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Chris Wittyngham Is A Fancy Lad With A Variety Of Skills

“I was walking around Lake Tahoe at the American Century Championship and people were shouting ‘fancy lad’ at me. My co-workers at Inter Miami jeer me with ‘fancy lad.’ It’s inescapable.”

MIchael Quirk

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Lebo Art

Chris Wittyngham has always known the thoroughfare he wanted to travel was in sports media. While playing Madden as a kid, he recalled he would often listen to the announcers and think, “this is something I can do.” Like many in the field, he knew his destiny would not be providing the winning score, rather it would be painting the complexion of the score into the ears of his listeners.   

10 "Wittyngham" profiles | LinkedIn

Never lacking in eccentricity, Wittyngham has elicited Twitter reply firestorms for some of his revelations on The Dan Le Batard Show with Stugotz, of which he serves as a producer. For instance, rather than use the alarm on his phone or albeit-antiquated clock radio, “Witty” — as he is known on the show – uses the timer on his oven. He also drew shock and awe – and a slew of invitations – when he said if he is invited to a wedding, and if he is available to go, he will attend no matter what. Even his father was caught by surprise when his son told the crew he had never eaten a Snickers bar before, much to the chagrin of a football-playing Betty White, too, I’m certain.

Don’t let unorthodox quirks take away from his bona fides, however. Witty attended the prestigious University of Miami where he earned a degree in broadcast journalism. While many fresh-out-of-school journalists cut their teeth in small towns, banana republics, or blog spots, Wittyngham began his career as a host with 790 The Ticket in his hometown of Miami. His ascent in journalism looks less like the parable of the ever-patient tortoise, and more like The Price is Right yodeler, often leading Le Batard to refer to him as a “prodigy.”

Wittyngham has made a name for himself in sports radio, sure, but he doubles his workload in the soccer arena. He’s called matches for DAZN, beIN Media Group and TUDN. He currently calls Inter Miami CF matches, drawing praise last weekend for his call with the legendary Ray Hudson.

A consummate fan of soccer around the world, Wittyngham said he got into the beautiful game by watching wrap-up shows from Europe. Despite Stugotz’s myopic views on soccer taking hold in the U.S., Wittyngham is optimistic and offered his advice to Americans looking to brush up on the world’s most popular sport.

“I watched The Premier League Review Show and they would wrap the games and storylines and I would watch that show to pick up the jargon and who the best players and managers were,” he said. “MLS will grow and a lot of cities will have soccer teams. Go watch them, but if you’re going to follow the global and international game, start in one place. For me, it was England and the Premier League.”

His path in sports radio and soccer were seemingly clear, but it was a detour to the side that has further enhanced the young broadcaster’s visibility. Wittyngham co-hosted the popular Chelsea Mike’d Up podcast with Mike Ryan, executive producer for The Le Batard Show. The two are close due to their doting passions for soccer and their lifelong home of South Florida. When Le Batard, Stugotz, and “The Shipping Container” famously pulled their pirate ship’s anchor from ESPN, Ryan asked for Wittyngham’s assistance. 

The show was as or more popular than any sports radio show in the United States. Listeners have long-gravitated toward the show for its vulnerability, humor, honesty, and its role as a sort of “anti-sports sports radio show.” Funding was not going to be a problem due to the loyal audience that would follow the crew no matter what but leaving the Worldwide Leader posed some logistical challenges by way of hosting platforms and getting the content to its ever-eager audience. 

“It was announced they were going to leave, and around that time Mike reached out to me because of our experience with Chelsea,” Wittyngham said. “I have experience with podcast hosting and how to get the platform up while sustaining the bandwidth. Mike knew I had that experience, so I did the research and found our hosting service. It’s funny when you’re in that role, how many areas of the business it affects.”

Joining the show by way of his credibility and connections with members of the bustling enterprise at Meadowlark Media was easy. But what is it like to assimilate into the show whose listeners view the crew as part of not only their routine, but part of their extended family as well? After all, there is the “Stugotz Army,” the “Cote Calvary” for Chris Cote, and “Guillermo Mafia” for Billy Gil, among others. How has it been finding his place among the established members of the Shipping Container to endear himself to an impassioned fanbase?

“My experience has been overwhelmingly positive,” he said. “I find it enjoyable, interesting, intriguing that people enjoy the quirky things I bring up on the show. I have a healthy relationship with my Twitter replies to not take anything personally good or bad.

“It’s been different in one way to have scrutiny but to have a group of people immensely passionate about the work you’re doing. I was always careful that my role did not step on the show for what it is, a group singing from the same hymn sheet making music. Dan has been immensely encouraging, telling me ‘don’t feel like you’re doing too much or doing too little,’ making me feel comfortable. The way my intro was framed was helpful as well. They framed it around me being obnoxious and pompous of being a ‘fancy lad.’ From every standpoint, it’s been fun for me. It’s been incredibly fun.”

The “fancy lad” moniker” stems from Wittyngham’s proclivity to pull from his deep lexicon or to provide historical context for one of the topics de jour. Fans of the show from the ESPN days may remember the jingle that played each time Pablo Torre would say something bordering on the line of playfully pompous. The “Fancy Lad” soundbite that rings out, “Chris Wittyngham is a fancy lad,” comes from the same tree, leading to shirts and memes galore. At times, he will even get a catcall or two with the nickname, but it does not bother Witty in the slightest.

“I was walking around Lake Tahoe at the American Century Championship and people were shouting ‘fancy lad’ at me. My co-workers at Inter Miami jeer me with ‘fancy lad.’ It’s inescapable. It’s such a total joy and delight that anything got slapped on me in terms of identity. It’s with complete and utter bewilderment that I appreciate every second of it.”

Calling soccer games and serving as a producer for one of the largest independent entities in sports media is two full-time jobs. Wittyngham is a self-proclaimed workaholic but was clear that he feels lucky because loves the work he does. He cited Rich Eisen and Dan Patrick as those who work full-time in radio, but also have the ability to work on other passions outside of their studios. Le Batard has also made sure Wittyngham never feels overworked.

“It’s ultimately about my capacity and Dan made it clear to me that it’s a fully open door for whether I want to wind it down or wind it up,” he said. “He’s been great to me, everyone at the show has been great to me, to make of this what I will.”

That show famously has a variety of inside jokes with the show continuously playing the sound of disingenuous-handshake titan Papi Le Batard saying, “you don’t get the show” for those who miss the joke. Wittyngham enjoys the free-flowing nature of the show that to be clear takes a mountain of prep, but also doesn’t become a servant to A- and B-blocks. 

Everything at the show and the company is not about comedy. Le Batard famously describes giving the audience cotton candy – the jokes – but that it also needs its medicine, which comes in the form of social commentary. Be it discussions about the political and human rights climate in Cuba, former President Donald Trump’s impact on American psyches, or the Black Lives Matter movement, the show is never afraid to touch on what can be polarizing societal conversations.

“People who are any kind of socially conscious are going to want those kinds of viewpoints at some point,” Wittyngham said. “I talk with people in radio all the time, and they say ‘people don’t care what I have to say (about politics).’ I always encourage people to express what they want to express, and Dan is so brilliant at it. Billy is demure about it sometimes, but was incredible on Cuba. In this political climate, it’s hard not to do it in a non-attacking way. 

“I would be more than willing to present my viewpoint. I do understand why things are politicized. I think everything is politics because everything has the ability to affect a vote or be subject to a poll. I think you have your own thoughts as a human and can express them if you so wish.”

The show has carved an interesting niche for itself in a world of “takes” and debates. While many shows revel in discussing Tom Brady’s legacy, Lebron James’ clutch gene, and who is the most impactful middle reliever left on the market that can change the complexion of the AL Central race, The Dan Le Batard Show with Stugotz leans more toward Le Batard’s list of favorite colors, what foods are in Gil’s desk, and what type of neighbor Urban Meyer resembles. 

Despite the immense success of Le Batard and Co., Wittyngham acknowledged that a lot of the ratings success in today’s sports media is still in the mainstream debate shows and that even he can appreciate a well-crafted radio monologue. So given his relationship with the show as a young fan turned seasoned employee, where does that leave the popular radio producer, soccer play-by-play man, and all-around fancy lad as his career in sports moves forward? In the detours, of course.

“I’m so honored that I’m even involved in any way, that I don’t have a goal in the environment. When I arrived, I wanted to make things better and arrived with an initial task. To take a lift off someone’s plate is a huge win. Within the show, I’m not particularly ambitious of ‘I want to do this or that.’ There are lots of opportunities within the show and company that will arise, and if I play a part in them, that’s awesome. I started on the show as an intern and came back a decade later to work on it. It’s incredibly odd and incredibly cool. 

“Where do my ambitions lie within my play-by-play career? Soccer for me is the destination. Growing, getting better, improving, and maximizing the opportunities you’re given. Doing good work and being a good coworker. It sounds trite but I want to grow in the industry, but I don’t want to have ‘X’ job by ‘X’ time. I want to enjoy the path I’m on and the detours. You can find the joy in the detours and ultimately it’s about doing the best work you possibly can.”

BSM Writers

Being Wrong On-Air Isn’t A Bad Thing

…if you feel yourself getting uncomfortable over the fact that you were wrong, stop to realize that’s your pride talking. Your ego. And if people call you out for being wrong, it’s actually a good sign.

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WRONG BAD

In the press conference after the Warriors won their fourth NBA title in eight years, Steph Curry referenced a very specific gesture from a very specific episode of Get Up that aired in August 2021.

“Clearly remember some experts and talking heads putting up the big zero,” Curry said, then holding up a hollowed fist to one eye, looking through it as if it were a telescope.

“How many championships we would have going forward because of everything we went through.”

Yep, Kendrick Perkins and Domonique Foxworth each predicted the Warriors wouldn’t win a single title over the course of the four-year extension Curry had just signed. The Warriors won the NBA title and guess what? Curry gets to gloat.

The funny part to me was the people who felt Perkins or Foxworth should be mad or embarrassed. Why? Because they were wrong?

That’s part of the game. If you’re a host or analyst who is never wrong in a prediction, it’s more likely that you’re excruciatingly boring than exceedingly smart. Being wrong is not necessarily fun, but it’s not a bad thing in this business.

You shouldn’t try to be wrong, but you shouldn’t be afraid of it, either. And if you are wrong, own it. Hold your L as I’ve heard the kids say. Don’t try to minimize it or explain it or try to point out how many other people are wrong, too. Do what Kendrick Perkins did on Get Up the day after the Warriors won the title.

“When they go on to win it, guess what?” He said, sitting next to Mike Greenberg. “You have to eat that.”

Do not do what Perkins did later that morning on First Take.

Perkins: “I come on here and it’s cool, right? Y’all can pull up Perk receipts and things to that nature. And then you give other people a pass like J-Will.”

Jason Williams: “I don’t get passes on this show.”

Perkins: “You had to, you had a receipt, too, because me and you both picked the Memphis Grizzlies to beat the Golden State Warriors, but I’m OK with that. I’m OK with that. Go ahead Stephen A. I know you’re about to have fun and do your thing. Go ahead.”

Stephen A. Smith: “First of all, I’m going to get serious for a second with the both of you, especially you, Perk, and I want to tell you something right now. Let me throw myself on Front Street, we can sit up there and make fun of me. You know how many damn Finals predictions I got wrong? I don’t give a damn. I mean, I got a whole bunch of them wrong. Ain’t no reason to come on the air and defend yourself. Perk, listen man. You were wrong. And we making fun, and Steph Curry making fun of you. You laugh at that my brother. He got you today. That’s all. He got you today.”

It’s absolutely great advice, and if you feel yourself getting uncomfortable over the fact that you were wrong, stop to realize that’s your pride talking. Your ego. And if people call you out for being wrong, it’s actually a good sign. It means they’re not just listening, but holding on to what you say. You matter. Don’t ruin that by getting defensive and testy.

WORTH EVERY PENNY

I did a double-take when I saw Chris Russo’s list of the greatest QB-TE combinations ever on Wednesday and this was before I ever got to Tom Brady-to-Rob Gronkowski listed at No. 5. It was actually No. 4 that stopped me cold: Starr-Kramer.

My first thought: Jerry Kramer didn’t play tight end.

My second thought: I must be unaware of this really good tight end from the Lombardi-era Packers.

After further review, I don’t think that’s necessarily true, either. Ron Kramer did play for the Lombardi-era Packers, and he was a good player. He caught 14 scoring passes in a three-year stretch where he really mattered, but he failed to catch a single touchdown pass in six of the 10 NFL seasons he played. He was named first-team All-Pro once and finished his career with 229 receptions.

Now this is not the only reason that this is an absolutely terrible list. It is the most egregious, however. Bart Starr and Kramer are not among the 25 top QB-TE combinations in NFL history let alone the top five. And if you’re to believe Russo’s list, eighty percent of the top tandems played in the NFL in the 30-year window from 1958 to 1987 with only one tandem from the past 30 years meriting inclusion when this is the era in which tight end production has steadily climbed.

Then I found out that Russo is making $10,000 per appearance on “First Take.”

My first thought: You don’t have to pay that much to get a 60-something white guy to grossly exaggerate how great stuff used to be.

My second thought: That might be the best $10,000 ESPN has ever spent.

Once a week, Russo comes on and draws a reaction out of a younger demographic by playing a good-natured version of Dana Carvey’s Grumpy Old Man. Russo groans to JJ Redick about the lack of fundamental basketball skills in today’s game or he proclaims the majesty of a tight end-quarterback pairing that was among the top five in its decade, but doesn’t sniff the top five of all-time.

And guess what? It works. Redick rolls his eyes, asks Russo which game he’s watching, and on Wednesday he got me to spend a good 25 minutes looking up statistics for some Packers tight end I’d never heard of. Not satisfied with that, I then moved on to determine Russo’s biggest omission from the list, which I’ve concluded is Philip Rivers and Antonio Gates, who connected for 89 touchdowns over 15 seasons, which is only 73 more touchdowns than Kramer scored in his career. John Elway and Shannon Sharpe should be on there, too.

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BSM Writers

Money Isn’t The Key Reason Why Sellers Sell Sports Radio

I started selling sports radio because I enjoyed working with clients who loved sports, our station, and wanted to reach fans with our commercials and promotions.

Jeff Caves

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Radio Sales

A radio salesperson’s value being purely tied to money is overrated to me. Our managers all believe that our main motivation for selling radio is to make more money. They see no problem in asking us to sell more in various ways because it increases our paycheck. We are offered more money to sell digital, NTR, to sell another station in the cluster, weekend remotes, new direct business, or via the phone in 8 hours. 

But is that why you sell sports radio?

In 2022, the Top 10 highest paying sales jobs are all in technology. Not a media company among them. You could argue that if it were all about making money, we should quit and work in tech. Famous bank robber Willie Sutton was asked why he robbed twenty banks over twenty years. He reportedly said,” that’s where the money is”. Sutton is the classic example of a person who wanted what money could provide and was willing to do whatever it took to get it, BUT he also admitted he liked robbing banks and felt alive. So, Sutton didn’t do it just for the money.

A salesperson’s relationship with money and prestige is also at the center of the play Death of a Salesman. Willy Loman is an aging and failing salesman who decides he is worth more dead than alive and kills himself in an auto accident giving his family the death benefit from his life insurance policy. Loman wasn’t working for the money. He wanted the prestige of what money could buy for himself and his family. 

Recently, I met a woman who spent twelve years selling radio from 1999-2011. I asked her why she left her senior sales job. She said she didn’t like the changes in the industry. Consolidation was at its peak, and most salespeople were asked to do more with less help. She described her radio sales job as one with “golden handcuffs”. The station paid her too much money to quit even though she hated the job. She finally quit. The job wasn’t worth the money to her.

I started selling sports radio because I enjoyed working with clients who loved sports, our station, and wanted to reach fans with our commercials and promotions. I never wanted to sell anything else and specifically enjoyed selling programming centered around reaching fans of Boise State University football. That’s it. Very similar to what Mark Glynn and his KJR staff experience when selling Kraken hockey and Huskies football.  

I never thought selling sports radio was the best way to make money. I just enjoyed the way I could make money. I focused on the process and what I enjoyed about the position—the freedom to come and go and set my schedule for the most part. I concentrated on annual contracts and clients who wanted to run radio commercials over the air to get more traffic and build their brand.

Most of my clients were local direct and listened to the station. Some other sales initiatives had steep learning curves, were one-day events or contracted out shaky support staff. In other words, the money didn’t motivate me enough. How I spent my time was more important. 

So, if you are in management, maybe consider why your sales staff is working at the station. Because to me, they’d be robbing banks if it were all about making lots of money.  

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BSM Writers

Media Noise: BSM Podcast Network Round Table

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Demetri Ravanos welcomes the two newest members of the BSM Podcast Network to the show. Brady Farkas and Stephen Strom join for a roundtable discussion that includes the new media, Sage Steele and Roger Goodell telling Congress that Dave Portnoy isn’t banned from NFL events.

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