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Next Battlefield For Sports: Players vs. Owners

The completion of an NFL season hardly means the industry is home-free, with labor confrontations looming in the NBA, Major League Baseball and NHL as common trust breaks down.

Jay Mariotti

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If this is where life brightens and crystallizes again, following a Super Bowl that connected us and returned us to Tom Brady Normalcy Mode, then explain the disjointed scene in Brooklyn. If we’re nearing the one-year anniversary of Rudy Gobert Night — and a realization that sports has managed to bob and weave through all the evil droplets and complete every league season, for better or worse — why was Kevin Durant told he couldn’t play, then told he could play, then ordered to leave the court and isolate, in a chaotic swirl of medical incompetence that only jeopardized his Nets teammates?

“Free me,” Durant tweeted from the locker room. “Yo @nba, your fans aren’t dumb!!!! You can’t fool em with your Wack ass PR tactics.. #FREE7.”

“He was around all of us,” James Harden said. “The game should have been postponed.”

Consider it a jarring reminder that sport’s calendar of calamity is no one-off.

Even as COVID-19 numbers improve nationwide and millions of arms are being pricked, even as the NFL finished a 269-game schedule without any players or coaches dying, the industry continues to be, uh, Wack ass. The NBA is inviting a dangerous revolt fueled by its most influential stars, including LeBron James, who feel mistreated as the league force-feeds an All-Star Game they don’t want and urges them to take vaccines resisted by the African-American community. Major League Baseball is in its usual war zone, with owners trying to delay the season so more vaccinated fans return to ballparks while players instinctively don’t trust them, all a prelude to a work stoppage — after the season if not before then — that would set back a troubled sport for years. And the NHL? At last count, five teams have been idled and more than 100 players removed from the ice while 33 games have been postponed.

“Because you are going in and out of hotel lobbies with other people, it’s impossible to feel as safe,” said Rick Bowness, the 66-year-old coach of the Dallas Stars. “In Carolina the other day, when we were getting on an elevator, a couple got off and the woman did not have a mask on. So we don’t know, was she coughing in the elevator? Was she sneezing? Who knows?”

The new issue is labor. You knew it was coming. For 11 months, the leagues and unions have co-existed in navigating an unprecedented crisis, a pandemic requiring cool-headed collaboration so everyone could keep making money, broadcast networks could keep airing games and the leagues could avoid devastating shutdowns. The most shocking survivalist story was the NFL, which, without help of a protective Bubble like the NBA and NHL of 2020, mushed through a full season that included several outbreaks but avoided a mass cancellation. “We don’t think there was a safer place to be than in NFL facilities this year,” commissioner Roger Goodell said. “We never doubted that for a second.” The success largely resulted from the league’s massive wealth and influence — administering about a million daily COVID-19 tests, making necessary logistical investments, taking extra precautions on road trips that lasted only one night and staying true to an elaborate chip system that made sure all league employees maintained proximity and duration via tracking devices.

But with no assurance of when paying spectators are returning to stadiums and arenas, the money squeeze is being tightened with vice-grip tensions. And the leagues are starting to crack, with the NBA, MLB and NHL gamely trying to complete second coronavirus seasons more challenging than the first.

The spirit of Kumbaya in the Disney World Bubble, emboldened by Black Lives Matter protests and a disabling of Donald Trump, seems to be gone. Now we have superstars, one by one, trashing the concept of an All-Star Game in a pandemic. They are spot-on about the NBA’s hypocrisy. In one sense, the league was concerned enough about Durant’s three car rides with a Nets employee last Friday to not let him start the game that night despite three negative tests in 24 hours; yet inexplicably, the league let Durant enter the game even when the employee’s virus test was inconclusive before yanking him for good in the third quarter when the test proved positive. If that is disturbingly erratic, does commissioner Adam Silver actually think players would be safe in Atlanta, where COVID-19 restrictions are lax, even for a one-night event featuring the game and skill competitions? Or that players would obey protocols — a problem when both Durant and the Nets employee reportedly weren’t wearing masks during their contacts?

Image result for atlanta covid

For the first time, the players don’t trust Silver, believing he’s exploiting them in a desperate TV money grab. Specifically, James is upset — and he is someone the league does not want as an adversary. “I have zero energy and zero excitement about an All-Star Game this year. I don’t even understand why we’re having an All-Star Game,” said James, on track for another MVP trophy and fifth NBA title. “”Short offseason for myself and my teammates, 71 days. And then coming into this season, we were told that we were not having an All-Star Game, so we’d have a nice little break — five days (in March) from the 5th through the 10th, an opportunity for me to kind of recalibrate for the second half of the season. My teammates as well. Some of the guys in the league. And then they throw an All-Star Game on us like this and just breaks that all the way up. So, um, pretty much kind of a slap in the face.”

His sentiments were echoed by elite peers. “(The league) is just putting money over health right now,” Kawhi Leonard said. “It’s money on the line. There’s the opportunity to make more money.”

“The big dog says he has zero excitement and energy for the All-Star Game, and I’m the same way. I don’t want to do it,” said Giannis Antetokounmpo, referring to James. “I really right now don’t care about the All-Star Game. I want to see my family.”

“If I’m going to be brutally honest, I think it’s stupid,” De’Aaron Fox said. “If we have to wear a mask and do all of this for a regular game, then what’s the point of bringing the All-Star Game back? Obviously, money makes the world go round, so it is what it is.”

Compounding the problem: a growing reluctance among NBA players to be vaccinated. In a league of predominantly Black players, inoculation isn’t a given but, rather, a delicate personalized question based on a historic distrust in the African-American community about vaccines. What if only one-half of the league’s players and coaches get shots when they are available? That could create a locker-room divide when seasons and aspirations are disrupted by more positive tests among anti-vaxxers.

MLB’s long-term outlook is shakier. The players insist on starting spring training next week despite a seemingly smarter suggestion by the owners, as backed by the Biden administration: Start the season a month late with a 154-game schedule, allowing more players and team personnel to be vaccinated, as well as the fans who ultimately need to generate ballpark revenues for the league to avoid a shutdown. But the players don’t trust the owners after years of labor infighting — and who can blame them? — so they’re pushing forward with a full season against common sense and health logic. The players want paybacks after agreeing to accept only 37 percent of their salaries during the protracted 2020 season, but the owners say they lost $3 billion last year — in truth, they made $3 billion less than the year before.

So what we have is another hot mess of a season clouded by more volatile standoffs between the owners and Players Association, only 9 1/2 months before the collective bargaining agreement expires and the sport unravels like never before. They did agree Monday on health protocols and a return of seven-inning doubleheaders and runners starting at second base in extra innings, but those are window dressings on a ticking bomb. This could be the last baseball we see for quite a while, not that it will be a legitimately competitive season.

The Los Angeles Dodgers, blowing through MLB’s $210-million competitive balance tax like a Porsche on Pacific Coast Highway, signed Trevor Bauer for $40 million in 2021 and $45 million in 2022 with opt-outs if he prefers after each season. His salary is expected to exceed the entire 26-man payroll of the Pittsburgh Pirates, Baltimore Orioles and Cleveland (Whatever We’ll Be Calling Them), and he’ll join Walker Buehler, Clayton Kershaw, David Price and Julio Urias in a rotation that might never lose. Mookie Betts last year, Bauer this year. Why bother playing the season when the Dodgers are a cinch to win again, even if Bauer complicates the clubhouse camaraderie with dangerous tweets that criticize commissioner Rob Manfred amid a growing labor crisis?

Image result for tony clark rob manfred

“This season is about making sure history remembers us as we wish to be remembered,” Bauer said in one of his self-produced videos. “This season is about adding to our legacy. And I can’t wait, Dodger fans.”

Fans of two dozen other teams will just ignore baseball altogether.

The NHL is on thin ice, as commissioner Gary Bettman already has said the league will lose billions if it somehow finishes a season already in COVID-19 disarray. Maybe that’s what the owners want; the Buffalo Sabres, since hit by COVID cases including an infected head coach, are angry they were forced to play New Jersey without being informed the Devils were dealing with cases.

“It would be cheaper for us to shut the doors and not play,” said Bettman, only exacerbating tensions.

Soon, almost six dozen college basketball teams will descend upon greater Indianapolis, assuming anything in Indianapolis is great, for a bubble-ized NCAA basketball tournament being played only for TV revenues and gamblers — while players who take all the health risks are unpaid. I fear that a new kind of March Madness awaits.  And if it seems fairly normalized that 30,000 daily spectators are allowed this week at the year’s first tennis major, the Australian Open, I have a question for officials Down Under: If you’ve successfully kept the coronavirus under control in your country, why push your luck by trying to pull this off at Melbourne Park?

The sensible health conclusion, in what has been the most confounding time of our lives, is that seasons played outdoors or inside protective Bubbles can be completed. And that seasons played under traditional roofs, with athletes able to come and go as they please in the real world, might not complete seasons.

But now the complications extend beyond the coronavirus. Sports has entered the labor zone, also plagued by a disease known to mutate. Only this one poisons egos and kills leagues.

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Sports Radio Advertising is a Great Alternative to Expensive Team Sponsorships

There are plenty of creative ways to tie into sports radio stations, where the fans listen daily, and the investment is often much less than team sponsorships.

Jeff Caves

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Photo of Citi Field in New York
Photo Credit: Stadium Sponsorship

Not everyone can afford to sponsor a local NFL or college football team. However, there are plenty of creative ways to tie into sports radio stations, where the fans listen daily, and the investment is often much less than team sponsorships. Here are some ideas:

Pitchmen for Hire: Leverage Local Personalities

Thousands of listeners tune in to hear local sports personalities discuss their favorite teams. Hiring these “football expert” personalities to represent your business can significantly boost your ad response. Their endorsement can help you rise above the fray and double your ad response.

Get More Bang for Your Buck: Stand Out

Tie into station activities that make your brand stand out. Sponsor the local team poll on the station’s website, host a remote broadcast the day before a big game, or sponsor a charity promotion and donate to the cause. Breaking through the clutter of commercial breaks requires creativity and involvement in station activities.

Tie into Local Teams Without Sponsoring Them

You don’t have to sponsor the local team to run a promotion about them. Consider running ads offering discounts if the team wins and even more significant discounts if they lose. Your ad rep can help you phrase these promotions to avoid legal issues. True fans listen to sports radio weekly for team-related content, so tap into that passion.

Become a Title Sponsor

Be the title sponsor for interview segments with local players. If the station is conducting regular player interviews, sponsor these segments. If shows don’t run many interviews, consider sponsoring newscasts that feature excerpts from these interviews.

Hire Retired Fan Favorites

Retired players beloved by fans can be an excellent asset for your business. They are often less expensive than current stars but still hold significant appeal. Think of players like Mike Alstott, Ed “Too Tall” Jones, or Nate Newton. These personalities can do spots or appear at your location, adding a memorable touch to your advertising efforts.

Adopt a ‘Mattress Mack’ Strategy

Make an offer based on the local team’s success, like Gallery Furniture in Houston‘s Jim “Mattress Mack” McIngvale. In 2022, he offered customers double their money back if the Astros won the World Series. Such promotions generate significant publicity and engage the local community, even if the offer is temporary.

Sponsoring a local NFL or major college football team may be out of reach for many clients. Still, numerous creative strategies exist to maximize a sports radio advertising investment. By leveraging local personalities, participating in station activities, and creatively tying your promotions to local sports teams, you can effectively break through the clutter and make a lasting impression on listeners. Engaging fans with innovative offers and memorable endorsements enhances your brand’s visibility and builds a loyal customer base.

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Caitlin Clark Media Coverage is Good for Everybody in the WNBA

By tuning in to see what Clark does, viewers are also noticing the many other great WNBA players.

John Molori

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Screengrab from ESPN's Get Up covering Caitlin Clark
Screengrab: ESPN Get Up

It’s time to talk about Caitlin Clark. The rookie guard for the WNBA’s Indiana Fever has become a legit phenomenon in the media. She has singlehandedly, and I repeat, singlehandedly put the focus on a league that has been largely ignored by mainstream sports talk shows for a quarter century.

Nobody wants to admit that one person can change a sport or a league. It is viewed as a slight to people who came before that special athlete and that special athlete’s contemporaries, but it has happened on numerous occasions, and we’ll get to that.

From a marketing and media standpoint, Caitlin Clark is a human tidal wave of interest, excitement, and anticipation. She quite literally brought tens of millions of eyes to the 2024 Women’s NCAA Basketball Tournament, and deservedly so, she will most likely earn tens of millions of endorsement dollars from a variety of corporations and their products. She has inspired congratulations and controversy, especially with her recent exclusion from the USA Basketball Women’s National team.

The reaction to Clark’s success and attention from some members of the media and WNBA players has been shocking. Tremendous commentators such as Andraya Carter, Chiney Ogwumike, and Rebecca Lobo have, at times, come off as apologists for WNBA players who are just plain jealous of Clark’s unprecedented popularity.

As ESPN’s Stephen A. Smith has explained eloquently, these critics are missing the point from a marketing and economic perspective. Clark has not only helped herself with her play, but has also brought attention and focus to women’s hoops as a whole.

By tuning in to see what Clark does, viewers are also noticing the many other great WNBA players. Clark is that rare breed of athlete who is truly changing the game, making it better and more profitable not only for herself, but for everyone involved at all levels.

On recent editions of ESPN’s First Take, Smith has gone toe to toe with Carter, Ogwumike, and Monica McNutt on the Caitlin Clark issue. The fascinating exchange between Smith and McNutt on the June 3 edition was a watershed moment in recent sports television.

Smith, McNutt, and host Molly Qerim were discussing the hard foul/shove that Chicago’s Chennedy Carter laid on Clark in a WNBA game. The course of the discussion moved toward the rise in WNBA ratings mainly because of Clark’s presence in the league.

The debate eventually came down to a back-and-forth between Smith and McNutt. Smith reiterated his longtime dedication to the WNBA and women’s sports in general. In response, McNutt said that with Smith’s platform, he could’ve been talking as much about the WNBA three years ago, long before Clark’s debut.

Smith was visibly angered and disappointed by McNutt’s comments. On The Stephen A. Smith Show podcast that same day, he defended himself and his show, saying that First Take has been at the forefront of promoting gender, race, age, and all forms of equality and respect.

Smith is 100% correct. This chap has been a champion of women, minorities, and even older media personalities, such as Christopher Russo, whom he has brought to a whole new audience on First Take. Stephen A. Smith is the Arsenio Hall and David Letterman of sports talk. When the syndicated Arsenio Hall Show hit the airwaves in 1989, he was the first late night host to bring hip-hop artists to center stage on a regular basis.

Similarly, Letterman’s “Late Night” on NBC showcased new talent in comedy and music, while bringing irreverence and originality to the tired old talk show format. Smith has done the same. He has made stars out of Ryan Clark, Mina Kimes, Marcus Spears, Kimberley Martin, and many others. He has also raised the profile of already renowned commentators such as Shannon Sharpe, Qerim, and the aforementioned Russo.

Smith has been a stalwart of equity, but that’s not what McNutt was saying. She was saying that with his audience, Smith could’ve talked about the WNBA thereby creating popularity and exposure for the league long before now.

McNutt’s jarring comment put Smith in a humbled position and really hit at his very core, but he took his game to a whole new level the very next day. McNutt was back on First Take, which right there shows the utter gumption that Smith possesses. He could’ve easily let things settle down a bit before he brought McNutt back on the show, but he didn’t. That’s classic Smith – encouraging discourse and disagreement.

When you get to the level of a Stephen A. Smith, you welcome a debating challenge. The last guests you want are sycophantic suck-ups who cowardly agree, no matter what the subject. Smith’s high point on the June 4 episode was when he said in a loud voice, “Caitlin Clark is white.”

He acknowledged the fact that it makes a difference. He also stated that black players who have been just as talented as Clark have not been given their rightful attention – also true. Regarding the perceived negative treatment of Clark by some WNBA players, Smith made it clear that they should not go easy on Clark on the court, but their mindsets need to recognize that Clark is benefitting the WNBA and putting dollars in their collective pockets.

Whether you agree with Smith or not, the fact is that this is what special players like Caitlin Clark do. They raise the level of discussion and simultaneously raise the profile of their respective sports. The WNBA is now in the A-block on highly rated shows like First Take and ESPN’s Get Up.

The league and its players are on the front burner of discussion for Smith, Nick Wright, Colin Cowherd and many other top-tier, multimedia sports debaters. This fact was straight up impossible one year ago. This is what Caitlin Clark has done.

Clark’s impact and stamp on women’s basketball is not unique. There are precedents where one person has made such a difference.

Larry Bird looked different, played different, restored a dead Celtics franchise, and made his mark in a sport that was on life support in terms of media coverage and fan interest. Bird and Magic Johnson rescued the league – a black man on the west coast and a white man on the east coast, two wunderkinds who changed the NBA forever. Caitlin Clark is Larry Bird.

Tiger Woods burst onto the PGA TOUR and won the Masters in 1997, embarking on a run that would see him change the game of golf from a competitive, performance, historic standpoint, and social standpoint. He was charismatic, focused, and yes, an African American phenom smashing records in a white-dominated sport. Caitlin Clark is Tiger Woods.

In 1965, Alabama quarterback Joe Namath eschewed the NFL’s St. Louis Cardinals and signed with the AFL’s New York Jets. He raised the profile of the league and garnered more attention and dollars than established AFL stars which made him a target. As the league’s popularity grew however, opposing players recognized his significance beyond the field. They did not go easy on him during games, just ask his knees, but they knew that his success was theirs as well. Namath was the key figure in the eventual AFL/NFL merger. Caitlin Clark is Joe Namath.

Serena Williams was smart, savvy, athletic, fashion conscious, and just plain great. Williams shattered the traditional mold and became an iconoclastic figure in women’s tennis with both her play and personae. The lineage with her sister Venus ushered in a new era in the sport. Serena attacked the game in a unique way. She was exciting and original, and lifted her sport and fellow athletes. Caitlin Clark is Serena Williams.

I am not saying that Clark will have a legendary or Hall of Fame career akin to these illustrious athletes, but the immediate impact she has had on her sport and the media coverage of her sport is similar.

As Smith so often states, Clark is “box office.” You can debate the reasons why, but you cannot debate the fact that she has supremely raised the profile and the financial prospects of women’s basketball and its players.

I understand that other WNBA players want their share of the credit for improving the league. I also understand that WNBA commentators want fairness and equity in terms of attention and the spotlight. However, both groups need to realize that Clark is the main reason that they are getting this increased exposure. On the court, be competitive against Clark and try to beat her and her team. On the air, be critical of Clark and analyze her game, but on a larger scale, understand, accept, and embrace that Caitlin Clark’s most important assist might just be to you.

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Joe Tipton Turned Sports Graphics Into a National Reporting Role With On3

“There’s definitely a competitive aspect of it, which I really enjoy actually because it just kind of keeps you on your toes.”

Derek Futterman

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(Illustration) | Courtesy: On3

In the moments when athletes make a monumental decision about their playing careers, news outlets frequently try to cover the story in a timely and accurate manner. Whether it is signing with a new team in free agency, inking a new endorsement deal or retiring, basketball has plenty of these occurrences annually. These announcements are sometimes accompanied by graphics, adding visual elements of branding and allure to the development. Joe Tipton learned the nuances of photo editing and graphic design at a young age, leading him to create images of NBA players and share them on social media. Observing a lack of interest within the space, he considered doing the same for high school players nearing college commitments.

Tipton Edits, an independent business venture that he began shortly after starting in sports graphic design, provides athletes with a free edit in which their new uniform is superimposed onto an image divulging their new team. These recruits then share the photos on social media and tag Tipton. Especially at the start of the entrepreneurial property, he viewed gaining followers as remuneration, an invaluable currency as digital media continues its swift proliferation.

“I didn’t start making the graphics at 17 to have a job in it – I was just kind of doing it on the side for fun and then just kind of [seeing] where it would go,” Tipton said. “Since I was one of the first people to make graphics for these high school players in their recruiting decisions and now transfers, and now that I’ve built up the presence online and the credibility and the reputation, a lot of them will flock to me, and I think that’s what’s so sustainable about it now.”

The transfer portal keeps Tipton busy in creating and delivering graphics to collegiate athletes moving to a new school. Remaining prepared to create an enticing visual featuring the player in their new uniform and distributing it on social media requires a commitment to the craft. Even though he was a marketing student at the University of Alabama in Huntsville, he was still trying to determine the best path forward and ended up transforming his hobby into a sustainable career.

“I was able to communicate with high-level basketball players and create something for them – and all of it free of charge – in exchange just for a tag on Instagram and Twitter, which helped propel me and grow my brand and following online,” Tipton said, “and over the years, [it] got me to where I am now.”

By designing these graphics in advance, Tipton was privy to coveted information and recognized that he could effectively reveal where players were signing. His work has been featured on various sports outlets such as ESPN and Bleacher Report and shared by NBA legends including Shaquille O’Neal and Scottie Pippen.

On3, a digital sports media brand that delivers news, analysis and insights to consumers regarding college sports, recruiting and NIL, added Tipton as a national basketball reporter after he graduated from college. Since that time, he has established himself as a distinguished journalist covering high school and college basketball.

“[I] had an opportunity to join On3 because basically what I was doing when supplying the graphic to a high school recruit and even transfers now in the portal, I am being gifted the knowledge of where a player is going,” Tipton said, “so I’m able to report that information, and that’s basically what I serve as now for On3.”

Joining On3 provided him with another platform to disseminate this information and expand his audience while assisting the company in its own growth. Shannon Terry founded On3 in 2021, and the platform has continued to expand with dedicated coverage of NIL, the transfer portal and the NFL Draft, along with adding subsidiary verticals such as On3 Elite and On3 HER.

“When it comes to the transfers and their decision making, it’s so rapid fire, and there’s so many players that enter the transfer portal because of NIL, because of instant opportunities and also the ability to play right away and not have to sit out like the previous rules stated,” Tipton articulated, “so it increased the need for what I do and just the coverage of the transfer portal in general has taken a significant leap, which is great for those who cover the portal and recruiting in general.”

Tipton earned a contract extension at On3 earlier in the year, but he has always operated with a chip on his shoulder to prove that he is more than just a graphic designer. While he is a recent graduate and continuing to shape his identity and forge relationships, he believes the process has been considerably slow to this point. Nonetheless, he remains optimistic that working with On3 will be able to propel him to the next level.

“They didn’t view me as a reporter even though I was breaking news, so especially in the earlier stages, I wasn’t getting credit for breaking the news just because I guess they didn’t view me as a reporter [or] traditional media outlet,” Tipton said. “But ever since joining On3, that’s kind of painted me in a new light, and people will look at me a little bit differently, especially with the coverage that I’m able to provide for On3 and then just the overall stories broken.”

There is an aspect of fluctuation that has become more embedded in college basketball, rendering it fundamental to verify information ahead of its circulation. For example, if a player informs Tipton that they are committing to a certain school, he will oftentimes call the coaches or athletics department to safeguard against complicating miscommunication between the two entities. In the end, he is never releasing graphics or reports without extreme confidence in its veracity.

“There’s definitely a competitive aspect of it, which I really enjoy actually because it just kind of keeps you on your toes,” Tipton said. “It’s kind of a rush as well to be able to get it out first, but the first year on the job with On3, there was an incredible amount of pressure that I put on myself to just achieve this at a high level, but there’s also a great deal of stress that comes with it because a lot of what I do is time sensitive.”

Although he has a stellar reporting record dating back to his days solely creating graphics, there are moments when other reporters or outlets beat him to the story. In these situations, the power of his brand and its identity assists in overcoming these impediments, indicative of his broad appeal and widespread reach. Establishing himself as a brand rather than being a graphic designer or reporter within a larger entity has been a key differentiator within his formative years in the business.

“I think it’s the key to sustainability and a way to separate yourself from other people, so I’m incredibly fortunate that the players believe in me, trust in me and then On3 does the same because I’m a source for the player that they can come to and trust, and we all grow together,” Tipton said. “I help grow the player, [and] I help grow On3. On3 helps grow me [and] the player helps grow me because they’re all posting my stuff, we’re posting them, so we’re all on this together, so it’s really nice.”

Tipton never envisioned himself appearing in front of the camera, but he is now doing so regularly for On3. As part of its content, he frequently discusses the latest news regarding recruitment, the transfer portal and NIL in addition to synthesizing player rankings.

“[I am] obviously only just scratching the surface of the on-camera stuff, but I think that is a strong potential avenue for me moving forward in my career,” Tipton said, “but then also my ability to break news at a high level and also the relationships that I have just when it comes to the recruiting insider portion of my job as well.”

Later this month, Tipton will see some of the players for whom he has created graphics soon enter the NBA when the NBA Draft takes place from Barclays Center in Brooklyn, N.Y. Although he has not assimilated into reporting on the NBA, he is competitive and has thought about his future work. Yet he understands that a majority of his verve is in college basketball and is focused on breaking news beyond recruiting.

“The good thing about me and kind of how I was brought up was I wasn’t raised in a family that was a fan of a specific team; in fact, my parents aren’t even sports fans at all,” Tipton said. “Sports was just not on at all growing up, so I never grew up a specific fan or a diehard of any specific program.”

Reflecting back on his journey thus far, Tipton feels that he stumbled into his career with fortuitous timing. The versatility he has developed, along with his persistence, networking and inexorable work ethic, has contributed to the growth of Tipton Edits and his role with On3.

Tipton found a way to cut through the media ecosystem, investing his time and effort into a niche that did not exist with the level of cache and emphasis that it currently possesses. The industry moves with unrelenting momentum and can seem imposing to shrewdly understand and cover, but Tipton aims to masterfully keep up while enjoying his journey to an unknown destination.

“We live in a world where, especially younger people, they’re keen on growing their social media presence,” Tipton said, “so On3, Tipton Edits and others alike are able to grow their channels, so they’re encouraged to utilize services like mine to help kind of propel their following and for it to reach a large number of people.”

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