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Ian Beckles Has Crushed Many People

“Like I said if Stevie Wonder is going to teach me music, I’m going to listen. There’s times where I feel like saying just listen, because this is my thing.”

Brian Noe

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The most interesting people in radio typically have a lot of life experiences. Ian Beckles, an afternoon drive host on WDAE in Tampa, Florida, certainly qualifies as one of these people. The former offensive lineman had a nine-year NFL career — including seven with the Tampa Bay Buccaneers. He teamed up with Hall of Famers Warren Sapp, Derrick Brooks, and John Lynch. A native of Montreal, Beckles made his way from Canada to Bloomington where he graduated with a BS in business while playing his college ball at Indiana University. Beckles also opened Dignitary Cafe, which merges his passion of all things food with his growing knowledge of CBD products.

I feel like I practically need to rob a bank to compete with Ian’s life experiences.

Tampa's 102.5 The Bone Begins Airing Tampa Talk Veteran Ian Beckles on Aug.  7 – Cox Media Group

Beckles drops by to discuss a wide range of topics. He touches on the retirement of Ron Diaz last December, his former partner who spent four decades on the Tampa airwaves. Beckles talks about his new on-air partner, Jay Recher, who moved from producer to co-host. The ambassador of all things tasty in Tampa Bay also speaks about fluffy radio, being yourself, Angelo Dundee, what fans know nothing about, and caps it off with an excellent Stevie Wonder comparison. Enjoy.

Brian Noe: How did you get your start in sports radio after your playing days? 

Ian Beckles: I never even knew sports radio existed. When I played, and even afterward, I never listened to sports radio, not one time. I was at a gym with a young lady, Jayne Portnoy, who used to work for the Bucs. She said to me you’d be great in sports radio and they’re looking for somebody at 620. Once again I didn’t know what was going on. I went to 620. They had about 10 people in there looking to get a Sunday job for pregame. I won, I guess, because I got the job. I started my Sunday show with Sandy Penner. That one might have been 20 years ago. That turned into a Monday night show on 620, which kind of turned into me filling in for Chris Thomas and ultimately me taking over for Chris Thomas with Ron Diaz.

BN: How do you think your style has changed over the last two decades, if it even did?

IB: I’d like to believe that my style didn’t change, because I think when you’re behind the mic, you’re just doing yourself. That’s what I’m trying to do anyway. If I was to give somebody advice, I would say just be yourself. Some people get behind the mic and they want to change and make it more professional. I just open the mic and just talk like I’d be talking to my buddies and we’re having a cocktail.

I don’t think my style has changed. I really don’t. I’ve learned a lot because we talk about a lot of different sports and one of the things that you learn is that if you don’t know a whole lot about something, you don’t want to elaborate too much on it. If we’re talking about NASCAR, I’ll joke around and say I don’t know much about NASCAR. The worst thing to do is try to be smart when you don’t know anything, so I guess I just learned a lot of little lessons throughout the years.

BN: What did you enjoy most about working with Ron before he retired?

IB: What I enjoy the most working with Ron was what I learned. What’s funny is I think Ron and I survived together because we’re both professionals. A lot of people will say hey man, you and Ron, you guys hang out all the time like you’re best friends. Although Ron and I were friends and we respected each other, we didn’t hang out afterwards. We just respected when that mic came on, we’re going to put on the best product. I think the reason why it succeeded so much is that we were so different. I always tell people if you have a show with Tucker Carlson and Hannity, it might be too much, but you put Tucker Carlson and Anderson Cooper together, it’d be a great show. I think that’s what Ron and I did.

There’s going to be people that don’t like me, and the people that don’t like me, would like Ron. I think vice versa as well. There are certain times when you get into an argument, I know there’s people on the other side of the radio saying, don’t let up Ian, or don’t let up Ron. Sometimes there are no right answers. I thought it worked because we hit the whole spectrum.

For me, working with somebody who’s been in radio that long and was a pioneer, I’m a sponge. I was like that in the locker room as well. When Anthony Muñoz came in the locker room or one of those old-school guys, I listened to everything they said. I understand you got there for a reason. I got a chance to grow up with Brooks and Sapp and those guys, so we all learned together. But I’ve always learned to listen. I watch too. I watched a lot of things Ron did and a lot of things Ron said, and the way he said them. I think I adopted a lot, and hopefully in my older age young, young cats like Jay Recher and some of the other kids coming up can hear it and adopt it and hopefully learn from me. I thought about the other day, I’m becoming one of the elder statesmen because I’ve been on the air for a while now.

BN: What has it been like getting used to Jay who was a producer and now is your co-host?

IB: I didn’t have to. When Ron was out, me and Jay did the show. That happened probably a half-dozen times and every time we did the show, we were like “Oh my God, that was cool. That was relaxing.”

We were chill. Jay and I like each other; we hang out. Jay comes over here to watch sporting events. We hang out more than Ron and I used to. Once again it doesn’t make it a better show. But I never at any time questioned whether Jay and I would have good synergy because like I said we like each other. We challenge each other because the worst crap is fluffy radio. Nobody wants that. I think Jay is so strong-minded that he won’t allow that to happen. When the bosses came to me and they go “Do you want it to be Jay Recher?” I said it has to be Jay Recher. I go it has to be. That was it. I didn’t give them a choice. I think we made the right choice for sure.

Ian Beckles on Twitter: "Beckles and Recher were honored to snap a pic with  Lotd Stanley's cup yesterday at Amalie!… "


BN: As a former player, how often do you hear sports radio hosts that didn’t play professionally, say things that are incorrect?

IB: It happens a lot. I’ll give you an example, throughout the years there’s been a couple football players I’ve been very critical about, and they were Buccaneer players. Way back in the day it was Barrett Ruud. I was like you guys keep telling me this guy is good, but he’s running backwards to make tackles. Barrett Ruud would have 150 tackles in a season but we would be last at stopping the run and you’re a middle linebacker. They don’t go together. People were upset with me; “No, you’re wrong, you’re wrong.” And I go well, you know what, if you remember what I did for a living — do you know how much film I’ve watched? I feel like saying are you going to question Stevie Wonder on music because I don’t know very many people that have better credentials than I do to evaluate a middle linebacker. After that we had Gaines Adams. I go he can’t play. He just can’t play. He’s not strong enough. He’s not mean enough. He’s too nice. He’s just running around the edge and that didn’t work out. When Barrett Ruud left here, he never played good football. With Gaines Adams, may he rest in peace, he didn’t either. 

The last one was Gerald McCoy. I go you guys keep on telling me how good this guy is. He doesn’t make any plays. He doesn’t get sacks. Our defense is last always and you guys keep on telling me he’s good. I go the second he leaves, Ndamukong Suh comes in here, I go see what happens. And what happens? Our defense got better immediately.

I don’t think, I know I see football different than everybody else because that’s all I did my whole life. Sometimes I want to stop people — it can sound pretentious at times — but I don’t care. Like I said if Stevie Wonder is going to teach me music, I’m going to listen. There’s times where I feel like saying just listen, because this is my thing. I wasn’t good in school. I wouldn’t cheat off me in school. But if we’re talking about football and inside line play, I’d be the one to cheat off of because I have a world of knowledge.

BN: Does the common fan and most of the media know the least about inside line play, which is your area of expertise?

IB: They know nothing actually. I’m starting to realize this with old age; football is a very complicated game. It’s way complicated because sometimes when I have people over here and we’re watching football — we may have Tony Mayberry here, a former teammate of mine, or Michael Clayton, or Shaun King, and we’re all talking football. I realize I don’t know what they’re talking about. I wasn’t in the wide receiver room. And God forbid I know anything about what a quarterback is doing.

When you hear the commentators speak sometimes, I realize even the commentators are speaking over the normal fans’ heads. Let me give you some common things, they’ll say he’s a 3-technique. I swear to God, ask the average person what a 3-technique is — and I’m talking about football fans — and they won’t know what it is.

They’ll say this is a two-gap defense. If you ask 10 football fans, one of them will know what the hell they’re talking about. But this is something they’ve been talking about forever, and they keep on hearing it, and they think they know what it is, but they have no idea. Football gets way more complicated than that. Inside play is not any more complicated than DB play or tight end play, it’s just different, that’s all. But football in general is very, very complicated.

BN: What’s good and bad about a lack of local competition for your radio station? 

IB: Since I’ve been in radio there was another radio station that popped up 98-something The Fan, I believe it was. When they went away everybody was like, I bet you’re happy they went away. I go why would I be happy? Life is better when there’s competition. When people’s contracts are up in radio, your company has the ability to say, well where else are you going to go? There ain’t nowhere else to go. Obviously nobody wants to leave the Tampa Bay area, but everybody wants to get your going rate for what you’re worth. I wanted the other station to work. Listen we’ve crushed a lot of people throughout the time, so I don’t feel bad for everybody. We’ve been king for a while, and hopefully it stays that way.

BN: I love your Twitter profile, ‘Ambassador of all things tasty in Tampa Bay.’ What is it about food that interests you so much?

IB: When I talk about all things food, I mean from the ground up. I love restaurants. I love the experience of restaurants. I love just about every type of food. I love to cook. I love to get the best meats. It’s all important; just like everything else, if you want to be great at something, you’ve got to get great product. I’m cooking it with great pots. I’m searing meats and it’s just a passion of mine. I catch myself when I’m not watching sports, I’m watching YouTube videos of cooking, or grilling meats. Let me say the word foodie gets kicked around a lot. Whatever the hell that means, I’m substantially deeper than that. If some people go to restaurants once a week and they go to Bennigan’s and they say I’m a foodie, well okay, good for you. It’s just like this, the guy that thought he was a good football player until he came and hung out with us, and then you find out that maybe you’re not so good.

Flavor of Tampa Bay (@FlavorofTB) | Twitter



BN: How much do you talk about it on your show?

IB: Well, we actually have a segment now that we can do once a month called Flavor of Tampa Bay. This is something that I’ve created a long time ago and I’ve had different shows called Flavor of Tampa Bay. Ray Lampe was one of my co-hosts for a while, Dr. BBQ. We’re going to go out of our way to talk about food because people really enjoy that. If there’s one thing about food it’s, I don’t care where you’re from, if you say I don’t like to eat, or I don’t enjoy food, well then I’m going to move on. I don’t really understand that. I’m sorry to hear that, but when you start talking about great restaurants and great ways to prepare food and stuff like that, their ears perk up because it’s something everybody loves. Not everybody loves sports, but everybody loves to eat good food. We definitely try to implement as much food talk in our show as possible.

BN: What would you say is your highest high in sports radio during your career?

IB: Oh boy, the highest high I would say it happens probably once a year where I’ll come in and they’ll say we’re interviewing whoever it may be. I’ll give you an example; we talk to Phil Esposito every week. I grew up hating Phil Esposito because I was Montreal Canadiens fan, but I also respected the hell out of who Phil Esposito was. Being from Montreal I tell my buddies back home I’m good friends with Phil Esposito; they’re like get outta here.

It’s the exposure. A couple of years ago, we’re interviewing Scotty Bowman or we’re interviewing Jack Nicklaus. And I’m like “Wow! I never thought in my career I’d ever talk to Jack Nicklaus or Scotty Bowman would know who I am.” I ran into Scotty Bowman at a hockey game and I told him who I was, and he said, “Oh I remember that, it was a great interview.” That’s the best. We’re talking about the best of the best.

I got a chance to become friends with Angelo Dundee. His son hit me up one time and he goes hey I’m Angelo Dundee’s son. And I go, the trainer? He goes yeah, he’d like to meet you, he’s a big fan of your show. Oh my — I was like, okay. So he says well meet him at Anthony’s Coal Fired Pizza tomorrow. So I went to Anthony’s Coal Fired Pizza. It’s the first I ever went there. I had a meeting with Angelo for about an hour — maybe the most likeable, personable, easygoing guy I’ve ever met. I came back on air the next day, talked about him, talked about Anthony’s Coal Fired Pizza, that became an endorsement for years, which is comical. But I became friends with Angelo Dundee.

Angelo Dundee is at my house on Sunday watching football and telling stories about hanging out with Malcolm X and Martin Luther King and Frank Sinatra. Nobody’s watching football, they’re just listening to Angelo Dundee’s stories. Some of the relationships that I got a chance to develop where you never thought that would happen. To make a long story short Angelo Dundee passed and his son asked Ron and myself to speak at his funeral. Twenty feet in front of me was Muhammad Ali. He’s staring at me as I’m speaking at Angelo Dundee’s funeral. Weird things can come about through sports radio, but weird good things.

BN: Is there anything goals wise that you would like to accomplish over the years coming up?

IB: Goals wise, I think I’ve already exceeded anything I thought was even possible in radio. Really a lot of my goals stem away from radio. I’ve done football, I’ve done radio, television, I have a cafe I just opened here in South Tampa. I want to become a spokesperson and a face for CBD products. I have some different people that I represent in this area, New Balance Tampa, Curaleaf, and Master Purveyors. I’m not a sports radio guy; I’m somebody who’s a marketer. I do a lot of different things; photo shoots and real fun things. I’ve never really worked. I’ve never dreaded going to work. I’ve been very, very blessed. Any more goals, it wouldn’t be straight sports radio; it’d just be in general and just building my brand. My brand is Dignitary and hopefully a year from now you’ll be seeing Dignitary everywhere.

BN: The CBD stuff, as a former player, how much does it work for you?

IB: I literally take CBD every single day in the morning, during the day, and listen, I’m an overweight old offensive lineman, and I pop up in the morning. I feel good. I look around, I see people limping around and I’m blessed. I feel better than 95 percent of them. Do I say it’s because of CBD? I don’t know, but it seems to be working for me.

Whatever equation I’m doing right now works because my body feels good, my mind is good. Listen if my mind goes, everybody is going to know. It’s not like some guys you hear were on the couch for three weeks. I can’t do that. I’ve got to get up in the morning and I go. I’ve got to be on all the time. I’ve got radio shows and I’ve got television appearances. I’ve got interviews like this. I’ve got podcasts, so I’ve got to be on. If it ever hits the fan, everybody’s going to know real, real quick.

CBD has been a blessing for me and there’s a lot of different ways you can take it. I would just suggest it to anybody who has any issues with pain, focus, the whole nine yards. Read up on CBD. People are very ignorant to CBD. They’re still saying does it get me high? No, it doesn’t get you high. The stuff you get at Theraleaf gets you high, not the stuff that you get here at Dignitary Cafe. We sell it in a lot of different forms, so come check it out.

The Dignitary Radio Podcast with Ian Beckles #1 10/10 by HMBradio |  Entertainment



BN: Do people know less about CBD or interior offensive line play?

IB: Ooo, that’s a good question. That’s a toss-up. [Laughs]

BSM Writers

Beyond The Mask: Henrik Lundqvist Embraced 2nd Career in Sports Media

“It’s not a coincidence you see a lot of goalies working [on] panels and analyzing the game because that’s a huge part of playing in goal.”

Derek Futterman

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Plucking the strings of an acoustic guitar, Henrik Lundqvist found himself beneath the bright lights once again, poised to put on a worthy performance. Just as he aimed to stop pucks from going in the net as the star goaltender of the New York Rangers for 15 seasons, Lundqvist sought to captivate viewers as half of a musical duo featuring former NHL forward Paul Bissonnette.

Their performance of “Good Riddance” by Green Day was in tribute to Rick Tocchet, a former NHL on TNT studio analyst who recently departed the network to serve as head coach of the Vancouver Canucks.

Lundqvist serves as a studio analyst for TNT’s coverage of the NHL, breaking down players and teams throughout the broadcast and bringing his own unique style to the set. His pursuit of a post-playing career in sports media was no guarantee from the moment he retired in August 2021; in fact, he never intended to stop playing the game and competing for a Stanley Cup championship at that time.

During the 2019-20 season, Lundqvist had lost playing time to young goaltenders Igor Shesterkin and Alexandar Georgiev, and by the year’s end, his deal was bought out by the team. In an effort to continue playing, Lundqvist signed a contract with the Washington Capitals – marking the first time in his NHL career that he would not step between the pipes for the Rangers.

Lundqvist never played a game for the team though, as it was discovered in a medical exam that he would need open-heart surgery to replace his aortic valve while also having an aortic root and ascending aortic replacement. Less than two months after the successful five-hour operation, he was back on the ice rehabbing and attempting to make a full recovery – but a few months in, he began to feel unexpected chest pain. Following a medical checkup, Lundqvist was told he had inflammation around his heart. It was a significant setback that required him to step off the ice, take off his goaltender equipment and rest for several months.

After discussions with his family and friends, Lundqvist determined that the risk of taking the ice outweighed the rewards and officially stepped away from the game. Rather than conjuring hypothetical scenarios wherein he did not experience the misfortune and played for the Capitals, Lundqvist looked to the future amid the ongoing global pandemic and thought about how he could best enjoy his retirement.

“I was just mentally in a very good place,” Lundqvist said. “I didn’t have a choice; I guess that makes it easier sometimes when the decision is made because you can’t go back-and-forth – ‘Should I?’ ‘Should I not?’ Yeah, I wanted to play but it was just not meant to be for me.”

Before any definitive resolution on his future endeavors was made though, the Rangers announced that the team would retire Lundqvist’s No. 30 in a pregame ceremony during the 2021-22 season, making him just the 11th player bestowed that honor in franchise history. As a five-time NHL All-Star selection, 2011 Vezina Trophy winner, and holder of numerous franchise records, Lundqvist had the accolades to merit this profound distinction.

Moreover, he was an important component in growing the game of hockey and contributing to the greater community, serving as the official spokesperson for the Garden of Dreams Foundation and founder of the Henrik Lundqvist Foundation. He also was a two-time recipient of the organization’s prestigious Steven McDonald Extra Effort Award, honoring the player “who goes above and beyond the call of duty.”

Throughout the night, attendees regaled Lundqvist with chants of “Hen-rik!” and were treated to flashbacks of some of his memorable career moments. The night was of monumental importance for Lundqvist, during which he expressed his gratitude to the Rangers’ organization, former teammates and fans. Then, Lundqvist — referred to as “The King” — promptly took his place among team legends beneath the concave ceiling of “The World’s Most Famous Arena.”

“When I look back at my career, I know, to me, it was all about preparation; how I practiced and how I prepared for each game at practice,” Lundqvist said. “There’s no regrets, and I hope people, when they think about how I played, [know] that it was 100% heart and commitment to the game.”

Before this ceremony though, Lundqvist and Rangers owner James Dolan had held several meetings with one another. The purpose of these conversations was to determine the best way for Lundqvist to remain involved with the team, its fans, and the community. In the end, he was named as a lead studio analyst on MSG Networks’ broadcasts of New York Rangers hockey before the start of the 2021-22 season: the start of his foray in sports media.

This past summer, Lundqvist negotiated a new deal with Madison Square Garden Sports and Madison Square Garden Entertainment in which he maintained his in-studio responsibilities while increasing involvement in other areas of its sports and entertainment ventures. In this new role, Lundqvist supports the business operations for both companies, assisting in digital content development, alumni relations, and partner and sponsor activities.

When Lundqvist is not in the studio or the office, he can often be found at Madison Square Garden taking in New York Rangers hockey, New York Knicks basketball, or one of the arena’s renowned musical performances. Usually, when he is in attendance, he is shown on the arena’s center-hung video board as an “NYC Celebrity” and receives a thunderous ovation from the crowd.

“The network is just part of it, but it feels great to come there,” Lundqvist said of Madison Square Garden. “Every time I go there – to see the people that I’ve known for so long – but also I love that place; I love The Garden. I think the energy [and] the variety of things that happen there is something I really appreciate. It feels really good to be a part of that.”

Sitting alongside former teammate and studio analyst Steve Valiqutte and sportscaster John Giannone, Lundqvist appears in the MSG Networks studios, located across the street from the arena, for select New York Rangers games. From the onset, he brought his allure and expertise to the set and appealed to viewers – so much so that national networks quickly began to take notice.

“I enjoy watching hockey [and] talking hockey, but the main thing to me is the team; the people that you work with,” Lundqvist said. “The guys on the panel [and the] crew behind. I really enjoy that part of it and having a lot of fun off-camera.”

One month later, Lundqvist was on his first national broadcast for the NHL on TNT where he and Bissonnette famously performed a cover of “Nothing Else Matters” by Metallica that went viral on social media. It had been known that Lundqvist was a musician, famously performing on Late Night with Jimmy Fallon in his Rangers uniform to celebrate the end of the 2012-13 NHL lockout.

In fact, during his retirement ceremony, the Rangers gifted him with a custom-made guitar painted by David Gunnarsson, the same artist who used to paint Lundqvist’s goalie masks.

Aside from occasional music performances, Lundqvist brings an esoteric base of knowledge to the NHL on TNT panel as its only goaltender. Whether it be through player breakdowns, interviews, or dialogue with other analysts, Lundqvist has a perspective to which few professional hockey players can relate. There are various goaltenders among local studio panels surrounding live hockey game broadcasts, and Lundqvist is in a unique situation with MSG Networks in that he and Valiquette are both former goaltenders. Yet on Turner Sports’ national coverage, he is the only voice speaking to this different part of the game.

“It’s not a coincidence you see a lot of goalies working [on] panels and analyzing the game because that’s a huge part of playing in goal,” Lundqvist explained. “Yes, you need to stop the puck, but a huge part of being a goalie is analyzing what’s going on. We can never really dictate the play so you need to analyze what’s happening right in front of you.”

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In broadcasting at both the local and national level, Lundqvist is cognizant of the differences in each network’s studio programs. Lundqvist says appearing on the MSG Networks studio panel is more about being direct with the viewer, whereas the NHL on TNT views its panel as being conversational in nature. With Turner Sports, Lundqvist also asks his colleagues about the different teams around the league since he is most familiar with the Rangers both as a former player and studio analyst.

“I’m closer to the Rangers; I see more of what’s going on,” Lundqvist stated. “When you work [national] games, maybe you focus in on teams on the West Coast or [part] of the league you don’t see as often. You try to talk to the other guys on the panel and the crew and figure out things that are interesting about those teams.”

Hockey is a team sport, and Lundqvist felt grateful to play with his teammates and face his competitors over the years. Now as an analyst though, it is his job to analyze their games and critique them when necessary; however, he does not try to be excessively critical.

Lundqvist knows the trials and tribulations associated with the sport and can relate to scenarios many players face on a nightly basis. Therefore, he thinks about his own experience before giving an opinion, especially a critique, instantiating it with comprehensible, recondite knowledge and/or by recounting a similar situation.

“I’d much rather give them positive feedback obviously because I know it is a tough game,” Lundqvist said, “and sometimes it might look like an easy mistake, but if you can give the viewer a better explanation of why he did that, they might have a different view of that mistake.”

Now metaphorically being beyond the goalie mask, Lundqvist’s vision of the game has evidently shifted. He discerns just how intense the schedule is and the rapid pace of the game, axioms he was aware of while playing but inherently avoided thinking about. He has implemented his refined viewpoint of the game accordingly into his analysis, simultaneously utilizing the mindset and savvy he cultivated on the ice. It is, quite simply, a balancing act.

“I think people can be pretty quick to jump on guys and critique them,” Lundqvist said. “That’s where maybe you take an extra look and try to understand why it happened and give those reasons. I think that’s where it helps if you played the game [for] a long time and just love the game [because] you have a pretty good understanding of why guys react a certain way.”

The challenge tacitly embedded in the jobs of most studio analysts – Lundqvist’s included – is in presenting the information to the audience in a manner through which it learns without being confused. It is a delicate craft that takes time and genuine understanding to master, especially related to promulgating hockey analytics as Valiquette does on MSG Networks and within his company, Clear Sight Analytics.

“There’s a lot of educated viewers out there, but there’s also a lot of people that maybe don’t watch as much hockey,” Lundqvist said, “so you want to find that middle ground where you kind of educate both sides.”

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By broadcasting both locally and nationally in addition to working in a specially-designed business operations role, Lundqvist is staying around the rink in his retirement while facilitating the growth of hockey. Despite the profusion of young talent, dynamic action and jaw-dropping plays, viewership of the sport on ESPN and TNT’s linear channels has dropped 22% from last season, according to a report by Sports Business Journal.

For Lundqvist though, he does not feel much has changed from playing regarding his responsibility to advance the reach and appeal of the sport. He played professionally for 20 years, beginning his career in his home country of Sweden, primarily in the Swedish Elite League (SEL). In the 2004-05 season, his final campaign before arriving in New York City, Lundqvist had won the award for most valuable player. Furthermore, he was recognized as the best goalie and best player, leading Frölunda HC to its second Elitserien championship in three seasons.

His NHL debut came five years after he was selected in the seventh round of the 2000 NHL Entry Draft by the New York Rangers but unlike many rookies over the years, he came polished and prepared to embrace the lights of Broadway. Following an injury to starting goaltender Kevin Weekes, Lundqvist was inserted into the starting lineup and, from that moment on, virtually never came out.

By the end of his first year, he had been named to the NHL All-Rookie Team and was a Vezina Trophy finalist for best goaltender. Additionally, he remains the only goaltender to begin his NHL career with seven consecutive 30-plus win seasons.

“I think the league is doing a great job of growing the game,” Lundqvist said. “In the end, it comes down to the product and right now, it’s a great product. I feel really good about, the best way I can, to promote the game [by] talking about it, but… it feels like I’ve been doing that for 20 years.”

One means through which Lundqvist attempts to grow the game is within the studio demos he performs with the NHL on TNT, displaying different facets of the game in a technical manner. The show also embraces the characteristics of their analysts and implements them in lighthearted segments, such as zamboni races, putting competitions, Swedish lessons and, of course, musical performances.

“I’m huge on mindset and the pressure,” Lundqvist said. “I love to talk about that type of stuff and give the viewer a better understanding of what goes through their heads. In terms of personality, I don’t know if I can say [that] I’m a serious guy because I love to have fun and laugh and do fun things.”

Lundqvist thoroughly enjoys what he is doing both locally and nationally, and he ensures he surrounds himself with people he wants to be around. There are plenty of other broadcast opportunities for former hockey players, such as moving into the booth as a color commentator or between the benches as a rinkside reporter. At this moment though, he is more focused on being immersed in his current roles, performing them to the best of his ability while ensuring he allocates time to spend with friends and family.

“I see myself more as an analyst in the studio more than traveling around and being in the rink,” he said. “I think that’s another thing with the schedule; it works really well with my schedule to have one or two commitments with the networks, but then I have other things going on in my life that I commit to.”

Plenty of comparisons can be drawn between playing professional hockey and covering the sport from the studio in terms of preparation and synergy. Yet the end result is not as clearly defined since “winning” in television is quantifiably defined as generating ratings and revenue. Undoubtedly, Lundqvist is focused on doing what he can to bolster hockey’s popularity; however, he also wants to enjoy this new phase of his career being around the game he loves.

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“In sports, you win or you lose,” Lundqvist explained. “With TV, you want to be yourself [and] you want to get your point out – but at the same time, if you do it at the same time you’re having a good time, I feel like that’s good TV.”

Once their careers conclude, many athletes think about pursuing a post-playing career and oftentimes end up taking on a role in sports broadcasting. On MSG Networks alone, there are plenty of former players who take part in studio coverage on live game broadcasts, such as Martin Biron of the Buffalo Sabres, Bryce Salvador of the New Jersey Devils, and Matt Martin of the New York Islanders. At the national level, Turner Sports employs Paul Bissonnette, Anson Carter, and Wayne Gretzky for its studio broadcasts, while ESPN’s top studio crew includes Mark Messier and Chris Chelios.

All of these former professional hockey players had an obligation to regularly speak with media members, answering questions about games and the season at large. Lundqvist maintained a professional relationship with journalists and beat reporters, and he most enjoyed taking questions when the team was doing well. Regardless of what the end result of a game was though, he had a responsibility to divulge his thoughts and, in turn, be subject to criticism and/or negative feedback.

His stellar career and persona all came from emanating a passion for the game – and it continues to manifest itself beyond the television screen. Listening to those passionate about the game discuss it usually engenders euphony and lucidity to viewers, analogous to the sound of the puck hitting the pads or entering the glove. It is a timbre Lundqvist created 27,076 times throughout his NHL career (regular season and playoffs) in preventing goals, and one he now aims to explain en masse.

“The reason why I kept going to the rink and put all the hours in was because I really enjoyed it,” Lundqvist said. “If you decide to go into media or whatever it might be, I think the bottom line is [that] you have to enjoy it and make sure you have good people around you.”

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Should the NBA Nationalize Local TV Rights Like MLS?

The NBA’s upcoming rights negotiations will be this transformational idea’s first testing grounds.

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Diamond Sports has been anything but a diamond in the sports world. As subscribers leave cable and satellite for streaming services, companies are dropping RSNs nationwide because they are too expensive to carry. This has caused an impending bankruptcy for the company, which owns the local rights to dozens of sports teams nationwide. It is also putting the NBA, NHL, and MLB at major financial risk. 

In the short term, it is known that teams will still broadcast on their RSNs even if they aren’t getting the paychecks they were promised in previous rights deals. This will affect teams’ ability to pay players and could even create an unfair advantage among the haves of the sports world like the Yankees and Lakers and the have-nots. The NFL doesn’t face the same problems that the other leagues are facing because its rights have been nationalized.

With the NFL’s continued television dominance, college conferences also bundling up games together for more money, and the MLS guaranteeing themselves television revenue after packaging local and national rights together, could we see the other leagues follow suit? It is an option that is much easier said than done but it seems like we are moving closer to it becoming reality. 

The NBA’s upcoming rights negotiations will be this transformational idea’s first testing grounds.

The biggest problem the NBA and other leagues would face are that the local rights to all of its teams don’t expire at the same time. If the league were to sign a deal that included giving all local rights to a streamer, the amount which the league was getting paid would be very unique year after year. It would be crazy for a streamer to pay a huge chunk of money to the NBA all at once if the number of teams they have local rights to changes every year.

It would also be insane to pay an astronomical amount if the streamer is only getting the local rights to small-market teams like the Cavs and the Pistons. A major market team like the Lakers doesn’t renew their local rights until 2032. We’re still in 2023. How does that affect the league’s operating costs? 

The NBA would also have to figure out whether teams whose rights don’t expire yet deserve to be included in the pot of money garnered from selling local rights to a streamer. Whether they are or they aren’t, does it put each team at different competitive advantages and/or disadvantages when trying to acquire free agents or front-office personnel?

One of the most interesting puzzles to figure out is what influence a league owner like Washington’s Ted Leonsis has in this potential measure when all is said and done. Leonsis just acquired complete control of the regional sports network — currently named NBC Sports Washington — that broadcasts Wizards and Capitals games for millions of dollars, although the exact amount remains undisclosed.

What does Leonsis do with his network if his team’s games can no longer air there? Can his team opt out of participating in a potential league offering? Or if the games continue to air on his network but are simulcasted locally on the streamer that wins local rights on a national scale, does the streamer have the ability to pay less money for rights?

If so, does that make the deal as lucrative for the NBA? And what does that mean for retransmission fees that cable companies like Comcast pay to Leonsis and other RSNs they’re still carrying?

The league will face a similar problem with the Lakers, Bulls, Knicks and other franchises that either wholly own or partially own a part of the RSNs where they broadcast their games. 

I don’t have the answers to any of these questions which is why they are written here in this column. Unfortunately for the leagues, they don’t have the answers either. But if the NBA figures out a way to nationalize their product even more and make streaming games more appealing by ending local blackouts, it’ll benefit the game more than it hurts the game. 

NBA, NHL, and MLB games are still some of the highest-rated programs locally in many markets when you look at how they rate vs. other cable and broadcast offerings. But at this point, the ability to charge everyone for a program that only ten percent of subscribers are watching is a losing business proponent.

The leagues should start from scratch and sell a mass package of games for maximum profit. It gives fans a more centralized location to watch their favorite teams and puts the leagues on a much more steady path than where they could be headed sooner rather than later.

Diamond in the rough to sparkling jewel of light? Only time will tell.

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Do You Have Affirmations Of Gratitude?

“We are told to be grateful for what we have and remember it could be worse. That feels like a really low bar, right?”

Jeff Caves

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Having gratitude for your life is all the rage. If you, like me, have trouble starting your day with positive affirmations and maintaining a positive outlook about your job, read on! 

We are told to be grateful for what we have and remember it could be worse. That feels like a really low bar, right? Here is another version. Try a few affirmations of gratitude instead.

“I HAVE A JOB.”

With interest rates rising, inflation increasing, and spending down; corporations are laying people off. PayPal laid off 7% of its entire workforce. Amazon let 18,000 go. Alphabet (Google) said goodbye to 12,000 jobs. Radio sales managers need to hire people like you – experienced sellers with a track record of bringing home the bacon. 

I AM A PROBLEM SOLVER.”

You solve a problem for your company when it comes to revenue. You know people, and you sell advertising better than anything they can come up with…so far. 

Yes, they are trying to replace you, but Zoom Info reports iHeart’s self-serve spot buying service,  AdBuilder, is doing under 5 million in business. You have time to solidify your value. Be happy you are the rainmaker. 

I WORK IN THE PEOPLE BUSINESS.”

Sports talk radio is the ultimate companion to millions of listeners. They aren’t robots, and your stations improve their lives by talking about what they care about 24/7. Celebrate selling access to callers, Twitter followers and FANS who go to games. You also get to work with local celebrities that everybody knows but you know best. We all need a connection to other people and want to be seen and heard. 

“I GET TO CHANGE HOW I FEEL ABOUT MYSELF.”

In this job, you determine your value, feelings about your work, and who you work with. You get to set a strategy and talk to the businesspeople you want to help and do business with. It’s like running your own business with a tremendous support staff. Try to do it independently, and you will appreciate accounting, traffic, production, and sales assistance. Those wins produce deposits in your bank account.  

I HAVE COMPETITION!”

That format competitor across the street does things differently and sometimes better than you or tries to imitate you and looks terrible. They motivate you to beat them to a new account or put a moat around your best clients so they can’t be touched. They keep you sharp and willing to try new things. Good competition schemes to take money from your station, and your management needs you to protect them. And they also provide a place for you to work one day. The FTC wants to eliminate non-competes so you can walk across the street this year.  

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