been grateful to have and that I want to take advantage of, but I don’t really think about the future and my motivation is not really driven by what’s next; it’s driven by the present.
For now, Smallmon is focused on attaining success in New York City and hopes to participate in the program for as long as possible. Down the road though, she knows that her career will entail a second return to St. Louis when she wants to be back in the community she loves and closer to her family. The gratitude she has in being able to regard the city as home is conspicuous and authentic, and those in the locale continue to listen to her on 101 ESPN for two hours each morning ahead of the station’s local morning program.
“My only goal right now is to make UnSportsmanLike the best show that it possibly can be, and if that is the case, hopefully we have an amazing run with the show,” Smallmon said. “That’s the goal is to make it as amazing as it possibly can be and ride that wave for as long as we possibly can.”
Smallmon never envisioned herself working in radio but now finds herself as a trusted voice in the mornings on a simulcast program within the network’s on-air lineup. Through it all, she has remained true to herself while exhibiting an evident commitment and passion for the craft, valuing every chance she has to go on the air.
“People will always say things to me like, ‘Oh, are you going to be the next Erin Andrews?,’ or things of that nature,” Smallmon explained. “And I say, ‘No, I’m going to be the first and only Michelle Smallmon,’ because the edge that I have over everybody else is that I’m me. There’s nobody else that’s me, and so if I can just be myself and be authentic every day and do that, anybody else can.”
Derek Futterman is a contributing editor and sports media reporter for Barrett Sports Media. Additionally, he has worked in a broad array of roles in multimedia production – including on live game broadcasts and audiovisual platforms – and in digital content development and management. He previously interned for Paramount within Showtime Networks, wrote for the Long Island Herald and served as lead sports producer at NY2C. To get in touch, find him on Twitter @derekfutterman.
Desmond Howard Unnecessarily Threw Pete Thamel Under the Bus on College GameDay
College football fans can be a crazy bunch, most of them are crazy in the sense they are doing stupid things that give you a good laugh but, every fan base has a lunatic fringe. Each fan base is more than willing to point out the lunatic fringe in the fanbase of their rivals but often are slow to acknowledge their own offenders. That doesn’t mean they don’t exist in any program that has any significant fanbase. The lunatic fringe affected College GameDay Saturday, and Desmond Howard didn’t help the situation.
As a fan, you can accept it as true or bury your head and assume you are the one singular program that has somehow avoided having a fringe lunacy.
Michigan is certainly a significant football program with a massive fanbase. Just the sheer number of Michigan fans tells you there is going to be a larger than normal number of fans that might fall into the category of “fringe lunatic”, it is just how the odds work.
That suggestion was made by ESPN during Saturday’s College GameDay which originated from Ann Arbor, Michigan. Just in case you are completely unaware of the biggest story in college football this season, during Saturday’s Ohio State-Michigan game, Wolverines coach Jim Harbaugh was serving the final game of an agreed upon Big Ten Conference suspension. The game also happened to be the biggest game of the season so far, a virtual play-in game for the College Football Playoff.
The suspension of Harbaugh was the result of allegations that Michigan staffer Connor Stalions was running an “off the books” sign stealing operation and that Stalions was a little too closely connected with Harbaugh for the Big Ten’s comfort.
Stories like these only become mainstream by reporting and ESPN’s Pete Thamel was on the frontlines of that reporting. It should be said that, just because something is reported by ESPN, FOX, or CBS, doesn’t automatically make it true. Likewise, just because something reported about your team may not paint them in the best possible light, it doesn’t make it untrue. That was the gray area ESPN’s College GameDay found themselves in Saturday; one of their top college football reporters in the very midst of the fans that are upset with his reporting.
Thamel joins GameDay on site every week, normally delivering the breaking news on injuries and coaching changes, fairly normal stuff. He delivers his reports, not on stage, but among the actual team fans who are gathered behind the set for all the cameras to see.
Except Saturday when Thamel was not among the masses but inside the more controlled confines of Michigan Stadium.
Honestly, Thamel being inside the stadium, rather than among the crowd, would not have seemed at all odd to me until Michigan’s Heisman Trophy winner and GameDay analyst Desmond Howard made it awkward in this exchange:
Howard: “We’ve been doing this 12, 13 weeks and Pete’s always been in the crowd giving his reports, I’m like, ‘What the Hell’s Pete in the stadium for?’ That kind of just threw me all off, I’m like, ‘Put your big boy pants on and do it in the crowd like you normally do it.’”
Rece Davis: “He’s got some from the lunatic fringe, some ‘friends’. We’re just taking care of him.”
Howard: “We’ve got security. We’ll be ok. These guys are nice out here. These are nice fans. They’re not going to do anything.”
Davis: “It only takes one. That’s all.”
Howard: “He’ll be ok. Put the big boy pants on.”
I have no idea how many credible threats Thamel has received but there was, apparently, enough concern for ESPN to move him into an area that could be more easily secured.
Desmond Howard, though, seemed upset that ESPN doing that painted the fan base of his old school in a very negative light. I would make the case that even the most ardent GameDay viewers wouldn’t think it odd that Thamel was inside the stadium rather than among the crowd. Howard’s insistence on Pete not wearing his “big boy pants” only drew further attention to the fact Thamel was not in his normal spot.
Desmond Howard came off sounding like he was under some sort of pressure, personally created or applied from Michigan interests, to point out there was no reason Thamel should have any concern about Michigan fans. In doing so, Howard came off as something he’s never been accused of being, a poor teammate. The best way to handle the situation for ESPN would be to completely ignore the fact there was a change in Thamel’s location. In the event ESPN thinks anyone would notice, highly unlikely as it may be, just create a simple cover story.
To Thamel’s credit, he seemed content to not be the focus of this addition to the story, it was only Howard’s awkward interaction that brought it to light. It was completely unnecessary and only made everyone involved look a little worse.
In his NFL career, Desmond Howard averaged only one fumble per season, Saturday in Ann Arbor, he added another.
Ryan Brown is a columnist for Barrett Sports Media, and a co-host of the popular sports audio/video show ‘The Next Round’ formerly known as JOX Roundtable, which previously aired on WJOX in Birmingham. You can find him on Twitter @RyanBrownLive and follow his show @NextRoundLive.
Nick Wright, Danny Parkins, Andrew Fillipponi and Omar Raja Join The 2024 BSM Summit Lineup
All four of these men are extremely talented and accomplished, and I’m grateful to each of them for making time to be with us.
The buildup to the 2024 BSM Summit continues with our next speakers announcement. Media professionals looking to attend March’s show can secure seats at BSMSummit.com. We’ve already announced Jeff Smulyan, Mark Chernoff, Don Martin, Bruce Gilbert, Scott Sutherland, Chris Oliviero, Scott Shapiro, Spike Eskin, Mitch Rosen, Paul Mason, Bonnie Bernstein and Damon Amendolara will be part of the event. We’ll have additional big names to reveal in the weeks and months ahead too so stay tuned for more.
Before I get into the latest group of speakers, I want to pass along some Barrett Media news.
First, when you log on to BSM and BNM on Monday December 4th, you’ll notice both sites operating with a new, cleaner look. We pump out a lot of daily content on our websites but finding all of it can be intimidating. We’re hoping the modifications make it easier to find and digest our content and look forward to your feedback on what we roll out next week.
Secondly, I’ve spent months going through a process to identify an Executive Editor for Barrett Media. The type of leader I’ve been looking for different from what exists at some online publications. I’ve spoken to a lot of smart, talented people during this process, many who I know could make us better. However, there is only one job available. Fortunately after going through an extensive search, I’ve identified someone who I’m interested in teaming with to help take Barrett Media to the next level. I hope to announce that hire and the addition of a number of new writers next week. I think our readers, partners and clients will like what’s on the horizon.
Third, we have opened up voting on the Barrett News Media Top 20 of 2023. The deadline to cast votes for News/Talk PD’s is next Monday December 4th. We will present the News/Talk radio format’s collective feedback December 11-15 and December 18 on BarrettNewsMedia.com.
There’s other stuff on the way as well, but I’ll save the rest for next week. Let’s dive now into the latest additions to the Summit.
It is my pleasure to announce the additions of Nick Wright of FS1, Danny Parkins of 670 The Score in Chicago, Andrew Fillipponi of 93.7 The Fan in Pittsburgh, and Omar Raja of ESPN to the 2024 BSM Summit speaker lineup. All four of these men are extremely talented and accomplished, and I’m grateful to each of them for making time to be with us.
Starting with Omar Raja, the work he did building House of Highlights into a powerhouse social brand is well documented. He now serves as a commentator for ESPN’s digital and social content, which includes being the leading voice behind ESPN’s SportsCenter Instagram account, and providing strategic social programming across ESPN’s social platforms. It’s not every day industry professionals gain an opportunity to learn from one of the industry’s top social media minds, so I’m hoping to see a lot of folks present when he shares his wisdom at the Summit.
Shifting from digital to on-air talent, one session I know many will be present for will include three personalities who have been highly successful in each of their careers, and share a lifelong bond through the friendships they formed while attending Syracuse University together. Nick Wright, Andrew Fillipponi, and Danny Parkins are three of the best in the business today, and all three will be on stage together to discuss their individual paths, their differing approaches to content creation, measuring and managing success, and much more. Having Damon Amendolara, another Syracuse graduate who’s been highly successful on the air, guide the session should make it even more interesting and entertaining for all in the room.
With these latest four individuals added to the lineup we’ve now secured sixteen top speakers for March’s show. I’m hoping to reveal the next group of participants in a few weeks. Once we get past the holidays I’ll start revealing the awards winners and a few executives who will be part of the conference.
I want to thank Steve Stone Voiceovers, Good Karma Brands, Bonneville International, Silver Tribe Media, Premiere Networks and the Motor Racing Network for returning as sponsors of the 2024 BSM Summit. If your group would like to explore a sponsorship opportunity for the show or review website or newsletter options for 2024, email Stephanie Eads at [email protected] to receive a copy of our advertising decks.
That’s the latest for now. More to come in December.
Jason Barrett is the owner and operator of Barrett Sports Media. Prior to launching BSM he served as a sports radio programmer, launching brands such as 95.7 The Game in San Francisco and 101 ESPN in St. Louis. He has also produced national shows for ESPN Radio including GameNight and the Dan Patrick Show. You can find him on Twitter @SportsRadioPD or reach him by email at [email protected].