Connect with us
Executive Editor Ad
Jim Cutler Demos

BSM Writers

Meet The Market Managers: Mary Menna, Beasley Boston

“You have to do what’s right, and when what’s easy and what’s right are the same thing, you know you’ve hit the jackpot.”

Demetri Ravanos

Published

on

In her radio life, Mary Menna only knows one place. A Jersey girl by birth, Mary has been working in Boston radio ever since she attended college there. She started as an original promotions assistant at WBCN. Now she runs Beasley’s six-station cluster in the city, which includes 98.5 The Sports Hub.

mary-menna-new-2 - Radio Ink

Everyone knows the Sports Hub’s track record of success: monster ratings, reliable revenue, and more than a few Marconi Awards. Since it’s launch, it has become one of the dominant brands in Boston let alone across the country. That’s why when Mary learned there might be a chance to bring the station into the Beasley family, she jumped.

In this latest edition of the Meet the Market Managers series presented by Point To Point Marketing, I chat with Mary about play-by-play relationships, the previous challenge of replacing Mike Thomas, managing a cluster through a pandemic on the fly, and much more. Check it out.


Demetri Ravanos: Tell me a little bit about what the conversations were like at Beasley when you realized that there was a legitimate opportunity to bring 98.5 The Sports Hub in-house.

Mary Menna: So that was in 2017. We were at an NAB Conference in whatever city it was in during that year. Caroline Beasley asked me to go to her suite for a meeting, which I did, and in that meeting she said “Normally I would make you sign an NDA, but you’re going to swear that you’re not going to say anything to anyone. And I said, “I promise.”. She’s my CEO! She told me, “There is an opportunity for us to buy a spin off from the Entercom/CBS deal. What would you want?”. I said, “the only station I want is Sports Hub.” She said, “that’s the only one you want?” I said, “that’s the only one I want.” 

Then I think she went and talked to David. I think Entercom would have wanted to keep WEEI anyway, because WEEI was a cornerstone of their company at the time. It was the biggest station they had, and they had a lot invested in it, not to mention a lot of emotional investments in it as well.      

We initially talked about perhaps doing a two station deal for two stations and in the end it became the Sports Hub for Magic 106.7 plus cash. 

DR: Was it a situation where you and Caroline had the conversation and you had to be quiet about it until the deal was done? Or were you able to share the news and strategize in your building before the deal was announced? 

MM: I was not able to share it with anyone, but a hurricane happened that year. I think the hurricane was hitting Naples at the time. After that meeting, I brought Caroline back to Boston and the joke was we were kidnapping her and not letting her leave. She worked out of our Boston office for several days, and during that time she brought in our VP of programming, Cadillac Jack. But it wasn’t up to me to bring anyone in. It was up to her. It was her secret.

She bought Cadillac in on it and then we strategized it. We didn’t want to give up Magic because that was our flagship in Boston at the time, the largest station that we had. But that was the deal. We had to give them Magic. So we did. 

DR: So the station then comes into your building, and it was a really interesting dynamic because Phil Zachary ends up leaving Boston’s Entercom cluster to move to Hartford, and Mark Hannon, who had a major role in building the Sports Hub along with Mike Thomas as part of CBS Radio, now moves over to Entercom.

I would imagine that there were guys on the Sports Hub staff wondering what this change was going to mean for them and their options. How did you handle talking to them, making them feel welcome, and making it clear that Beasley had a vision for the brand’s future? 

MM: When that happened, it affected four different companies in the marketplace. iHeart got some spin-offs, we got the Sports Hub, CBS and Entercom were merging, and people didn’t know which boat they were going on. Then it was all held up by the DOJ. You had people in conference rooms all over the city waiting for a tentative time of when we’d be able to announce it, and we were all going to announce it at the same time, but were waiting on the DOJ. 

We thought we had a certain time all set but then the DOJ got held up. We took them out of the conference rooms because we thought, “well, we can’t let them sit there any longer,” but then once we did that, maybe 20 minutes later, we got them all back in and announced what was happening.           

DOJ Approval Means Entercom-CBS Deal All But Done. | | insideradio.com

There was a lot of speculation going around the marketplace even before that. Nobody knew who was getting what or where they were going. Mark and I are friends, and Alan at iHeart and I are really good friends, because I worked there for a million years and we worked together. Some of the transition was made easier because of those relationships. We all wanted to do the right thing for our people because they’re the ones that were being displaced, and they didn’t know what was happening to their livelihoods, their families, their jobs, and all of that stuff. 

I had already set up a meeting. I was going to be able to go into the CBS building and meet with The Sports Hub staff, and then come back here. Mark would then come here to meet with our people. I went to the CBS building with some of my key people. We did a meeting. Mark introduced me. They could tell that Mark and I had a good relationship and thought, “OK, well, let’s see if he likes her and she likes him, we’re going to be OK.” You know, it’s like parents are getting divorced and you want to make sure that the kids are OK, right? What we announced at that meeting was “we have a very limited amount of time here. We wanted to come and welcome you and introduce ourselves, and answer any of the questions that you might have that we might be able to answer now, and just tell you it’s going to be OK, but bear with us.”

I scheduled a cocktail party, because I do like cocktails, that afternoon at a bar/restaurant right near their office. So I said, “if anybody would like to get to know us better, we’re going to have a few other managers that aren’t here at this meeting, come over and join us. We’ll be there at 4:00. You can come by and have a drink with us.”

I always think that you can break the ice better in a social situation rather than in a big group meeting where people are afraid to speak. So we did that. We had a great time and rolled out the red carpet. I think that was really just a good way to deal with a really difficult situation, because we ended up not taking over the station for another month. They were in a trust, so that adds a whole other layer of corporate weirdness because when they’re in a trust, we’re not really allowed to deal with them. We were able to do small stuff, but we couldn’t make decisions. The trust makes decisions. They were still in the other building for quite some time because we had to build out studios. There was a little bit of lag time.

The sales people ended up coming over before the rest so sales and programming were disjointed because they couldn’t see each other. It was just a series of stuff. It wasn’t until July after the deal was done that the studios were completely done, and they are beautiful. They’re also TV studios. It’s not like you put up a couple of boards. There had to be a lot of cameras, lighting, more cable, and other technology because two of our shows broadcast on NBC Sports Boston. 

DR: Particularly when you have the sales staff in the Beasley building and the programming staff not yet moved over, how important was it in your mind to connect with Mike Thomas and make sure he was able to sell what Beasley wanted to do with the station to his staff, or make sure his staff understood what Beasley didn’t plan to do with the station that some people may have feared?

MM: Mike had an office here too. He went back and forth a lot. So Mike and I were attached at the hip. 

You know, here’s the thing. In 2021, we’re used to remote communication, right? But in 2017 it was a little clunkier. Now you’d say “What was the problem? We do remote communication 22 times a day.” But at that point it was a little different.         

You had to be respectful. It was someone else’s building. It’s not like I could decide on the drive in “I’m going to pop in and see T&R this morning, and just sit in on the show.” It wasn’t my house. You had to be respectful. If I needed to have an insurance meeting there with people, I would go through the right channels because you can’t just show up unannounced.         

Mike had a little bit more leeway because we had to have an office in that building. We had to be respectful of the boundaries between all of the companies. I think iHeart had some people in there for a while too. So it was just a really weird time. But like I said, if it was 2021 after a pandemic, it would be a little more normal. We worked through it though. You try to build relationships over the phone. You have in-person lunches with people. That was a great thing. You do a cocktail at the end of the day with someone. You go to games with them. If they’re broadcasting at games, you stop by the broadcast booth to spend a little time with them. We were able to build those relationships, we just didn’t see them every day. 

It was great to finally bring them all together and welcome them into the building on a full time basis. I think we migrated different departments over that period of time and the last people to come over were when we flipped the switch on a weekend and brought the on air team over.    

DR: I appreciate the detail on all of that. It allows industry people who follow Boston to get a sense of what that period of time was like. Let’s fast forward a bit though. Mike Thomas moved on at the end of 2019 to Chicago where he’s now the Market Manager for ESPN 1000. That meant you had arguably the most coveted PD job available in sports radio in decades. I’m sure your phone and inbox were full of messages and members of your corporate team were being hit up regularly. What was it that gave you the confidence that Rick Radzik could ascend to the top job and keep the brand thriving?

MM: Rick was the assistant program director for the entire duration of the existence of the station, so he has a lot of institutional knowledge. This radio station, as many sports stations do, has so many moving pieces: three on-air hosts in every day part, four play-by-play properties, live weekends, etc.. He knew how all those moving pieces worked.

We interviewed a lot of people, and I’ll say that the team really rallied for Rick. As a matter of fact, Marc Bertrand had bumper stickers made up for him. In addition, they started a write-in campaign and got signatures around the building. It was really heartwarming to see the team wanted him and was rallying for him. I did talk to people and made sure that they didn’t just want Rick because Rick was going to be easy on them or he was the person that they knew. I always say that when you have an open position like that, you have to interview a lot of people because you can’t do what’s easy. You have to do what’s right. When what’s easy and what’s right are the same thing, then you know you’ve hit the jackpot.

It became clear that was what was right and easy was the same person – Rick. When those two things come together you know you’re making the right decision that affects so many people. If you put the wrong PD in a situation like The Sports Hub, where so many big personalities are involved, it can screw up the whole thing.

Then I looked at Rick in his first year in that job and he gets hit with a pandemic. In March he gets hit with the end of live sports. We’ve got to punt, kick, and try to figure this all out. If there was somebody in that job that wasn’t familiar with the infrastructures of the Patriots, Bruins and the Celtics, and didn’t know the inner workings of our talent and scheduling, it would have been a disaster. But he had all that institutional knowledge.

If we had somebody from another market who didn’t know all of the personalities, sports teams, and simple things like ‘how do you get from TD Garden to here?’ and capable of making those lines work, it could’ve been rough. We’re really, really lucky, and I was very proud that in his first year in the job, Rick propelled himself onto your list at #5. Thank you for that. I think that’s a true testament to his abilities and what he’s done in this year. 

DR: Anyone that I’ve had a conversation with about Rick is a true believer with him in that position. I’ve never heard from anyone where the reaction was “I can’t believe they’re going with the APD instead of, candidate X.” 

Radzik In For Thomas At The Sports Hub - Radio Ink

MM: I think that if someone does a really good job and works really hard for 3 years, 5 years, 10 years, whatever the case may be, that person should receive extra consideration. Especially if they’re great.

You don’t want people to have to leave your organization to grow. You should be able to grow your own people. That’s what we do as coaches, right? We want to mentor our people and make them better.

What’s the message? Once you get great, you need to go to another market? That’s not something that you really want in terms of a really solid organization and keeping it going into the future. 

DR: Speaking of Rick’s institutional knowledge of The Sports Hub, you guys had a moment last year where Fred Toucher needed to step away from the morning show for a period of time. That show is a powerhouse, not just in Boston, across the format, nationwide too. Everybody knows what ‘Toucher and Rich’ do. I wonder if you or Rick ever allowed yourselves to entertain or even sat down to make a plan for “what is our plan in mornings if Fred said he couldn’t do this anymore? What if he didn’t want to continue?” 

MM: I never thought that that would happen, and I do want to say that I’m so proud of Fred for being able to make that determination and do what was necessary to get himself in a much better place. And he is in such a great place.

I am so proud of him every day. He’s doing a great job. His show sounds better and his life is great and his family is great. I’m just thankful that we were able to come to that point where he made that turn and he did it himself. I never planned for anything other than Fred coming back. I believed in him!

DR: I think a lot of people across radio, regardless of format, recognize that sports can be an expensive endeavor, particularly in a major market, when you have the kind of success that you guys do. When you told Caroline “this is the only Boston station that I want” and you factor in all of the expenses necessary to operate a brand of this magnitude, I imagine it isn’t cheap. Do you ever feel you’re under a microscope or certain things need to happen year in and year out to justify the amount it takes to run a station like The Hub? 

MM: I think it’s a rate of return, but you’re right. Sports is expensive. Rights fees and personalities cost a lot. Live morning shows on music stations are expensive. Original compelling content is expensive. It’s not just repurposed content. It’s original programming and that costs money. So the rate of return has to be there.

Fortunately, we have a fabulous sales team and the station works, so it’s a lot easier to generate revenue using a platform that generates results for clients. The math on this station, even though the expenses are extraordinarily high, it works because the clients and partners are there and we do generate strong revenues. The clients come back because the radio station is a powerhouse and it works for them and helps them generate business. 

DR: On the subject of math, you have three of the four major play by play partnerships in the city of Boston. You’ve have had all of them for a while too. Are we past the point now where you have to do the risk/reward math whenever these deals come up for renewal? 

MM: Play-by-play, really is not a liquidating entity, especially in the days when you’re traveling to all the games. Now, I’d like to get back to being able to travel to away games. Going to Tahoe this weekend was terrific. I mean, it had some ice problems, but it was great. It was great to be able to call live sports live at an outdoor venue.

Maybe some stations do it differently where they actually make money on it, but I think play by play is a loss leader type of situation. It’s essential to the radio station to keep it vibrant and rich and have those teams as part of the fabric of the radio station. What comes with being the flagship station of those teams is you have access to other programming that’s outside of your regular play-by-play windows.

I think it’s an important piece to make the radio station compelling with content and be fully integrated with the local teams. I don’t think it’s ever something that’s going to work on a spreadsheet. If it can liquidate, that’s great. But sometimes it doesn’t liquidate. If you can break even, that’s a win because they don’t always break even.     

It’s an important component to programming, you know what I mean? I don’t think we look at our personalities and say, “hey, what’s the rate of return?” It’s an art and a science. And part of this is art.

DR: I think about something like Tom Brady leaving town and the created content it produced in Boston for the better part of a year. 

MM: It still does. 

DR: Right, so is the payoff there the access you guys have that lets you follow every single step of the process with the Patriots because you are the partner? Or is the payoff to something like that less about what people tune in for with the games and more about what it brings people to hear Toucher and Rich on Monday or Felger & Mazz on Friday leading into the weekend? 

MM: I think there’s multiple touch points in a relationship. I don’t look at it as it’s just a payoff. Our relationship with the Patriots is an incredibly important relationship that goes back to the WBCN days. I think BCN was one of the first stations that actually put football on rock radio. It was definitely an early adopter.          

The Patriots are a dynasty here. Even if they don’t have a Super Bowl season like this year, people still care about the New England Patriots. It’s in our blood. We want them to win, but even when they don’t win we still love them.

The Kraft organization is incredible. One of the first things I did when we acquired The Sports Hub was extend our relationship far into the future. I added many, many years onto that contract knowing that Tom Brady would never outlast the length of our contract. Even if he stayed and didn’t go to Tampa, it’s still a contract that far exceeds a period of time where Tom would still be playing. I believe in the Patriots. I believe in their organization, and I believe in the Kraft’s. So I went for the long bomb on that one. 

DR: Given what we just saw in the Super Bowl, are you confident that the contract length will outlast Tom Brady? 

MM:Yes. It’s a loooooong deal!          

Besides what it gives us in terms of the content and what it gives us in terms of stature and partnership, it also gives us something for our clients as well. It gives us access. It gives us the ability to entertain them in a luxury box. It’s the opportunity to have them on the field before a game or visit the broadcast booth to feel what a broadcast is like. It allows our major partners to touch, feel and get up close and personal. That kind of access is is gold. 

DR: Analyzing your own career for a minute, you’ve ascended to an important position overseeing a group of highly successful brands. But everyone can get better at something. What are some of the things you feel you need to learn still in order to confidently take that last step in your professional life? 

MM: I think acquired knowledge just happens. Don’t forget I was in the same building for 25 of 28 years. I took a three year sabbatical early on and went somewhere else, so I was always just a sponge and available if somebody needed something done. Even if it wasn’t in my department. If I could help, I did, and I learned something from that. I think I’ve learned something from everyone I’ve ever come in contact with. They all make you better as you create your jigsaw puzzle of experiences.             

A lot of people aspire to someday be a market manager. Well, I always said that I wanted to be the market manager of Kiss 108, but by the time I got to that job, the job had changed and become a lot harder. I wanted the job when a gentleman named John Madison had it, like in the 90s. I think whatever you do to prepare is great, but on the job training is invaluable. Whatever you thought you needed to know, it’s great that you had that as a reserve, but you need to learn more everyday.

For instance, nobody could’ve prepared for April 2020, right? There was no manual. What are you going to do? How are you going to get all your people out of the building by March 16th? How are you going to be able to keep the place running and keep everyone safe while you still have people coming to the studios? And where do you find masks in March? And Purell when there’s a shortage? I thought “Oh my God! I’m going to call a record label, Big Machine, because they have a bar in Nashville that’s changing their vodka distillery into sanitizer. Great!” You know, “Hey, Big Machine, Can I get some of it?”

I think you have to be resourceful. We’re in radio. We know how to put things together with band-aids right? 

When all of this started, I just made a list. What do we need? How do I wrap the building in Plexiglas when I have no budget? I learned that we needed MERV filters. I researched (Google is my friend) and figured out how many of them we had to have. Then, when it came to Plexiglas, I looked up the top 10 glass companies in the market. “Everybody gets to call one person, so go get an appointment with somebody to see if they want to be the official glass company of the Sports Hub or whatever. Go figure it out!”

People weren’t spending cash then, so we did a lot of trade. We upgraded a lot of our systems to make the place safer. That’s not something that’s in a “How to be a market manager” manual. That’s something that you just learn by having boots on the street. 

DR: That’s something that never had to be in a “how to be a human being manual” until last year. 

MM: Right, so you figure out. I didn’t have a manual for how to be safe in the workplace and deal with Covid, so I made one. The on air staff, those were the only people here for a few weeks. They were so used to not seeing anyone that I thought ‘how do I make them feel safe once the sales staff start coming in?’ 

We’re lean in people by nature. I’m Italian. I hug people. I kiss on the cheek. We had to teach our team how to be lean out people like, “hey, you’re getting too close. You need to move back two more feet.”     

Everybody’s figured that out now, a year later, but in the beginning, when they first started coming back in, it was a learning process. In these type of situations, you just have to pay attention to what’s going on, think about what will help your people stay safe while working, and find different ways to get through it. And if need be, write your own manual if one doesn’t exist.

Sign up for the BSM 8@8

The Top 8 Sports Media Stories of the Day, sent directly to your inbox, every morning at 8am ET.

Invalid email address
We promise not to spam you. You can unsubscribe at any time.

BSM Writers

Tricia Whitaker Will Find The Story That Matters

“My role is to really bring the viewers down to that level of the dugout and into the clubhouse.”

Derek Futterman

Published

on

Tricia Whitaker FNB
Courtesy: Apple

When St. Louis Cardinals designated hitter Albert Pujols hit his 700th career home run in his final season in the majors last September, the baseball world erupted in mass jubilation. Although the milestone achievement occurred during a road game, the fans still showered one of the sport’s quintessential athletes with praise as they witnessed the fourth player enter this exclusive pinnacle of power hitters. For fans watching from afar, they were treated with crisp, vivid footage of the moment since the matchup was exclusive to Apple TV+ as a part of its Friday Night Baseball slate of games.

The game broadcast featured field reporter Tricia Whitaker, who had just joined the Apple TV+ presentations to begin the second half of the season. Being there as one of the voices tasked with keeping viewers informed and captivated by the action was a special experience that she will never forget. 

“You’re talking about the best cameras in the entire world capturing one of the most iconic players ever,” Whitaker said. “I thought the call was amazing; I thought the quality of the shots was amazing [and] I’l never forget that broadcast, ever, because it was so cool.”

Whitaker grew up in Bloomington, Ind. and would journey to Wrigley Field with her father once per summer to watch the Chicago Cubs. Through those games, she realized that a ballpark was her ideal future workplace.

“We just didn’t have a ton of money, [so] I would sit in the nosebleeds with him once a summer and that was the biggest treat in the world,” Whitaker said. “I just realized that I loved telling stories and I loved sports, so I decided to do that.”

Whitaker’s journey in the industry genuinely began as an undergraduate student at Indiana University Bloomington where she adopted a mindset to seize any opportunities offered to her. Despite having no knowledge or previous reporting experience, she accepted a role to cover a tennis match and quickly started preparing. After one of her professors saw her nascent media acumen, they recommended she audition for the university’s student television station to hone her skills. Whitaker earned a spot and began covering Indiana Hoosiers basketball and football for the show Hoosier Sports Night. From there, she simply kept on accepting anything in her purview.

“Your best asset is your availability, so I basically just said ‘Yes’ to everything,” Whitaker articulated.

Once it became time to search for a full-time position, her experience and tenacity helped her land a role at WBAY-TV in Green Bay as a sports reporter and anchor. After two football seasons working there, Whitaker relocated closer to home to report for WTTV-TV Channel 4 in Indianapolis. The time was valuable for her to cultivate new relationships with those around the industry while strengthening existing ones, serving as a foundational aspect of her reporting. 

“If they don’t trust you to tell their stories, they’re not going to talk to you,” Whitaker said. “You have to be able to have a good relationship with the players; with the coaches and everybody involved.”

At the same time, Whitaker felt compelled to make a lasting contribution to Indiana University through teaching and inspiring the next generation of journalists. She is now an adjunct professor for the IU Media School and wants her students to know how integral it is to make themselves available while being open and willing to try new things to make inroads into the profession. 

“There’s always a story to be told, so even if it’s a random event that you don’t think anyone’s paying attention to, there’s people there; there’s human stories and their stories matter,” Whitaker said. “That’s what I always try to tell my students is [to] just find that story that makes people interested in it and find that story that matters.”

Over the years working in these dual roles, Whitaker became more skilled in her position and proceeded to audition to join the Tampa Bay Rays’ broadcast crew on Bally Sports Sun as a field reporter. When she received news that she had landed the coveted job, she remembers starting to cry in her closet while trying to organize her clothes. After all, Whitaker had just learned that she would get to perform the role she idolized when she was young. The access her role gives her to the players and coaches on the field is not taken for granted.

“I’ll interview hitting coaches about a guy’s hands and where they’ve moved and about his stance,” Whitaker said. “….In the next hit, I’ll tell a story about a guy who drinks a smoothie every day before the game and he feels [that] putting spinach in it has really made a difference or something like that. My reporting style is pretty much all of it, but I do like to do the human interest stories more than I like to do anything else because I think that’s unique.”

After each Rays win, Whitaker takes the field and interviews one of the players on the team. Earlier in the season, she remembers speaking with Rays outfielder Jose Siri after he drove in three runs against the Detroit Tigers; however, the broadcast was not on Bally Sports Sun. Instead, she was doing the interview for Friday Night Baseball on Apple TV+, a national broadcast property the company pays MLB an estimated $85 million annually to carry. Going into the interview, Whitaker knew that she would need to appeal to more than just Rays fans and appropriately started the conversation by asking about the game.

Yet she also knew that it was “Salsa Night” at Comerica Park in Detroit and thanks to her work with the regional network, was cognizant of the fact that Siri likes to dance in the dugout. As a result, she concluded the interview with a request for Siri to demonstrate his salsa dancing skills, something that made an ordinary conversation stand out.

“I tried to personalize it a little bit to help people get to know Jose Siri a little bit better because I think that’s important,” Whitaker said. “….You make sure you talk about baseball, but then you add a little flair to it; add a little personality to it. Everybody loves salsa, right?”

The Apple broadcasts require Whitaker to prepare as she executes her role with the Rays, keeping her wholly invested and consumed by baseball. There are occasions where she is afforded the luxury of reporting on Rays games for her Friday night assignment, but they are rare. Therefore, she needs to become familiar with two teams by reviewing statistics, reading local reporting and conversing with those involved. She keeps her notes on her cell phone and makes lists of what she is going to do during the day to keep herself organized and focused.

Throughout the week, Whitaker actively prepares for the Friday night matchup and meets with her producer to contribute her ideas and learn about the macro vision of the broadcast. The Apple broadcast, aside from using high-caliber technology, also regularly equips microphones to place on players that allow viewers to hear what is transpiring on the field. Whitaker, along with play-by-play announcer Alex Faust and color commentator Ryan Spilborghs, coordinate with the production team throughout the game to present an insightful and compelling final product.

There was criticism of the Apple TV+ live game baseball broadcasts during its inaugural season, but the noise continues to diminish in its sophomore campaign. Whitaker views her role as accruing a confluence of stories about the game and more insightful looks at the personalities on the field. Before each contest, she interviews a player in the dugout and asks questions that put the season in context, granting a comprehensive understanding about a subset of their journey.

“We try to get their thoughts on the season so far at the plate, but also try to get to know them on a personal level,” Whitaker said. “My role is to really bring the viewers down to that level of the dugout and into the clubhouse.”

It is considerably more facile to execute such a task before the game than it is during gameplay because of the introduction of the pitch clock. While it has undoubtedly sped up the game and made the product more appealing for fans of all ages, its actualization threatened the viability of unique aspects of baseball broadcasts. The Apple TV+ crew may work together once per week, but over a 162-game season spanning parts of seven months, there is a perdurable bond and unyielding chemistry evident therein.

“Everybody on that crew – and I seriously mean this – is so supportive no matter who you are as long as you do your job well,” Whitaker said. “They don’t even think about the fact that I’m a female in sports [and] they just support me. They help me take constructive criticism because they care and because they truly see me as an equal.”

Whitaker has had the chance to report from Wrigley Field with Apple TV+ and vividly remembers her experience of stepping inside as a media member for the first time. It was a surreal full-circle moment that has been the result of years of determination and persistence to make it to the major leagues.

“I walked into Wrigley and I started to tear up because I remember when my dad and I used to go there and I was 12 years old,” Whitaker stated. “If you would have told me at 12 years old [that] I would be doing a national game at Wrigley, I would have told you [that] you were lying because I just wouldn’t have thought that was a possibility.”

Although Whitaker is receptive to potentially hosting regular sports programming in the future, she has found the joy in her roles with both the Tampa Bay Rays and Apple TV+. Being able to experience historic moments, including Pujols’ milestone home run, and then diving deeper into the situation makes the countless flights, hotel stays and lack of a genuine respite worthwhile. She hopes to continue seamlessly fulfilling her responsibility this Friday night when the New York Mets face the Philadelphia Phillies at 6:30 p.m. EST/3:30 p.m. PST, exclusively on Apple TV+.

“There’s always a story to be told, and if you’re good at your job, you’re going to find that story even on a day where you’re like, ‘Oh gosh, there’s nothing going on,’” Whitaker said. “I take that pretty seriously.”

Sign up for the BSM 8@8

The Top 8 Sports Media Stories of the Day, sent directly to your inbox, every morning at 8am ET.

Invalid email address
We promise not to spam you. You can unsubscribe at any time.
Continue Reading

BSM Writers

Radio Advertising Can be the Secret Weapon For In-House Digital Marketers

“The trend of businesses gaining digital marketing proficiency presents a unique opportunity for YOU.”

Jeff Caves

Published

on

SECRET WEAPON
Courtesy: ETSY

Remember when in-house marketers were primarily focused on traditional media and needed help navigating the digital and social media landscape? Well, the tables are turning! 

The rise of digital-savvy in-house marketers is opening up exciting opportunities for radio ad salespeople. As local businesses increasingly invest in digital marketing, some are finding they need your expertise in radio advertising.

Borrell Associates has released their latest Business Barometer, and included in the findings was a slight but noticeable shift favoring traditional forms of broadcast media. Let’s dive into how sports and news radio ad salespeople can leverage this shift to target businesses with proficient digital marketing people on board who may need to know more about the potential of radio advertising.

1. Digital-Marketing Trending UP!

Borrell Associates’ recent findings indicate that businesses are increasingly proficient in digital marketing. They are adeptly managing their websites and social media channels, driving results through online campaigns. However, this digital surge doesn’t necessarily translate to expertise in traditional media, such as radio. Hey, do you know a business like that? And make sure you know of an outsourced digital agency you can refer who can handle your clients’ digital and social media for very few dollars. You can help manage the rest of the budget! 

2. Target In-House Buyers

Make a list of businesses you know that have in-house people who are digital-oriented or younger owners who handle mostly digital advertising independently. Or, how about the in-house marketing person who only takes on marketing initiatives like events or sales promotion and knows nothing about advertising? Get ’em! 

3. We create demand

One of the unique selling points of radio is its ability to generate demand and send more customers to Google or your client’s website. Digital marketing can often direct buyers seeking a specific purchase but can’t create lasting impressions and build demand and loyalty like your station. Use this advantage to demonstrate how radio can reinforce the brand story and enhance the effectiveness of digital campaigns.

4. Surround the listener

Recognize that businesses with digital marketing expertise may want holistic solutions. Sell packages that combine digital and radio advertising. Include your streaming endorsements with social media and geo-fencing. They get it and will be impressed with reaching their target audience across multiple touchpoints.

5. Be the Teacher

Your prospects may be experts in digital marketing, but they might not fully understand the potential of radio advertising. Take on the role of an educator. Provide resources, case studies, and success stories that showcase how your station and radio have boosted digital-savvy businesses’ results.

6. 1+1=3 for Creativity

Collaboration is key when working with clients with a digital marketing team. Involve them in the creative process of writing and producing radio ads. Creativity could be their strength, and they will bring fresh perspectives to your production.

The trend of businesses gaining digital marketing proficiency presents a unique opportunity for YOU. Maybe your client is struggling with their digital strategy. Imagine that now they may be seeking you out to help them understand what they have already read about buying radio advertising. It’s time to adapt your approach and position radio as a complementary and powerful tool in the digital marketing person toolkit.

Sign up for the BSM 8@8

The Top 8 Sports Media Stories of the Day, sent directly to your inbox, every morning at 8am ET.

Invalid email address
We promise not to spam you. You can unsubscribe at any time.
Continue Reading

BSM Writers

Bill Parcells Shaped The Media By Giving Them Hell

“Parcells doesn’t belong in a studio chatting with a quarterback. He belongs in a temper tantrum screaming at a sportswriter.”

John Molori

Published

on

Bill Parcells
Courtesy: AP Photo

Two of the most talked about media stories of the past couple of weeks intersect in the form of one legendary NFL head coach – Bill Parcells. 

In the wake of Aaron Rodgers’ potentially season-ending Achilles injury in Week 1 of the NFL season, many media pundits harkened back to 1999 when then-Jets quarterback Vinny Testaverde suffered a similar injury in the first game of the season. Like Rodgers, Testaverde was a veteran signal-caller looking to bring the long-suffering Jets to a Super Bowl. 

One week after Rodgers’ injury, Los Angeles Chargers Head Coach Brandon Staley was in the media mechanism for an exchange with a reporter after his club fell to 0-2. Staley took issue with a query about whether the team’s monumental playoff collapse last season versus Jacksonville has carried over to their slow start this season. 

ESPN’s First Take included video of Staley’s comment on their September 19 show building it up as some rash, heated interaction between coach and press. It was not. In fact, Staley merely directly answered the question asserting this season has nothing to do with last season. 

Both of these headlines find common ground in the person of Bill Parcells. Parcells was the head coach of the Jets in 1999 when Testaverde’s season ended in that fateful game vs. New England. In addition, he was notorious for some truly vitriolic run-ins with post-game reporters. 

Forget about Staley or even the infamous press conference rants of Jim Mora (“Playoffs!?”), Herm Edwards (“You play to win the game!”), and Dennis Green (“Crown ‘em!”). To the media, Parcells was Armageddon, Three Mile Island, and Hurricane Katrina rolled into one. Never has there been a football character so inexplicably loved and despised. 

In New England, Parcells’s arrival as head coach of the Patriots in 1993 signaled the turnaround of the franchise, but fans refuse to vote him into the team’s Hall of Fame because of his unceremonious jump from to the Jets after the 1996 season. 

When that happened, Parcells again grasped the media spotlight stating, “If they want you to cook the dinner, at least they ought to let you shop for some of the groceries.” He was referring to new owner Bob Kraft taking final say personnel decisions away from Parcells.

Like him or not, Parcells, known as The Tuna, rejuvenated five NFL franchises. The New York Giants were a mishmash of Joe Pisarciks and Earnest Grays before Parcells turned them into two-time champions.

Patriot fans actually cheered for the likes of Hugh Millen and Eugene Chung until Parcells came to town and brought in players like Drew Bledsoe, Ty Law, Willie McGinest, Adam Vinatieri, and Tedy Bruschi, laying the foundation for a dynasty.

And the Jets? They were living off the fumes of Joe Namath’s Brut 33 until Bill Parcells constructed a team that went from 1-15 in 1996 under Rich Kotite to 9-7 and 12-4 in 1997 and 1998 respectively with Parcells. 

The Cowboys were 5-11 under Dave Campo in 2002. The next year, they went 10-6 with Parcells. Miami was 1-15 in 2007. The next year, with Parcells as executive VP of Football ops, they won the AFC East with an 11-5 record.

The Catholic church has its Apostle’s Creed. Those who follow the gospel of The Tuna have A Parcells Creed, and it goes as follows: I believe if a reporter asks Parcells if he outcoached a colleague, that reporter will be called a “dumb ass.” I believe that the media are “commies” and “subversive from within” as Parcells once labeled them.

I believe in using the media to denigrate young players to keep their egos in check. After Jets QB Glenn Foley had a solid preseason performance a few years back, the New York media surrounded the redheaded QB as if he had won the Super Bowl. 

Parcells walked right in front of Foley and sarcastically asked, “Do you mind if I get past Sonny Jurgensen over here,” referring to the similarly redheaded Redskin quarterbacking legend.

In 1995, when all of New England was agog over a rookie running back named Curtis Martin, Parcells slyly commented to the press, “Well, we’re not carving his bust for Canton just yet.” And of course, there was the late Terry Glenn. When asked how the former Patriot wideout was recovering from an injury, the Tuna spouted, “She’s doing just fine.”

Parcells’ stints as a studio analyst on ESPN, although insightful, seemed out of place. He would sit there, dressed in a dark blue suit talking strategy with fellow ESPN gabber Steve Young. Honestly, he looked like a rotund funeral director searching for someone to embalm.

Parcells doesn’t belong in a studio chatting with a quarterback. He belongs in a temper tantrum screaming at a sportswriter. 

I interviewed Boston media personality Steve DeOssie about Parcells. DeOssie was the defensive signal caller for the New York Giants (1989-93) when Parcells was the team’s head coach. He again played for Parcells in New England in 1994.

He told me, “Parcells realizes that the media is the enemy. Let’s face it, the media cannot do anything positive for a team, but they can put stuff out there that could lose a game. The bottom line with Parcells is whether it helps his team win.”

“He loves the camera and the camera loves him. He enjoys that part of the business. The media can spin it any way they want. Parcells does not suffer fools gladly and a lot of media types don’t like being called out in press conferences.”

Another Boston media legend also gave me his reflections of Parcells. Bob Lobel is the most revered sports anchor of all-time in New England. He stated, “I did a one-on-one interview with Parcells awhile back. He is so down to earth yet has this aura. It’s easy to be in awe of him.”

The national perspective is similar. When Troy Aikman was an analyst for FOX Sports, the current Monday Night Football color commentator credited Parcells with restacking the Cowboys’ roster and bringing winning back to Dallas.

When asked about playing for Parcells with the Jets, FS1’s Keyshawn Johnson offered, “He taught me how to do things, how to pay attention.” 

Even people whom Parcells fired maintain a respect for him. Sirius NFL Radio’s Pat Kirwan was the director of player administration for the Jets when Parcells arrived in 1997. 

Kirwan told me, “Parcells rebuilds a franchise from top to bottom. He evaluates everyone from the trainers to the doctors to the equipment guys. In 1997 when Bill came to the Jets, I knew I was qualified, but I also knew that Bill would let me go.”

In a September 12, 2023 story, New York Post reporter Brian Costello interviewed Parcells about the Rodgers injury. 

This master of media mind games famous for the quote, “You don’t get any medal for trying,” revealed his visceral core telling Costello, “You are charged with winning games under any circumstances … They’re not canceling the games. They’re not canceling them. You’re coaching them. It’s your job to get your team ready to play to the best of their ability.”

Sign up for the BSM 8@8

The Top 8 Sports Media Stories of the Day, sent directly to your inbox, every morning at 8am ET.

Invalid email address
We promise not to spam you. You can unsubscribe at any time.
Continue Reading
Advertisement

Barrett Media Writers

Copyright © 2023 Barrett Media.