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Lavar Arrington Is More Enlightened Now

“It’s okay to talk crazy about something that another athlete or another person is going through, but to be able to do it with yourself, to me that is the differentiator.”

Brian Noe

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Lavar Arrington

LaVar Arrington was once a self-described pissed off dude. He was an angry radio host in Washington DC. That is no longer the case. Arrington now has a different mindset as the driver of FOX Sports Radio’s brand new show Up On Game. He has a much more positive approach and looks for angles that are solution driven. Along with co-hosts Plaxico Burress and TJ Houshmandzadeh, the new show airs on Saturdays from 10am-noon PT.

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Don’t mistake Arrington’s positivity for anything hokey or boring; the guy is flat-out interesting. The Pittsburgh native makes many compelling points in our conversation below. He offers opinions on cancel culture and the firing of his former radio partner Chad Dukes.

Arrington doesn’t bite his tongue when it comes to show babysitters in radio either. He also states which big name in the radio industry offered him a great piece of advice. As an added bonus, the former No. 2 overall pick uses the phrase “stretch him out”, which is now easily my favorite phrase of all time. Enjoy.

Brian Noe: Tell me about Up On Game; what makes you so excited about doing the show with TJ and Plax?

LaVar Arrington: I’ve always had this idea that sports media in general has become too driven by controversy and debate. It’s just kind of taken on more of a Geraldo, drama type of feel when you’re talking about athletes and sports. I felt like there was a tremendous gap, a void so to speak, of kind of addressing the market of the youth and sports parents.

I went to Don Martin and Scott Shapiro and was like listen, I’ve got two guys that have stories to tell. They have experiences and these experiences are much like mine in the sense that we take pride in helping the next group of guys coming. We all mentor and teach and help younger guys. I just thought it would be an amazing opportunity to introduce a new way of looking at and approaching athletes in sports, which was solution-based and positive-based and not debating, just talking sports and giving real viewpoints. Just like the name of the show; putting people up on game as to why something happened from our perspective, how you could avoid it, or how you could do better moving forward. Just a breath of fresh air if I could use any type of way of describing it.

BN: How far back do you go with TJ and Plaxico? 

LA: A funny story about TJ is I never met TJ as a player. When we retired, I came out here to do NFL Network. Me and Antonio Pierce are really close and so I ended up coaching at Long Beach Poly. TJ coached at Long Beach too so we met each other and have been tight ever since. That’s got to be going on five years ago now that we met and started being cool.

He’s the reason why I got back into media. I was out of media after I left the network. He told me, he was like man I do these spots over at FS1. He was like you need to come over to FS1 and see what’s going on. I did, man. Charlie Dixon and those guys, Jason Whitlock, they ended up giving me an opportunity, Colin, they were all bringing me on their shows.

BN: How about Plaxico? How long have you known him?

LA: I’ve known Plaxico since college. We go way back. We played against each other since college. He went to Michigan State and I went to Penn State. I’ve known Plex for a long time because we’re from the same class. I guess me and TJ are from the same class kinda sorta as well but Plaxico was always a higher-rated dude. I was always a higher-rated dude. So we met in high school, college-type stuff on the circuits.

BN: Were you able to hit either of those guys on the football field?

LA: I don’t even think I played against TJ. As far as Plex, I never got a chance to stretch him out. I would have loved to have had an opportunity to get him. I’ve played against him multiple times and we even ended up being teammates the year before the first Super Bowl in New York.

BN: I like that, stretch him out. [Laughs] Are you guys doing the show remotely right now?

LA: Me and TJ go into the studio and Plex is on the comrex.

BN: How would you describe the way your sports radio style has evolved over the years?

LA: I used to be pissed off and I’m more enlightened now. I always tell people it was rightful for me to be pissed off because I covered the Washington Football Team. After a while, I did five hours of radio and I did it with Chad Dukes. Chad Dukes was mad and like an upset dude. We were just two upset dudes doing radio.

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I just got tired of talking about how bad our teams were. Everybody was like he hates his team, this and that, and in a way they were right. I didn’t hate the team; I just didn’t like the owner. But I think it came out in the way that I delivered my information. I know it did listening to myself, just taking inventory and studying my style. There definitely was more anger behind my energy. My evolution has just been really — even when I’m on Speak For Yourself on television — every angle that I take is pretty solution driven and pretty positive even if it was something negative that took place.

BN: What was your reaction to Chad getting fired last month?

LA: I hit him up and I just told him straight up I know you to be an a-hole. I don’t know you to be what they accused you of being. He has a weird sense of humor and a weird sense of how he entertains. That’s why he has such a very dialed in and focused audience. A lot of the things that come from him and the way he sounds at times, it tows the line. It definitely has towed the line and maybe has even stuck a toenail or a toe over the line, but what I’ve learned about radio is that radio is supposed to be a forum where you can communicate how you feel.

I just feel like if it doesn’t go too far, you’re still exercising the right to paint a picture that represents some part of the population that’s out there whether you like it or not. If you got in trouble for what Chad got in trouble for, from what I allegedly hear, there would be no Howard Stern. There would be no Rush Limbaugh. Eventually some of them got hit up, but you’re still talking about some of the most influential heavyweights of radio that would have never gotten an opportunity. They would have been fired because something they said would have offended somebody.

BN: Do you think it’s good that the standards are higher, or do you think it’s constricting to some artists who can’t get away with what they could have before?

LA: Well I don’t make the rules, I play by them. Whether I think it’s right or whether I think it’s wrong, I will say this, I really believe that people should understand the power of what they bring to the table and to put people in a place where they feel as though it’s right for them to look at a certain group of people a certain type of way. If that’s how you’re using your platform, I think it’s dangerous. And I think it’s dangerous more so now than it’s ever been because people have voices. I think it’s dangerous these days because people are more aware and there seems to be more awareness just towards these types of behaviors.

I never realized how chauvinistic the business can be. When Joe Namath said to Suzy Kolber I want to kiss you, could you imagine if he said that today? You know what I mean? Could you imagine in the social climate that we live in today, Joe Namath doing that? He’d be one of the biggest villains. He goes from being beloved to a villain.

I don’t know what’s right or what’s wrong in terms of what people’s liberties should be in being able to talk about and discuss what they want to talk about and discuss. I just know there is the idea of presenting the different sides. I understand that. Will that get lost in cancel culture? It might.

I think cancel culture is kind of a product of just how connected the world has become through social media. We’ve always had a mob mentality. That just goes back into time. The mob mentality is now on 150,000 steroids. It’s an overkill of steroids with cancel culture and the mob mentality. One influencer says vote for this person, you’re going to vote for that person whether they can do it or whether they can’t. You’re going to vote for him because the cancel culture, the mob mentality, it’s there. An influencer can have you do what they want you to do. That can be great and that can be horrible all at the same time.

Why this show is so important, you just got to put things into the proper perspective and understand that we all have a voice and we all have some things that we have to get off our chests. At times you should be able to get those things off your chest without you always being labeled something. There are a lot of things that I have started to not say in media and in social form because you just don’t know.

BN: When did you initially break into sports radio and why did you want to do it? 

LA: I wanted to do it because I didn’t feel like we, as the athletes, had enough voices representing us the right way. I wanted to get into media and provide a perspective and an angle that was unique to us, the player and the athlete, that really took the time to see what it was and understand it for what it was versus just talking crazy about what somebody is doing.

I’ve always kind of been a part of media even when I played, but I think I started working with Comcast SportsNet, man, I don’t remember, bro. It’s been a long time. It had to have been maybe ‘08 that I started doing stuff with them. Then I think ‘09 was when I went into radio. Whatever year it was that they launched The Fan in DC. They launched it with me as one of the anchor shows. I was the afternoon drive show with Chad.

BN: What’s the best piece of advice you’ve gotten, or something that you figured out on your own about doing good sports radio?

LA: When you create the identity of what your show is going to be, you need to live within the identity of what you’ve created. Don’t deviate from the values and just what you want the listener to understand about the identity and the values of the show when they’re listening. People will either agree or disagree but they will invest enough of an emotion to come up with some type of a conclusion.

BN: That’s good, man. Is that what you figured out?

LA: I was actually taught that.

BN: Who taught you that?

LA: Whitlock.

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BN: Interesting. What other things has he said or anybody else said that you thought was impactful?

LA: I’ve learned a lot from a lot of guys. Mike Harmon has been super instrumental in my development as well in radio. I co-host with him. I’ve learned a ton from him in terms of just my approach of how to get in and out of segments, how to approach the topics that we’re going to talk about, and just how to prep. Knowing how to not talk over one another or understanding how to present your points.

There’s a very distinctive way of how I approach each topic. Answer the question first. Or if you’re presenting something and you’re the one driving it, make sure that you set the table before you begin to try to eat. Nobody can eat if you don’t set the table. You’ve got to just follow the process, a very strict process, of how to go through your segments depending on if you’re the driver or if you’re a passenger in the studio seat, it doesn’t matter. There’s still a process that you have to follow and I didn’t always know that.

BN: Is this the first time you’ve done a three-man show? 

LA: Radio wise, yeah.

BN: What’s it like for you to get a feel for that setup?

LA: Well I’m the driver of the show so it’s a challenge. But I feel like I’ve done so much radio at this point, I’ve done so much media at this point that I’ve gotten so many reps doing shows with three or four or more guys. I’ve worked with The Junkies at times; I’ve done Speak For Yourself where it’s a panel of four on the set. That’s harder. It’s harder with four men on television than it is three guys on radio. I’ve gotten great reps in terms of understanding how to manage the flow of multiple guys.

I like the challenge of it and it excites me because you have three very strong personalities, three very pronounced personalities. As long as we can manage how we’re moving and directing traffic, it’s going to be amazing radio and I don’t ever see that being an issue.

BN: Besides the positive tone of the show, what are some other things that you think will appeal to listeners?

LA: I would love for people to really take the time to listen to the show. It’s only two hours. It goes by really quickly, but we prep. We do prep calls and everything. Some of the things that happened on the show we hadn’t even discussed. I think that’s the coolness of this show is that you’re going to hear some things — like I didn’t even know that a lot of people attribute the Bengals/Steelers rivalry to when TJ Houshmandzadeh cleaned his spikes off with the Terrible Towel. I didn’t even know that. Jerome Bettis says it on the show. That was the first time I’ve ever heard that. It was the first time I had ever heard how TJ even got ahold of a Terrible Towel.

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For me it was like oh my gosh; that’s when I knew we had the potential to be one of the biggest shows in all of sports radio because of the organic approach and the open approach. The one part of it that people should know is that we are not taking a hands-off approach to the vulnerability of what we’ve gone through. It is very in your face. It’s okay to talk crazy about something that another athlete or another person is going through, but to be able to do it with yourself, to me that is the differentiator. You have to be comfortable enough to be in that forum and be able to talk about things that you’ve gone through that you aren’t necessarily proud of.

BN: That makes for good radio, man. How did TJ get the Terrible Towel?

LA: He purchased it off of a fan, man, that had just bought it. He randomly was on the elevator with a Steeler fan that had just bought a Terrible Towel.

BN: Wow, I would love to know who that fan is. That’s a huge offense to Steeler Nation.

LA: And if they didn’t listen to our show, they probably don’t even know that their purchase that day would fatefully lead to the starting of a rivalry between two franchises and two cities.

BN: As far as your future goals, what do you think would make you the happiest going forward?

LA: Well the happiest going forward is just having the opportunity. Don and Scott believing in the concept that I pitched to them, getting behind me, and continuing to teach me and school me up on how it all works has been a tremendous deal. I’m super happy with where we are. I’m definitely poised for us to create a new brand and usher in a new way and looking at former athletes or even current athletes and how we can handle ourselves in media.

Up On Game

It would really make me happy to pioneer. I always say — and no offense to the Mike Harmons and Steve Hartmans who I’ve worked with or even a Chad Dukes — I think there’s something to be said about not having a show babysitter. I’ve always felt like in the past, host or co-host is like a code word for babysit the athlete. There is a place for those types of media personalities. It’s not meant as an attack or a slight on them, everybody has a role to play, but what I’m saying is just maybe there should be some shows out there that don’t have to have a babysitter on the cast.

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Ian Rapoport Is Competing Against Everyone

“When I’m working, when I’m not working – my brain is still going on overdrive.”

Derek Futterman

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The 2023 NFL Draft was a weekend filled with speculation, intrigue and musing among football fans and experts alike. After two quarterbacks were selected with the first two picks – C.J. Stroud by the Jacksonville Jaguars; and Bryce Young by the Houston Texans – Ian Rapoport had the inclination that something was about to break at the event in Kansas City.

The third pick of the night was held by the Arizona Cardinals, but through previous intel, Rapoport knew there was a chance the team would trade it. His phone then lit up with a text message from a source that simply read, “Texans trading.” Receiving a message of this magnitude takes years of networking, credibility and immense trust from the people you cover. Rapoport has worked hard to attain all of them. 

He replied by asking, “Did the Texans trade up to three?,” as the team was not set to pick again until No. 12 overall. Once he got confirmation of the scenario, he began to visibly shake in excitement and captured the attention of the NFL Network team.

“I sit there with a camera in front of me that’s not always on air – this is during the Draft – and the producer gets in my ear and he goes, ‘Can you go on air with whatever you have?,’ and I just say, ‘Yes.’” Rapoport recalled. “And then I hear Rich Eisen go, ‘Ian, you have news,’ and I was able to break that the Texans have traded up to three to go get Will Anderson.”

This is the craft through which Rapoport has cultivated a successful journalism career, ultimately distinguishing him as NFL Network’s goto insider. He hardly ever separates himself from the job, equipped with an unparalleled work ethic to ensure he can communicate messages accurately and in a timely manner. While some people may argue that he is in direct competition with others in his position, such as Adam Schefter of ESPN, Jay Glazer of FOX Sports and Mike Florio of ProFootballTalk and NBC Sports, the reality of the situation is that it is Rapoport vs. the world.

“It’s such a small world now and everyone is interconnected – and with Twitter, literally anyone could break a story and have it go viral,” Rapoport said. “Obviously, you want everything first, but really you’re competing against everyone that exists because anyone could get the story at any moment.”

Work-life balance in such a role is usually quite insurmountable in today’s dynamic, interminable breaking news environment. Rapoport strives to find some level of normalcy in his life by playing golf and attending his sons’ sporting events. In the end though, he knows the world of football never sleeps, and it is up to him to remain in the know at all hours of the day, essentially always on standby to break the next big story.

“I do not turn my phone off because that’s actually way more stressful,” Rapoport said. “At least now when my phone’s on and near me, if something crazy happens, I can react rather than having a fake relaxation moment and then being caught off guard with something.”

Rapoport recognized that journalism was the field for him almost immediately after stepping onto the Columbia University campus. He worked his way up at The Dial to ultimately become its associate sports editor. In the summer preceding his senior year, he landed a coveted internship with ESPN where he gained invaluable experience in the world of television production. 

By the time he graduated, Rapoport envisioned himself becoming a nationally acclaimed sportswriter, but he knew it was going to require he start small. Three hundred eleven job applications and two interviews later, he landed a part-time role with The Journal News in Westchester, N.Y. covering high school sports. It gave him a start in the highly-competitive business – and kept him close to home while trying many new things.

Two years later, he found himself moving from the bright lights of New York City to the quaint town of Starkville, Mississippi for a notable opportunity. He had landed a job covering the Mississippi State Bulldogs for The Clarion-Ledger in the nearby capital city of Jackson and was under the direction of sports editor Rusty Hampton.

“I knew how to write, but I really didn’t know how to report,” Rapoport said. “He was probably the best [at] showing me, ‘This is all about reporting. It’s all about telling people something they don’t know rather than how well you can pen a sentence.’ To be really valuable to society or your newspaper, you really need to inform rather than entertain. I think he was probably the first and best person to teach me that.”

After spending two years in Mississippi, Rapoport became a beat reporter for The Birmingham News tasked with following the Alabama Crimson Tide. Just months into his new role, the program made a coaching change and hired Nick Saban, who has since led the program to six national titles. 

Rapoport learned the thoroughness necessary to cover the Southeastern Conference as he rapidly watched the program become a perennial contender. In turn, he became an eminent college football reporter and his work began to be consumed nationally.

Simultaneously, Bill Belichick, another accomplished football head coach in his own right, was in the process of trying to lead the New England Patriots back to championship glory. Known to be stoic and restrained in his press conferences, reporters asking him questions knew extrapolating answers was not the easiest of tasks. 

When Rapoport saw a job opening to cover the team with the Boston Herald that required NFL experience, he knew that he was not qualified verbatim per se. Yet he figured the experience he had in covering Saban and Alabama would serve him well in the role, and articulated such in a protracted email to the newspaper’s editors. His strategy worked, proving why Rapoport is considered one of the industry’s best communicators at the micro and macro levels.

“You don’t see a lot of sources within the Patriots or sources within Alabama – there’s not a lot of that,” Rapoport said. “So I learned to report despite that and kind of work the edges and get the information I needed, despite head coaches who weren’t always the most forthcoming with information.”

NFL Network oftentimes has local beat reporters on the air to interact with studio talent and give their perspectives about teams, and it was something Rapoport did while at the Boston Herald. He had no television experience outside of other appearances he made on Comcast New England and certainly no intention to pursue the medium as a career. 

In Super Bowl XLVI, the New York Giants overcame the New England Patriots, who were undefeated for the year entering the game. Rapoport was on hand for the proceedings, and shortly afterwards was called into a meeting with NFL Network executives. 

He didn’t know he was interviewing for a job until he asked just why he had been summoned. He expressed his lack of television experience to the executives, who said the network would teach him everything he needed to know. 

Once the meeting concluded, Rapoport called his wife, who he had met while living in Starkville, Mississippi, and told her what had just happened. She tempered his expectations, warning him not to get his hopes up as he remained optimistic. One month later, Rapoport received a job offer and found himself moving once again – this time to the Lone Star State.

“I hired an agent and moved to Dallas and basically spent the next year reporting on the Cowboys and some other things being very, very bad at TV, but learning and eventually figuring it out,” Rapoport said. “At the time, this guy, Eric Weinberger, who was our boss, kind of mentioned to me the possibility of transitioning [me] from reporter to insider.”

Rapoport acknowledged that he did not have the contacts necessary to effectively work as a league insider for a national outlet, but through his years of experience, he knew how to network and he was ready and willing to take the challenge. 

Once he began the new position, Rapoport, along with reporter Michael Silver, was on the road for Thursday Night Football and contributed to its pregame and halftime coverage. While his television skills improved, Rapoport was hard at work bolstering his contacts and took somewhat of a geographical approach. 

Every time he arrived in a new city, he would contact anyone and everyone he could conjure up, including general managers, scouts and head coaches. If he could not schedule a meeting time with them, he would introduce himself by roaming the sidelines at practices and before games. He engaged in a similar practice before the NFL Draft Combine, training camps and the Super Bowl along with other premier events, always staying focused on the task at hand.

“It probably took me five or six years to get a baseline of sources where if something happened, I had someone to call,” Rapoport said. “And then it took me a couple more years to get to the point where I would know before a lot of people when something was about to happen. It’s all a multi-step process, and just [the] layering and layering and layering of sources is really the sort of engine that drives this thing.”

Ian Rapoport always attempts to triangulate his sources to verify information before he releases it publicly. There is no guarantee sources are always truthful or acting in a professional manner. Therefore, it is incumbent on a journalist to ensure the validity of content before publishing it themselves. 

“If you’re only right some of the time, then none of it is really worth it,” Rapoport expressed, “because then you say something and they’re like, ‘Well, wow, that’s a big story if this is true.’ The whole point of doing this is when I pop up on TV or when people see my Twitter alerts or whatever, they have to know that it’s true – they have to know.”

One day, Rapoport was having a conversation with a source and discovered through their conversation that Rob Gronkowski had informed the New England Patriots that he would return to the game of football under the stipulation he be traded to the Tampa Bay Buccaneers to reunite with quarterback Tom Brady. There had been much speculation pertaining to Gronkowski’s future after he had worked as an NFL analyst with FOX Sports, and now Rapoport realized he had a monumental scoop – that is, if it was true. Within six minutes, Rapoport verified the story with three sources, contacted his editor and reported to the world Gronkowski’s intentions. The story was picked up virtually everywhere.

“I just think about the job all the time, and I make little lists for myself of things that I need to track down, and I just make a lot of phone calls for it,” Rapoport said. “When I’m working, when I’m not working – my brain is still going on overdrive. It ends up just a brain full of football thoughts, and then I spend the rest of the time trying to figure out what I can learn from it.”

Working for a league-owned entity can sometimes epitomize an inherent conflict of interest. For Rapoport however, he has found working at NFL Network to be hassle-free. He knows, however, the nature of his job means he will not be universally liked.

“Whatever you do, you’re going to report and the people you report on are going to be happy or upset or neutral – or whatever it is,” Rapoport said. “I’m never going to criticize a referee, for instance, because that’s a nuanced thing and people might say, ‘NFL criticizes referees.’ I’m never going to do that, but I wouldn’t do that anyway.”

Rapoport continues to appear on a variety of external media outlets, perhaps most notably The Pat McAfee Show, which recently concluded its “Up to Something Season.” The grand conclusion of the proceedings was McAfee announcing he would be bringing his show to ESPN’s linear and digital platforms starting in the fall. 

While McAfee is retaining creative control and has expressed on multiple occasions that his show will not be changing, many have wondered whether insiders employed by other networks will be able to continue making appearances. It is an answer Rapoport himself does not know, nor has he asked about.

“When the news broke, my phone blew up with all sorts of people saying all sorts of different things,” Rapoport said. “I have no idea. I really don’t.”

Even so, Rapoport is elated for McAfee and his team taking the next step in their show’s journey and is genuinely glad to see them succeed. He does not think McAfee’s goal was to reshape sports media, but rather to cultivate a distinctive sports talk program built for fans and today’s generation of consumers.

“You get to know someone and you think they’re a good person and you respect the way they work. Some people have success and some people have a little success and some people don’t. It’s really rare to see someone who has every bit of success that’s essentially possible and deserves every bit of it, and that’s kind of how I thought about Pat. It’s really cool, honestly. He’s built it himself.”

It was on McAfee’s show where another prominent football insider – Mike Florio of ProFootballTalk and NBC Sports – said it would be a matter of “when,” not “if” the NFL would have games seven days per week. While devoted football fans like Rapoport are open to such a proposition, he is not sure the league would ever go that far. 

“I don’t even know that it would affect my schedule that much,” he said. “It sort of doesn’t matter. I’ll report all year round anyway.”

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Face-to-Face Sales Meetings Have Never Been More Valuable

“With the increase in virtual meetings, new buyer preferences, limited time, and better tech, we have our work cut out to get the F2F.”

Jeff Caves

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When did you last attend a face-to-face (F2F) in-person sales call? Let’s imagine for a second.

In New York, Sarah, a determined sports radio salesperson, got tired of chasing a major client for months. Despite her calls, emails, and text, she couldn’t break through to get a meeting. 

Throwing caution to the wind, Sarah decided to go for it. She loaded her deck and took her burning desire via airplane to Florida to make the pitch. She showed up unannounced at the client’s office and startled the decision-maker. She was given the meeting and won over the client, getting a substantial annual contract and a movie deal in Hollywood. 

We have all seen that storyline. F2F meetings used to be the obvious choice over a phone call, and most buyers were open to that idea. We even conducted market trips to meet our buyers in person and create better relationships. 

With the increase in virtual meetings, new buyer preferences, limited time, and better tech, we have our work cut out to get the F2F. Lots of us work and listen from home. 

Gartner Research points out that live, in person selling is superior to virtual selling in financial services or, as I think, in radio sales. Now, prospecting new clients F2F is much more difficult. You have never met them, you don’t know who you are looking for, and gatekeepers and remote decision-makers make walk-ins more challenging. 

How about getting out and seeing your current or former clients F2F? 65% of outside account executives attain quota, 10% more often than inside reps. Here are some simple strategies to get outside and F2F:

STAY IN TOUCH

Turn the sales faucet on ‘drip’ and contact your current clients with whatever works: phone calls, emails, or texts. Tell them you are checking in to see if anything has changed, give them a local business lead, or share your latest insight on their favorite team. When doing so, tell them you want to meet F2F and go deep into the next quarter’s ad plan or a new idea to get them back on the air. They may start looking forward to your communication. 

GET FORMAL 

Schedule an annual review ahead of their busiest time of year to review the upcoming messaging in ads. Go over what worked or didn’t last year. Share a success story of a similar advertiser in another market or show them a new opportunity that fits. 

Be upfront that with F2F, we can get more specific, work with better feedback, and partner on hitting their goals. Be the person who looks ahead and helps keep your client focused.

EXCLUSIVE EXPERIENCES

Organize workshops for your current clients. Teach that about streaming, OTT, or Google ads. Get your digital person involved. Let them know you are bringing in other local businesspeople they may want to know or network with and meet F2F! A Mortgage broker may want to meet a realtor who wants to meet a wealthy local businessperson interested in meeting the local head coach. Stand out as a leader in the industry and watch clients brag about working with you. 

HIT A TRADE SHOW

Attend trade shows where your current clients will be. This will show you are serious about their business and want to stay current so you can learn and earn. Set up a meeting over coffee or a drink. Share what you learned. 

CAE

Client Appreciation Events held at your town’s most meaningful events or places. Do whatever it takes to get hospitality tents at big games and concert suites to show appreciation and bond with your current clients. Host a luncheon at the hottest new local restaurant. Focus on providing an atmosphere or experience everyone wants, but not many can attend. Be the exclusive person in town.

GET PERSONAL REFERRALS

Leverage your existing client relationships to seek referrals. Do it in person. Tell them you want to see them and ask for help and advice. Ask for introductions to potential new clients they know, and you will be surprised how much they like working with you. 

DELIVER DIGITAL 

Bring your Digital manager to them and do a free review of their SEO, PPC, whatever. Working off your client’s pc and bringing them an expert at no charge or obligation is much easier. Watch your partnership grow by providing so much expertise at no extra expense. 

Don’t forget the value of F2F meetings. It’s a great way to build trust, connect, and unlock new opportunities. We are in a people business doing business with tons of local directs who still make most of their money serving retail customers F2F. Let’s get out and sell! 

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All Jason Timpf Needed Was A Moment of Clarity

“I didn’t know it until after I was hired, but they said they played my video for Colin and he knew right away that I could do this.”

Tyler McComas

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There was once a time when Jason Timpf always included Colin Cowherd in his commute to work. As he made his morning drive to a sales job at Verizon, The Herd was appointment listening each morning for Timpf. The ex-college basketball player would marvel at Cowherd’s ability to make relatable references and break down all of the same basketball games he would watch the night before. 

One of the unique things Timpf can remember from listening to The Herd during that time was Cowherd saying if FOX ever put someone in front of him, he could tell in five seconds if that individual had the skills to be a host. It was far from a hot take on the Lakers, but still a distinct moment that stuck with Timpf for many years. Little did he know at the time but Cowherd would soon give a five-second evaluation of Timpf’s career.

Jason Timpf was a late-bloomer in basketball. He played college hoops at an NAIA school in Utah, but not until his third year, after being a regular student the first two. After graduating, he pursued a basketball career overseas in India. However, after the league folded, he left the game for a normal job in the States.

There was a real desire for Timpf to get into the sports media business, but he was having difficulties finding the right fit. He wanted advice on the best way to start, but the tips he received just didn’t feel like the right initial path.

“I’d hear, hey, go bang on a radio station’s door and ask if you can work the soundboard,” said Timpf. “Or, try to go to a journalism school. Another big one that everyone was doing was the SB Nation blogs and FanSided blogs. I briefly tried to do that a little bit. But none of it was materializing the way that I had hoped.”

But then the lightbulb went off for Timpf and it happened during the middle of a podcast interview. In October of 2020, Jason Maples of Blue Wire reached out to Timpf to talk hoops on his podcast. It was in the middle of that interview when it all made sense. It felt exactly like the camaraderie he enjoyed with his old teammates and friends talking basketball. It was relaxed, fun and what he used to do for enjoyment. The perfect fit had just found Timpf organically. 

“It was, ‘this is it,’” said Timpf. “‘This is how I want to do it.’ It was like a moment of clarity. Like, this is the way I want to talk about the game. Fortunately, I was working in real estate at the time, so I was super flexible, so I literally was just trying to fake it until I made it.”

While Timpf was grinding away on his new platform choice, he was constantly putting out his content on social media. For a handful of years, he had used Twitter as an outlet for basketball talk – not because he was trying to build his brand, but because it was his preferred method of sharing his takes during and after basketball games. 

“My wife actually played basketball in college but she, like a lot of people, got out of it and was like, ‘actually I’m so sick of basketball, since it’s all I did growing up, that I’d rather not talk about it,’” laughed Timpf. 

As Timpf had built up years of basketball takes on Twitter, he also built up followers. Not a crazy amount, but enough to have regular interactions with several basketball fans. He had no idea at the time, though he remembers occasionally interacting with him, but one of his followers in the beginning was Logan Swaim, who just happens to be Head of Content at The Volume.

Being such a huge fan of Cowherd, Timpf was absolutely familiar with The Volume, a company started by the FOX Sports Radio host. In fact, during his first plunge into podcasts, he quickly took note of how much success The Volume was having with instant reaction and video content. He wanted to emulate what they were doing and would host a Twitter Space after each Lakers game.

Swaim kept up with Timpf’s journey and continued to be impressed with what he saw. He was so impressed, in fact, that a video eventually made it in front of Cowherd’s eyes. It was the moment Timpf had always heard about while driving to his job at Verizon. Cowherd was about to make a declaration on Timpf’s abilities. 

“I didn’t know it until after I was hired, but they said they played my video for Colin and he knew right away that I could do this,” Timpf said. “That was a huge boost of confidence for me, because it meant somebody I deeply respected believed I could work in this business.”

Timpf made his dream come true. He was offered a job by The Volume hosting Hoops Tonight. As much of a dream as it was when he was initially hired, the experience since has been nothing but ideal for Timpf. He gets to cover his favorite sport the way he wants to cover it. 

“When I first started and Logan and I were structuring out the show, he kinda viewed it as my show would be the slower, more methodical pace, where I work through my thought process of a game. And also that I’d be a guest on other Volume shows for more conversational podcasts. I really wanted to break down pick and roll coverage. It’s just going to take me a while, so trying to do that in a debate show format or conversational format can get hard. It’s a place where I can let more of my crazy depth out. And I can also have a side format where it’s more conversational.”

Timpf has learned prep for podcasts is one of the biggest elements to being successful. As Hoops Tonight continues to draw impressive numbers over audio and YouTube, he’s figured out the best method to prepare for a long-form podcast where he’s hosting solo. 

“I digest the game from the simple concept of how the game was won,” said Timpf. “Where was it won? There’s 100-something possessions in this game, there’s seven different storylines and several runs and sequences and sways in momentum, but what’s the one? Usually I’ll target that first in the opening segment of the show.

“While I’m watching the game I’ll take ancillary notes. About five minutes before I record, I sift through everything I’ve written down and limit it down to the things I think are most important. But generally the flow of the show is how the game was won.”

The whole experience has been gratifying and a full-circle moment in many ways for Timpf. Not only has it been vindicating to do things his way and see it become a success, but he’s gotten to do it with someone who he considers an idol.

Sure, Timpf always envisioned growing up he would be talking to Cowherd as a pro athlete, but talking to him as a colleague is certainly the next best thing. So when he got the call to talk with Cowherd during last year’s West Conference Finals, he didn’t hesitate.

“I was so incredibly nervous, as you could imagine,” laughed Timpf. “But I immediately remember him making me feel comfortable and confident. It immediately calmed me down.

“This is probably my favorite part of the entire experience, I think a lot of people think that these networks try to shove people in certain directions and The Volume has given me such freedom to cover the game exactly the way I want to and nobody is telling me to say crazy stuff. Nobody is pushing me in certain directions, it’s like total creative freedom. The way that Logan and Colin have been letting me do me, so to speak, has been so cool. To see my version of what I want it to look like makes me feel vindicated for talking about it the way I want to.”

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