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Anatomy of a Broadcaster

Anatomy Of An Analyst: John McEnroe

Andy Masur looks at what makes John McEnroe one of the best broadcasters in tennis.

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“You cannot be serious!” Who could forget that line, which is so synonymous with John McEnroe berating an on-court official? So synonymous that it became the title of his autobiography. The famous line was part of a memorable moment at Wimbledon in 1981. It was in his opening round match, when he approached chair umpire Edward James yelling, “You cannot be serious, man. YOU CANNOT BE SERIOUS! That ball was on the line, chalk flew up. It was clearly in. How could you possibly call that out!” McEnroe walked away saying, “You guys are the absolute pits of the world.” The outburst cost him a point in that match. Some consider that the top Wimbledon moment of all-time. McEnroe doesn’t agree, admitting later that he felt “terrible” about the incident.

"I hear that about 10 times a day." McEnroe was notorious for arguing with umpires -- here haranguing an official during a semifinal win over Connors at Wimbledon. His famous catchphrase: "You cannot be serious!"
Courtesy: Getty Images

McEnroe never seemed to agree with umpires or linesmen, but it didn’t stop him from becoming one of the best tennis players of his era. The late 70’s and early 80’s belonged to the headband wearing boisterous left-hander. McEnroe was truly one of the most colorful players during his professional career and he’s parlayed that into a successful post-playing career as a television analyst. 

TENNIS CREDENTIALS

McEnroe earned induction into the International Tennis Hall of Fame in 1999 based on his illustrious career on the court. He finished with 77 singles and 78 doubles titles. McEnroe won seven grand slam singles titles, four at the US Open and three at Wimbledon, and nine men’s Grand Slam doubles titles. His singles match record of 82–3 in 1984 remains the best single season win rate of the Open Era. 

McEnroe became the top-ranked singles player in the world on March 3, 1980. He was the top-ranked player on 14 separate occasions between 1980 and 1985 and finished the year ranked No. 1 four straight years from 1981 through 1984. He spent a total of 170 weeks at the top of the rankings.

As an 18-year-old amateur in 1977, McEnroe won the mixed doubles at the French Open with Mary Carillo. He then made it through the qualifying rounds of Wimbledon, working his way into the field. McEnroe would lose to Jimmy Connors in four sets. At the time it was the best performance by a qualifier at a Grand Slam tournament. 

He played collegiately at Stanford and in 1978, McEnroe won the NCAA Singles title and led the Cardinal to the NCAA team title. Later that year, he turned pro and made it to the semifinals of the US Open, losing to Jimmy Connors. McEnroe won 5 titles that year, including the Masters Grand Prix in which he beat legend Arthur Ashe in straight sets. The lefty would finish ’78 as the fourth ranked player in the world. 

NOT THE MOST POPULAR PLAYER

McEnroe didn’t stand out for his popularity. He didn’t really seem to care either. He played with a fire that burned, a competitiveness that was palpable but he was always arguing. Constantly putting down game officials for what he considered bad calls. 

“I know I can see the ball better than the officials,” he said early in his career. “I can ‘feel’ when a ball is out or not. What’s so frustrating is to know you’re right and not be able to do anything about it.”

When he was just 20, he was nicknamed “Superbrat” by the British tabloids in 1979. “He is the most vain, ill-tempered, petulant loudmouth that the game of tennis has ever know,” The Sun wrote.

BROADCASTING

McEnroe started his broadcasting career with NBC in 1992 as an analyst on the network’s French Open coverage.  In June of ’92 he made his debut as a commentator on NBC’s Wimbledon telecasts. McEnroe has also spent time with CBS, USA, the BBC and now ESPN.

As we’ve seen it a million times, a person’s unpopularity making them popular in the booth, because you never know what might be said. Controversy sometimes makes for great television. Someone willing to “tell it like it is” usually is a fan favorite. Enter McEnroe. 

John McEnroe and conflict of interests in broadcasting - Sports Illustrated
Courtesy: Sports Illustrated

While the reputation for being the “bad boy” on the court, his on-air persona is a little bit different. The man knows the game of tennis and he’s used the knowledge to gain a reputation for being good at what he does. The combination of insightfulness and some outspoken commentary is working for him. He’s often making his point with the natural wit and cynicism he’s been blessed with. I know this will come as a shock, but he’s often willing to say what is on his mind. The only difference between McEnroe the broadcaster and the “Johnny Mac” of tennis fame, he’s much calmer when delivering his commentary in the booth. That makes him a lot easier to listen to and view. 

Many that were able to play the game, whatever sport it might be, at a high level, have a hard time accepting today’s athletes. Some don’t like the way the game is played now, because it isn’t what it used to be. McEnroe is the exception to that rule. He has been known to appreciate and accept the way the game has changed since his era. It’s a quality that isn’t lost on viewers. Who really wants to hear that former great tell you that these athletes of today are “this or that” and not as good as they were when he played? It’s kind of a tired way of commentating. It’s lazy and not entertaining. Good on McEnroe for being “bigger” than that. 

According to an “Awful Announcing” article in 2012, McEnroe is one of the top analysts regardless of sport. It goes on to say, and I’m paraphrasing here, McEnroe gives the broadcast credibility and enhances the coverage of tennis greatly. 

WORKING WITH HIS BROTHER

McEnroe’s brother Patrick was quite the tennis player himself, but was constantly overshadowed by big brother John. Patrick has carved out a nice niche for himself in tennis broadcasting and is so versatile, he’s done commentary, hosting and play-by-play. The latter allowed him to be paired with John on many occasions.  

The New York Times did a piece on the younger McEnroe in 2017 at the US Open in Flushing, NY.

The brothers were ecstatic to work together again on a broadcast. Patrick told the paper that the producers were initially worried about their similar Queens cadence. With Patrick doing the play-by-play and John doing the color commentary, their words often do the job of letting the viewer know who is talking.

The story looked at the two on opening night of the Open, they called a hard-fought match between Alexander Zverev and Darian King that stretched well past midnight. As the 2 a.m. hour approached, something shocking occurred. John seemed to agree with an umpire. Patrick wanted to make sure he heard his brother correctly. “I figured no one was watching,” John shot back.

Pretty cool that they get to work together, listening back to a few of their matches, I’m struck by how at ease both the brothers are. They should be after growing up together, but sometimes that brotherly competitiveness can rear its head. Not in the case of the McEnroe brothers. 

ESPN / US Open Conference Call – John & Patrick McEnroe - ESPN Press Room  U.S.
Courtesy: ESPN Images

OTHER APPEARANCES 

John is obviously best known for his play, but he’s recognized for other things as well. McEnroe has been an author and actor in various roles including appearances on 30 Rock, CSI NY, Curb Your Enthusiasm, Saturday Night Live, Anger Management, Jack & Jill, and Mr. Deeds to name a few. His memoir that I alluded to earlier, You Cannot Be Serious reached #1 on the New York Times nonfiction best-seller list in 2001, and was also ranked #1 on the London Times best-seller list.

CONCLUSION

McEnroe has done a nice job of using his past experiences as a dominant tennis player to move into an analyst role and explain the game to his audience. He offers personality and wit, things his fans are expecting of him, in a conversational and expert way. McEnroe could easily be that screaming and angry guy he was on the court, but he realizes that too much of that would turn an audience off. He is able to strike that delicate balance between the player he was and the broadcaster he is, which is not an easy thing to do. 

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Anatomy of a Broadcaster

Anatomy of a Broadcaster: Kevin Kugler

“I wouldn’t trade the journey for anyone else’s path, but I wasn’t exactly a child prodigy!”

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Kevin Kugler, Anatomy of a Broadcaster

Everywhere a sports fan turns these days, you’re bound to see or hear Kevin Kugler on the call. The versatile broadcaster is knee deep into the college basketball season, which will culminate with him calling the National Championship Game on Westwood One. He’s come a long way from his days as a co-host on 1620 “The Zone” in Nebraska.

Kugler holds a number of high-profile jobs these days, not just with Westwood One. Kugler calls basketball and football on the Big Ten Network and is a regular voice of the NFL on Fox. It’s a demanding schedule at times, but Kugler manages to handle it just fine.

“This time of year, isn’t really as crazy as the crossover season when I’ve got both football and basketball on my schedule.” Kugler told me.  “There’s a lot of hoops games to call, but when I’m not juggling football and basketball, it’s certainly a little more manageable.”

Kugler has certainly made a name for himself and become one of the best in the business.

Road to Today

Kugler’s career began at 1620, “The Zone” in Omaha, Nebraska.

“I was there for nearly 12 years.  We started the afternoon drive show “Unsportsmanlike Conduct” in September of 2000 and I left the station in July of 2012.” Kugler says.

From that job, he got to do some play-by-play at the College Baseball World Series, which is based in Omaha. It led to him being “discovered” if you will, on the national stage.

“So, the Westwood One opportunity came from the CWS.  Our station, 1620 The Zone, acquired the rights to produce the preliminary games.” Kugler explained. “As part of the deal, Westwood One agreed to use a 1620 The Zone person on the sidelines.  Thanks to my terrific boss, Neil Nelkin, that person was me.”  

That particular assignment helped beyond Kugler’s wildest expectations.

“As it turned out, Howard Deneroff (now the EVP, Executive Producer at WWO) was the producer of those games.” he told me. “So, I met him (Deneroff) through that.  Every year, he asked me to send him my tape.  I was doing Division II football and basketball for the University of Nebraska-Omaha at the time.  Sent him tapes each year after the CWS.” Kugler remembered. 

“Then, prior to the CWS in 2006, he asked to hear stuff again.  Then asked for more stuff.  By this point, I’m digging into some of the clunkiest cassette tapes that I had, but that didn’t seem to faze him.  He called in the summer of 2006, after the CWS, and offered me the chance to do college football and basketball for the network starting that fall.  It was one of the best phone calls I’ve ever received!”

That is an understatement.

National Work, Big Ten, Westwood One, Fox

The Westwood One gig started to open doors for Kugler. But, one that previously opened to allow his success, closed.

“I only do the Championship series (of the CWS) these days for Westwood One.  My good friend John Bishop handles the preliminary games and does a tremendous job.” Kugler told me. “I had the opportunity a few years back to expand my role with Fox and do some MLB and spring football coverage, so I had to give those games up.” 

Kugler is happy to still be a part of the festivities, because that tournament means a lot to him. “The CWS is Omaha’s calling card!” Kugler proudly proclaimed.  “And as someone who still calls Omaha home, it’s always an amazing thrill to walk into the booth at the CWS.  I hope I get the chance to remain involved in that in some way for years to come.”

He now has three national jobs. At WWO, he’s been the voice of the Final Four and Championship Game since 2008. For a time Kugler was the voice of Sunday Night Football on the radio, but had to give that up for a bigger role too. More on that in a second.

In 2011, Kugler added the Big Ten Network to his portfolio, calling college football and basketball, among other sports. Since BTN was owned by Fox, Kugler also called some national games in both sports as well.

Kugler is also a play-by-play announcer for FOX Sports’ NFL broadcasts. He assumed that role in 2020. In addition to the NFL, he calls select college basketball and MLB telecasts.

What Makes Him Good?

Full disclosure, Kugler is one of my favorite people in the industry. I worked with him for a brief time at BTN doing baseball and softball broadcasts.

That being said, in all objectivity, he’s one of the best around right now for a number of reasons.

First off, he’s developed into one of the more versatile broadcasters in the industry. In a given week, he could be calling the NFL, College Football and College Basketball. That’s not as easy as it might sound. I mean how do you prep for a week like that?

“I’ve always been kind of a prep junkie.  I enjoy telling stories, and getting lost down those ridiculous little rabbit holes where you start following a thread and a half hour later, you realize you finally found what you were looking for.” Kugler says.  “To balance that with limited time takes a certain amount of discipline…I can’t chase those as much as I’d like sometimes, but I make sure I work ahead as much as I can, and I’m always grateful for a repeat team here and there!”

Yeah, I’ll bet.

But the amount of prep he does comes shining through in his broadcasts. There’s an ease about him that is a very comfortable listen. By that I don’t mean generic or vanilla. Kugler easily raises his energy to match the action and dials it down when needed as well. He creates anticipation in his voice in the way he builds up to the moment. I find this especially true when he’s calling basketball on the radio. The ability to use his voice to generate that hope for a listener is only something the best of the best can do. 

The more he’s able to call games on the biggest stage, the more Kugler is able to earn that “you know it’s a big game when you hear him” badge. Young broadcasters tend to get too hyped for a championship type game, but Kugler has mastered his pacing, bringing the moment to his viewers and listeners in a manner that is just right.

There is a humbleness about Kugler as well. When I asked him, “what was the ‘ride’ like early in your career to get to this point?” 

“My journey is probably no different than how it starts for so many of us in the business.  I went to a small market, called high school sports, made a ton of mistakes, and tried to find my voice.  I’ve been fortunate to have some terrific advice and opportunities along the way to where I am today.” Kugler said.  “I’ve struggled to make it as a freelance broadcaster.  I wrestled with the idea that it wasn’t going to happen for me, and what in the world would I do for a living if it didn’t?  (I have no real discernable skills beyond talking).”

As for his successes? “I’ve been incredibly fortunate to find a path to doing play-by-play now at the highest level, whether it be the NFL for FOX Sports and Westwood One, college basketball for Fox, BTN and Westwood, the Final Four, etc.  I wouldn’t trade the journey for anyone else’s path, but I wasn’t exactly a child prodigy!” He said. “Ian Eagle told me one time that the more people that can take credit for your career, the better your career has gone.  I feel like a lot of people have played a role in this and I hope that they are happy that they were able to push me forward each step along the road.”

Did You Know?

Kugler hosted the Masters golf tournament for Westwood One in 2009 and 2010. He filed radio reports for the network from the 2008 Olympic Games in Beijing and 2010 Winter Games in Vancouver.

Kugler has been accused, as have most broadcasters that do national games, of hating YOUR team. He’s steering into the skid, so to speak, by putting that in his “X” bio. It’s legendary enough that there has been a parody account created, @KuglerH8sUrTeam.

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Anatomy of a Broadcaster

Anatomy of an Analyst: Kurt Warner

Warner has shown the ability to be versatile as well. He’s been in the studio, in the booth on television and also on radio. That’s not an easy trifecta to pull off by anyone.

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Kurt Warner was the engineer of the “Greatest Show on Turf” in their glory days in St. Louis. He became a Superbowl MVP and two-time NFL Most Valuable Player. He took the Walter Payton “Man of the Year” honors as well. Oh, and he was elected into the Pro Football Hall of Fame in 2017. Not bad for a guy that was stocking shelves at a local Hy-Vee grocery store in Iowa while waiting for an NFL opportunity. Warner is the living embodiment of the rags to riches cliché.

Warner was born in Burlington, Iowa. He played football at Regis High School in Cedar Rapids, graduating in 1989. From there, Warner attended the University of Northern Iowa, where he was third on the Panthers’ depth chart until his senior year. When Warner was finally given the chance to start, he was named the Gateway Conference’s Offensive Player of the Year and first-team all-conference.

But Warner’s story almost never happened. After Northern Iowa, he was cut by two teams in the mid-’90’s. He then left the grocery store business in 1995, when the Iowa Barnstormers of the Arena Football league, signed him to a contract. Warner led the Barnstormers to two Arena Bowl berths and was named to the first team All-Arena in 1996 and 1997.

The story of perseverance was going to be tested again after he was given another shot at the NFL in 1998 with the Rams. But the rest, as they say, is history.

NFL CAREER

In 1994, Warner went undrafted and was invited to try out for the Green Bay Packers in training camp. He was released before the regular season began. Warner returned to UNI as a graduate assistant, still hoping to get another tryout in the NFL.

In 1998 the Rams signed Warner as a free agent. They allocated him to the European Football League where he played for the Amsterdam Admirals. Warner led the EFL in passing yards and touchdowns in 1998.

Still nothing was guaranteed for him. In 1999 the Rams left him unprotected for the Expansion Draft to stock the Cleveland Browns. He went unclaimed. So, he stayed with the Rams and began the ’99 season as the team’s second-string quarterback. Following an injury to veteran quarterback Trent Green, who would miss the rest of the season with a torn ACL, Warner was named the starter. Then Rams coach Dick Vermeil said in a press conference following the injury, “We will rally around Kurt Warner, and we’ll play good football.” Truer words may have never been spoken.

Warner made the most of the opportunity and became THE story in the NFL. With Warner at QB, the Rams explosive offense scored 526 points. Warner passed for a league-leading 41 TDs and was named the NFL’s Most Valuable Player that year as the Rams posted a 13-3 record. The team capped the improbable season with a 23-16 victory over the Tennessee Titans in Super Bowl XXXIV. Warner set a Super Bowl record with 414 passing yards and threw a pair of touchdowns to lead the Rams to their first Super Bowl title and was named the game’s MVP.

He recorded another MVP season two years later when he brought the Rams back to the Super Bowl. This time they came up short 20-17 to the Patriots.

In the offseason of 2004, the Rams released Warner. 2 days later he signed a deal to play for the Giants. He started that season as the number one quarterback, but following a two-game losing streak, he lost the job to rookie Eli Manning.

Warner would then sign a one-year deal with the Cardinals and became the starter. After an up and down couple of years, Warner once again was the starting quarterback and made a third trip to the Super Bowl, the first ever appearance in Cardinals history. Warner threw for 377 yards and 3 TDs in a tough loss to the Pittsburgh Steelers in Super Bowl XLIII.

A couple of years later, in January of 2010, Warner announced his retirement from the NFL.

BROADCASTING CAREER

Immediately after his retirement, Warner already had two offers from television networks. Warner said he’d basically had conversations with every network before making his choices. He joined both the NFL Network and Fox Sports in 2010. He worked as an analyst for the NFL Network and was in a booth for Fox as a game analyst with either Chris Rose or Chris Myers to call regional games.

In 2011 Warner signed an exclusive deal with NFLN, leaving his other part-time gig with Fox.

During the football season, Warner joins Rich Eisen, Steve Mariucci, and Michael Irvin on NFL GameDay Morning, the network’s Sunday Morning pregame show. He can also be seen as a regular contributor throughout the week on NFL Total Access.

Warner is also given the opportunity to work from the booth multiple times a year. He’s mainly paired with Eisen on these telecasts.

He added another gig a few years ago. After many attempts to lure Warner to Westwood One’s broadcast booth full-time, the network landed him and made him the new lead color analyst for Monday Night Football and the Super Bowl, starting with the 2018-19 NFL season.

While Warner loves his studio work immensely, there’s something about being at the game that excites the former player.

“I love being on the field before the game, talking to the players, taking in the atmosphere and the energy of the fans,” Warner told NFL.com in 2018. “I love the story of the Xs and Os. On radio, I’m sharing what I’m seeing and how I view the game.”

He’ll continue in his dual role and will be on the call for Super Bowl LVIII in Las Vegas.

AS AN ANALYST

I really enjoy Kurt Warner’s work. He presents a no nonsense, authoritative ,yet friendly demeanor on air. Warner has the credentials in the league to be a guy that could be someone that talks down to the audience, but he’s quite the opposite. He has the ability to talk. By that I mean he’s smooth when it comes to making a point, or analyzing a play. Warner’s thoughts come across energetically in a manner that is extremely clear and on point. He’s smart, comfortable on camera and has that ability to break down the game in a way that’s understandable for die-hard and casual football fans.

You can tell that there’s a chemistry on NFL GameDay Morning. These guys, Rich Eisen, Steve Mariucci, Michael Irvin and Warner present themselves as guys that actually like each other.

“When you watch us, you feel like you’re hanging with a bunch of guys in a living room who are talking football and having a good time,” Warner told NFL.com in 2018.

Warner has shown the ability to be versatile as well. He’s been in the studio, in the booth on television and also on radio. That’s not an easy trifecta to pull off by anyone. The constant reps he gets on the Monday Night radio broadcasts certainly go a long way in building confidence in his other roles along the way.

He doesn’t take himself too seriously at times either. Warner isn’t afraid to poke a little fun at himself.  Warner recently went viral for a response to a Steelers fan proclaiming the James Harrison interception return for a touchdown of Warner in Super Bowl XLIII as the best play in Super Bowl history. Warner saw that post on social media and politely disagreed with that fan’s opinion. With a repost, simply saying “Kind of depends on who you ask!!!!”

DID YOU KNOW?

Kurt Warner had a movie made about his life called “American Underdog”.

On August 30, 2010, it was announced on live television that Warner would be appearing as a contestant on Dancing with the Stars. His professional dance partner was Anna Trebunskaya; the couple was eliminated in week 8.

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Anatomy of a Broadcaster

Anatomy of a Broadcaster: Rece Davis

“There’s a likeability factor, his words, his information and his general comfort on the air lends itself to being a fan of Davis’”

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Chances are good if you turned on a TV during College Bowl season, Rece Davis appeared on your screen. Davis has been a mainstay on ESPN for over 25 years working in various roles for the network. He has done everything from hosting FIFA World Cup shows, to horse racing. From Auto Racing to College Football and basketball.

Davis raised his profile in 2015, when he signed a big extension to stay at the World Wide Leader. His portfolio added College GameDay, taking over as the host of the crazy road show for Chris Fowler, with Kirk Herbstreit, Pat McAfee and Lee Corso. He also took over hosting duties for premier events on both ESPN and ABC, like the College Football Playoff National Championship, the NFL Draft on ABC, the NBA Draft on ESPN and the NCAA Men’s Final Four. As if those assignments weren’t enough, he also does some play-by-play for college football and basketball.

“I don’t think of my job as being hard. I know I’m the luckiest guy around. When you never feel as if you go to work, it’s really easy and fun to do the homework.” Davis recently signed a new extension to remain in the spotlight.

Davis was born in Chicago, but grew up in Muscle Shoals, Alabama and calls it home. He attended and graduated from the University of Alabama in 1988.

ROAD TO ESPN/GAMEDAY

Davis worked as a freelance television play-by-play announcer, studio host, and radio personality in select media outlets throughout the state, while a student at Alabama. In 1987, Davis began working as a general assignment reporter for WCFT-TV in Tuscaloosa, Alabama.

After graduating from Alabama, Davis served until 1993 in various positions at WRBL in Columbus, Georgia. There he worked as a sports reporter, the lead weekend news anchor, and later as WRBL’s sports director.

Davis left Georgia for Flint, Michigan, to begin working as a sports anchor and reporter at WJRT-TV. In March he left Flint for Bristol and began working for ESPN2 and the program SportSmash, where he provided five-minute reports on sports news and scores.

Davis hosted ESPN2’s NBA 2Night in 1996 and 1997. From 1997 through 1999, he served as studio host of ESPN2’s weekend RPM 2Night and Sunday morning RPM 2Day programs. He went on to anchor the program SportsCenter and frequently gave the “Extra Point” report on The Dan Patrick Show on ESPN Radio. He also sat in occasionally for Patrick as a guest host.

WHY IS HE GOOD

Davis is extremely smooth. I know a lot of studio hosts are, but many of them never leave the studio. He’s out on the road with GameDay every week, amongst huge throngs of somewhat sober college students and fans. The scene is wild and filled with clever signs and loud cheers and boos.

To a broadcaster, things never sound as good out of the studio as they do inside the four walls of the broadcast facility. To be able to be that composed, smooth and polished as Davis is, it’s not easy to accomplish. Things tend to go wrong during live ‘remote’ shows and it takes a real pro to be able to both cover these up and make it appear seamless to the viewer.

There is an ease about him on the air. Don’t misconstrue this as being soft or boring. Davis is a very comfortable watch, and by this, I mean, he’s not in your face, but he’s not making you drift off into space. It’s down the middle, with energy and that’s a great thing to have. There’s a likeability factor, his words, his information and his general comfort on the air lends itself to being a fan of Davis’.

No matter who he’s working with, it always seems like Davis and that individual have a great rapport. Like a manager in baseball, the host of the show needs to know what makes each of their analyst’s great. Trying to get the best out of each of them makes the studio show work well and reflects kindly on the host. There is a great sense of comradery on the set, that feeling really allows everyone to be themselves, knowing each has the other’s back. 

The people on the set become like family when a show is really working. Davis was visibly saddened when David Pollack became one of the network’s budget cut casualties. Pollack tweeted a video about his exit. Davis then ‘quote-tweeted’ with some of his own thoughts.

“Class personified,” Davis wrote. “I’ve joked for years that @davidpollack47 is the little brother I never wanted. Truth is, he’s as good a man & as good a friend as I could’ve ever hoped for. 

“He’s a brother to me for life. He’s a man of God. A selfless teammate, an exemplary family man,” with Davis also adding in a reply to the tweet that it was a “tough day.” Those sentiments were heartfelt and honest. No fluff here, showing exactly why people enjoy working with him at ESPN.

What is also not underrated, is Davis’ sense of humor is also not underrated. Keeping things light without intruding on the broadcast is a skill most don’t possess. Some hosts may be funnier, but not too many have that sense of timing. When to go for the laugh and when to let it go is an art form. The laughter on set is natural, because you never really know when Davis will spring the one liner on the audience and panel. 

For example, last weekend, the GameDay crew threw it to Ryan Seacrest in New York, to promote his Dick Clark’s Rockin New Year’s Eve with Ryan Seacrest on New Year’s Eve. Seacrest, a Georgia alum, said he was, “stoked that my ‘Dawgs are facing the undefeated ‘Noles.”

When Seacrest threw it back to Davis in the studio, Davis used it as a “booking” opportunity to get Seacrest on College GameDay next season. Davis said, “Happy New Year, Ryan. If you really love the ‘Dawgs, you’ll accept an invitation to be the celebrity guest picker on College GameDay one week.” Well played. Davis wouldn’t give up. A few moments later, while chatting with Desmond Howard, Davis said, “Ryan Seacrest, noted Georgia fan. Desmond, it would be great to have him as a guest picker sometime, wouldn’t it?” To which Howard replied, “Absolutely. One hundred percent. We need to get him.”

Good stuff.

DID YOU KNOW?

Davis was named as an outstanding alumnus of the University of Alabama’s School of Communication and Information Sciences in 2001.

Davis told the ACC Network recently about the conversation he had with former ESPN VP of talent Al Jaffe in 1994 and where Davis was when he had that first chat. He relayed the story he was in Columbus, Ohio, interviewing for a job at the ABC affiliate there. He said he talked to Jaffe from a pay phone in the parking lot of a Wendy’s.

“Al said if you want this job, don’t take that one. Put them off,” Davis said. Rece added that he was able to delay the process in Columbus for a little bit after that conversation, long enough to eventually get offered the position with ESPN. “It was a really great moment,” he said. “It was remarkable.”

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