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ESPN Planning ‘Futuristic Look’ For MLB Home Run Derby

“Despite the network planning to display advanced renderings and interpretations of sports data into the broadcast, the top priority remains showing the viewer each pitch as it happens, along with giving viewers unrivaled access to the field, players and spectators.”

Derek Futterman

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As the “Worldwide Leader in Sports,” ESPN continues to pioneer the future of sports event production through its partnership with various properties, including the National Football League, National Basketball Association and Major League Baseball. The decades-old staple of the entertainment and sports industry plans to amplify its coverage of Major League Baseball All-Star Week in a contemporary, progressive manner not yet seen in sports television.

According to the network, it will “provide expansive coverage of the 2021 MLB All-Star festivities from July 11-13 in Denver,” including the first round of the 2021 Major League Baseball Draft, the Home Run Derby and the All-Star Celebrity Softball Game.

The Major League Baseball Draft was exclusively presented on MLB Network beginning in 2009 when Los Angeles Angels’ outfielder and American League all-star starter Mike Trout was taken with the 25th pick in the first round. Since then, the MLB Draft has grown into an event that interests baseball fanatics, and has become an opportune time for other events to be cross-promoted. ESPN and MLB Network simulcast the Draft for the first time in 2020, with the event taking place out of ESPN’s studios in Bristol. For the first time in its history, the Major League Baseball Draft will take place during Major League Baseball All-Star Week, after plans to hold it in conjunction with the College World Series in Omaha fell through due to health and safety concerns associated with the COVID-19 pandemic.

“We had already been pushing to add simultaneous coverage of the Draft with MLB Network,” said Phil Orlins, who serves as the senior coordinating producer of Major League Baseball, Little League and College Baseball for ESPN. “When the draft happened around early July last year, we were super eager to do it because, at that time, we didn’t have many live sports. We wanted to do it again this year, but it’s just not in the construction of our deal with Major League Baseball. I think we were fairly confident that it would work out, [as] it optimizes the visibility of the event for [both] ESPN and MLB Network to cover it.”

When Major League Baseball made the decision to move 2021 All-Star festivities from Atlanta to Denver in early April, logistical challenges were presented to Orlins and his team, who generally start preparing for these slate of events in the early autumn of the previous year. Unlike Truist Park in Atlanta, Coors Field in Denver does not have a connecting venue with the capability to host the Draft, coercing the network to find alternate ways to transmit the event from the new venue, the Bellco Theatre, to the ballpark, venues that are 1.4 miles away from each other.

The move also impacted the planning of the Home Run Derby, an event that has engendered much interest since its inception in 1985. While the original nine-month timetable was quickly compressed down to three due to the decision by the league to relocate the festivities, Orlins knew that his team would be able to handle the challenge.

“We’ve been doing this for a lot of years,” said Orlins. “[The move] caused a little bit of extra urgency and speed to the work, [but] I don’t think it has any real impact as to how the event will be covered.”

Orlins produced the first Home Run Derby broadcast on television in 1993, in which Seattle Mariners superstar and National Baseball Hall of Fame member Ken Griffey, Jr., crushed a home run off of the B&O Warehouse at Oriole Park at Camden Yards in Baltimore. Originally a 30-minute taped show, the veteran producer considers the impact he had in the event’s evolution as one of the signature moments of his career.

“I remember back in the day the seats were free for fans,” reminisced Orlins. “Then, it grew to a $5 charity donation per seat, and now it is a jewel event. It’s been amazing seeing that event capture the public’s fancy.”

ESPN is set to exclusively telecast the Home Run Derby on both the primary ESPN channel and ESPN-2, with each broadcast targeted for different segments of the viewing audience. The parent network, ESPN, will be taking a conventional approach, featuring a broadcast team of Karl Ravech, Eduardo Perez, Buster Olney and Marley Rivera calling the action and giving viewers an entertaining, traditional viewing experience. Conversely on ESPN-2, Jason Bennetti, Jessica Mendoza and Mike Petriello will explore the contest from an analytics-driven perspective, relying on Statcast technology to examine metrics such as launch angle, distance, exit velocity and barrel percentage to name a few, implementing them into the broadcast. This style of broadcast, which first debuted on ESPN’s coverage of Major League Baseball just prior to the turn of the century, is designed for the astute, perspicacious viewer, and will use graphics and groundbreaking technology to envision these data-powered metrics in an elucidatory, provocative mode.

“The pervasiveness and the capability of what Major League Baseball has been able to do through Statcast is unbelievable,” affirmed Orlins. “We felt [this broadcast] was a chance to more aggressively-serve… diehards who absorb sports and want all the information in every way [it can be presented]… without alienating more casual viewers.”

Since the Home Run Derby began its utilization of an alternative presentation in 2018, the network has watched the proliferation of its viability, and plans to take the broadcast to new heights this year. Even though the Major League Baseball All-Star Game will be exclusively broadcast on Fox as normal, the networks will share equipment to ensure that both their broadcasts eclipse the status quo.

“We have a really aggressive plan to differentiate the visual coverage of the at-bats with significant augmented reality,” said Orlins. “I think it’s going to be a very futuristic look.”

Despite the network planning to display advanced renderings and interpretations of sports data into the broadcast, the top priority remains showing the viewer each pitch as it happens, along with giving viewers unrivaled access to the field, players and spectators. With these concomitant objectives, broadcasting the event to serve all of them was something that presented a challenge to ESPN prior to the advent of the split-screen coverage box.

“We keep a pretty comfortable portrait-style type shot of the batter and pitcher, and we [have an approximately] 4 x 3 coverage box on the right side of the screen,” explained Orlins. “We have a constant shot of the pitch and the swing on one side, and we’re able to track the balls and reactions on the bigger box on the other side. Until we made that move, we were just in an uphill battle at all times; in the worst-case scenario, pitches were being thrown before home runs were landing. There’s a comfort in never losing track of when the pitch is coming.”

Something different from previous years, however, is the highly-saturated marketplace that exists for live sports. The Home Run Derby, usually a showcase, professional sporting event leading up to the Midsummer Classic, has to compete with the N.B.A. Finals between the Milwaukee Bucks and the Phoenix Suns, along with the buildup towards the 2020 Tokyo Olympics, which are set to begin later this month after a year-long delay. These premium events notwithstanding do not take away from the appeal of the Home Run Derby, as the setting for this year’s event is the high-altitude Coors Field, which, on average, yields the longest home run distances out of any ballpark in the major leagues. Moreover, its showcase participant is the man who is being called the closest thing to Babe Ruth since, well, Babe Ruth himself: the Los Angeles Angels’ two-way phenom, Shohei Ohtani.

“I can’t believe I’m actually saying this,” expressed Orlins, “but the Babe Ruth comparisons actually almost fall short at this point because, while Ruth was an excellent pitcher and the greatest hitter of all-time, he really never did them both at the same time to this degree, and he certainly wasn’t being measured on Statcast either. [Ohtani] is going to be the number one seed, [and] he’s positioned to bat in the spot that will lead our audience to there. I think there is a mystique and intrigue as to what will happen.”

The rest of the field for the Home Run Derby, which includes New York Mets’ slugger and reigning event-champion Pete Alonso, Texas Rangers’ outfielder Joey Gallo and the prolific Washington Nationals’ all-star Juan Soto, is sure to generate peak ratings and cultivate feats worthy of awe and incredulousness among fans and analysts alike.

“We promote the event extremely-aggressively,” said Orlins. “We are very fortunate to have one of the strongest possible promotional stand-out elements of the event, which is holding a home-run hitting contest at a high altitude.”

Following the Home Run Derby, ESPN will feature the All-Star Celebrity Softball Game, which will be broadcast by father-son duo Tim and Jeff Kurkjian. The event will feature notable celebrities including The Miz, Kane Brown, JoJo Siwa and Quavo, along with athletes Larry Walker, Jenny Finch and CC Sabathia.

“It’s an event that probably takes 75 minutes in the ballpark,” Orlins explained, “but gets cut down to about 46 minutes on television. The main thing is [being[ fun and clever [about] things to do with the various participants [at an] aggressive-pace. It’s how you quickly, effectively trim it down, making your commentary make sense when you are trying to eliminate all of the balls not swung at.”

Lastly, on Tuesday night, Jon “Boog” Sciambi and Chris Singleton will be on the call for the Major League Baseball All-Star Gameon ESPN Radio, the 23rd year it has been the national radio home for the midsummer classic. Additionally, Sciambi and Singleton will provide listeners with all the action from the Home Run Derby on the air Monday night.

ESPN’s multimedia coverage of the Major League Baseball All-Star festivities is also available to be streamed on the ESPN App, and will be the first Major League Baseball All-Star Week to occur since July 2019.

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Evan Cohen Wants to Be as Relatable as Possible

“If you stay true to kind of what got you here and stay true to what you believe is right in terms of radio, then I think that you’re going to be good.”

Derek Futterman

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Evan Cohen
Courtesy: ESPN Images

Evan Cohen had an advantage when deciding how to introduce himself to the audience thanks to a dual role as both a host and an executive. Ushering in a new era of ESPN Radio, he prompted Michelle Smallmon to talk about why she came in the show’s premiere episode with a black eye.

Viewers of the program could see it for themselves on ESPN2 as she regaled the tale of what happened in her New York City apartment, instantly invested and intrigued by the story and everything thereafter. Even though the circumstance timed itself perfectly, Cohen took a risk in starting a show this way and learned the details behind the incident with the audience live on the air.

Whether it is about sports or not, Cohen is always prepared. Watching games is just as important as the viewing experience, trying to find the metadramatics in each situation to present consumers with parlance and conversation that goes beyond expounding statistics. Sports radio has an inherent element of entertainment that forges a strong connection with its listener base, and these narratives tend to have more value than meretricious greetings.

“If I’m doing the show and we’re doing the show that we think is right, our life is work and our work is life,” Cohen said. “….If you just make up in your mind, or at least I have made up in my mind, ‘My entire life could be show fodder,’ then it’s always enjoyable.”

Good Karma Brands and ESPN have been business partners for more than two decades. In the first quarter of 2022, Good Karma Brands acquired ownership of ESPN New York 1050, ESPN 710 Los Angeles and ESPN 1000 in Chicago. As part of that agreement, Good Karma Brands continued its digital sales obligations for ESPN as its official operating partner and inked a local marketing arrangement (LMA) to take on select responsibilities pertaining to ESPN New York 98.7. 

When ESPN began layoffs mandated by The Walt Disney Company in order to slash $5.5 billion in costs, the audio division of the outlet took a significant hit. Program directors Ryan Hurley and Amanda Brown were relieved of their duties, as were executives Scott McCarthy, Louise Cornetta and Pete Gianesini. Additionally, those within the ESPN Radio Network sales staff lost their jobs as the company finalized a renewed deal with Good Karma Brands to execute sales responsibilities within the company’s radio and podcast networks.

Cohen is part of this transition as the vice president of content for Good Karma Brands, but he has no jurisdiction over what happens at the outlets in New York and Los Angeles from a managerial standpoint. As it relates to other ESPN affiliates owned by the company, he works directly with market managers and content directors to ensure that they produce content that best satisfies three key performance groups: fans, teammates and partners. The partnership is one factor that Cohen affirms proves ESPN’s commitment to content crafted for the ear.

“[ESPN has] decided that [it] would like to find partners to go out and find a way to market the content to great advertising partners that they can put [its] message on, and [it wants] to bring in best-in-class operators who do that on a daily basis to help raise the profile of [its] audio,” Cohen said. “I think people have had this twisted for so long.”

ESPN Radio announced a revamped national weekday lineup in late August with experienced hosts up and down the board. From Freddie Coleman and Harry Douglas to Amber Wilson and Ian Fitzsimmons, new and unique pairings are keeping listeners interested and entertained with the latest sports talk.

Starting off the day is a three-person composition with Chris Canty, Michelle Smallmon and Cohen on Unsportsmanlike, and early reviews of the show have been favorable. For Cohen, reaching this point of his career required taking calculated risks and seizing any opportunity that could help him grow – even if it was outside his direct interests.

When Cohen was 9 years old, he heard Mike Francesa and Christopher “Mad Dog” Russo on WFAN for the first time and remembers distinctly thinking that he wanted to work in sports media. 

In addition to working on the student radio station and newspaper at the University of Wisconsin, he had professional experiences over every summer. An internship with the Madison Square Garden Radio Network marked his first external radio endeavor, and subsequent experiences at WFAN and various network public relations departments bolstered his acumen and comprehension.

During Cohen’s junior year at the university, he interned for the Wisconsin Badgers broadcast team, consisting of Matt Lepay and Mike Lucas. For football and basketball home games, along with television and radio shows, he observed the way they went about their jobs and helped out where he could. Learning both through osmosis and involvement assisted in his erudition, but there was no viable substitute for bonafide repetitions.

“Matt Lepay taught me a lesson early on [by saying], ‘If you want to be on the air, you’ve got to get on the air,’” Cohen recalled. “He was specific in the way he said that because he didn’t say, ‘If you wanted to be a sports talk radio host, you’ve got to do sports talk radio.’”

Good Karma Brands had found its niche in the sports talk format and was starting an ESPN Radio affiliate from scratch in West Palm Beach, Fla., leading Cohen to relocate and host a show produced by John Martin. Originally on 760 AM, the station implanted itself in the country’s largest market without a sports radio station at the time and included programming hosted by company executives Craig Karmazin and Steve Politziner themselves. Today, ESPN West Palm is in the midst of celebrating its 20th year on the air and has established itself as one of the outlet’s trusted and respected sports media outlets.

Cohen, however, quickly found out that he was going to be much more than just a host. As he was discussing the job offer with management, he remembers being told that no money would be invested in advertising the station and that no full-time producer would be hired. Furthermore, working as a salesperson would be a condition of his employment as a host, requiring that he execute the role during the day to catalyze remunerative growth.

“It was the single greatest experience I could have because it allowed me to appreciate being on the air,” Cohen affirmed. “It allowed me to work to be on the air, and we started something from scratch that the only way we could make it work was grassroots efforts of being there, meeting people and learning the market.”

Upon being informed of the offer though, Cohen expressed some ambivalence regarding whether or not he should take the chance and called his father to ask his opinion. He was met with a resounding plea to take the job, with his father emitting shock that he would even consider turning it down in the first place. Today, Cohen is often asked how media professionals can exit their comfort zone, to which he frequently replies, “You have to determine what your comfort zone is in order to know how to get out of it.”

Despite West Palm Beach’s status as a top 50 market, the area at the time consisted of many transplant sports fans with allegiances to various teams. Evidently, personalities had to be able to talk about non-local topics. Hosting shows in this marketplace helped him relate to different types of listeners and foster connections with strategic corporate partners, preparing him to continue broadening his horizons.

“You’re appealing to a fanbase that is not solely focused on one team, so how do you connect with them?,” Cohen expressed. “I think it’s [by] being as relatable as possible.”

Cohen connected to the local marketplace by working on Florida Atlantic University broadcasts of football and basketball games in various roles, including as a play-by-play announcer, analyst and sideline reporter. He could also be heard on the Miami Hurricanes Radio Network as the host of its postgame show, coinciding with opportunities to serve as a fill-in host on FOX Sports Radio. Former vice president and general manager Andrew Ashwood afforded him the chance to contribute to the outlet, a place where he ended up meeting colleagues Jorge Sedano, Greg Bergman and Chris Morales.

“It’s crazy in this industry how many people you meet early on,” Cohen said. “Then later in life, you work on different projects with [them] and now I’m interacting with all of them [at] ESPN LA.”

While most of Cohen’s work took place on the radio, he also gained television experience as the sports anchor for WPTV, the local NBC affiliate. The job emanated from a deal that tabbed ESPN 760 sports radio personalities to appear on the news channel to provide local sports features and contribute to the Braman 5 Sports Live nightly sports wrap-up program. The confluence of exposure and expertise, combined with fortuitous timing, put him on the radar of  SiriusXM.

Cohen began hosting a four-hour morning drive program on Mad Dog Sports Radio with former baseball executive Steve Phillips and worked closely with lead producer Mike Babchik. Later in the day, he would host his two-hour show on ESPN West Palm while continuing to serve in a managerial role with Good Karma Brands. Cohen’s days were jam-packed with media obligations, and he split his time between New York City and West Palm Beach each month to effectively perform his roles. Regularly appearing on a national and local outlet each day, he adopted nuanced differences in his style while keeping a consistent approach.

“The platform is the biggest thing that’s different [in] who’s watching and who’s listening and the amount of people,” Cohen expressed. “If you stay true to kind of what got you here and stay true to what you believe is right in terms of radio, then I think that you’re going to be good.”

Cohen and Babchik eventually began hosting the show, renamed The Morning Men, together when Phillips transitioned to work on SiriusXM MLB Network Radio, an idea they had discussed previously and implored station management to cosign. Former New York Jets guard Willie Colon joined the program in 2021, and the show continued to gain traction on the air. After some time passed, Cohen came to end his afternoon program in West Palm Beach after more than 5,000 episodes of his show to focus on his SiriusXM and Good Karma Brands managerial responsibilities.

Continuing the three-person hosting format as he did with SiriusXM and Morning Men made sense to him of the caliber of talent he is working with now on ESPN Radio’s Unsportsmanlike. Michelle Smallmon had been a successful radio producer and found success in multiple morning teams on 101 ESPN in St. Louis. Chris Canty had played in the NFL and appeared both on radio and television with ESPN, taking the preparation of his show as seriously as lining up against Tom Brady. Cohen is cognizant of the fact that this is a show with invaluable levels of radio experience and can appeal to consumers from numerous markets.

“When I get this insane opportunity to be at ESPN and to be a part of this show and to work with two people like that – man oh man,” Cohen said. “You can’t be luckier than I am to work with that level of talent.”

Canty authored the name of the show during a brainstorming session, recognizing that its goal is to find enjoyable and convivial aspects of every story discussed. Deviating from usual sports media structure by focusing on celebrating the game and its players is at the center of their ebullient mindset. 

Relatability and connectivity are the keys to success for any sports radio program, effectively transforming casual listeners into devoted fans who can advocate on the show’s behalf and convince more people to listen. There is no host who has done that more effectively in the history of the medium, according to Cohen, than Howard Stern. 

“If you think about the Howard fans, they support Howard in a way that is so unbelievable that I think the mark of a great show is, in some ways, getting your fans to contribute to the marketing department,” Cohen said. “The more the fans can promote the show, the better your show is going to have a chance to succeed.”

None of that is possible without some level of vulnerability and divulgence of personal life, continuing to entice listeners and retain their mind share. Growing comfortable in doing that as an executive took time for Cohen, and he now feels he has reached a point where he can relax and fulfill his obligations with aplomb. Having a vested interest in both sides of the partnership centers his focus on how the brands can help one another achieve their collective goal of generating revenue and garnering relevancy.

“I think that I am unbelievably lucky to have both,” Cohen said. “….I get to learn so much from so many people at both companies and then kind of be that messier of ideas so to speak with both spots.”

Good Karma Brands will forsake the 98.7 FM signal in New York City in August 2024, converting ESPN New York’s distribution solely to the AM band and other digital channels. The decision to abdicate its position on the FM dial saves $12.5 million for its annual lease fee, perpetuated by internal data that reveals that 60% of station listenership comes outside of radio. 

“I see no time in which Good Karma Brands will not do everything in its power to make sure the fans consume our content in a way that partners can support that will make teammates happy,” Cohen said, who did not have direct involvement in this decision. “I have no idea where and when that lands and how that lands, but I know for 20+ years, the goal of Good Karma is to make sure fans consume our content in a way that partners want to support and makes teammates happy, and I’ve never seen anything otherwise.”

Cohen references New England Patriots head coach and general manager Bill Belichick in what he looks for from himself and his colleagues on a day-to-day basis. Whenever he is asked what encompasses a successful effort on the field, Belichick will usually reference all three phases of the game – offense, defense and special teams.

“I look at it in the same way [with] all three phases,” Cohen said. “The three phases are sales, marketing and content – but in essence, it is fans, teammates and partners. If we hit all three of those phases, we will be successful.”

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Where Does the Biggest College Football Story in Years Go From Here?

“Teams battling for bowl eligibility aren’t normally big ratings winners, their games normally relegated to the conference networks rather than the ESPNs and FOXs of the world. But, this is no normal team.”

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Deion Sanders
Courtesy: USA Today/Rueters

There is zero doubt what has been the biggest story of the 2023 college football season – Coach Prime and the Colorado Buffaloes. Take me back to the middle of August and I would never have believed I would type that sentence. 

What Deion Sanders has accomplished in eight short months on the job is absolutely astounding. Make no mistake; he took over a program that was completely adrift, turned over the majority of the roster and started 3-0 with three of the most viewed games of the college season. Nobody without the last name of Sanders could’ve genuinely expected that to happen.

At some point, every Cinderella meets midnight. The clock seemed to strike twelve for the Buffs in Eugene, Oregon Saturday. Colorado was never in a game that finished in a 42-6 Oregon win. Everything you feared about this Colorado roster appeared in one dreadful afternoon. The best two-way player, Travis Hunter, was sidelined with injury and there is no replacing him. Their lines of scrimmage were overwhelmed resulting in Oregon out gaining Colorado by 323 yards. Running for his life, quarterback Shedeur Sanders had by far his worst passing day. It was an across the board failure for The Buffs.

That raises an important question: What does the media do now with Colorado? The Buffaloes have been television gold to this point of the season. The only game to have better TV ratings in week one was a stand alone Sunday night game featuring Florida State and LSU. In week two, only college football royalty, Texas at Alabama, had more viewers. The biggest ratings test was week three when Colorado didn’t kick off until 10:30 pm ET. That game was the number one game of the week and still had more than 8 million viewers at 2:15 AM ET. Again this past weekend, the initial overnight ratings showed Colorado at Oregon took the top spot. That’s two noon ET, a 3:30 pm ET and a 10:30 pm ET window that Colorado has turned into a massive TV number.

Will it continue if they start losing games? The possibility is there, it all starts Saturday with undefeated USC visiting Boulder for FOX’s Big Noon Kickoff, the Trojans are a three touchdown favorite over the Buffs. After that, Colorado gets a bit of breathing room against the dregs of the PAC 12, on the road at Arizona State and at home against Stanford. After those two “breathers” the schedule is mostly unrelenting with UCLA, Oregon State, Arizona, Washington State and Utah. Becoming bowl eligible will be a massive accomplishment for Sanders’ squad.

Teams battling for bowl eligibility aren’t normally big ratings winners, their games normally relegated to the conference networks rather than the ESPNs and FOXs of the world. But, this is no normal team. Everything Colorado has been big ratings, viewership and clicks for the outlets that cover college football

There is a possibility that the people who have watched in massive numbers hoping Colorado will win will continue watching even if the wheels start to come off. Likewise, those watching in hopes Colorado will lose big will tune in to “hate watch” the rest of the schedule. Either way, I don’t expect the coverage of Colorado to decrease at all. Simply, the demand is still there.

If Colorado starts dropping games, they become injured Tiger Woods. For the better part of a decade, Woods would limp his injured body into majors with what seemed like equal odds of winning and withdrawing due to injury. There were times it was tough to watch…but, we watched every shot. We watched every shot because the networks showed every shot. It did not matter if Tiger was 10-under or 10-over, we saw Tiger do everything.

Tiger got that treatment because he was the best in our generation by a mile. Colorado has not been the best but there are no rules in what the public demands for coverage. They get to dictate what they want to consume and, if ratings is our goal, it is our job to provide them as much of that as they demand. That means Colorado coverage isn’t going anywhere. As Deion Sander loves to say, “We Comin.” The question is “Will you be watching?” Something tells me you’ll be given every opportunity.

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Marcus Spears is One of One

“His laugh is infectious. His facial expressions are memorable. He just makes for good TV.”

Demetri Ravanos

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Marcus Spears
Courtesy: ESPN Images

Paychecks for the likes of Stephen A. Smith and Troy Aikman make headlines. The hiring and promotion of Pat McAfee started an industry-wide conversation. They all matter to ESPN, but none of them are as valuable to the network as Marcus Spears.

If that was something you didn’t know, it should be clear after last week when he took an entertaining moment on First Take, and turned it into the central conversation on social media just by naturally reacting to Chris Russo’s weekend plans.

Sports media is the entertainment business. Knowledge and insight are great, but they are useless if you are not interesting enough to hold the audience’s attention. Even the most successful and seasoned veterans in our industry can lose sight of that reality. Spears never does and more importantly he regularly delivers in both areas.

Marcus Spears’s strength is his emotion. The man has absolutely no pokerface and that’s a good thing for the audience. His laugh is infectious. His facial expressions are memorable. He just makes for good TV.

Coaches and producers are looking for the same thing. They need players and performers that are difference makers. They are stars and they can make stars out of the men and women around them. That is Spears to a tee.

For a man who earned a spot in the NFL Draft and banked millions by making quarterbacks’ lives hell, Spears has been heaven sent to the quarterbacks at ESPN. His partnership with Dan Orlovsky on NFL Live is the heartbeat of the show. Sure, Mina Kimes’s breakdowns are awesome and Adam Schefter’s information is what makes the show essential for so many fans, but it is the interplay between Spears and Orlovsky that makes the show entertaining. 

Spears is a Louisiana foodie from Baton Rouge. Orlovsky drinks red win with ice in it and thinks any spice beyond salt and pepper is too much. The fact that they not only get along, but genuinely love one another, makes the frustration Spears can feel for Orlovsky better than anything else in ESPN’s day time lineup.

The first time I met Spears, it was on the set of Thinking Out Loud, the show he did on the SEC Network with Greg McElroy and Alyssa Lang. Within five minutes of his arrival on set (he was dressed like Kiss’s Gene Simmons for the show’s Halloween 2018 episode), it was easy to see that he was the glue. 

I’m not the world’s biggest McElroy fan outside of game analysis, but Spears softened him and made the former Crimson Tide quarterback downright likable. That was the emotion shining through. Spears is insanely likable and he is fun to be around. You don’t have to be in the same room with him to know that. It comes through your TV screen when he is on. If he is cool with Greg McElroy, then the audience knows it can be too.

My mom adores Marcus Spears. She wants him to come to her home in Alabama so she can cook Greek food for him and listen to his stories. I told Marcus this when we met in 2018 and he responded “That’s not a surprise. Mamas love me.”

It was maybe the second or third thing we said to each other after “hello” and he already had me laughing and feeling like we were best friends. Not just anybody can do that.

But Spears does so much more than just make people feel good. Look at this clip of him on NFL Live in 2021 talking about the video of Urban Meyer receiving a lap dance from a woman that is not his wife at a restaurant in Ohio. 

Spears drew on his experience as a player in the league and on the opinions he had of the Jacksonville Jaguars, who Meyer had coached to an 0-4 record at that point, to deliver a scathing take down of a guy that is rightfully remembered as the worst coach in the history of the NFL. 

His thesis was clear. He was careful to note that he took his time to arrive at his conclusion, and his belief could not be shaken. That is then kind of conviction I want from a talking head demanding a coach should be fired.

Few people can communicate the way Marcus Spears can. He is clear with his opinions and finds the right balance between boldness and brevity. He is willing to answer any question you ask, but he answers in a way that is easy for the audience to digest and remember.

I just think the world of Spears as a TV presence. There are some people that are so entertaining as their authentic self that I could listen to them talk about anything and be captivated. Most of them are comedians. In the sports media world, Spears is one of one.

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