Mike Stone has been a fixture in the Detroit radio scene for roughly 30 years. He’s learned a few tricks along the way. Stoney knows that carrying on about the sad state of local teams would just depress listeners even more. Who wants to feel worse during their morning commute by listening to a show that only bellyaches about how badly things suck? Stoney appreciates the value of not sticking to sports all the time; especially when sticking to Detroit sports might give the audience a splitting headache or sharp abdomen pain.
Stoney was born and bred in suburban Philadelphia and has lived in Detroit since May of 1986. He talks about the personal and professional pain of losing Jamie Samuelsen due to colon cancer. Stoney also discusses what he likes most and least about doing radio in Detroit, his obsession with Bruce Springsteen, and what he’d love to experience before his career ends. Although you obviously can’t hear Stoney, take it from me that he also does a really solid impression of his former radio partner Rob Parker. “Come ooooon, Brian.” Enjoy.
Brian Noe: How did your path unfold that led to you landing in Detroit?
Mike Stone: Very strange. I interned in college for the NBC television station. I worked in the newsroom. We hired a guy named George Michael. You probably know him from the Sports Machine. He was their local sportscaster.
I produced a sportscast on the weekends and worked in the newsroom during the week. Then I wanted to get on the air. That didn’t work at first. Another sportscaster in Washington happened to get a job in Detroit. He needed somebody with NBC ties. He moved here and I was his producer. Then one thing led to another and I became friends and roommates with two other guys, one being Mitch Albom, who besides working at the Free Press, did sports on the morning radio rock ‘n’ roll station. We did this show on Sunday nights starting in 1988. I did some talk radio with him. It was more of a guest heavy show with some trivia. Then WDFN started in 1994. I got the afternoon gig with Rob Parker. He left and then Wojo [Bob Wojnowski] came in and there we go.
BN: Was it surprising that George Michael blew up the way he did?
MS: Yeah, absolutely. It was weird because when I grew up as a kid in Philly, George was basically a Top 40 DJ. Then he moved to New York. He went from WFIL in Philly to WABC in New York. Then he did weekends on Channel 7 in New York for Warner Wolf. He did some Islander games. I knew he was really good. He had influence where he convinced the network — we were owned and operated by NBC — to do a half-hour Sunday show. Then it became the Sports Machine. Before the Sports Machine — this is back in the early ‘80s, right around when ESPN started — but most TV stations didn’t have satellite dishes. Like for instance last night there was an NBA playoff game. A lot of people didn’t have cable. We would get the games fed in, cut the highlights, and I would voice it among the three or four people who would do voiceover highlights. We would send it to every NBC station. The bigger stations would just take two or three highlights and do it themselves. The small markets and in Canada would just run me with my voice. I did that for a while.
BN: What was it like to work with Rob Parker?
MS: I just talked to him earlier today. It was great. Rob Parker is basically an old Jewish guy in a Black man’s body. We got along great. We actually were the first Odd Couple and he’s stolen that name and now has a successful show with Chris Broussard.
We’re very good friends. It was a lot of fun. We’d goof on a lot of things. We obviously did mostly sports but we talked about other stuff as well; his love for the Golden Girls, my love for Bruce Springsteen. Rob was a lot of fun. Looking back I think he made a poor decision by leaving and going to New York, but he always wanted to be a columnist in New York. That’s why he left. I love him but his Tom Brady take is so ridiculously wrong it’s incredible.
BN: [Laughs] And he’s just going to die on that hill, man. He’s dug in.
MS: I know. It’s like he sits there and goes if this didn’t happen, if the Tuck Rule. Okay fine, but give the side where luck went against him like Asante Samuel dropping an interception before the Eli Manning play. So he would have won another Super Bowl. I mean, whatever. He won’t give it up.
Wojo and I did a Sunday morning show. It was natural that he took Rob’s place. That show just completely took off. It was very successful. The only downfall was we were on a station that was AM, 50,000 watts sunrise to sundown. Then during the winter, nobody could really hear us outside of a certain area. We did very well all things considered, small budget, no advertising. I’m very proud of that show. We did it for about 14 years probably. DFN started in July of ‘94 so Wojo and I probably started April or May of ‘95. We were fired along with 2,000 other people from Clear Channel the day Obama got inaugurated in ‘09.
BN: I got caught in that myself. I was doing radio in Fresno. I went to work like normal and got chopped that day too.
MS: Yeah, it was weird. We heard all the rumors but we never thought our show would get cut because it was very successful; it was the only thing that made money on that station. But they didn’t care. It’s corporate radio, corporate America.
BN: Do you love Springsteen more or does Rob love the Golden Girls more?
MS: Oh, I love Springsteen more. I’ve seen him 126 times. I used to have it in my contract where if he was within 750 miles of Detroit, I could take the day off and go. I didn’t abuse it but I used it. [Laughs]
BN: What has it been like for you personally and professionally following the passing of your former partner Jamie Samuelsen?
MS: Personally it really sucks because Jamie worked with us on DFN when it started in ‘94. He was doing updates. Then he did the afternoon show, and then the morning show. Just a great, great guy. A great friend and just a wonderful human being. Professionally, we did probably about three or four years together. He was great because he was smart, he was witty, he took control because I wander. He pretty much held me in check so to speak.
We had a really good thing going. We went from a show with my other buddy Bill McAllister that was maybe 60 percent sports; they wanted more sports so that’s why they brought Jamie along. We loved it. I love Jamie.
That whole experience was just brutal. He told us early on but he never let on that it was really bad. We knew he went to chemo a lot. But other than that he never showed it. He played tennis basically a month before he passed away. It wasn’t until the end that it got bad and he passed away at such a young age.
It’s horrible. But every day I walk in that studio, you see the little sign Jamie Samuelson Studio, and I think of him all the time. We’ve kind of regrouped. It was just weird between COVID and Jamie passing. The year really sucked. We’re pretty much back to normal now.
BN: What’s your new radio partner Jon Jansen like?
My new partner is somebody completely different. He’s a hunter, a fisherman, more of a man’s man. Played in the NFL for 10 years. All-American at Michigan and he’s a great guy too. That’s been different. If we care about ratings, they’ve been really, really good — even through COVID.
We both have improved in trying not to step on each other. That’s usually my fault more than his. He’s improved where sometimes he’ll take a topic and he’ll lead the topic, which before I used to do 100 percent of the time. He used to do a show for Sirius college football, ESPNU, Big Ten Network, I believe all that stuff, so he was very comfortable doing that.
BN: What was it like to see The Fan lose more and more local shows and then eventually go away?
MS: Well it was weird. When we were there obviously it sucked. It was like a college radio station because we started it from scratch. We didn’t have the teams. We could pretty much do whatever we wanted for the most part. We had a lot of fun. We still have fun, not as much as we used to.
Seeing DFN fail, most of it was sad. The people who were still there locally were all friends of ours so you hated to see them lose jobs. It made no sense. You just wanted to shove it up Clear Channel’s ass. If they just would have left things the way they were.
We actually tried to convince them to go to FM years ago before even 97.1 went from 1270 to FM years ago. Corporate there just wouldn’t listen. Our market manager was a great guy named Dave Pugh, Dan Patrick’s brother by the way, and they would never listen to him. They would never listen to us. They basically got what they deserved. My friends always talk about how I’m still bitter at hedge fund takeovers. I just think it’s awful.
BN: The Ticket is dominant with a bunch of bad teams in the area. If the Lions or Pistons were just crushing it, would that have a big impact on the ratings?
MS: I would assume so, especially the cume. When the games are on, definitely. We have the Lions back this year so it’ll be interesting to see how that plays. Everybody talks about, ‘Oh, you guys are lucky the Lions stink, you get to bitch about them all the time.’ It might make better radio for periods but I go back to when the Pistons made their run and even when the Wings were winning Stanley Cups, it might not have been compelling radio all the time because you have no issues.
You break down a regular season one of 82 games, oh the Wings play Dallas tonight, what are you going to say? It might not have been compelling to have great teams all the time, but you get a lot of fringe people that get on the bandwagon especially during the playoffs. So yeah, I think ratings would go up if we were any good.
We’re rebuild city. Every team blows. They’re all in the same boat for the most part. It’s unbelievable. Even colleges — Michigan football stinks. At least Michigan basketball and Michigan State basketball are pretty good but other than that, it is just depressing. It really is. That’s where the deal of doing non-sports things, especially on the morning show, is really important. A great example, we were talking about something sporty, and we weren’t getting up a lot of calls. Then Jon was talking about how he got into an argument with his daughter about how to cut grilled cheese. The phone’s lit up. Do you cut them square or triangle?
Those things people just relate to so much more than some sports topics. It’s incredible. That’s what we did at DFN a little bit and then at 97.1, they’ve been doing that for years and it has really paid off. The non-sports stuff really does well especially when it’s done in an entertaining fashion.
BN: It’s so funny, man. You could have a sports thought that is well laid out, it’s got depth, and there’s hardly any reaction. But if you talk about, I don’t know, what are the most comfortable shoes, the reaction is crazy. How do you take that?
MS: I used to get really pissed off about it but now I just realize that’s the way it is. People are more into reacting to something that they can relate to. They might not relate to the Pistons trading this guy for that guy especially when your teams are bad. People react to things they can relate to. It’s not just the quote-unquote cliché guy talk; it’s even just stupid stuff like food. That always goes well — any type of food topic. Yesterday there was a story I saw — I forget the guy’s name, he’s like the Gordon Ramsay of fast food — with tips on how to eat fast food while you’re driving. People like that stuff because everybody does it.
BN: What’s the sensitivity level like from the local pro teams?
MS: The Lions have historically been very difficult. They call sometimes even during shows to set you straight so to speak. Sometimes they are right. They’re like oh, we just want to give you the facts. Well you know what? It’s an opinion.
My answer to that — even going back to when the team was .500 and would make the playoffs every once in a while — just win games. As long as we’re not saying anything that is inflammatory, personal about someone as far as off the field or anything, who cares?
I’ve had a few little things over the years where I’ve tweeted something stupid where somebody says take it down. And I have because it was a personal thing. Other than that, they’ve been pretty good. But they know; what are we going to say about this? Every team is awful. Back in the DFN days, they’d try to pull credentials. We weren’t even rights-holders.
There have been stories when we lost the Lions whether or not it was because of our afternoon show. That might have something to do with it but I also think the other station paid more money.
BN: What is your favorite and also your least favorite part of doing radio in Detroit?
MS: My favorite part is just interacting with people, listeners, talking to people on the street. I know a lot of people don’t like that. If somebody goes up to a particular person in the media and asks a question about a team, they’ll say I’m not working right now. I love that these people are listening. I like that type of interaction.
On the air I don’t like the fact that I think we’re too knee-jerk. Maybe being older I’ve gotten a lot more patient. The fire this guy, fire that guy mentality I think has gotten out of hand a little bit. I think you should give guys especially colleges four or five years to have recruiting classes, things like that. I think we try to fire people way too often.
Off the air the only thing I don’t like — I can’t complain, I have a great job — but I’d much rather be doing afternoons. I’ve always been a nighttime person. I hate getting up at 4:45 in the morning.
BN: If you were able to handpick a pro team to win a championship either in Detroit or Philly, who would be the team you’d choose?
MS: Oh, it’s not even close, it’s the Lions. We had millions at the parades when the Red Wings won, the Pistons. The Tigers haven’t won since ‘84. In Philly when I was a kid I was like the biggest Flyer fan also; I’ve been to those parades. They haven’t won since ’75, which is hard to believe. It’s the Lions. People don’t realize — they’re starting to — they’ve won one playoff game since 1957. It is an incredible statistic. We all know they’ve never been to the Super Bowl. But in this area in the Midwest it’s football first.
If this team, that I believe is cursed, and has had so many awful things happen to it — one guy has died in the NFL on the field, it was a Lion. All sorts of things. The laundry list is incredible and yet people still love this team. If this team could ever, ever win a championship, it would be the celebration among all celebrations. This is like the Cubs, only not as glorious. We’re not the lovable Cubs. We’re the Lions.
BN: Do you have any fun Bruce Springsteen stories?
MS: I have met him a couple of times on vacation in the Bahamas. Word got out that he was there. We went to a restaurant and couldn’t get near his table. The next day I just happened to see him walk into the hotel. I was kind of shy so I didn’t do anything. My wife was with my kids who were five or six at the time, followed him into the jewelry store in the Atlantis. She told him, she goes, “Excuse me Mr. Springsteen, my husband is a big fan. He has this thing in his contract.” He was kind of impressed by that. He goes I’ve got to meet him. I was in a different store so she waves me in. I got to meet him. He was nice. I asked the first question of him at the Super Bowl press conference. I’ve just been to ridiculous amounts of shows although hopefully it works out next year and I can go to Europe and see him. I hear it’s absolutely nuts there.
BN: Any goals going forward that you would like to experience or accomplish?
MS: Wow, I would love to be able to do this for as long as they let me. I’m 62 now. I don’t want to retire. I don’t know if it makes sense healthwise to do mornings for a much longer period of time. But I love what I’m doing.
My one time goal, due to someone getting sick and somebody unavailable, I did play-by-play for two Pistons games. I went on the road with them in Miami and Charlotte when LeBron was on the Heat. That was great. I always thought I’d be better at play-by-play than anything. I would still somehow love to do that but I don’t see too many teams hiring guys my age to do play-by-play for a whole season or something.
BN: Has retirement ever crossed your mind when you’re waking up at the crack of dawn?
MS: No, because I think I’d be bored out of my mind. There’s only so much bad golf I can play. I think as I get older to do more shows from down in Florida where my parents have a place — they’re in their 90s — to go down there and do a week or two of shows would be nice.
My wife’s family has a place up in northern Michigan. Doing a few weeks up there during the summer, that would be good. But as far as absolutely retiring, no I don’t want to do that. I have a feeling those decisions will be made by other people than me. John Audacy; whoever he is.
Actually, I would love to be able to do a podcast whether it’s for our company or not, where I could basically say whatever I wanted. It’s not the company’s fault, it’s just the way terrestrial radio is — that you wish you could just do, but you can’t. Kind of like a Le Batard feel to it, where I’d kind of be like Stugotz, but I’d be old Gotz. I really enjoyed that show. Or because I really enjoy Barstool’s websites and stuff; something like Barstool for old guys. That would be pretty cool.
Beyond The Mask: Henrik Lundqvist Embraced 2nd Career in Sports Media
“It’s not a coincidence you see a lot of goalies working [on] panels and analyzing the game because that’s a huge part of playing in goal.”
Plucking the strings of an acoustic guitar, Henrik Lundqvist found himself beneath the bright lights once again, poised to put on a worthy performance. Just as he aimed to stop pucks from going in the net as the star goaltender of the New York Rangers for 15 seasons, Lundqvist sought to captivate viewers as half of a musical duo featuring former NHL forward Paul Bissonnette.
Their performance of “Good Riddance” by Green Day was in tribute to Rick Tocchet, a former NHL on TNT studio analyst who recently departed the network to serve as head coach of the Vancouver Canucks.
Lundqvist serves as a studio analyst for TNT’s coverage of the NHL, breaking down players and teams throughout the broadcast and bringing his own unique style to the set. His pursuit of a post-playing career in sports media was no guarantee from the moment he retired in August 2021; in fact, he never intended to stop playing the game and competing for a Stanley Cup championship at that time.
During the 2019-20 season, Lundqvist had lost playing time to young goaltenders Igor Shesterkin and Alexandar Georgiev, and by the year’s end, his deal was bought out by the team. In an effort to continue playing, Lundqvist signed a contract with the Washington Capitals – marking the first time in his NHL career that he would not step between the pipes for the Rangers.
Lundqvist never played a game for the team though, as it was discovered in a medical exam that he would need open-heart surgery to replace his aortic valve while also having an aortic root and ascending aortic replacement. Less than two months after the successful five-hour operation, he was back on the ice rehabbing and attempting to make a full recovery – but a few months in, he began to feel unexpected chest pain. Following a medical checkup, Lundqvist was told he had inflammation around his heart. It was a significant setback that required him to step off the ice, take off his goaltender equipment and rest for several months.
After discussions with his family and friends, Lundqvist determined that the risk of taking the ice outweighed the rewards and officially stepped away from the game. Rather than conjuring hypothetical scenarios wherein he did not experience the misfortune and played for the Capitals, Lundqvist looked to the future amid the ongoing global pandemic and thought about how he could best enjoy his retirement.
“I was just mentally in a very good place,” Lundqvist said. “I didn’t have a choice; I guess that makes it easier sometimes when the decision is made because you can’t go back-and-forth – ‘Should I?’ ‘Should I not?’ Yeah, I wanted to play but it was just not meant to be for me.”
Before any definitive resolution on his future endeavors was made though, the Rangers announced that the team would retire Lundqvist’s No. 30 in a pregame ceremony during the 2021-22 season, making him just the 11th player bestowed that honor in franchise history. As a five-time NHL All-Star selection, 2011 Vezina Trophy winner, and holder of numerous franchise records, Lundqvist had the accolades to merit this profound distinction.
Moreover, he was an important component in growing the game of hockey and contributing to the greater community, serving as the official spokesperson for the Garden of Dreams Foundation and founder of the Henrik Lundqvist Foundation. He also was a two-time recipient of the organization’s prestigious Steven McDonald Extra Effort Award, honoring the player “who goes above and beyond the call of duty.”
Throughout the night, attendees regaled Lundqvist with chants of “Hen-rik!” and were treated to flashbacks of some of his memorable career moments. The night was of monumental importance for Lundqvist, during which he expressed his gratitude to the Rangers’ organization, former teammates and fans. Then, Lundqvist — referred to as “The King” — promptly took his place among team legends beneath the concave ceiling of “The World’s Most Famous Arena.”
“When I look back at my career, I know, to me, it was all about preparation; how I practiced and how I prepared for each game at practice,” Lundqvist said. “There’s no regrets, and I hope people, when they think about how I played, [know] that it was 100% heart and commitment to the game.”
Before this ceremony though, Lundqvist and Rangers owner James Dolan had held several meetings with one another. The purpose of these conversations was to determine the best way for Lundqvist to remain involved with the team, its fans, and the community. In the end, he was named as a lead studio analyst on MSG Networks’ broadcasts of New York Rangers hockey before the start of the 2021-22 season: the start of his foray in sports media.
This past summer, Lundqvist negotiated a new deal with Madison Square Garden Sports and Madison Square Garden Entertainment in which he maintained his in-studio responsibilities while increasing involvement in other areas of its sports and entertainment ventures. In this new role, Lundqvist supports the business operations for both companies, assisting in digital content development, alumni relations, and partner and sponsor activities.
When Lundqvist is not in the studio or the office, he can often be found at Madison Square Garden taking in New York Rangers hockey, New York Knicks basketball, or one of the arena’s renowned musical performances. Usually, when he is in attendance, he is shown on the arena’s center-hung video board as an “NYC Celebrity” and receives a thunderous ovation from the crowd.
“The network is just part of it, but it feels great to come there,” Lundqvist said of Madison Square Garden. “Every time I go there – to see the people that I’ve known for so long – but also I love that place; I love The Garden. I think the energy [and] the variety of things that happen there is something I really appreciate. It feels really good to be a part of that.”
Sitting alongside former teammate and studio analyst Steve Valiqutte and sportscaster John Giannone, Lundqvist appears in the MSG Networks studios, located across the street from the arena, for select New York Rangers games. From the onset, he brought his allure and expertise to the set and appealed to viewers – so much so that national networks quickly began to take notice.
“I enjoy watching hockey [and] talking hockey, but the main thing to me is the team; the people that you work with,” Lundqvist said. “The guys on the panel [and the] crew behind. I really enjoy that part of it and having a lot of fun off-camera.”
One month later, Lundqvist was on his first national broadcast for the NHL on TNT where he and Bissonnette famously performed a cover of “Nothing Else Matters” by Metallica that went viral on social media. It had been known that Lundqvist was a musician, famously performing on Late Night with Jimmy Fallon in his Rangers uniform to celebrate the end of the 2012-13 NHL lockout.
In fact, during his retirement ceremony, the Rangers gifted him with a custom-made guitar painted by David Gunnarsson, the same artist who used to paint Lundqvist’s goalie masks.
Aside from occasional music performances, Lundqvist brings an esoteric base of knowledge to the NHL on TNT panel as its only goaltender. Whether it be through player breakdowns, interviews, or dialogue with other analysts, Lundqvist has a perspective to which few professional hockey players can relate. There are various goaltenders among local studio panels surrounding live hockey game broadcasts, and Lundqvist is in a unique situation with MSG Networks in that he and Valiquette are both former goaltenders. Yet on Turner Sports’ national coverage, he is the only voice speaking to this different part of the game.
“It’s not a coincidence you see a lot of goalies working [on] panels and analyzing the game because that’s a huge part of playing in goal,” Lundqvist explained. “Yes, you need to stop the puck, but a huge part of being a goalie is analyzing what’s going on. We can never really dictate the play so you need to analyze what’s happening right in front of you.”
In broadcasting at both the local and national level, Lundqvist is cognizant of the differences in each network’s studio programs. Lundqvist says appearing on the MSG Networks studio panel is more about being direct with the viewer, whereas the NHL on TNT views its panel as being conversational in nature. With Turner Sports, Lundqvist also asks his colleagues about the different teams around the league since he is most familiar with the Rangers both as a former player and studio analyst.
“I’m closer to the Rangers; I see more of what’s going on,” Lundqvist stated. “When you work [national] games, maybe you focus in on teams on the West Coast or [part] of the league you don’t see as often. You try to talk to the other guys on the panel and the crew and figure out things that are interesting about those teams.”
Hockey is a team sport, and Lundqvist felt grateful to play with his teammates and face his competitors over the years. Now as an analyst though, it is his job to analyze their games and critique them when necessary; however, he does not try to be excessively critical.
Lundqvist knows the trials and tribulations associated with the sport and can relate to scenarios many players face on a nightly basis. Therefore, he thinks about his own experience before giving an opinion, especially a critique, instantiating it with comprehensible, recondite knowledge and/or by recounting a similar situation.
“I’d much rather give them positive feedback obviously because I know it is a tough game,” Lundqvist said, “and sometimes it might look like an easy mistake, but if you can give the viewer a better explanation of why he did that, they might have a different view of that mistake.”
Now metaphorically being beyond the goalie mask, Lundqvist’s vision of the game has evidently shifted. He discerns just how intense the schedule is and the rapid pace of the game, axioms he was aware of while playing but inherently avoided thinking about. He has implemented his refined viewpoint of the game accordingly into his analysis, simultaneously utilizing the mindset and savvy he cultivated on the ice. It is, quite simply, a balancing act.
“I think people can be pretty quick to jump on guys and critique them,” Lundqvist said. “That’s where maybe you take an extra look and try to understand why it happened and give those reasons. I think that’s where it helps if you played the game [for] a long time and just love the game [because] you have a pretty good understanding of why guys react a certain way.”
The challenge tacitly embedded in the jobs of most studio analysts – Lundqvist’s included – is in presenting the information to the audience in a manner through which it learns without being confused. It is a delicate craft that takes time and genuine understanding to master, especially related to promulgating hockey analytics as Valiquette does on MSG Networks and within his company, Clear Sight Analytics.
“There’s a lot of educated viewers out there, but there’s also a lot of people that maybe don’t watch as much hockey,” Lundqvist said, “so you want to find that middle ground where you kind of educate both sides.”
By broadcasting both locally and nationally in addition to working in a specially-designed business operations role, Lundqvist is staying around the rink in his retirement while facilitating the growth of hockey. Despite the profusion of young talent, dynamic action and jaw-dropping plays, viewership of the sport on ESPN and TNT’s linear channels has dropped 22% from last season, according to a report by Sports Business Journal.
For Lundqvist though, he does not feel much has changed from playing regarding his responsibility to advance the reach and appeal of the sport. He played professionally for 20 years, beginning his career in his home country of Sweden, primarily in the Swedish Elite League (SEL). In the 2004-05 season, his final campaign before arriving in New York City, Lundqvist had won the award for most valuable player. Furthermore, he was recognized as the best goalie and best player, leading Frölunda HC to its second Elitserien championship in three seasons.
His NHL debut came five years after he was selected in the seventh round of the 2000 NHL Entry Draft by the New York Rangers but unlike many rookies over the years, he came polished and prepared to embrace the lights of Broadway. Following an injury to starting goaltender Kevin Weekes, Lundqvist was inserted into the starting lineup and, from that moment on, virtually never came out.
By the end of his first year, he had been named to the NHL All-Rookie Team and was a Vezina Trophy finalist for best goaltender. Additionally, he remains the only goaltender to begin his NHL career with seven consecutive 30-plus win seasons.
“I think the league is doing a great job of growing the game,” Lundqvist said. “In the end, it comes down to the product and right now, it’s a great product. I feel really good about, the best way I can, to promote the game [by] talking about it, but… it feels like I’ve been doing that for 20 years.”
One means through which Lundqvist attempts to grow the game is within the studio demos he performs with the NHL on TNT, displaying different facets of the game in a technical manner. The show also embraces the characteristics of their analysts and implements them in lighthearted segments, such as zamboni races, putting competitions, Swedish lessons and, of course, musical performances.
“I’m huge on mindset and the pressure,” Lundqvist said. “I love to talk about that type of stuff and give the viewer a better understanding of what goes through their heads. In terms of personality, I don’t know if I can say [that] I’m a serious guy because I love to have fun and laugh and do fun things.”
Lundqvist thoroughly enjoys what he is doing both locally and nationally, and he ensures he surrounds himself with people he wants to be around. There are plenty of other broadcast opportunities for former hockey players, such as moving into the booth as a color commentator or between the benches as a rinkside reporter. At this moment though, he is more focused on being immersed in his current roles, performing them to the best of his ability while ensuring he allocates time to spend with friends and family.
“I see myself more as an analyst in the studio more than traveling around and being in the rink,” he said. “I think that’s another thing with the schedule; it works really well with my schedule to have one or two commitments with the networks, but then I have other things going on in my life that I commit to.”
Plenty of comparisons can be drawn between playing professional hockey and covering the sport from the studio in terms of preparation and synergy. Yet the end result is not as clearly defined since “winning” in television is quantifiably defined as generating ratings and revenue. Undoubtedly, Lundqvist is focused on doing what he can to bolster hockey’s popularity; however, he also wants to enjoy this new phase of his career being around the game he loves.
“In sports, you win or you lose,” Lundqvist explained. “With TV, you want to be yourself [and] you want to get your point out – but at the same time, if you do it at the same time you’re having a good time, I feel like that’s good TV.”
Once their careers conclude, many athletes think about pursuing a post-playing career and oftentimes end up taking on a role in sports broadcasting. On MSG Networks alone, there are plenty of former players who take part in studio coverage on live game broadcasts, such as Martin Biron of the Buffalo Sabres, Bryce Salvador of the New Jersey Devils, and Matt Martin of the New York Islanders. At the national level, Turner Sports employs Paul Bissonnette, Anson Carter, and Wayne Gretzky for its studio broadcasts, while ESPN’s top studio crew includes Mark Messier and Chris Chelios.
All of these former professional hockey players had an obligation to regularly speak with media members, answering questions about games and the season at large. Lundqvist maintained a professional relationship with journalists and beat reporters, and he most enjoyed taking questions when the team was doing well. Regardless of what the end result of a game was though, he had a responsibility to divulge his thoughts and, in turn, be subject to criticism and/or negative feedback.
His stellar career and persona all came from emanating a passion for the game – and it continues to manifest itself beyond the television screen. Listening to those passionate about the game discuss it usually engenders euphony and lucidity to viewers, analogous to the sound of the puck hitting the pads or entering the glove. It is a timbre Lundqvist created 27,076 times throughout his NHL career (regular season and playoffs) in preventing goals, and one he now aims to explain en masse.
“The reason why I kept going to the rink and put all the hours in was because I really enjoyed it,” Lundqvist said. “If you decide to go into media or whatever it might be, I think the bottom line is [that] you have to enjoy it and make sure you have good people around you.”
Derek Futterman is a features reporter for Barrett Sports Media. In addition, he serves as the production manager for the New York Islanders Radio Network and lead sports producer at NY2C. He has also worked on live game broadcasts for the Long Island Nets and New York Riptide. He previously interned for Paramount within Showtime Networks and wrote for The Long Island Herald. To get in touch, find him on Twitter @derekfutterman.
Should the NBA Nationalize Local TV Rights Like MLS?
The NBA’s upcoming rights negotiations will be this transformational idea’s first testing grounds.
Diamond Sports has been anything but a diamond in the sports world. As subscribers leave cable and satellite for streaming services, companies are dropping RSNs nationwide because they are too expensive to carry. This has caused an impending bankruptcy for the company, which owns the local rights to dozens of sports teams nationwide. It is also putting the NBA, NHL, and MLB at major financial risk.
In the short term, it is known that teams will still broadcast on their RSNs even if they aren’t getting the paychecks they were promised in previous rights deals. This will affect teams’ ability to pay players and could even create an unfair advantage among the haves of the sports world like the Yankees and Lakers and the have-nots. The NFL doesn’t face the same problems that the other leagues are facing because its rights have been nationalized.
With the NFL’s continued television dominance, college conferences also bundling up games together for more money, and the MLS guaranteeing themselves television revenue after packaging local and national rights together, could we see the other leagues follow suit? It is an option that is much easier said than done but it seems like we are moving closer to it becoming reality.
The NBA’s upcoming rights negotiations will be this transformational idea’s first testing grounds.
The biggest problem the NBA and other leagues would face are that the local rights to all of its teams don’t expire at the same time. If the league were to sign a deal that included giving all local rights to a streamer, the amount which the league was getting paid would be very unique year after year. It would be crazy for a streamer to pay a huge chunk of money to the NBA all at once if the number of teams they have local rights to changes every year.
It would also be insane to pay an astronomical amount if the streamer is only getting the local rights to small-market teams like the Cavs and the Pistons. A major market team like the Lakers doesn’t renew their local rights until 2032. We’re still in 2023. How does that affect the league’s operating costs?
The NBA would also have to figure out whether teams whose rights don’t expire yet deserve to be included in the pot of money garnered from selling local rights to a streamer. Whether they are or they aren’t, does it put each team at different competitive advantages and/or disadvantages when trying to acquire free agents or front-office personnel?
One of the most interesting puzzles to figure out is what influence a league owner like Washington’s Ted Leonsis has in this potential measure when all is said and done. Leonsis just acquired complete control of the regional sports network — currently named NBC Sports Washington — that broadcasts Wizards and Capitals games for millions of dollars, although the exact amount remains undisclosed.
What does Leonsis do with his network if his team’s games can no longer air there? Can his team opt out of participating in a potential league offering? Or if the games continue to air on his network but are simulcasted locally on the streamer that wins local rights on a national scale, does the streamer have the ability to pay less money for rights?
If so, does that make the deal as lucrative for the NBA? And what does that mean for retransmission fees that cable companies like Comcast pay to Leonsis and other RSNs they’re still carrying?
The league will face a similar problem with the Lakers, Bulls, Knicks and other franchises that either wholly own or partially own a part of the RSNs where they broadcast their games.
I don’t have the answers to any of these questions which is why they are written here in this column. Unfortunately for the leagues, they don’t have the answers either. But if the NBA figures out a way to nationalize their product even more and make streaming games more appealing by ending local blackouts, it’ll benefit the game more than it hurts the game.
NBA, NHL, and MLB games are still some of the highest-rated programs locally in many markets when you look at how they rate vs. other cable and broadcast offerings. But at this point, the ability to charge everyone for a program that only ten percent of subscribers are watching is a losing business proponent.
The leagues should start from scratch and sell a mass package of games for maximum profit. It gives fans a more centralized location to watch their favorite teams and puts the leagues on a much more steady path than where they could be headed sooner rather than later.
Diamond in the rough to sparkling jewel of light? Only time will tell.
Jessie Karangu is a columnist for BSM and graduate of the University of Maryland with a bachelor’s degree in journalism. He was born and raised in Baltimore, Maryland but comes from Kenyan roots. Jessie has had a passion for sports media and the world of television since he was a child. His career has included stints with USA Today, Tegna, Sinclair Broadcast Group and Sightline Media. He can be found on Twitter @JMKTVShow.
Do You Have Affirmations Of Gratitude?
“We are told to be grateful for what we have and remember it could be worse. That feels like a really low bar, right?”
Having gratitude for your life is all the rage. If you, like me, have trouble starting your day with positive affirmations and maintaining a positive outlook about your job, read on!
We are told to be grateful for what we have and remember it could be worse. That feels like a really low bar, right? Here is another version. Try a few affirmations of gratitude instead.
“I HAVE A JOB.”
With interest rates rising, inflation increasing, and spending down; corporations are laying people off. PayPal laid off 7% of its entire workforce. Amazon let 18,000 go. Alphabet (Google) said goodbye to 12,000 jobs. Radio sales managers need to hire people like you – experienced sellers with a track record of bringing home the bacon.
“I AM A PROBLEM SOLVER.”
You solve a problem for your company when it comes to revenue. You know people, and you sell advertising better than anything they can come up with…so far.
Yes, they are trying to replace you, but Zoom Info reports iHeart’s self-serve spot buying service, AdBuilder, is doing under 5 million in business. You have time to solidify your value. Be happy you are the rainmaker.
“I WORK IN THE PEOPLE BUSINESS.”
Sports talk radio is the ultimate companion to millions of listeners. They aren’t robots, and your stations improve their lives by talking about what they care about 24/7. Celebrate selling access to callers, Twitter followers and FANS who go to games. You also get to work with local celebrities that everybody knows but you know best. We all need a connection to other people and want to be seen and heard.
“I GET TO CHANGE HOW I FEEL ABOUT MYSELF.”
In this job, you determine your value, feelings about your work, and who you work with. You get to set a strategy and talk to the businesspeople you want to help and do business with. It’s like running your own business with a tremendous support staff. Try to do it independently, and you will appreciate accounting, traffic, production, and sales assistance. Those wins produce deposits in your bank account.
“I HAVE COMPETITION!”
That format competitor across the street does things differently and sometimes better than you or tries to imitate you and looks terrible. They motivate you to beat them to a new account or put a moat around your best clients so they can’t be touched. They keep you sharp and willing to try new things. Good competition schemes to take money from your station, and your management needs you to protect them. And they also provide a place for you to work one day. The FTC wants to eliminate non-competes so you can walk across the street this year.
Jeff Caves is a sales columnist for BSM working in radio, digital, hyper-local magazine, and sports sponsorship sales in DFW. He is credited with helping launch, build, and develop SPORTS RADIO The Ticket in Boise, Idaho, into the market’s top sports radio station. During his 26 year stay at KTIK, Caves hosted drive time, programmed the station, and excelled as a top seller. You can reach him by email at email@example.com or find him on Twitter @jeffcaves.