“Do you believe in miracles? Yes!” Who among us hasn’t heard that perfect call when the USA Olympic hockey team shocked the Russians? The call by Al Michaels eventually led to the title of the movie about that 1980 team and what they did in Lake Placid, New York. There aren’t many broadcasters around who are in that league, where a call turns into a movie. Pretty special. Not many broadcasters have ever been traded either. Michaels was traded to NBC for a rabbit. Yes, a rabbit.
BEST KNOWN FOR:
It may be difficult to narrow down a distinguished career to one single thing Michaels is “best known for,” especially after almost 5 decades in network sports play-by-play. To me though, there were two moments that stand out above most others. Each moment displays a distinct quality in Michaels’ broadcasts that I really admire and respect.
The first should be fairly obvious. In fact, the most famous 6 words in sports, led off this column. Michaels drew the assignment of calling hockey for the 1980 Olympics in Lake Placid. He had no idea what would follow. In fact, he now jokes about how he actually drew the assignment at the hockey venue in New York.
“I had done one game and nobody else had done any,” Michaels told CNBC earlier this year before the 40th anniversary of the “Miracle on Ice” game. “I’m with the Mount Rushmore of announcers,” Michaels said. “We have Howard Cosell, Jim McKay, Chris Schenkel, Keith Jackson, Frank Gifford, Bill Flemming. And somebody had to do hockey in Lake Placid.”, he said.
“I knew what icing was. I knew what offside was,” he said. “And so that’s how I got the assignment.”, he told the cable network.
By chance, Michaels by virtue of that single game under his belt got to make that call, or should I say THE call. The explanation on where that final came from is typical Michaels, understated, capturing the moment and right on point.
“I can only tell you this: The thing came out of my heart,” Michaels said to the New York Post in January. “There was a word that popped into my head: miraculous. Miraculous got morphed into a question, and I answered it with a yes, like Marv Albert always says, ‘Yes!’ That was it.”, Michaels said succinctly. “At that particular time, I had no idea this thing would live in perpetuity as long as it has.”
That last statement to me is what separates Michaels from others. He didn’t script the call. He didn’t start screaming. He didn’t let his voice get swept up in the emotions of the building that was filled with giddy US Hockey fans.
He stayed true, even as the nail-biting game was counting itself down, Michaels continued calling the action. Then when the moment arose, he nailed it, calling an incredible moment and then letting the pictures tell the story. It’s hard to do.
The other best known involved an earthquake, a World Series and Michaels becoming a news reporter. This time he was only able to utter four words, “We’re having an earth…” before the broadcast on ABC Sports cut away. Michaels was right in a big way, the 6.9 magnitude
Loma Prieta temblor hit just as he was setting the scene for Game 3 of the 1989 game in San Francisco. The quake killed 63 people and injured nearly 4-thousand others.
“It was certainly one of the most stunning things ever. There’s no way to even think about preparing for something like that,” Michaels told Sports Illustrated. “It took place, then what you had to do when we were on the air, kind of collect your wits and stay calm. I look back on that night as a very unusual once in a lifetime event probably, something that was just extraordinary. That one was not a good memory.”
Michaels became an impromptu reporter for a national news broadcast. He remembered vividly what happened after power was restored in the broadcast booth. “The camera in the booth got power first, and we flipped it around until we saw a shot [in its monitor] from the blimp of the Bay Bridge,” Michaels recalled to SI. “That’s when I first had an understanding that even though all of us at Candlestick were O.K., the rest of the area was not.”
Michaels drew upon his 12 years living in the Bay Area, to identify the locations covered by the camera aboard the Goodyear blimp. With Ted Koppel in a studio in Washington DC, the two navigated the coverage with Michaels carefully describing what he saw and where the chaos was happening. Not out of his realm in any way. “Sports reporters are the same as news reporters,” he said. “We present the story, assess situations and articulate emotions. The same basic principles apply.”
He did what he could and wasn’t without mistake, but he was certainly on his game, albeit a different game than he was used to covering. “Kids always ask me how to get to this point in broadcasting,” he said. “I tell them to pay attention to everything that happens in the world. Sports often is more than the hit-and-run, stolen bases and three days’ rest.”
I know I talk a lot about ‘versatility’ and usually I mean, the ability to call different sports well or to be able to host a show too. This time, versatility kind of means the ability to adapt to what is going on around you and despite it not being a comfort zone, coming through when needed. Michaels did that in both cases, two memorable calls on much different ends of the spectrum. Truly grace under pressure.
WHY IS HE SO GOOD?
Lots of reps will certainly help you perfect your craft and he’s had plenty of those has Al Michaels. But that’s not what makes him so good in my book. Michaels possesses a quality that many broadcasters seek.
He always has “command” of his broadcast. Michaels can sense moments and when he needs to be talking and when he can defer to his analyst. He seems to be able to sniff out big moments in broadcasts and still has the ability to treat an obligatory 3-yard run with the same respect. A broadcast never gets away from Michaels, it may seem like it at times, because of his sarcasm and sense of humor, but trust me that’s all him knowing what the moment needed. Michaels’ ability to drop in some humor here and there is great. Whether it be a pop-culture reference or one involving the spread of the game or the over/under. I think people enjoy those moments as much as anything he does.
Michaels has an incredible knowledge of each game he covers. You can tell in some instances that he already has the grasp on a question he’ll ask an analyst during a game. That ability allows the play-by-play man to either think right alongside his color commentator or nudge him/her to that point. It’s seamless. If you didn’t know it, you could never tell.
It doesn’t really matter who he’s working with. Whether it be John Madden, Jim Palmer, Tim McCarver, Cris Collinsworth, Dan Dierdorf, Frank Gifford, Dan Fouts, Dennis Miller, Hubie Brown, Tommy Lasorda or Howard Cosell, he worked with them seamlessly.
Michaels’ resume would take up the rest of this webpage all by itself. Suffice it to say, he’s done everything from, local baseball for the Reds and Giants, The Olympic Games, Super Bowls, World Series games and the NBA Finals. Michaels has also hosted coverage of The Kentucky Derby, Preakness and Belmont Stakes, The Indy 500, Stanley Cup Finals and the Olympics as well. Having any one of those things under your belt alone would be noteworthy. The man has done it all and done it all very well.
Last but certainly not least, there was that trade, involving Michaels and a rabbit. Ok it was a cartoon rabbit. When Michaels joined NBC to broadcast Sunday Night Football in February of 2006, ABC and NBC struck a deal to let Michaels out of his remaining contract. NBC Universal sold ESPN the cable rights to 4 Ryder Cups, also granted ESPN more usage of Olympic Highlights and sold to parent company Disney the rights to Oswald the Lucky Rabbit. Oswald was a cartoon character developed by Walt Disney himself which he lost in 1928. It was previously owned by Universal Pictures which is under the NBC umbrella.
Michaels joked about the “trade” saying, “Oswald is definitely worth more than a fourth-round draft choice. I’m going to be a trivia answer someday.”.
I think NBC got itself a steal of a deal, acquiring one of the all-time greatest voices in sports.
Anatomy Of A Broadcaster: Jason Benetti
“Benetti is entertaining to watch. Whether you’re an old school follower of baseball and feel that batting average is still important, or a newer, metrics fan, he can appeal to you.”
His voice is unmistakable, his humor makes his broadcasts entertaining and oh yeah, he’s everywhere these days. Jason Benetti has stepped into the limelight as more than just a local baseball television announcer.
Benetti added a new feather in his cap a couple of weekends ago, picking up lead play-by-play duties for the new NBC-produced MLB Sunday Leadoff games seen on Peacock. He will be joined by a series of rotating analysts representing the teams in each game.
Benetti’s main gig during the summer months is the White Sox. Since 2016, when he took over for Ken “Hawk” Harrelson, he’s been the lead television voice for the team. For most people, the two fairly high-profile jobs would be enough, not for Benetti.
He also fills on an occasional Chicago Bulls broadcast for NBC Sports Chicago during the fall and winter months. Benetti is also employed by ESPN. He joined the network as a play-by-play commentator for college basketball in 2011. Since then, he’s also called college football, baseball and lacrosse games, high school football and Major League Baseball, as well as NFL, college football and MLB on ESPN Radio. Benetti serves as the play-by-play man for ESPN’s MLB StatCast AI coverage of the Wild Card and Home Run Derby.
Benetti also called his first Olympics this past year. In 2021, he was named the play-by-play announcer for NBC’s coverage of baseball at the Summer Olympic Games.
Benetti graduated from Syracuse in 2005 with bachelor’s degrees in broadcast journalism, economics and psychology. He then went on to earn his J.D. at Wake Forest School of Law in 2011.
The Illinois native gives back to his alma mater, as he is involved with the Burton Blatt Institute at Syracuse University’s Communication Hope through Assistive Technology camp. He has previously taught sports broadcasting as an adjunct professor at S.I. Newhouse School of Public Communication.
ROAD TO WHITE SOX/ESPN/NBC
Benetti, like many of us that were fortunate enough to have a radio station at our high school, joined his school’s radio station. At Homewood-Flossmoor High School in Flossmoor, Illinois, Benetti was a regular disc jockey on WHFH and also did play-by-play of various Vikings sporting events.
As mentioned, he attended Syracuse where he called lacrosse and women’s hoops. Then upon graduation he enrolled at Wake Forest’s school of law. While there, Benetti was the voice of High Point basketball games, Syracuse Chiefs baseball and he did high school sports for Time Warner Cable.
Benetti served as an intern for Chicago sports radio station 670 The Score. In 2011 Benetti joined ESPN, where his broadcasting career would move him into television, despite his childhood preference for radio-only broadcasting. Benetti would call select college basketball games for the ESPN3 online service, and then move on to ESPN2 and ESPNU. In 2013 Benetti called his first football game for ESPN’s syndicated American Athletic Conference package.
In 2020, Benetti signed a multi-year extension with ESPN.
WHY IS HE SO GOOD?
There is something inherently likable about the way Benetti calls a game. He has the authoritative voice you like to hear from an announcer, yet he isn’t monotone. When he gets excited during a game, he doesn’t shout and scream, it’s much more natural. It sounds just like it should in the flow of a game that has big moments. It’s a good lesson for some young broadcasters that like to scream their way through those times.
Benetti is entertaining to watch. Whether you’re an old school follower of baseball and feel that batting average is still important, or a newer, metrics fan, he can appeal to you. He doesn’t rely on the stats. Benetti will take those stats and make a story, or build an argument with them. It’s a much cleaner way to get the point across rather than just the straight numbers.
I like the underlying sarcasm that will find its way into his telecasts from time to time. Benetti is a smart guy and you can always tell when he doesn’t completely agree with something. It’s not delivered in a mean-spirited way, but the point is made, usually in a very entertaining way.
To me, the mark of a great play-by-play announcer is not just how he/she calls a game, it’s how they make their analyst sound. Are they getting the best out of their partners? When you work with someone consistently, it’s an easier process than when you are working with a rotating group. When Benetti is calling White Sox baseball games locally in Chicago, you can tell that he and Steve Stone are on the same page. They get the reps every day and by now, know each other extremely well and play off each other the same.
With NBC’s MLB Sunday Leadoff games, he’ll be working with a different analyst every week. One from each team’s local broadcast. For some, this would be difficult to deal with. Not for Benetti. He already works with a number of different analysts during his college football and basketball duties on ESPN. His personality lends itself to making each telecast unique based on who he may be working with for that game. You might say he’s really looking forward to the chance to do this.
“It feels like you’re hosting a cocktail party every week,” Benetti said on a recent NBC media conference call. “This one friend doesn’t know this other friend, or they might, but the idea is to make sure that there’s always conversation and to get to know people quickly. I have found I really have a love for that.” he added. “When I heard about the different analysts rotating in, it was my favorite part of the whole thing. I just the love the idea that every telecast is different.”
“There’s a reason we picked Jason,” NBC Sports executive producer Sam Flood said. “We did our homework. We know him. We love what he does, and we think he’s the perfect person to be in that middle seat at the dinner party.”
Benetti compared the experience to an episode of Curb Your Enthusiasm on the conference call.
“I watched a Curb Your Enthusiasm episode from either last season or the season before where they were having a dinner party, and there’s this whole discussion about who’s the best dinner party middle, who the best person is to sit in the middle of the table to keep the conversation going,” said Benetti. “I think all of us aspire to be that at dinner parties if we’re at all an extrovert, even a little bit.
“I think in my understanding of people, like I’ve done a lot of games with a person once, and the way I see it is when you sit down to do a game, the audience does not care at all if you’re best friends with somebody or if you just met them for the first time. And so, it’s on us, it’s on me, it’s on everybody in the booth, to understand each other and maybe have a meal before the game or talk on the phone or whatever.”
He added that it’s important that everyone in the booth has an opportunity to be at his/her best. Benetti realizes that the task of making that happen falls on him.
DID YOU KNOW?
Benetti was born 10 weeks prematurely and hospitalized for three months. During the three months in the hospital, Benetti had a respiratory illness while in intensive care that deprived his blood of oxygen. It is believed that caused his cerebral palsy, which was diagnosed when Benetti was a toddler. He underwent years of physical therapy and two surgeries to improve his ability to walk.
Benetti’s cerebral palsy prevented him from playing tuba during marching band season. As he told ESPN Front Row in 2014, “I wasn’t balanced enough to carry it in marching band.” Not wanting to exclude him, the band director asked him to serve as the halftime broadcaster for their marching events.
He helped to launch a Cerebral Palsy Foundation campaign called “Awkward Moments with Jason Benetti” in order to bring awareness through humor to the awkwardness that surrounds those with disabilities. The animated videos are voiced by Benetti.
Benetti explains the reason he got involved. “There are moments and conversations in our society where people rely on accidental snap judgements or speak without forethought or understanding. That’s ok. We all do it, and sometimes it is even funny.” he said in a media release back in 2018. “But, if unaddressed, we don’t know how to move past them. So, the goal of the campaign is to illuminate these moments when we might be on mental autopilot, and – by using humor – show people that they are having misperception about people – and learn to think differently.”
Full disclosure, I’ve worked with Jason before and I find him to be not only a terrific broadcaster but also a really good guy. The thing that always struck me about Benetti is how comfortable in his own skin he really is. He is an inspiration to some, a mentor to others and an example for young broadcasters to follow. He is skilled, prepared, aware and a rising star in the industry.
Anatomy of a Broadcaster: Joe Davis
“The sky is the absolute limit for this guy. I’m a little jealous, in fact, of the talent and poise that he possesses right now.”
“Joe Davis back to throw, looks left, now over the middle, complete, touchdown!”
Before his meteoric rise in the world of play-by-play, Joe Davis was a four-year letter winner at Beloit College in Wisconsin. He was the quarterback for two seasons until a shoulder injury forced him to move to wide receiver.
Perhaps the most important move for Davis in college was assuming play-by-play duties for the school’s athletic department. When football was out of season, Davis called baseball and both men’s and women’s basketball on local radio and television. He served as the voice of Buccaneers spring sports for his final three years on campus before graduating in 2010.
Now Davis holds two very high-profile jobs. He’s the television voice of the Los Angeles Dodgers and has been named the number one baseball guy at Fox Sports. In both cases, he’s replaced an announcer of legendary status, first Vin Scully and now Joe Buck. Big shoes to fill in both cases. If how Davis has handled the former is any indication, he’ll be equally as accepted in the latter position.
Davis is another in a long line of broadcasters that seemed to know what he wanted to do at an early age.
“If you had asked me when I was 10 what I wanted to do when I grew up, I would’ve told you ‘Call the World Series.’ So, when I say this is a dream-come-true, I really mean it,” Davis said in a statement after Fox named him Buck’s replacement.
In a recent story in The Athletic, Richard Deitsch chronicled how the offer was made to Davis. He recalled meeting with Brad Zager, who is the executive producer of Fox Sports. Zager flew to Las Vegas where Davis was for the Pac 12 Tournament. It was about 4-hours from the tip and the two met at a hotel bar in the MGM Resort. The offer was made, and a very emotional Davis accepted.
“It took me a little while to get it together after the meeting,” Davis told The Athletic. “And there were a number of times over the course of that week where I broke down because of the emotions of thinking it could happen and being so close to a dream coming true but not knowing.”
ROAD TO FOX/DODGERS
Before his senior year of college, in 2009, Davis secured a summer job as the manager of broadcasting for the Schaumburg Flyers baseball team of the independent Northern League. He served as the team’s play-by-play voice and media relations director. Also, during the fall, he filled in on men’s and women’s volleyball broadcasts at Loyola University Chicago. That year Davis was the voice of the State High School Volleyball Championships, for the Illinois High School Television Network.
From there Davis would go to work for the Montgomery Biscuits of the Southern League. The Biscuits were the Double-A affiliate of the Tampa Bay Rays. Davis called Biscuits games for three seasons and was named the Southern League Broadcaster of the Year in 2012. In the offseason, he also gained experience as a radio host for the Baylor Independent Sports Properties Network. While working that job, he also caught on at Comcast Sports Southeast, where he picked play-by-play duties for college football, basketball and baseball.
In July 2012, at the age of 24, he joined ESPN as a play-by-play announcer. He called college baseball, basketball, football, hockey and softball games. Davis also appeared in spot duty for Major League Baseball games that were broadcast on ESPN Radio. He made a little history in December of 2013, when he was assigned to call the Poinsettia Bowl between Utah and Northern Illinois. At the age of 25 he became the youngest person to ever announce a bowl game for ESPN. He was soon hired by Fox, and then a couple of years later by the Dodgers to call road games, and eventually succeeded the legendary Vin Scully for the team on TV.
WHY IS HE SO GOOD?
There is a smoothness about Davis that is kind of hard to describe. He’s calm at the right moments and he elevates to the big moments almost perfectly. Calling baseball can be a challenge at any age, but he seems a natural fit for the pacing of the sport. There are moments when the game is left to itself to breathe during his broadcasts. Now, there are also times when Davis shows off his ability for the big call.
The Dodgers have been in the pennant race, seemingly all the time. Huge moments demand a great call. Davis hasn’t disappointed yet.
Among his many moments with the Dodgers already were walk off home run calls, some miracle finishes, and a lot of victories.
In an article on MLB.com in August of 2020, Davis surprised a lot of folks, when saying a home run by pitcher Hyun-Jin Ryu was his favorite so far. It took place on Sept. 22, 2019, in a 7-4 win over the Rockies that provided the Dodgers with their 100th victory of the year.
“High fly ball, centerfield and deep, back goes Hanson at the wall…it’s happened! It’s happened! Babe Ryu!” Then nearly 40 seconds of crowd noise.
Davis provided the backstory in the article.
“The call is, whatever, not a spectacular call, but Orel [Hershiser, analyst and Davis’ partner] and I had jokingly talked about it the entire season. You could go back to Opening Day [which Ryu started], and we were predicting he would hit one. Those of us who are around batting practice see how he swings, and we would joke every time he came up that this would be the time, and then it actually happened. It’s the only time Orel and I both stood up and high-fived, just the incredible feeling it had actually happened.”
It’s just an example of how the moment is never too big for Davis. He can have fun and still keep his composure, so the fans know what is actually happening as well.
His runner-up call at that time, was a more obvious choice. It his “absolute madness” call of the Dodgers’ 6-5 walk-off win over the Phillies in 2017. For more reasons than just the great call.
“It was my first month or so on the job after Vin,” said Davis. “It was maybe the first time where the fanbase seemed to say, ‘Hey, maybe this kid is not bad.’ Because of that, it will always be special to me.”
Also of importance, is the fact that Davis is able to play off of, and work well with, his analyst Orel Hershiser. The two have great chemistry. That’s the hallmark of a good play-by-play announcer, get the most and more out of your color commentator.
It speaks volumes as well, to have that kind of relationship with all the people he works with. That includes John Smoltz, his new partner for MLB on Fox games starting this season.
“Having worked with Joe before, finding our chemistry in the booth is already well underway and I’m looking forward to our partnership over the next several years,” said Smoltz in a statement. “I had the opportunity to work with the very best at Fox Sports in Joe Buck, and I feel fortunate to get to continue with another exceptionally talented ‘Joe’ in Joe Davis.”
For someone as young as he is, it’s impressive that he had those skills early on and continues to hone what has worked for him. When he was just 24-years-old and had a crack at the national spotlight, he might have been overwhelmed. Well, if he was, it surely didn’t sound like it, because he was able to advance in the business at a rapid rate.
DID YOU KNOW?
Davis named his third child, a boy, to honor his partner in the booth, Orel Hershiser. Theodore Orel Davis arrived in July of 2021. Hershiser was very touched by the gesture from the Davis’.
Did you realize that Davis’ daughter Charlotte broke the news of her daddy getting the World Series assignment from Fox? Davis explained to The Athletic that he tried to see if his daughter would understand the significance of the moment. Charlotte didn’t seem to grasp how important this was. After all, she is only 5 and a half. Davis wanted to make the point that the World Series was a big deal and that Charlotte, could achieve anything she wanted to.
“I dropped her off at her school one day and her teacher said, ‘Joe, congratulations!’ Mind you there were like five people in the world that knew at this point.” he told The Athletic. “I said, ‘Oh boy, I guess you have an inside source.’ She said, ‘Yeah, the first thing Charlotte did yesterday when we got into the classroom was announce to everyone, my daddy got the World Series.’ For whatever reason, that was another moment that just got me. I got in my car and broke down.” he recalled.
Eat your heart out Ken Rosenthal!
The sky is the absolute limit for this guy. I’m a little jealous, in fact, of the talent and poise that he possesses right now. There are just a few people blessed with all of that, plus a kind nature.
It’s hard not to cheer for a guy like this, he paid his dues, made some good choices and basically let his talent do the talking. It’s pretty amazing and so well deserved. I’m pretty confident that the Fox MLB broadcasts are in very good hands.
Anatomy Of An Analyst: Gene Steratore
“There’s a calmness and authoritative way about him. Steratore seemingly commands respect when he opens up his mic to comment on a play, giving his opinion.”
“Let’s bring in our rule’s analyst, Gene Steratore, Gene what did you see on that play?”
If you’ve been watching CBS/TNT/TBS/TRU coverage of the NCAA Tournament, you’ve undoubtedly heard that question asked. Steratore has been providing rules analysis for the network for both the NCAA and the NFL. He’s sort of a unicorn when it comes to having the knowledge and first-hand experience both on the field and on the court.
Oh yeah, and he possesses the ability to actually relate the information to the audience.
This role has become a major part of broadcasts now. These ‘experts’ help the viewer to understand rulings and why certain calls should or should not have been made.
If you think Steratore is busy these days, he was even busier before he decided to retire. Steratore spent 15 years as an on-field NFL game official, 13 of those seasons as a referee. He entered the NFL as a field judge in 2003, was promoted to referee in 2006, and worked 14 playoff games. He finished his career as the referee in Super Bowl LII. That was the Eagles’ 41-33 win over the Patriots on the Philly Special. Steratore also worked two conference title games, as well as serving as the alternate referee for Super Bowl XLIV.
Steratore started officiating NCAA Division I Men’s Basketball in 1997 and worked numerous Conference Tournament games in the Big Ten, ACC, Big East, Atlantic 10, Mid-American, Colonial, Horizon, Metro-Atlantic, Summit and Northeast. He also worked 12 NCAA Tournament games, including a pair in the Sweet 16s.
He finished his basketball career as a Big Ten primary official. Steratore also spent time as a Midwest ‘observer’ of officials. He would be at a game, take notes on how the officials did their jobs, and then go over it, nearly play by play after the game ended.
CONTROVERSIES ON THE FIELD
Steratore’s NFL career had a couple of notable controversies, well one controversy and one oddity, I guess.
On September 12, 2010, the Detroit Lions faced the Chicago Bears in the season opener at Soldier Field. The Lions were trailing 19-14 late in the fourth quarter but were driving against the Bears’ defense. With 24-seconds left, quarterback Shaun Hill found receiver Calvin Johnson in the corner of the end zone. Touchdown Lions. Not so fast. The play was under review, for a phrase that is now commonplace in the NFL, ‘completing the process of a catch’.
After the review, Steratore ruled it an incomplete catch. He stated after the game to an NFL pool reporter, “In order for the catch to be completed he has got to maintain possession of the ball throughout the entire process of the catch.” Replays showed the ball leaving Johnson’s right hand the moment the ball touched the ground. The Lions failed to score on their final two plays, and the Bears held on to win.
That play started a debate about what is actually a catch and what is not. The controversy elicited a new rule named for Johnson. That particular entry into the rule book outlined what exactly a catch was: control of the ball, two feet or another body part down on the ground and a “football act or move” such as reaching for the goal line or tucking the ball away.
Steratore was affected by the rule again, and this time the stakes were high. He was the referee during the NFC Divisional Playoff game between the Cowboys and Packers on January 11, 2015. That’s where a fourth-quarter, fourth-down catch by Cowboys wide receiver Dez Bryant was overturned using the “Calvin Johnson rule”. The Packers challenged the call and after review, it was determined that the ball touched the ground before Bryant completed the catch.
Now for the oddity. In a game on December 17, 2017, between the Cowboys and Raiders. Steratore took the controversial step of using an index card normally used for recording penalties to assist him in determining whether the Cowboys had made the line to gain for a first down. His ruling that they had done so allowed Dallas to kick a late field goal in their 20–17 victory.
“The ball was touching the pole,” Steratore said. “I put the card in there and as soon as it touched, it was nothing more than a reaffirmation. The decision was made based on my visual from the top looking down and the ball touching the front of the pole.”
Mike Pereira pioneered the rules analyst role on Fox in 2010 and since, each network has followed suit. Fox also added Dean Blandino. ESPN has used Gerry Austin, Jeff Triplette and now John Parry. NBC employs Terry McCauly.
CBS hired former referee Mike Carey in the 2014 season. That didn’t work out too well, after most of his predictions on which way replays would go, were not correct. He was let go following the 2015 season. Now the job belongs to Steratore.
The NHL is now in the business of rules analysis, with the hiring of Don Koharski on TNT.
WHAT MAKES STERATORE GOOD?
There’s a calmness and authoritative way about him. Steratore seemingly commands respect when he opens up his mic to comment on a play, giving his opinion. That opinion is based on the years of actual on-field experience or in the case of the NCAA Tournament, on-court work. There isn’t much time to waste when it comes to his analysis. He has to offer his thoughts in a clear and understandable manner, then allow the broadcasters to perhaps ask a follow-up question.
Being understandable is probably the most important part, because as a viewer, I don’t want a bunch of referee jargon thrown at me. Was the call correct or incorrect? Tell me why. What should have been ruled? That’s the reason he is employed by a network, prove your worth. He does.
During the NCAA Tournament Steratore is sometimes not on-site until the Final Four. He’s watching a number of games on television screens. There are producers and others watching games to keep him updated and if he’s needed, they brief him quickly and he goes on the air. Kind of daunting in some ways. He also spoke a couple of years ago about the 4-5 second delay between the studio and the stadium, which is not easy to navigate.
One of the biggest issues facing a former referee is agreeing with or not agreeing with current officials. In Steratore’s case, it’s both NFL and NCAA referees that he either goes along with or points out a mistake.
He spoke to the Athletic in 2020 on this very topic. “Officials never get upset if you are objectively honest with what’s going on.” said Steratore. “When officials miss plays, they’re OK if you call them out for missing that play. But if I started seeking every little nuance, I can see that they’ve done, it demeans the profession and it’s an unfair observation, even if you’re right on the technical issues.”
Take, for example, the case of Illinois freshman RJ Melendez, who was assessed a technical foul for hanging on the rim after a dunk. Replays showed that Melendez needed to hang on to avoid an injury to himself. Much like the one Paul George suffered several years ago in an NBA game.
Steratore commented on the play during the telecast and then took to Twitter.
Steratore is honest that’s for sure. Now look, I get that some criticize him for playing both sides of the fence, but some calls are not black and white, there are grey areas within the rules. He has to point it all out for the sake of credibility.
He is empathetic to the cause of the on-field official, having been there himself one or two hundred times before. During a game between the Bengals and Raiders in January, the old ‘inadvertent whistle’ came into play. Here’s how he explained things on Twitter.
I think Steratore also realizes that he has one thing the on-field folks don’t, and that is time to review the situation and express his thoughts. His reasonings, right or wrong, in the moment, will not change a call that’s been made and will not affect the outcome of a game. Steratore can afford to get a little more in depth with his reasoning, while the game continues.
There is one main goal Steratore and all the other rule’s analysts want to accomplish. He wants to help casual viewers better understand the game and its rules. “You hope you can add value to the broadcast,” he explained to the Athletic. “But if I can explain something that is a little complicated and that the casual viewer gains interest to watch this game, then it makes it more relevant.”
I think he can check that box, without any further review.
DID YOU KNOW?
Steratore is the co-owner of Steratore Supply, Inc., a full line paper/janitorial supply business, with his brother, Tony, who also works as an NFL back judge. The siblings know how to get under each other’s skin, even to this day.
Gene explains, “There are times Tony and I are working together in our business and he’s not in a good mood,” Steratore said to the Athletic. “I tell him I’m the media and he’s an NFL official, he’s not allowed to talk to me. I use that. It helps the little family feuds.”
Gene and his older brother Tony were on the same crew in 2006. Gene had been elevated to referee and Tony was the back judge. That lasted 3 years. Gene overturned Tony’s calls 3 times in the first year which led to some tense moments on the field. Gene recalled one such time to the Athletic.
“Brett Favre thought we were going to fight one day in Miami when I overturned him on a play. He said ‘Are you guys going to fight?’ I said ‘We might.’ He said ‘Can I watch?’ I said, ‘Heck, yeah you can watch.'”