Do you remember Ben Zobrist? The utility baseball player was a Swiss Army knife — second baseman, outfielder, switch-hitter — most notably for the Royals and Cubs during his career. The guy practically sold hot dogs and handed out cotton candy as well.
In many ways, Chris Plank is the Zobrist of sports radio. Plank hosts multiple national shows, a local show in Oklahoma, broadcasts OU softball and volleyball games, and was also a program director. The only thing missing from his credentials is International Man of Mystery or 007.
Plank’s versatility has made him valuable to numerous companies throughout his career. Broadcasters that accumulate so much time behind the mic usually have interesting observations and great stories. Plank is no exception. He talks about Oklahoma’s shift to the SEC, his most challenging role, the point when he thought he made it in the industry, and the partner that makes him want to quit radio. It’s easy to feel Plank’s passion for broadcasting when you hear him. Reading the conversation below is no different. Enjoy.
Brian Noe: What has local sports radio been like ever since Oklahoma announced that it’s heading to the SEC?
Chris Plank: Oh, it’s been wild. I know you work with Tyler McComas. We were putting together a piece on SEC expansion for a magazine we write for. He gave me a quote where it was one of the most exhilarating feelings whenever you realized this was really happening. We have probably spent the better part of like 15 years talking about conference realignment. Is the Big 12 going to expand? Is the Big 12 going to survive? Where is Texas A&M going? What’s up with Nebraska? This has been a regular topic of conversation forever.
When you realize that this is legit, that this is really happening, it’s unlike anything I’ve experienced. It’s been exciting. In my state in Oklahoma, it’s been very combative. Oklahoma State fans are pissed and understandably so. Oklahoma State has a lot to provide and always wants to talk about hey, we don’t need Oklahoma. But then when push came to shove they realized wait, you did this without us. So their fan base is mad. That brings in a whole different kind of angle to all of this. To see those two sides come together on social media and just clash, it has been a wild couple of weeks. We’ve spent a long time thinking we had things figured out and then boom, something hits and it’s been one of the craziest things I’ve ever seen.
BN: Is it better for your local sports talk show if Oklahoma stayed on top in the Big 12, or shifts over to the SEC where who knows what happens?
CP: The complaining about not having a good conference home has always been fascinating from my seat focusing on Oklahoma a lot. And as someone who works regularly on Big 12 Radio, yeah I’m okay if they wanted to stick around for a little bit. But Joe Castiglione is the best athletic director in the game. In my role that I have with the University of Oklahoma, he has always challenged us to have a broad vision. I’m all about what’s best for the greater good. And for the greater good in this instance is the health of the University of Oklahoma.
Do I love the conference debating and things that have taken place for so long? Yeah, sure. It’s fun. But at some point the rubber has got to meet the road. I’m absolutely positively juiced about this for the future of Oklahoma. And I don’t know what it holds. You think about people that work for the Longhorn Network at Texas. What does that truly hold for them? We don’t know. What does it hold for those of us at Sooner Sports TV? You don’t know. But you’re excited for the potential of what it could mean and where it could go with the SEC. So I’m pretty juiced about it.
BN: You’ve got your local show, your national commitments, the Oklahoma stuff; what does your schedule look like during the workweek?
CP: Every day is different. I have my local show which is on at 9 a.m. Monday through Friday. Outside of that I’m just picking up whatever I can get. My number one priority is the University of Oklahoma. If it’s the podcast that we put together, a TV deal that they need me to sit in on, a volleyball match that needs a play-by-play guy, that’s number one on the depth chart. That’s why I’m here. That’s why I live in Goldsby, Oklahoma, just outside of Norman, because I wanted the opportunity to do more. If you ask what the daily schedule looks like, it varies. But if you’re looking at the depth chart, that’s number one.
It’s like a very complicated jigsaw puzzle. Sometimes when you look down and you feel like you have too many pieces to fit in one place. It’s like jeez, there’s a SiriusXM responsibility, there’s FOX Sports Radio, you’ve got two games, your local show’s got a remote here, oh by the way there’s another game you need to add, you’ve got a TV show, and then there’s a Coach’s Corner and a practice report. How are you going to fit all of these together? It always works out. Then there’s some weeks where it’s like oh look, you’ve got your local show. [Laughs] It’s wild to think about.
I think we all want to be in that situation where we’re doing a three to four-hour show Monday through Friday and that’s it. We don’t have to worry about filling in the voids anywhere else. But I’ve got three kids; all of them are going to want to go to college at some point. I’ve got a wife that’s a stay-at-home mom whom I love very much and I want to provide for her. I can do all of my stuff from here at home for the most part. It’s a walk from my house to my garage. The easiest answer is I don’t know what my daily schedule is because it changes seemingly every single day and I love it.
BN: If you go back to the beginning of your career, how did you get into sports talk?
CP: I got out of college and I had decided that I wanted to get into TV. I couldn’t get a job. I had been an intern at a couple of places. I got a part-time job at 1430 in Tulsa. I worked at this media services place, Orca Incorporated. My boss was Harry Willis. He was a big sports fan. They had a spot open up for a producer on a morning show. I was like hey I’ll jump on and help. It was kind of non-stop from there.
We had a few issues where personnel changed, so I ended up just basically starting as a part-time board op, Brian. It led to an 18-year career at one station, which is an anomaly in this business. I’m very proud of that. I’m not saying it was always the most lucrative thing on the planet and I have an ex-wife to prove that, but it was a unique route because I went from part-time board op, to full-time co-host, to afternoon host and program director in about the span of three years. I’m 23 years old and I’m running two stations. I don’t have a clue of what I’m doing. That’s how I got in.
I was very lucky when I was in college. I went to the University of Tulsa and I worked in the sports information department. I got to know a lot of the media guys. That helped a lot. The play-by-play guy at Tulsa had just started, Bruce Howard, and he’s been a lifelong friend and mentor to me. It’s been wild to think about that time — we’re talking ‘97 here — the thing was you’re going to go to Bozeman, Montana and then you’re going to go maybe Sacramento, and then if you’re lucky you could end up in St. Louis. I was prepared for that path, but it just never really materialized. I fell in love with radio and thankfully it got me to where I am today, which is finally making enough money at 46 to keep my head above water. Barely.
BN: When did you feel like you had made it in radio?
CP: In ’07 I got a divorce. I realized, all right I’m going to have to do something more than being the afternoon host on 1430. There was a guy named Andrew Ashwood who worked at FOX Sports Radio. He had helped me out with a few things because I needed some advice on a guest or something. I said listen, I’m thinking about sending out these CDs, will you listen to it and tell me what you think? He called me back and he was like do you want to fill in on Saturday night? I don’t even know what that means but okay. I have no idea.
I ended up filling in in like ‘07. It took off from there. I ended up doing what was The Third Shift, which was 1-5 a.m. on Saturday and Sunday nights. Ben Maller was doing the weekends. I think Jorge Sedano had just taken off for ESPN. They moved Ben to the weeks and I did the weekends. Somewhere in there they had a massive bottom fallout in radio. I want to say it was like ’08, somewhere around there. And everyone was gone. The whole thing changed. At that point I felt like I had made it. I’m doing national shows. I’m making good money. It’s on top of what I’m doing locally. Everyone locally is happy. That was a moment I thought I had made it.
BN: What led to you doing sidelines during Oklahoma football games?
CP: It was perfect because in 2011 the play-by-play voice for Oklahoma retired. Bob Barry was a longtime, legendary play-by-play voice. I had done some fill-ins. I did a basketball game on New Year’s Eve in like 2009 when Tiny Gallon broke a backboard. When he retired they moved Toby Rowland, who was the sideline guy, up to the booth. I happened to mention hey, if you need someone to fill in for the spring game, I’d love to do it. The station I was at in Tulsa was an affiliate with Oklahoma. So they’re like yeah, go for it. Let’s do it.
It’s still one of the wildest things because I hadn’t met Toby once. We did that one game together and you knew it clicked. You just knew that this can work. If you guys will have me and if I can do what you want, I have no problem driving back and forth. So my station was all about it, thankfully. I would just get in our station van and I would drive back and forth every Saturday from Tulsa to Norman. If we had a road trip, I’d catch a flight in Oklahoma City and go to wherever they were. That’s how that relationship started.
BN: When you think of your entire career, what would you say was initially the most challenging role you’ve had?
CP: Husband, dad. The balance of it. I don’t have a good balance, bro. I don’t. I struggle with it till today. I was thinking about this a lot the other day because my wife and I have been in a fight about me wanting to add stuff to my local show. My point is you don’t ever want to be typecast. You don’t just want to be the fill-in guy. You want to do enough in those moments to where you wow. It’s like damn man, I heard Chris Plank on the other night with Brian Noe, they’re freakin’ awesome. They can do our drive-time or our morning show. That was great stuff. For me you never know when that moment is going to come and they might hear you. So you have to take everything you possibly can and show that you can be versatile. I don’t want to be typecast as just a college football guy. There’s so much more to me and to sports. That’s been my challenge.
I’m very lucky that I have a very understanding wife. I have two kids that get it. We’re sitting here in my home studio and my seven-year-old will come out here every now and then and sit and wait for me to go to a commercial break to talk. That’s been the hardest thing for me in the real world is just that balance. I then stop and I pause and I’m like damn, what a great problem to have to where you’re trying to balance when can I do a fill-in, when should I do a fill-in. Ninety-nine percent of the time you ask me, I’m in. The only time I’m not is if there’s an OU event in the way.
I’ve got a son that’s a senior in high school this year. He’s going into his senior year in high school and I’m like what? I know that I just blinked and he went from being a little kid that was running around the studio breaking my partner’s bobblehead doll that I couldn’t replace, to being a senior in high school. I don’t want that same thing to happen with my two girls. It’s tough. There are no guarantees in this. Even if you have a contract, that thing can blow up in a heartbeat. That’s been one of the hardest things for me; that balance has been the biggest thing for me, man. It’s tough.
BN: What other job could you see yourself having the same passion for if not the radio stuff?
CP: It’s funny, I was thinking a lot about how I compartmentalize things. I can remember being so broke early in the days having to go to a remote and stop in my truck and having to scrounge in the seat cushions to see if there was enough change to get gas. I remember seeing those little signs on the side of the road that were like earn $50,000 by calling this number. I’d call that number and the next thing you know I’m an hour into a pyramid scheme pitch. All these things that if I didn’t love sports and I didn’t love radio so much, I probably could’ve put myself in a position with a media services place that I started with, or a marketing department somewhere.
My first father-in-law, which sounds so weird to say, he was the Executive Vice President at Merrill Lynch. I probably could have said hey Bill, I want to follow in your footsteps. I could’ve done that. But I like the pain of not knowing if I was going to be able to work the next day because I was going to get fired. I got really lucky that I got some of the breaks that I did and I hope that I’ve taken advantage of them. It’s been fun, but you’re right, I’m 46 now, nothing is guaranteed, but if all of this is to fall apart I’m like gosh, am I going to be a farmer? What am I going to do? I have no idea what I would do if everyone just says all right, we’re done with sports, we’re not doing this anymore. No clue.
BN: What it’s like to work with Arnie Spanier?
CP: There are a lot of different layers to that. There are moments when it’s really awesome because Arnie is not afraid to be the bad guy. I don’t think he would mind me saying this, but there are also times where working with Arnie makes me want to quit radio. And I’m not even kidding. I fought with him for three years about Tom Brady. I’m like, Arnie, Tom Brady’s not done. He’s a good quarterback. Every year, ‘Tom Brady’s old. He should move on. The Patriots stink. They’re done. They’re finished.’ Every Sunday it was a fight. Then all of a sudden last year after the midpoint of the season, suddenly Arnie’s like well they have Tom Brady so they’re the best team. I’m like we spent years fighting about this and all of a sudden you do a 180 and it’s his brilliant idea that he came up with. Never acknowledging anything, anything, that had taken place before. It’s funny because there are enough people that catch on and are like did that just happened?
Arnie likes to take the team that everyone is saying great things about and find something wrong with them. That’s fine because I’m the complete opposite. It’s great and it’s enraging sometimes because he wants to act like he takes himself so seriously when he really doesn’t. I think that’s one of the best parts of him. He’ll be the first guy to text you when your team loses and the last guy to text you when they win. That’s Arnie for me but I love working with the guy. It’s been really fun. It’s been really eye-opening. I grew up listening to Arnie Spanier. When I started in radio he was the evening host on One on One Sports with Papa Joe Chevalier and you, at 800-777-2-907. So it’s been fun for me. He’s a blast. He’s become a true friend.
BN: When you look at the next 5-10 years, do you have any specific goals that you want to accomplish?
CP: Sure, yeah. I would like to get to the point where I can take a couple of weekends off and not be worried about it. I want to get to the point, and my wife always jokes with me about it, to where I could say hey Scott, listen man, I got my kids this weekend and I just want to spend a Sunday night with them. But I can’t allow myself to do that. Am I worried I’m going to get fired? I don’t know, maybe. But that’s more of a me issue. I have FOMO bad, a fear of missing out. I would like to keep all the jobs that I have. [Laughs] I would like to still be the Oklahoma Sooner utility guy to where if I’m not doing sidelines for football, I’m doing play-by-play for softball. I would like to see that roll continue to grow and expand. I would love to have my local show get to a point to where it’s grown. If that’s through affiliates, if that’s through ratings, sponsorships, whatever.
But more than anything else, Brian, I know this is going to sound so corny, first I want to lose 20 pounds, and then I want to keep loving what I do. I don’t ever want there to be a point to where I’m on the air and I’m like is this thing almost over? And we’re all going to have those. There can be some times when you’re filling in for Ben Maller, and it’s 4:30 in the morning, and you’re like oh gosh, I’ve got two more segments. I never want to have that to where it’s 11:30 a.m., and I’ve got another 30 minutes left in my show, and I’m saying I want to go home or I want to be somewhere else. I want that passion to continue to burn bright because it is right now. That’s the most important thing to me.
Beyond The Mask: Henrik Lundqvist Embraced 2nd Career in Sports Media
“It’s not a coincidence you see a lot of goalies working [on] panels and analyzing the game because that’s a huge part of playing in goal.”
Plucking the strings of an acoustic guitar, Henrik Lundqvist found himself beneath the bright lights once again, poised to put on a worthy performance. Just as he aimed to stop pucks from going in the net as the star goaltender of the New York Rangers for 15 seasons, Lundqvist sought to captivate viewers as half of a musical duo featuring former NHL forward Paul Bissonnette.
Their performance of “Good Riddance” by Green Day was in tribute to Rick Tocchet, a former NHL on TNT studio analyst who recently departed the network to serve as head coach of the Vancouver Canucks.
Lundqvist serves as a studio analyst for TNT’s coverage of the NHL, breaking down players and teams throughout the broadcast and bringing his own unique style to the set. His pursuit of a post-playing career in sports media was no guarantee from the moment he retired in August 2021; in fact, he never intended to stop playing the game and competing for a Stanley Cup championship at that time.
During the 2019-20 season, Lundqvist had lost playing time to young goaltenders Igor Shesterkin and Alexandar Georgiev, and by the year’s end, his deal was bought out by the team. In an effort to continue playing, Lundqvist signed a contract with the Washington Capitals – marking the first time in his NHL career that he would not step between the pipes for the Rangers.
Lundqvist never played a game for the team though, as it was discovered in a medical exam that he would need open-heart surgery to replace his aortic valve while also having an aortic root and ascending aortic replacement. Less than two months after the successful five-hour operation, he was back on the ice rehabbing and attempting to make a full recovery – but a few months in, he began to feel unexpected chest pain. Following a medical checkup, Lundqvist was told he had inflammation around his heart. It was a significant setback that required him to step off the ice, take off his goaltender equipment and rest for several months.
After discussions with his family and friends, Lundqvist determined that the risk of taking the ice outweighed the rewards and officially stepped away from the game. Rather than conjuring hypothetical scenarios wherein he did not experience the misfortune and played for the Capitals, Lundqvist looked to the future amid the ongoing global pandemic and thought about how he could best enjoy his retirement.
“I was just mentally in a very good place,” Lundqvist said. “I didn’t have a choice; I guess that makes it easier sometimes when the decision is made because you can’t go back-and-forth – ‘Should I?’ ‘Should I not?’ Yeah, I wanted to play but it was just not meant to be for me.”
Before any definitive resolution on his future endeavors was made though, the Rangers announced that the team would retire Lundqvist’s No. 30 in a pregame ceremony during the 2021-22 season, making him just the 11th player bestowed that honor in franchise history. As a five-time NHL All-Star selection, 2011 Vezina Trophy winner, and holder of numerous franchise records, Lundqvist had the accolades to merit this profound distinction.
Moreover, he was an important component in growing the game of hockey and contributing to the greater community, serving as the official spokesperson for the Garden of Dreams Foundation and founder of the Henrik Lundqvist Foundation. He also was a two-time recipient of the organization’s prestigious Steven McDonald Extra Effort Award, honoring the player “who goes above and beyond the call of duty.”
Throughout the night, attendees regaled Lundqvist with chants of “Hen-rik!” and were treated to flashbacks of some of his memorable career moments. The night was of monumental importance for Lundqvist, during which he expressed his gratitude to the Rangers’ organization, former teammates and fans. Then, Lundqvist — referred to as “The King” — promptly took his place among team legends beneath the concave ceiling of “The World’s Most Famous Arena.”
“When I look back at my career, I know, to me, it was all about preparation; how I practiced and how I prepared for each game at practice,” Lundqvist said. “There’s no regrets, and I hope people, when they think about how I played, [know] that it was 100% heart and commitment to the game.”
Before this ceremony though, Lundqvist and Rangers owner James Dolan had held several meetings with one another. The purpose of these conversations was to determine the best way for Lundqvist to remain involved with the team, its fans, and the community. In the end, he was named as a lead studio analyst on MSG Networks’ broadcasts of New York Rangers hockey before the start of the 2021-22 season: the start of his foray in sports media.
This past summer, Lundqvist negotiated a new deal with Madison Square Garden Sports and Madison Square Garden Entertainment in which he maintained his in-studio responsibilities while increasing involvement in other areas of its sports and entertainment ventures. In this new role, Lundqvist supports the business operations for both companies, assisting in digital content development, alumni relations, and partner and sponsor activities.
When Lundqvist is not in the studio or the office, he can often be found at Madison Square Garden taking in New York Rangers hockey, New York Knicks basketball, or one of the arena’s renowned musical performances. Usually, when he is in attendance, he is shown on the arena’s center-hung video board as an “NYC Celebrity” and receives a thunderous ovation from the crowd.
“The network is just part of it, but it feels great to come there,” Lundqvist said of Madison Square Garden. “Every time I go there – to see the people that I’ve known for so long – but also I love that place; I love The Garden. I think the energy [and] the variety of things that happen there is something I really appreciate. It feels really good to be a part of that.”
Sitting alongside former teammate and studio analyst Steve Valiqutte and sportscaster John Giannone, Lundqvist appears in the MSG Networks studios, located across the street from the arena, for select New York Rangers games. From the onset, he brought his allure and expertise to the set and appealed to viewers – so much so that national networks quickly began to take notice.
“I enjoy watching hockey [and] talking hockey, but the main thing to me is the team; the people that you work with,” Lundqvist said. “The guys on the panel [and the] crew behind. I really enjoy that part of it and having a lot of fun off-camera.”
One month later, Lundqvist was on his first national broadcast for the NHL on TNT where he and Bissonnette famously performed a cover of “Nothing Else Matters” by Metallica that went viral on social media. It had been known that Lundqvist was a musician, famously performing on Late Night with Jimmy Fallon in his Rangers uniform to celebrate the end of the 2012-13 NHL lockout.
In fact, during his retirement ceremony, the Rangers gifted him with a custom-made guitar painted by David Gunnarsson, the same artist who used to paint Lundqvist’s goalie masks.
Aside from occasional music performances, Lundqvist brings an esoteric base of knowledge to the NHL on TNT panel as its only goaltender. Whether it be through player breakdowns, interviews, or dialogue with other analysts, Lundqvist has a perspective to which few professional hockey players can relate. There are various goaltenders among local studio panels surrounding live hockey game broadcasts, and Lundqvist is in a unique situation with MSG Networks in that he and Valiquette are both former goaltenders. Yet on Turner Sports’ national coverage, he is the only voice speaking to this different part of the game.
“It’s not a coincidence you see a lot of goalies working [on] panels and analyzing the game because that’s a huge part of playing in goal,” Lundqvist explained. “Yes, you need to stop the puck, but a huge part of being a goalie is analyzing what’s going on. We can never really dictate the play so you need to analyze what’s happening right in front of you.”
In broadcasting at both the local and national level, Lundqvist is cognizant of the differences in each network’s studio programs. Lundqvist says appearing on the MSG Networks studio panel is more about being direct with the viewer, whereas the NHL on TNT views its panel as being conversational in nature. With Turner Sports, Lundqvist also asks his colleagues about the different teams around the league since he is most familiar with the Rangers both as a former player and studio analyst.
“I’m closer to the Rangers; I see more of what’s going on,” Lundqvist stated. “When you work [national] games, maybe you focus in on teams on the West Coast or [part] of the league you don’t see as often. You try to talk to the other guys on the panel and the crew and figure out things that are interesting about those teams.”
Hockey is a team sport, and Lundqvist felt grateful to play with his teammates and face his competitors over the years. Now as an analyst though, it is his job to analyze their games and critique them when necessary; however, he does not try to be excessively critical.
Lundqvist knows the trials and tribulations associated with the sport and can relate to scenarios many players face on a nightly basis. Therefore, he thinks about his own experience before giving an opinion, especially a critique, instantiating it with comprehensible, recondite knowledge and/or by recounting a similar situation.
“I’d much rather give them positive feedback obviously because I know it is a tough game,” Lundqvist said, “and sometimes it might look like an easy mistake, but if you can give the viewer a better explanation of why he did that, they might have a different view of that mistake.”
Now metaphorically being beyond the goalie mask, Lundqvist’s vision of the game has evidently shifted. He discerns just how intense the schedule is and the rapid pace of the game, axioms he was aware of while playing but inherently avoided thinking about. He has implemented his refined viewpoint of the game accordingly into his analysis, simultaneously utilizing the mindset and savvy he cultivated on the ice. It is, quite simply, a balancing act.
“I think people can be pretty quick to jump on guys and critique them,” Lundqvist said. “That’s where maybe you take an extra look and try to understand why it happened and give those reasons. I think that’s where it helps if you played the game [for] a long time and just love the game [because] you have a pretty good understanding of why guys react a certain way.”
The challenge tacitly embedded in the jobs of most studio analysts – Lundqvist’s included – is in presenting the information to the audience in a manner through which it learns without being confused. It is a delicate craft that takes time and genuine understanding to master, especially related to promulgating hockey analytics as Valiquette does on MSG Networks and within his company, Clear Sight Analytics.
“There’s a lot of educated viewers out there, but there’s also a lot of people that maybe don’t watch as much hockey,” Lundqvist said, “so you want to find that middle ground where you kind of educate both sides.”
By broadcasting both locally and nationally in addition to working in a specially-designed business operations role, Lundqvist is staying around the rink in his retirement while facilitating the growth of hockey. Despite the profusion of young talent, dynamic action and jaw-dropping plays, viewership of the sport on ESPN and TNT’s linear channels has dropped 22% from last season, according to a report by Sports Business Journal.
For Lundqvist though, he does not feel much has changed from playing regarding his responsibility to advance the reach and appeal of the sport. He played professionally for 20 years, beginning his career in his home country of Sweden, primarily in the Swedish Elite League (SEL). In the 2004-05 season, his final campaign before arriving in New York City, Lundqvist had won the award for most valuable player. Furthermore, he was recognized as the best goalie and best player, leading Frölunda HC to its second Elitserien championship in three seasons.
His NHL debut came five years after he was selected in the seventh round of the 2000 NHL Entry Draft by the New York Rangers but unlike many rookies over the years, he came polished and prepared to embrace the lights of Broadway. Following an injury to starting goaltender Kevin Weekes, Lundqvist was inserted into the starting lineup and, from that moment on, virtually never came out.
By the end of his first year, he had been named to the NHL All-Rookie Team and was a Vezina Trophy finalist for best goaltender. Additionally, he remains the only goaltender to begin his NHL career with seven consecutive 30-plus win seasons.
“I think the league is doing a great job of growing the game,” Lundqvist said. “In the end, it comes down to the product and right now, it’s a great product. I feel really good about, the best way I can, to promote the game [by] talking about it, but… it feels like I’ve been doing that for 20 years.”
One means through which Lundqvist attempts to grow the game is within the studio demos he performs with the NHL on TNT, displaying different facets of the game in a technical manner. The show also embraces the characteristics of their analysts and implements them in lighthearted segments, such as zamboni races, putting competitions, Swedish lessons and, of course, musical performances.
“I’m huge on mindset and the pressure,” Lundqvist said. “I love to talk about that type of stuff and give the viewer a better understanding of what goes through their heads. In terms of personality, I don’t know if I can say [that] I’m a serious guy because I love to have fun and laugh and do fun things.”
Lundqvist thoroughly enjoys what he is doing both locally and nationally, and he ensures he surrounds himself with people he wants to be around. There are plenty of other broadcast opportunities for former hockey players, such as moving into the booth as a color commentator or between the benches as a rinkside reporter. At this moment though, he is more focused on being immersed in his current roles, performing them to the best of his ability while ensuring he allocates time to spend with friends and family.
“I see myself more as an analyst in the studio more than traveling around and being in the rink,” he said. “I think that’s another thing with the schedule; it works really well with my schedule to have one or two commitments with the networks, but then I have other things going on in my life that I commit to.”
Plenty of comparisons can be drawn between playing professional hockey and covering the sport from the studio in terms of preparation and synergy. Yet the end result is not as clearly defined since “winning” in television is quantifiably defined as generating ratings and revenue. Undoubtedly, Lundqvist is focused on doing what he can to bolster hockey’s popularity; however, he also wants to enjoy this new phase of his career being around the game he loves.
“In sports, you win or you lose,” Lundqvist explained. “With TV, you want to be yourself [and] you want to get your point out – but at the same time, if you do it at the same time you’re having a good time, I feel like that’s good TV.”
Once their careers conclude, many athletes think about pursuing a post-playing career and oftentimes end up taking on a role in sports broadcasting. On MSG Networks alone, there are plenty of former players who take part in studio coverage on live game broadcasts, such as Martin Biron of the Buffalo Sabres, Bryce Salvador of the New Jersey Devils, and Matt Martin of the New York Islanders. At the national level, Turner Sports employs Paul Bissonnette, Anson Carter, and Wayne Gretzky for its studio broadcasts, while ESPN’s top studio crew includes Mark Messier and Chris Chelios.
All of these former professional hockey players had an obligation to regularly speak with media members, answering questions about games and the season at large. Lundqvist maintained a professional relationship with journalists and beat reporters, and he most enjoyed taking questions when the team was doing well. Regardless of what the end result of a game was though, he had a responsibility to divulge his thoughts and, in turn, be subject to criticism and/or negative feedback.
His stellar career and persona all came from emanating a passion for the game – and it continues to manifest itself beyond the television screen. Listening to those passionate about the game discuss it usually engenders euphony and lucidity to viewers, analogous to the sound of the puck hitting the pads or entering the glove. It is a timbre Lundqvist created 27,076 times throughout his NHL career (regular season and playoffs) in preventing goals, and one he now aims to explain en masse.
“The reason why I kept going to the rink and put all the hours in was because I really enjoyed it,” Lundqvist said. “If you decide to go into media or whatever it might be, I think the bottom line is [that] you have to enjoy it and make sure you have good people around you.”
Derek Futterman is a features reporter for Barrett Sports Media. In addition, he serves as the production manager for the New York Islanders Radio Network and lead sports producer at NY2C. He has also worked on live game broadcasts for the Long Island Nets and New York Riptide. He previously interned for Paramount within Showtime Networks and wrote for The Long Island Herald. To get in touch, find him on Twitter @derekfutterman.
Should the NBA Nationalize Local TV Rights Like MLS?
The NBA’s upcoming rights negotiations will be this transformational idea’s first testing grounds.
Diamond Sports has been anything but a diamond in the sports world. As subscribers leave cable and satellite for streaming services, companies are dropping RSNs nationwide because they are too expensive to carry. This has caused an impending bankruptcy for the company, which owns the local rights to dozens of sports teams nationwide. It is also putting the NBA, NHL, and MLB at major financial risk.
In the short term, it is known that teams will still broadcast on their RSNs even if they aren’t getting the paychecks they were promised in previous rights deals. This will affect teams’ ability to pay players and could even create an unfair advantage among the haves of the sports world like the Yankees and Lakers and the have-nots. The NFL doesn’t face the same problems that the other leagues are facing because its rights have been nationalized.
With the NFL’s continued television dominance, college conferences also bundling up games together for more money, and the MLS guaranteeing themselves television revenue after packaging local and national rights together, could we see the other leagues follow suit? It is an option that is much easier said than done but it seems like we are moving closer to it becoming reality.
The NBA’s upcoming rights negotiations will be this transformational idea’s first testing grounds.
The biggest problem the NBA and other leagues would face are that the local rights to all of its teams don’t expire at the same time. If the league were to sign a deal that included giving all local rights to a streamer, the amount which the league was getting paid would be very unique year after year. It would be crazy for a streamer to pay a huge chunk of money to the NBA all at once if the number of teams they have local rights to changes every year.
It would also be insane to pay an astronomical amount if the streamer is only getting the local rights to small-market teams like the Cavs and the Pistons. A major market team like the Lakers doesn’t renew their local rights until 2032. We’re still in 2023. How does that affect the league’s operating costs?
The NBA would also have to figure out whether teams whose rights don’t expire yet deserve to be included in the pot of money garnered from selling local rights to a streamer. Whether they are or they aren’t, does it put each team at different competitive advantages and/or disadvantages when trying to acquire free agents or front-office personnel?
One of the most interesting puzzles to figure out is what influence a league owner like Washington’s Ted Leonsis has in this potential measure when all is said and done. Leonsis just acquired complete control of the regional sports network — currently named NBC Sports Washington — that broadcasts Wizards and Capitals games for millions of dollars, although the exact amount remains undisclosed.
What does Leonsis do with his network if his team’s games can no longer air there? Can his team opt out of participating in a potential league offering? Or if the games continue to air on his network but are simulcasted locally on the streamer that wins local rights on a national scale, does the streamer have the ability to pay less money for rights?
If so, does that make the deal as lucrative for the NBA? And what does that mean for retransmission fees that cable companies like Comcast pay to Leonsis and other RSNs they’re still carrying?
The league will face a similar problem with the Lakers, Bulls, Knicks and other franchises that either wholly own or partially own a part of the RSNs where they broadcast their games.
I don’t have the answers to any of these questions which is why they are written here in this column. Unfortunately for the leagues, they don’t have the answers either. But if the NBA figures out a way to nationalize their product even more and make streaming games more appealing by ending local blackouts, it’ll benefit the game more than it hurts the game.
NBA, NHL, and MLB games are still some of the highest-rated programs locally in many markets when you look at how they rate vs. other cable and broadcast offerings. But at this point, the ability to charge everyone for a program that only ten percent of subscribers are watching is a losing business proponent.
The leagues should start from scratch and sell a mass package of games for maximum profit. It gives fans a more centralized location to watch their favorite teams and puts the leagues on a much more steady path than where they could be headed sooner rather than later.
Diamond in the rough to sparkling jewel of light? Only time will tell.
Jessie Karangu is a columnist for BSM and graduate of the University of Maryland with a bachelor’s degree in journalism. He was born and raised in Baltimore, Maryland but comes from Kenyan roots. Jessie has had a passion for sports media and the world of television since he was a child. His career has included stints with USA Today, Tegna, Sinclair Broadcast Group and Sightline Media. He can be found on Twitter @JMKTVShow.
Do You Have Affirmations Of Gratitude?
“We are told to be grateful for what we have and remember it could be worse. That feels like a really low bar, right?”
Having gratitude for your life is all the rage. If you, like me, have trouble starting your day with positive affirmations and maintaining a positive outlook about your job, read on!
We are told to be grateful for what we have and remember it could be worse. That feels like a really low bar, right? Here is another version. Try a few affirmations of gratitude instead.
“I HAVE A JOB.”
With interest rates rising, inflation increasing, and spending down; corporations are laying people off. PayPal laid off 7% of its entire workforce. Amazon let 18,000 go. Alphabet (Google) said goodbye to 12,000 jobs. Radio sales managers need to hire people like you – experienced sellers with a track record of bringing home the bacon.
“I AM A PROBLEM SOLVER.”
You solve a problem for your company when it comes to revenue. You know people, and you sell advertising better than anything they can come up with…so far.
Yes, they are trying to replace you, but Zoom Info reports iHeart’s self-serve spot buying service, AdBuilder, is doing under 5 million in business. You have time to solidify your value. Be happy you are the rainmaker.
“I WORK IN THE PEOPLE BUSINESS.”
Sports talk radio is the ultimate companion to millions of listeners. They aren’t robots, and your stations improve their lives by talking about what they care about 24/7. Celebrate selling access to callers, Twitter followers and FANS who go to games. You also get to work with local celebrities that everybody knows but you know best. We all need a connection to other people and want to be seen and heard.
“I GET TO CHANGE HOW I FEEL ABOUT MYSELF.”
In this job, you determine your value, feelings about your work, and who you work with. You get to set a strategy and talk to the businesspeople you want to help and do business with. It’s like running your own business with a tremendous support staff. Try to do it independently, and you will appreciate accounting, traffic, production, and sales assistance. Those wins produce deposits in your bank account.
“I HAVE COMPETITION!”
That format competitor across the street does things differently and sometimes better than you or tries to imitate you and looks terrible. They motivate you to beat them to a new account or put a moat around your best clients so they can’t be touched. They keep you sharp and willing to try new things. Good competition schemes to take money from your station, and your management needs you to protect them. And they also provide a place for you to work one day. The FTC wants to eliminate non-competes so you can walk across the street this year.
Jeff Caves is a sales columnist for BSM working in radio, digital, hyper-local magazine, and sports sponsorship sales in DFW. He is credited with helping launch, build, and develop SPORTS RADIO The Ticket in Boise, Idaho, into the market’s top sports radio station. During his 26 year stay at KTIK, Caves hosted drive time, programmed the station, and excelled as a top seller. You can reach him by email at firstname.lastname@example.org or find him on Twitter @jeffcaves.