THEY GET IT
Steve Kornacki, NBC — What began as a gimmick — let the Election Night “chart-throb’’ wear his Gap slacks and make sports picks — has rocketed into a full-scale credibility explosion. As the media industry plunges into the legal gambling craze, we know of at least one expert tout in Kornacki, who followed his NFL playoff successes as the only NBC prognosticator to nail the Kentucky Derby winner — 12-1 shot Medina Spirit — while 10 others were whiffing. Here was his pre-race rationale: “I scoured the board. I have 11 different theories, but here’s one: Bob Baffert, six-time Kentucky Derby winner, has a horse that can get at or near the front of this race and has double-digit odds. I can’t have my King Fury. I’ll take a shot on Baffert at 12-1, Medina Spirit.” Why would I buy a subscription to the Action Network or Vegas Stats & Information Network when Stevie Khakis provides winners for free? Damn, I just gave his bosses an idea: Kornacki subscriptions. Hope his agent has snagged him a big raise.
Nicole Auerbach, The Athletic — Why not grant parole to a serial killer? That was the approximate reaction in the collegiate sports community when NCAA president Mark Emmert, maybe the most inept in a long conga line of shoddy sports administrators, was given a two-year extension by the university presidents who’ve reaped mega-millions from his reign. Auerbach had worked hard to extricate him from office, reporting that more than two dozen Division I commissioners and athletic directors believed “Emmert’s tenure should end.’’ She was left to conclude: “This is the face that the NCAA’s highest governing body wants as its representative. It is not who athletic directors would choose. It is not who commissioners would choose. It is not who athletes themselves would choose. But in a system designed to stagnate, he was apparently the only viable option — which says more about the system than it does about Emmert himself. And that is what those who claim to love college sports will have to live with.’’ On a beat of toxic excess, Auerbach and Sports Illustrated’s Pat Forde continue to be the foremost must-reads.
Social media boycotters — The U.S. sports industry would be much happier and healthier if it adopted the bold lead of the English Premier League: Snub Twitter, Instagram, Facebook and the like. Shocking as it seems — think of the cold-turkey withdrawal, the gaping holes in the collective consciousness — the soccer league decided social media didn’t exist from Friday afternoon through Monday night … and survived just fine. Events have been messy there lately, from ongoing racist abuse of players to protests of American-based owners who failed spectacularly in trying to form a superleague. So, clubs and players pressured the companies by shutting them down, joined in silence by English sports such as cricket, rugby, tennis and horse racing. The men in white coats would have to put LeBron James in a straitjacket without his device, but as I always say, don’t let other tweeters’ problems become yours. A vacation from the Internet might be better than Bali at this point.
Mike Tirico, Bob Baffert, Bill Belichick — Before the Kentucky Derby, the trio shared a chat based on mutual admiration between Baffert and Belichick, both multiple winners of the premier events in their sports. Was I the only one who noticed how all three have survived major professional scandals? In scrubbing what went wrong, they must be doing something right, though none should be proud. Obviously, there was no mention of missteps as they laughed through the NBC interview. Sweet land of liberty, of thee I sing …
Trevor Lawrence, professional — From the journalists who still exist in this business, here’s a thank you for putting a media charlatan in his place. On his first day in Duval County as would-be savior of the Jaguars — why does no one call it Jacksonville anymore? — the No. 1 overall pick deftly handled a hokey request by the NFL Network’s James Palmer. Armed with a football, Palmer said, “I want to catch the first pass you ever throw as an NFL player. What do you think, you ready?’’ Not knowing James Palmer from Jesse Palmer, Arnold Palmer or the Robert Palmer who sang “Addicted To Love’’ in front of android-like female models, Lawrence rejected the awkward ask and didn’t throw the ball, saying, “I don’t know, man. I think I’m going to save it for some of my new teammates.’’ What motivates working reporters to act like fanboys? Closer to the point, who hires them on the network level?
FoxSports.com — I’m still not convinced this site wants to compete in the highest reaches of sports content trafficking, recalling Fox’s various starts and stops in the website game. But this caught my attention: Pedro Moura left The Athletic, where he covered the Dodgers as a senior writer, to become national baseball writer at Fox. With The Athletic possibly headed for mass layoffs and strategy changes — such as emphasizing national coverage and minimizing (or dumping) local content — will we see more defections? Fox could use stronger commentary and enterprise components to offset its fan-heavy approach to live events and its ineffective debate shows. “We’re lucky to have him,’’ said the site’s managing editor, Kevin Jackson, who once had memorable fun as founding editor of Page 2 at ESPN.com. He’ll need big names before climbing into the daily Octagon — former ESPN personalty Trey Wingo hosted a draft party, I see — but Fox has the money to keep poaching, even after wasting $32 million on Skip Bayless. Should I just change the name of this column to Six Who Get It, Six Who Don’t?
THEY DON’T GET IT
Ted Leonsis, Washington Capitals owner — A tech mogul from way back, Leonsis should be the first to grasp the built-in responsibilities of a team’s social media account. It’s wretched enough that he allows Tom Wilson, the sickest of NHL thugs, to remain on the payroll. But after his double-jeopardy goonery the other night — sucker-punching the Rangers’ Pavel Buchnevich, then appearing to grab Artemi Panerin’s hair while hurling him to the ice — Wilson’s criminal activity was celebrated by the Capitals’ social media site. “atCapitals chooses: Violence,’’ went the tweet, beside a photo of Wilson and a cryptic comment that he lives “rent-free’’ in the minds of others as “the best goal scorer in the league.’’ The tweet quickly was deleted, but the screenshots remain interminably while Leonsis ponders this question: Why would a sports franchise, worth three-quarters of a billion dollars, put creeps and losers in charge of its public image? Maybe because the NHL culture is enabled by a wishy-washy league office, which has suspended Wilson five times in eight years — including a seven-game ban in March — yet this time issued only a $5,000 fine, the most the players’ union allows via the collective bargaining agreement. Leonsis should lock Wilson and the guilty tweeter in the same rubberized room for a week, if not permanently.
ESPN — So here was a serious news story, building for two seasons: The electronic-sign-stealing, trash-can-banging Astros returning to the Bronx to catch hell from enraged Yankees fans. And how did ESPN handle the telecast? With play-by-play man Karl Ravech dressed as Luke Skywalker, analyst Tim Kurkjian as Yoda, analyst Eduardo Perez as a Jawa and host Steve Levy in the studio as Darth Vader. See, it was “May the fourth’’ — a nod to the “Star Wars’’ franchise — and nothing was getting in the way of Disney Company synergy. ESPN insists on cartooning-up sports events, even those with violent potential, with cross-promotional silliness. And this time, unlike the alternate NBA all-gambling broadcast and a Marvel-themed NBA cast, the schlock was on the blowtorch feed. Had a riot broken out, Ravech would have looked all-time-ridiculous as he reported the details. Apparently, I’ll have to keep cutting-and-pasting my thoughts of recent weeks: A sports event is a sacred competition featuring athletes guided by the common tenet that nothing — nothing — shall infiltrate The Game. Meaning, there are ways of engaging a youthful audience without bastardizing existing cachet.
Terry Bradshaw, Fox Sports — The appropriate response is to feel pity for Bradshaw more than disgust, knowing he was hit in the head quite often in his playing days. His crackling take on malcontent Aaron Rodgers, who is trying to politicize his way out of Green Bay, was noteworthy if not for one not-so-small detail: Bradshaw carried out a similar drama in Pittsburgh in the early 1980s. This week on WFAN, Bradshaw said of Rodgers, “Him being upset shows me just how weak he is. Who the hell cares who you draft? I mean, he’s a three-time MVP and he’s worried about who they drafted last year No. 1? … Let him cry. Retire. You’re 38. Go ahead and retire. See you later.’’ If Bradshaw is familiar with a trove known as a newspaper archive, he might want to scroll back to 1984, when he ripped Steelers coach Chuck Noll for acquiring David Woodley from Miami. After hearing Noll express concern about Bradshaw’s injured elbow, Bradshaw shot back, “If he wants opinions, he ought to call me and ask me and stop making all these comments. He ought to just keep his mouth shut and pay attention to the draft and not make statements about me until he’s absolutely certain what he’s saying.’’ Such a hazy disconnect doesn’t bode well for Bradshaw’s long-term future at Fox, which should be pondering changes in a studio-show lineup that is showing wear and tear … and amnesia.
The Undefeated, ESPN — As long as media companies spin off websites to reflect racial divisions, we won’t progress as a society. I’ve never understood why The Undefeated explores “the intersection of sports, race and culture’’ with a predominantly Black staff when such a cultural convergence could be examined more effectively by a diverse group of writers and editors. I can just hear the “Mariotti is a racist’’ nonsense, but I’d rather unite than divide. ESPN missed an opportunity to merge its editorial initiatives when editor-in-chief Kevin Merida left this week to become executive editor of the Los Angeles Times, which, like many legacy news operations, struggles with a lame digital product. Merida quickly was replaced by Raina Kelley, The Undefeated’s managing editor, which means the site will continue on a private island that should be affixed to a larger continent.
Mike Greenberg, ESPN — I knew Greenberg long before Roger Goodell was calling him “Greeny,’’ back when we covered the Jordan dynasty years in Chicago. He has the mind to be Bob Costas, but I fear ESPN has turned him into another mush-and-gusher thrilled to be in the anchor seat. I was shocked to see him profusely thank the NFL commissioner for allowing him to host the Draft, which only reinforced the naked truth: ESPN is beholden to the league for a new 11-year rights deal that places Disney in the Super Bowl rotation. If Greenberg slobbered over Goodell any longer, I’d have suggested he get a room. Then he proceeded to shriek at high decibels about Kings of Leon, who jammed on stage for a half-hour when America just wanted the damned draft picks. Rich Eisen and Rece Davis were the Kings of Lake Erie. Greeny did too many greenies.
Max Kellerman, ESPN — I don’t see skin color. Kellerman does, shaming himself and his network with concerns before the NFL Draft that the stock of White quarterbacks was rising as the status of Black quarterbacks was falling — and that it has been happening for years, as if premeditated. “That’s why my antenna are up when I notice one, two and three this year — White guy, White guy, White guy,’’ said the “First Take’’ opinionist. Well, the third “White guy’’ turned out to be Trey Lance, who is Black, and the quarterback who dropped farthest in the first round was Mac Jones, who is White. Kellerman is one of these protected morning hosts who aren’t held accountable for outrageous and/or inaccurate takes. The audience does keep score, ESPN should know.
Richard Deitsch, The Athletic — I critique media as a weekly passion project, having performed the same gig out of college in Detroit. The job is aligned with the responsibilities of a movie critic or restaurant critic — you praise and pillory, based on honest and independent appraisals — and some sports media writers do it well, bringing heat with equal parts approval and disapproval. Deitsch broke down the NFL Draft by calling the lead production bosses, Disney’s Seth Markman and NFL Network’s Charlie Yook, and letting them extol the efforts of their respective crews in Cleveland. If sports was covered this way, we’d let managers and coaches write flowery stories and temper our personal assessments. It’s time Deitsch consider a beat change, as he wearily reminds us too often of his lengthy run covering sports media. I’ll give him this much: He counts better than I do, because Five Who Don’t Get It became Seven Who Don’t Get It. I could do nine or 10 this week, but, like John Lennon, I’ve got blisters on my fingers.
Jay Mariotti, called “the most impacting Chicago sportswriter of the past quarter-century,’’ writes a weekly media column for Barrett Sports Media and regular sports columns for Substack while appearing on some of the 1,678,498 podcasts in production today. He’s an accomplished columnist, TV panelist and radio talk host. Living in Los Angeles, he gravitated by osmosis to film projects. Compensation for this column is donated to the Chicago Sun-Times Charity Trust.
790 The Ticket Was Something Special And Stugotz Knows It
“I had programmers calling me saying this is the best local lineup that they’ve ever seen, that they’ve ever heard.”
When I was making the transition from the rock world to talk radio, there was one show I looked at as a guide. I got laid off from 96 Rock in Raleigh, NC in the summer of 2011. That was the beginning of my flirtations with streaming and podcasts, which is how I stumbled onto The Dan Le Batard Show with Stugotz on 790 The Ticket out of Miami.
Coming from a format that I felt out of place in at times, I instantly latched onto a show that reveled in pointing out how out of place it was in its own format. It became a daily listen for me, which opened me up to hearing other voices on the station like Jonathan Zaslow, Joy Taylor, Brian London, Brendan Tobin, Brett Romberg and others.
There were unique thinkers and passionate sports fans in every day part on 790 The Ticket. What set the station apart though is that I never heard anyone that sounded uncomfortable when the conversation turned to something that wasn’t a Dolphins’ loss or LeBron’s stat line. They talked sports the way normal human beings talk about sports. It was part of their lives, not the only thing they paid attention to.
Look at the outpouring of love for the station on Thursday. Hosts, producers and programmers from across the country took to social media to eulogize the station when the news broke that it would cease to exist the following week.
I can’t say for sure that all of those people felt the same way I did about the station and I cannot say whether or not it was for the same reasons. What I can say is 790 The Ticket had an influence that stretched far beyond South Florida.
Jon Weiner, better known as “Stugotz” to fans of the The Dan Le Batard Show, helped start the station in 2004. He told me that it didn’t take long for him to learn just how much The Ticket’s approach was making an impression on everyone in sports radio.
“I had programmers calling me saying this is the best local lineup that they’ve ever seen or heard,” he said in a phone call on Sunday. “I had people from out of market who had secure jobs at places that weren’t startups sending resumes and tapes because they wanted to be part of it. So yeah, we were aware and it is what we were going for. We got there pretty quickly and we were aware of the impact, not just in South Florida, but throughout the country.”
Last week, Brian “The Beast” London said his internal alarm bells first went off when he heard the Miami Heat were giving up their relationship with 790 the Ticket. The station and the team had been partners since 2008. He said in a YouTube video that it was hard to imagine the team’s games being heard anywhere else.
I asked Stugotz if he had the same feeling when he heard that news. He said in hindsight, he realized it was the beginning of the end, but he didn’t really get a sense something was up until Jonathan Zaslow was let go.
“[Zaslow] had been there since basically day one with us. And so I just kind of figured, yeah, between the Heat and then that I felt, okay, you don’t make a move like that unless there’s going to be some sort of seismic change. Otherwise, there’d be no reason to let him go. That was the moment I was like ‘okay, 790 is likely going away.'”
His feelings are no secret. He took to social media immediately on Thursday and said that the news that 790 The Ticket would soon be going away filled him with both sadness and pride. What Stugotz told me in our phone call was that he realizes that the station lasted about 15 years longer than it should have.
When the station was sold to Lincoln Financial Media, he was not expecting that company to want to keep a sports station. Senior Vice President Dennis Collins surprised him.
“The company saw so much potential in what we had built, both from a lineup and a sales perspective that they kept it going and that’s why it lasted all the way to 2022. We got it up and going and were responsible for the first three or four years, but Dennis saw the growth potential with the lineup we put together. That made me feel great because I had a pit in my stomach like ‘Oh, man, this thing we started is going to go away. It’s going to be three, four years and gone.’ And he said, ‘No, we love it. We want to keep it going’. So that was a huge compliment to everyone.”
Stugotz described the original owner of 790 The Ticket as a “young, good looking real estate mogul driving around in Lamborghinis.” That certainly helped the image of the station when it launched, but it is also a phenomenon that was very of the moment. It’s not 2004 anymore. Lamborghini-owning real estate moguls aren’t chomping at the bit to pour money into radio stations.
The conditions may be similar to what Stugotz and his partners saw in 2004. You could look at the radio landscape in Miami and see a way that a new challenger could fit in the sports radio scene. But what are the chances it actually happens?
“It’s a great question,” Stugotz said. “So just to go back to that time, two sports radio stations were popping up in every market. I’m not certain if that’s still the case anymore just because of podcasting and the way the way younger people are consuming media through Tik Tok, Snapchat, and other things that aren’t AM radio.”
He is quick to commend Audacy, the current owners of the 790 AM frequency. Dan Le Batard and Jorge Sedano were part of his early lineups at 790 The Ticket because Stugotz recognized the Cuban-American community in Miami was not being served in the sports space in 2004, just like it isn’t being properly served in the news/talk space right now. That’s why there’s room for the conservative-leaning brand Radio Libre in Miami and other markets are likely paying attention.
“It seems like a good plan, and I know it’s something that the Spanish population should have and deserves to have and probably was not being catered to correctly. So, yeah, I could see there’s a warning sign to some other sports radio stations or news stations in other markets where the Hispanic population is great. Absolutely!”
It is a shame that 790 The Ticket is no more and it is concerning that a station with its legacy and influence can simply disappear. But if we are being real, it isn’t the first station of its kind to suffer that fate and it won’t be the last.
As the media business changes and leaves sports stations vulnerable to something cheaper and with broader appeal, 790 The Ticket and stations like it should be touted as examples of how to rise above the noise and make an impact. Stugotz and his partners looked around in 2004 and said “we can be different and we can do this better” and that’s exactly what they did.
Demetri Ravanos is the Assistant Content Director for Barrett Sports Media. He hosts the Chewing Clock and Media Noise podcasts. He occasionally fills in on stations across the Carolinas. Previous stops include WAVH and WZEW in Mobile, AL, WBPT in Birmingham, AL and WBBB, WPTK and WDNC in Raleigh, NC. You can find him on Twitter @DemetriRavanos and reach him by email at DemetriTheGreek@gmail.com.
Chris Simms And His Self-Professed ‘Big Mouth’ Enjoying Life At NBC
“One of the things that I worried about was that I came from Bleacher Report and is NBC going to try to curtail my personality a little bit…sometimes I like to swear on my podcast and do stuff like that and they’ve really allowed me to be me which I really appreciate.”
To be a good football analyst, one certainly has to know and love the sport but you also can’t be afraid to use the most important tool that you have to do the job. Chris Simms has all of those attributes and NBC lets him use them to the best of his abilities.
“I love football and I love X’s and O’s and I got a big mouth so it’s a great combination,” said Simms. “Between my podcast, Pro Football Talk with Mike Florio, and Sunday Night Football, I get plenty of time to talk and get my studies out there.”
There’s no doubt that Chris inherited that self-professed big mouth from his father, former NFL quarterback and longtime NFL on CBS analyst, Phil Simms.
So, the question had to be asked…does Chris have a bigger mouth than his father?
“Yeah, I probably do,” admitted the younger Simms. “That’s a big mouth to overcome, but I think I probably got him beat in that department.”
Chris Simms set out to follow in his father’s footsteps on the field and played quarterback for Ramapo High School in New Jersey where he earned a pair of All-State honors. After graduating high school in 1999, Simms moved on to play quarterback at the University of Texas where he posted a 26-6 career record as a starter and was the team MVP during his senior season in 2002.
Simms was drafted by the Tampa Bay Buccaneers in the third round of the 2002 NFL Draft and he would guide the Bucs to a playoff berth in 2005. He would also go on to play for the Tennessee Titans and Denver Broncos completing a seven-year NFL playing career. He spent one season as an assistant coach with the New England Patriots before taking his talents to the world of broadcasting.
He started with FOX Sports as a college football announcer in 2013 and then joined Bleacher Report in 2014 while also serving as a color commentator for the NFL on CBS.
And then in 2017, Simms joined NBC Sports where he has certainly found a home.
“I couldn’t be happier,” said Simms. “It’s a great company to work for. Just good people all around. They’ve given me the platform to be me. One of the things that I worried about was that I came from Bleacher Report and is NBC going to try to curtail my personality a little bit…sometimes I like to swear on my podcast and do stuff like that and they’ve really allowed me to be me which I really appreciate.”
Simms wears many different suits at NBC Sports, most notably his role as a studio analyst on Football Night in America leading into Sunday Night Football. He’s also a part of the SNF post-game show Sunday Night Football Final on Peacock, Pro Football Talk with Mike Florio, and Chris Simms Unbuttoned, a streaming/digital show that is also a podcast multiple days a week.
But the most eyeballs are on him during Football Night in America, the most watched studio show in sports.
“I grew up wanting to play in these games more than be the guy in the studio but this is like the second-best thing,” said Simms. “I was kind of that kid at 4 or 5 (years old) who could tell you every player in the NFL, their number and all that type of stuff. It’s the NFL on the biggest stage. It’s such a well-done show. I get to be there with Maria Taylor along with Tony Dungy, and Jason Garrett, and Mike Florio, and Matthew Berry. We got a great team and it makes Sunday fun.”
From the “it takes one to know one” category, Simms has also made a name for himself with his ranking of NFL quarterbacks. He’s very diligent when it comes to watching the live action and also in his film study and his top-40 rankings have become a hot topic within the business and around the office coolers.
Simms is well aware that his rankings have become a lightning rod of discussion.
“It all kind of started organically just because I would make statements,” said Simms. “People were like ‘Why don’t you start making a list?’ It’s a really hard thing to do. It offends a lot of people and I hate that. I root for all of these guys and I say on my podcast all the time I hope this guy proves me wrong. I hope he shits on me and shows me that I was wrong. It’s certainly not personal. One of the things I pride myself on is studying and immersing myself in the game all of the time.”
Simms became a full-time employee of NBC Sports in 2019, but his first role with the network came in 2017 when he became a studio analyst for Notre Dame Football.
Here’s a kid that grew up in North Jersey where there’s a ton of Notre Dame alumni and he’s standing on the sidelines at South Bend as part of Fighting Irish telecasts.
“Another special entity,” said Simms. “I used to get chills being out on the field every Saturday there. It gave me great experience in a different way with the halftime show and the pre-game show. One of the years I was kind of the third man in the booth but I was on the sideline. It gave me some reps on in-game stuff as well. I think most importantly what that did for me more than anything is that it opened up more eyes at NBC about me.”
And now Simms’ work has him in the discussion for a new potential opportunity down the road.
NBC, alongside FOX and CBS, has secured a seven-year media rights deal with the Big Ten Conference that will commence next season. NBC will air Big Ten Saturday Night, the first time that Big Ten Football will have a dedicated primetime broadcast on a national broadcast network. Peacock will stream an additional eight Big Ten games each season and NBC/Peacock will air the 2026 Big Ten Championship Game.
There have been rumblings that Simms could be involved in the coverage. Is he interested?
“I’m intrigued by it,” admitted Simms. “I’m very all NFL right now but broadcasting game is fun. It’s definitely something on my radar for sure. I do have some producers here in the building that are like ‘I’m going to tell the boss I want you to do some of the Big 10 games this year and what do you think about announcing?’ I’ve already had some people in my ear talking about it. It’s awesome for the company regardless. It just expands our football world. As far as me being involved, we’ll see.”
In a relatively short amount of time, Chris Simms has built up quite the broadcasting portfolio. From FOX to Bleacher Report and CBS to his current expanded role with NBC, Simms has established himself as one of the premier NFL analysts in the business and his podcast has given him the freedom to do something that he loves to do. Including putting his money where his mouth is.
Peter Schwartz has been involved in New York sports media for over three decades. Along the way he has worked for notable brands such as WFAN, CBS Sports Radio, WCBS 880, ESPN New York, and FOX News Radio. He has also worked as a play by play announcer for the New Yok Riptide, New York Dragons, New York Hitmen, Varsity Media and the Long Island Sports Network. You can find him on Twitter @SchwartzSports or email him at DragonsRadio@aol.com.
The Pat McAfee Alternate Broadcast Presents Unique Challenges
Alternate broadcasts are all the rage these days, and ESPN, in conjunction with Omaha Productions, debuted a new one this weekend as The Pat McAfee Show aired an alternate broadcast of the Clemson and North Carolina State game Saturday evening.
A few weeks ago, I wrote that Manningcast copy-cats were destined for failure. And while I don’t believe McAfee’s debut was a failure by any stretch of the imagination, I couldn’t help but notice it brings its own set of challenges.
First and foremost, College Football Primetime with The Pat McAfee Show — the world’s most convoluted way to say “The McAfeecast” — doesn’t really resemble the Manningcast. And rightfully so. I’m not sure there are two more polar opposite sports media brands than the Mannings and McAfee. The Mannings are funny, but not too funny and never “blue”, while often concerned about how finely quaffed their hair looks and whether the button-down shirt color matches with the Nordstrom quarter-zip they’ve donned. Meanwhile, McAfee wears his black tank-top, like usual, and put his best Pittsburgh-ese foot forward.
Even though the Mannings and McAfee are opposites doesn’t mean they can’t work together, however. The alternate broadcast was a win for Manning, a win for McAfee, a win for ESPN, and a win for viewers.
People love Pat McAfee. Plain and simple. For a multitude of reasons that we can get into in a later story, but let’s focus on that for a moment. It was a big portion of my column a few weeks ago. The Manningcast works because people like Peyton and Eli. The KayRodcast doesn’t work because people hate Michael Kay and Alex Rodriguez. It’s honestly, truly, that simple.
I think it benefitted the McAfeecast to debut with a smaller game, which seems counterintuitive because it was a matchup of top ten teams in primetime. But let’s be realistic, a number five versus number ten ACC game doesn’t hold the same weight as a number five versus number ten Big Ten or SEC game. And it helped McAfee and crew, because there are obvious kinks to work out.
Firstly, there are entirely too many people on the screen. I’m going to have nice words to say about BostonConnr than the eight-and-a-half-year-old that went viral earlier this summer, but god love ya, your time to shine likely isn’t on primetime on ESPN. In my opinion, for the McAfeecast to really work in the future, a similar setup to the Manningcast with McAfee and A.J. Hawk being the prominent figures on screen is the best solution to the problem. I know McAfee believes in his boys. It’s one of his more endearing qualities, and is frankly part of the reason his show is so successful. But you’re reaching a different audience on ESPN2 on Saturday nights, and the reason the either tuned in or will stay is because of McAfee’s presence.
I didn’t get a great feel for McAfee’s thoughts or reactions on the game simply because you didn’t get a closeup of his face. The best moments of the Manningcast, outside of Eli flipping the double birds or Peyton saying “I can’t hear shit”, have been when the pair have been absolutely disgusted by a decision made by a coach or player and their face shows it without any words following up their reactions. And McAfee definitely holds that ability, and I wish I would have gotten a better sense of his facial reactions on-screen.
Also, and I know this is something McAfee can’t actually control, he had to be a bit more reserved on cable television. Part of the allure of The Pat McAfee Show is the — let’s call it extreme candor — with which he speaks. I believe that’s the scholarly way to write “he says f*** frequently”. And believe me, I subscribe to the theory that the FCC should allow hosts the ability to say obscenities 15 times per week, so I’m down for McAfee’s swearing. But you’re just simply never going to get that on ESPN2. You’re likely never going to get that if the broadcast aired on ESPN+, either. For a “family friendly” company Disney, those cards are just flat out never going to be on the table for McAfee.
One of the things McAfee is known for is his boundless energy, which felt lacking at times on Saturday, but it’s understandable. The man was on College GameDay earlier in the day, flew back to the studio to do the alternate broadcast after travelling the day before to get to Clemson to be on GameDay. I’m sure that takes a toll. On top of that, you’re doing something new for the first time, while trying to, essentially, heard cats on the screen, and you can be a little wiped out by the end of the night.
However, the goodwill McAfee has bought with fans over his extreme generosity was on display as the alternate broadcast donated more than $100,000 to Dabo Swinney’s charity, The Jimmy V Foundation, and the American Red Cross. It was a brilliant move for a debut broadcast, because it acts as a slight shield for criticism. How can you complain about something that raised hundreds of thousands of dollars for charity?
The alternate broadcast, for the most part, avoided the biggest problem I have with the Manningcast. The interviews. I’ve never been watching Monday Night Football, or the Manningcast for that matter, and thought “Man, I wish they were talking to Tracy Morgan right now!” McAfee brought on Peyton Manning, for obvious reasons, and former NC State quarterback Phillip Rivers. That’s it. They didn’t rely on guests to carry them through down periods. The eight folks on screen did most of the heavy lifting, and for that, I thank them.
The McAfeecast was certainly different than any other alternate broadcast I’ve consumed. The crew shooting hoops for extra donations to charity during stoppages of play definitely kept things light and interesting. I couldn’t help but be invested in whether or not someone would bury three out of five threes during an injury timeout for more money for charity.
Speaking of injury timeouts, McAfee planned a giveaway and told fans to use a certain hashtag and when to screenshot or take a picture of their TV. Immediately following him saying “now!”, an injured player appeared on the screen, and he instantly shouted “No! Not now! No! We don’t want that, and we hope he’s ok”. It was a light-hearted, nearly hilarious moment that brought levity to the situation.
The highlight of the cast, however, was — in true McAfee style — picking up on things other broadcasters wouldn’t, like an angry fan. The entire crew shouting at the same time in this specific moment was spectacular television.
Overall, I thought the McAfeecast got off on the right foot. There is undeniably a market for an alternate broadcast based around the former NFL punter’s personality, and I look forward to seeing where the show goes from here.
Garrett Searight is the Editor of Barrett Sports Media and Barrett News Media. He previously was the Program Director and Afternoon Co-Host on 93.1 The Fan in Lima, OH. He is also a play-by-play announcer for TV and Radio broadcasts in Western Ohio.