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To Tweet or Not To Tweet

“Rather than pummel social media with non-stop postings — and lose a job for an inflammatory comment — media professionals should use Twitter only as a billboard for their work and try what I’ve done: downsizing.”

Jay Mariotti

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The first time a media boss asked me to use Twitter, I said, “What kind of noise can anyone make in 140 characters?’’ Obviously, I underestimated the power of microblogging and the enablement of any idiot to self-publish. That includes idiots in sports media, who derive cheap thrills from trying to be funny when, if they truly were funny, they’d be professional comedians and not sports media people.

When Chicago radio caveman Dan McNeil lost his mind and his job — and, most likely, his career — by comparing the outfit of ESPN’s Maria Taylor to that of a porn awards host, it created a moment of reckoning for the industry. Should executives continue encouraging on-air personalities to splash thoughts across social media because of a presumed formula (followers become listeners who feed ratings)? Or should bosses finally apply common sense: Why risk inflammatory tweets that prompt firings or suspensions and bring damaging corporate publicity when hosts could follow the golden rule of opinion-making?

Save it for the show!

That’s what I decided to do. After years of assuming my every thought about sports and life should be shared immediately, via that bird, I realized the daily churn was juvenile, dumb and counterproductive. Why not simply utilize Twitter as a convenient way to post my best daily work — columns, podcasts, appearances on other platforms — and restrict my observations about the world only to those vehicles? If a company is paying handsome or even homely salaries to broadcasters or writers, they should devote every morsel of creativity and brainpower to their gigs, not saving stuff for 9:52 p.m. after a second glass of red wine. Imagine Aaron Rodgers withholding two or three plays during a game, then running them later in his backyard.

I became the Marie Kondo of social media. I follow only one feed, a Los Angeles radio station that used to give away free tickets to music shows. My batch of followers, once ample, shrunk to the current 8,600 — though I still have the blue checkmark that verifies I have “an account of public interest.’’ To read some of the reactions from the Twitter rabbit hole, my strategic numbers decline reflects some sort of deep personal failure and rapid life deterioration that should cause me to “go kill yourself.’’ In truth, it means I’ve graduated from the kids’ sandbox.

If only McNeil and others in the discharged-by-Twitter club had made the same call. Think about it: Possessed by the same urge to insult Taylor on the air, McNeil likely would have been saved, albeit undeservedly, by a producer with a trusty, seven-second-delay dump button.

Social media is a brain suck. You spend too much time consumed with superfluous b.s. and not enough on integral career requisites: outworking, outthinking, outpreparing, outwriting and outbroadcasting the competition. The people who aren’t capable of beating you, honestly and fairly, resort to outsleazing you, such as those who hide behind burner accounts to criticize rivals. I had a “teammate’’ in Chicago who used such an account to smear me in the industry. I’ve sat in press boxes where reporters, paid to watch the game, are cracking wise in group chats. There’s a freelance baseball reporter in the Midwest who has tweeted 275,700 times; maybe if he spent more time breaking news and improving his writing, he’d land a full-time beat job. These people are wasting more energy trying to impress each other instead of the bosses who pay them and the consumers who read, watch and listen to them.

So, why tweet? I thought it was a way to personally engage with an audience, but when you’ve had a high-powered career of voicing strong opinions via a big-city newspaper column, a daily ESPN debate show and numerous radio hosting roles, many folks don’t want to engage. They want to exact revenge for something you’ve said or written, or perhaps threaten to gouge your eyes. Sure, bosses like social-media numbers, but at what point does it become a zero-sum game? As for a host’s contention that he or she should have freedom of speech, an employer should own the right to protect a brand from erosion or, in McNeil’s case, sabotage.

The entire tweeting exercise is phony, pumping a device with furious thumbs and fingers when being social is best experienced via face-to-face or voice-to-voice interaction. Even if you mean well, it often doesn’t end well. Every so often, I’d use Twitter to critique fine sports-media efforts and, occasionally, efforts that reeked. What was I thinking? One day, I wondered why a fledgling site that broke a major story — FanRag Sports — didn’t realize “Rag’’ is a derogatory term in the publishing world; I was attacked by 2,000 Rag-dolls in four hours, which didn’t prevent the site from shutting down two years later. The maulings were nastier when I reminded the Twittersphere that the founder of Barstool Sports launched his career by publishing nude photos of Tom Brady’s then-toddler son; the Stoolies bombed my podcast page with 3,200 poor ratings.

In San Francisco, I hadn’t even started a columnist/editor gig when the editor-in-chief of a rival news outlet, who should have known better, wrote a derogatory (and legally inaccurate) tweet about me. I didn’t respond — and one of her editors expressed regrets to me for her actions. But a year later, when our operation ran out of sufficient resources to continue a competitive sports section and I was heading back to L.A., I decided to tweet what I thought of her general job performance. Naturally, a crap website wrongly assumed I was fired for the posting, but such are the dangers of tweeting; there is no context from even an hour earlier, much less a year earlier. (The editor-in-chief no longer is there.) Later, in the same market, I asked why a grown man would go through life as the “Bay Area Sports Guy’’ when he has a given birth name. So I used Twitter to have him make imaginary tour stops at various towns in the region — such as, “Bay Area Sports Guy spotted in Fremont.’’ Hey, I was bored. These days, he actually goes by his given name at The Athletic, though I can’t recall what it is because I’ll always know him as this Sports Guy.

Then we had Scott Van Pelt Night. I’ve never been a fan of his brown-nosing of sports figures and overgrown-bro-dude act — the man is 54 years old — and during one particular show, he was more into a partying vibe than delivering the news I’d wanted from that day. So I tweeted my dismay, asking why “SportsCenter’’ at the time was missing the sensibilities and gravitas of the “30 For 30’’ documentary series. He Van-pelted me with a low-brow, ignorant tweet, I fired back with a meaty shot or two, and goodness gracious, I was in a Twitter war!

Wheeee!

I’d like to think that episode was partially responsible for the improved, sharper-focused and more professional “SportsCenter’’ we see today. Which leads to my point. Why take to Twitter when the more effective and dignified vehicle would be a site such as, well, Barrett Sports Media, where I mix sports media criticism with sports columns every week?

Since 2018, my Twitter account has consisted primarily of columns, podcasts and show appearances. When I have something to say, my thoughts are confined to those platforms. Under my Twitter avatar, where I’m allowed to briefly describe who I am and what I’ve done, I conclude the word block thusly:

Best Life. Real.

Those descriptions were made possible only by getting out of the Twitter gutter, leaving the ants to march on without me.

BSM Writers

The Future Is Now, Embrace Amazon Prime Video, AppleTV+

As annoying as streaming sports is and as much as I haven’t fully adapted to the habit yet, Amazon and Apple have done a magnificent job of trying to make the process as easy and simplified as possible.

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This week has been a reckoning for sports and its streaming future on Amazon Prime Video, AppleTV+, ESPN+, and more.

Amazon announced that Thursday Night Football, which averaged 13 million viewers, generated the highest number of U.S. sign ups over a three hour period in the app’s history. More people in the United States subscribed to Prime during the September 15th broadcast than they did during Black Friday, Prime Day, and Cyber Monday. It was also “the most watched night of primetime in Prime Video’s history,” according to Amazon executive Jay Marine. The NFL and sports in general have the power to move mountains even for some of the nation’s biggest and most successful brands.

This leads us to the conversation happening surrounding Aaron Judge’s chase for history. Judge has been in pursuit of former major leaguer Roger Maris’ record for the most home runs hit during one season in American League history.

The sports world has turned its attention to the Yankees causing national rights holders such as ESPN, Fox, and TBS to pick up extra games in hopes that they capture the moment history is made. Apple TV+ also happened to have a Yankees game scheduled for Friday night against the Red Sox right in the middle of this chase for glory.

Baseball fans have been wildin’ out at the prospects of missing the grand moment when Judge passes Maris or even the moments afterwards as Judge chases home run number 70 and tries to truly create monumental history of his own. The New York Post’s Andrew Marchand has even reported there were talks between YES, MLB, and Apple to bring Michael Kay into Apple’s broadcast to call the game, allow YES Network to air its own production of the game, or allow YES Network to simulcast Apple TV+’s broadcast. In my opinion, all of this hysteria is extremely bogus.

As annoying as streaming sports is and as much as I haven’t fully adapted to the habit yet, Amazon and Apple have done a magnificent job of trying to make the process as easy and simplified as possible. Amazon brought in NBC to help with production of TNF and if you watch the flow of the broadcast, the graphics of the broadcast, NBC personalities like Michael Smith, Al Michaels, and Terry McAuliffe make appearances on the telecast – it is very clear that the network’s imprint is all over the show.

NBC’s experience in conducting the broadcast has made the viewing experience much more seamless. Apple has also used MLB Network and its personalities for assistance in ensuring there’s no major difference between what you see on air vs. what you’re streaming.

Amazon and Apple have also decided to not hide their games behind a paywall. Since the beginning of the season, all of Apple’s games have been available free of charge. No subscription has ever been required. As long as you have an Apple device and can download Apple TV+, you can watch their MLB package this season.

Guess what? Friday’s game against the Red Sox is also available for free on your iPhone, your laptop, or your TV simply by downloading the AppleTV app. Amazon will also simulcast all Thursday Night Football games on Twitch for free. It may be a little harder or confusing to find the free options, but they are out there and they are legal and, once again, they are free.

Apple has invested $85 million into baseball, money that will go towards your team becoming better hypothetically. They’ve invested money towards creating a new kind of streaming experience. Why in the hell would they offer YES Network this game for free? There’s no better way for them to drive subscriptions to their product than by offering fans a chance at watching history on their platform.

A moment like this are the main reason Apple paid for rights in the first place. When Apple sees what the NFL has done for Amazon in just one week and coincidentally has the ability to broadcast one of the biggest moments in baseball history – it would be a terrible business decision to let viewers watch it outside of the Apple ecosystem and lose the ability to gain new fans.

It’s time for sports fans to grow up and face reality. Streaming is here to stay. 

MLB Network is another option

If you don’t feel like going through the hassle of watching the Yankees take on the Red Sox for free on Apple TV+, MLB Network will also air all of Judge’s at bats live as they are happening. In case the moment doesn’t happen on Apple TV+ on Friday night, Judge’s next games will air in full on MLB Network (Saturday), ESPN (Sunday), MLB Network again (Monday), TBS (Tuesday) and MLB Network for a third time on Wednesday. All of MLB Network’s games will be simulcast of YES Network’s local New York broadcast. It wouldn’t shock me to see Fox pick up another game next Thursday if the pursuit still maintains national interest.

Quick bites

  • One of the weirdest things about the experience of streaming sports is that you lose the desire to channel surf. Is that a good thing or bad thing? Brandon Ross of LightShed Ventures wonders if the difficulty that comes with going from app to app will help Amazon keep viewers on TNF the entire time no matter what the score of the game is. If it does, Amazon needs to work on developing programming to surround the games or start replaying the games, pre and post shows so that when you fall asleep and wake up you’re still on the same stream on Prime Video or so that coming to Prime Video for sports becomes just as much of a habit for fans as tuning in to ESPN is.
  • CNN has announced the launch of a new morning show with Don Lemon, Poppy Harlow and Kaitlin Collins. Variety reports, “Two people familiar with plans for the show say it is likely to use big Warner Bros. properties — a visit from the cast of HBO’s Succession or sports analysis from TNT’s NBA crew — to lure eyeballs.” It’ll be interesting to see if Turner Sports becomes a cornerstone of this broadcast. Will the NBA start doing schedule releases during the show? Will a big Taylor Rooks interview debut on this show before it appears on B/R? Will the Stanley Cup or Final Four MVP do an interview on CNN’s show the morning after winning the title? Does the show do remote broadcasts from Turner’s biggest sports events throughout the year?
  • The Clippers are back on over the air television. They announced a deal with Nexstar to broadcast games on KTLA and other Nexstar owned affiliates in California. The team hasn’t reached a deal to air games on Bally Sports SoCal or Bally Sports Plus for the upcoming season. Could the Clippers pursue a solo route and start their own OTT service in time for the season? Are they talking to Apple, Amazon, or ESPN about a local streaming deal? Is Spectrum a possible destination? I think these are all possibilities but its likely that the Clippers end up back on Bally Sports since its the status quo. I just find it interesting that it has taken so long to solidify an agreement and that it wasn’t announced in conjunction with the KTLA deal. The Clippers are finally healthy this season, moving into a new arena soon, have the technology via Second Spectrum to produce immersive game casts. Maybe something is brewing?
  • ESPN’s Monday Night Football double box was a great concept. The execution sucked. Kudos to ESPN for adjusting on the fly once complaints began to lodge across social media. I think the double box works as a separate feed. ESPN2 should’ve been the home to the double box. SVP and Stanford Steve could’ve held a watch party from ESPN’s DC studio with special guests. The double box watch party on ESPN2 could’ve been interrupted whenever SVP was giving an update on games for ESPN and ABC. It would give ESPN2 a bit of a behind the scenes look at how the magic happens similarly to what MLB Tonight did last week. Credit to ESPN and the NFL for experimenting and continuing to try and give fans unique experiences.

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BSM Writers

ESPN Shows Foresight With Monday Night Football Doubleheader Timing

ESPN is obviously testing something, and it’s worth poking around at why the network wouldn’t follow the schedule it has used for the last 16 years, scheduling kickoffs at 7 and then 10 on their primary channel.

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The Monday Night Football doubleheader was a little bit different this time around for ESPN.

First, it came in Week 2 instead of Week 1. And then, the games were staggered 75 minutes apart on two different channels, the Titans and Bills beginning on ESPN at 7:15 PM ET and the Vikings at the Eagles starting at 8:30 PM on ABC and ESPN+. This was a departure from the usual schedule in which the games kicked off at 7:00 PM ET and then 10:00 PM ET with the latter game on the West Coast.

ESPN is obviously testing something, and it’s worth poking around at why the network wouldn’t follow the schedule it has used for the last 16 years, scheduling kickoffs at 7:00 PM and then 10:00 PM ET on their primary channel. That’s the typical approach, right? The NFL is the most valuable offering in all of sports and ESPN would have at least six consecutive hours of live programming without any other game to switch to.

Instead, they staggered the starts so the second game kicked off just before the first game reached halftime. They placed the games on two different channels, which risked cannibalizing their audience. Why? Well, it’s the same reason that ESPN was so excited about the last year’s Manningcast that it’s bringing it back for 10 weeks this season. ESPN is not just recognizing the reality of how their customers behave, but they’re embracing it.

Instead of hoping with everything they have that the customer stays in one place for the duration of the game, they’re recognizing the reality that they will leave and providing another product within their portfolio to be a destination when they do.

It’s the kind of experiment everyone in broadcasting should be investigating because, for all the talk about meeting the customer where they are, we still tend to be a little bit stubborn about adapting to what they do. 

Customers have more choices than ever when it comes to media consumption. First, cable networks softened the distribution advantages of broadcast networks, and now digital offerings have eroded the distribution advantages of cable networks. It’s not quite a free-for-all, but the battle for viewership is more intense, more wide open than ever because that viewer has so many options of not just when and where but how they will consume media.

Programmers have a choice in how to react to this. On the one hand, they can hold on tighter to the existing model and try to squeeze as much out of it as they can. If ESPN was thinking this way it would stack those two Monday night games one after the other just like it always has and hope like hell for a couple of close games to juice the ratings. Why would you make it impossible for your customer to watch both of these products you’ve paid so much to televise?

I’ve heard radio programmers and hosts recite take this same approach for more than 10 years now when it comes to making shows available on-demand. Why would you give your customers the option of consuming the product in a way that’s not as remunerative or in a way that is not measured?

That thinking is outdated and it is dangerous from an economic perspective because it means you’re trying to make the customer behave in your best interest by restricting their choices. And maybe that will work. Maybe they like that program enough that they’ll consume it in the way you’d prefer or maybe they decide that’s inconvenient or annoying or they decide to try something else and now this customer who would have listened to your product in an on-demand format is choosing to listen to someone else’s product entirely.

After all, you’re the only one that is restricting that customer’s choices because you’re the only one with a desire to keep your customer where he is. Everyone else is more than happy to give your customer something else. 

There’s a danger in holding on too tightly to the existing model because the tighter you squeeze, the more customers will slip through your fingers, and if you need a physical demonstration to complete this metaphor go grab a handful of sand and squeeze it hard.

Your business model is only as good as its ability to predict the behavior of your customers, and as soon as it stops doing that, you need to adjust that business model. Don’t just recognize the reality that customers today will exercise the freedom that all these media choices provide, embrace it.

Offer more products. Experiment with more ways to deliver those products. The more you attempt to dictate the terms of your customer’s engagement with your product, the more customers you’ll lose, and by accepting this you’ll open yourself to the reality that if your customer is going to leave your main offering, it’s better to have them hopping to another one of your products as opposed to leaving your network entirely.

Think in terms of depth of engagement, and breadth of experience. That’s clearly what ESPN is doing because conventional thinking would see the Manningcast as a program that competes with the main Monday Night Football broadcast, that cannibalizes it. ESPN sees it as a complimentary experience. An addition to the main broadcast, but it also has the benefit that if the customer feels compelled to jump away from the main broadcast – for whatever reason – it has another ESPN offering that they may land on.

I’ll be watching to see what ESPN decides going forward. The network will have three Monday Night Football doubleheaders beginning next year, and the game times have not been set. Will they line them up back-to-back as they had up until this year? If they do it will be a vote of confidence that its traditional programming approach that evening is still viable. But if they overlap those games going forward, it’s another sign that less is not more when it comes to giving your customers a choice in products.

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BSM Writers

Media Noise: Sunday Ticket Has Problems, Marcellus Wiley Does Not

Demetri Ravanos

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On this episode of Media Noise, Demetri is joined by Brian Noe to talk about the wild year FS1’s Marcellus Wiley has had and by Garrett Searight to discuss the tumultuous present and bright future of NFL Sunday Ticket.

ITunes: https://buff.ly/3PjJWpO

Spotify: https://buff.ly/3AVwa90

iHeart: https://buff.ly/3cbINCp

Google: https://buff.ly/3PbgHWx

Amazon: https://buff.ly/3cbIOpX

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