With so many streaming options, the consumer is often left to wonder which streaming service(s) to subscribe to. At one point, Netflix was the only streaming game in town, as both the first-mover and essentially a monopoly for ten years before the next streamer came along to challenge the Los Gatos and Hollywood-based company. Disney and Amazon began the challenge to Netflix’s dominance and now claim nearly as many subscribers. Amazon is actually gaining more traction in Japan than any other streamer, which is a major player in entertainment content based on its population’s interest.
Disney offers a bundled service between entertainment, media, and sports properties that includes Disney+, Hulu, and ESPN+. Viacom-CBS offers Showtime, CBS All Access, and Paramount+. Amazon now owns MGM: the studio and its large library of content. Netflix continues its push into original content versus licensed content. That way it can avoid losing popular movies and TV shows as more studios launch their own services.
Owned content is a long-term play toward streaming freedom, getting away from having to pay significant licensing fees only to lose the content once the agreement expires and the next streamer comes along willing to pay more than the previous licensee. Owned content also means copyrighted derivative content.
Streamers continue to push the boundaries when it comes to what content is streamed. The Squid Game is the most popular on Netflix in the United States as of September 2021 and number two internationally. That was unthinkable under a traditional broadcast television model as most American shows and series were very popular here and overseas. Now overseas shows and series are very popular in places like Korea, Kuwait, Vietnam, and Singapore, and in the United States. The shift is a paradigm in content creation and distribution. Content is now singularly focused on the individual versus an audience. Content creators are looking to connect with every individual to reach more people and sell more content subscriptions through streaming platforms. Individualized content is also becoming increasingly easier as platforms collect data from consumers.
As a consumer, what content should one subscribe to? What streaming platforms deals are available? This is where industry insight with help.
First, if you are a student, with a .edu email address, you can obtain Spotify Premium, Showtime, and Hulu (ad-supported) for $4.99 per month, good for two-years, and renewable on a second two-year term. If you start a graduate program, you again obtain the deal through the new email address on the same terms as above. $4.99 is a great deal for students considering the nearly unlimited music and podcasts of Spotify (and growing content library), plus shows like Billions and City on a Hill, plus the non-PG content of Disney’s library (essentially the FOX and other assets).
Second, many mobile carriers have complementary content subscriptions for their customers. Sprint provides customers with free Hulu (ad-supported). T-Mobile provides complimentary Netflix and MLBTV subscriptions. Verizon provides complimentary access to Disney+. AT&T provides complimentary access to HBOMax, but that may sunset depending on the terms of the AT&T sale of HBO and Warner Bros. to Discovery. Discovery may soon be offering a bundle between HBO Max and Discovery+. Apple+ is also offered complimentary for three months when purchasing an Apple iPhone, iPad, iPod Touch, AppleTV, or Mac. However, the aforementioned deal does not apply to customers who have recently benefited from complimentary access to the platform.
Third, but not last or least, American Express credit cards offer rebates for customers who purchase Hulu, HBOMax, or a long list of streaming services using their account to make the purchase. The American Express option also offers insight into what many consumers are doing with the rapid increase in options and the sheer amount of content there is to consume. Consumers are increasingly temporarily subscribing to platforms—platform shopping if you will. This occurs when one platform, like HBOMax, includes a direct-to-streamer feature film and the cost of subscribing for one month is $14.99, but the cost of one in-person movie ticket is over $20 (not including parking, gas, and concession stand costs). A consumer can also watch the film multiple times in a one-month period from the comfort of their couch and home.
The above is also one reason why streamers have increasingly ended releasing a series all at once in a streaming platform content dump, but have instead pursued delayed releases (once per week, or three episodes at a time, etc.). On the other hand, if one has patience, the patient consumer could wait until a full season(s) is released and then binge-watch. Of course, George Constanza’s father Frank likes to “go in fresh” on all things movies and series, so be careful of spoiler alerts while waiting.
Fair and Balanced Audio Research – Finally!
“Looking at audio research from something other than AM/FM radio’s exclusive perspective is excellent for transparency.”
Recently, Cumulus Media introduced the Audio Active Group (AAG), an audio media and creative advisory group for marketers and agencies. Pierre Bouvard, the Chief Insights Officer of Cumulus Media/Westwood One, leads this sponsor-focused research and insights team. They are aiming to provide comprehensive marketing insights. The Audio Active Group will partner with clients to measure the impact of the entire audio campaign, specializing in the following areas: Audio creative, media planning, budget allocation within audio, and measurement of the whole audio spend.
Sounds good to me. Looking at audio research from something other than AM/FM radio’s exclusive perspective is excellent for transparency. AAG uses Edison Research’s “ Share of Ear” Report, Nielsen’s Nationwide, and the Scarborough Podcast Buying Power Study data. I looked into the AAG Audio Media Planning guide and pulled out the following nuggets that could help any sports radio seller:
Don’t listen to “everybody listens to pandora” nonsense. AM/FM radio is 13 times larger than Pandora and 19 times larger than Spotify.
Sell more than drive time. Only 40% of U.S. AM/FM radio listening occurs during mornings and afternoon drive times, and 60% of U.S. AM/FM radio listening occurs outside drive times.
Men listen more. Overall, AM/FM radio listening is more male (53%) than female (47%).
You can reach plenty of listeners via podcast. Edison Research’s Infinite Dial 2021 study said podcasts generate 41% reach each month.
Remember to schedule wisely. At a minimum, you need to generate 200 GRPs monthly to reach half the market of, say Men 25-54. That’s a lot of spots on sports radio stations that are in the .3-.5 average rating range. Use the other stations in your cluster and add those classic rock and news/talk numbers for a balanced buy at a minimum. Think of selling 50 spots a week, not 15!
Sports radio listeners aren’t in the AARP. While we aren’t a Rhythmic CHR station ( 35 years old average age), at least we aren’t ALL NEWS (59 years old average age). Sports is a respectable 49-year-old average age listener. And, on average, we are younger than Classic Hits (53) or Classic Rock(51)! Damn, though, with no 18-34-year-olds, the future worries me.
ALL SPORTS reaches 6% of all Adults 18+, is 76% Male vs. 24% Female listenership, 34% of us have kids, and we have three people on average living at home. So 2/3 of us have no kids, and we still have 3 in the house?
ALL SPORTS folks are average when fundraising, belonging to charitable organizations and buying green products. I never thought sports radio was an excellent place for many philanthropic causes that weren’t sports-oriented.
Sports podcasts are solid. The only genre of podcasts that reach more than 18+ Adults is, in order, Comedy, News, Society/Culture, and True Crime. Our own Seth Everett even thinks interviews are better on podcasts than radio.
Almost 70% of sports podcast listeners will tune in to a comedy or news podcast as well. 82% of Government podcast listeners go to sports podcasts. May we be listening to Government in Sports pods soon? NFL relocation anybody? Zzzzzzzzzz.
Lastly, I will follow up on this, remember to schedule smart, buy reach, and don’t hammer a nail. Erwin Ephron is considered the father of modern media planning. He said, “most advertising usually works by reminding people about brands they know when they happen to need that product. Ads work best when the consumer is ready to buy. Remind the many. Don’t lecture the few.”
The Shop Isn’t Special Without LeBron James
“With no insight as to just how busy LeBron is, it is more important to say that the Shop should not do shows without him than to govern how much or how little he should work.”
As NBA training camp is in full swing, the demands of 37-year-old LeBron James are quite high. Still, if he cannot be on his HBO show The Shop, then they shouldn’t film it without him.
That is not to say that the show is not watchable without him. However, the key topics brought up in recent episodes would make a viewer wonder what James thinks about it.
Season 4 premiered on May 28, 2021, and James participated in that episode. Since then, the Shop has released 3 other episodes towards the end of June, July, August, and September. James has missed all three.
A case in point is the most recent episode. Tennis great Naomi Osaka is talking about her career, and producer Maverick Carter is asking solid follow-up questions.
Osaka is a champion going through a personal challenge in dealing with her fame and the pressure that comes along with it. The moment that this show can become super is to have James equate it to his career. What was his mindset when he went through something similar? No one on the current panel could equate exactly with the level of Osaka than LeBron.
“I was really lucky to have Kobe [Bryant] as my mentor and I really loved everything that he passed down to me,” she said on the show, which premiered on October 1st. “I always feel like if there was a younger player that ever needed any advice from me, I would love to give it. If I were to retire from tennis,” she said.
None of the other panelists, including Cavs forward Kevin Love, could ask the kind of question that LeBron James could.
“I would want people to remember me like how I acted toward people and how I interacted. For example, Serena? Her legacy is more than being Serena,” Osaka added. “I started playing because of her, I’m sure there’s so many girls that started playing because of her. Like, she literally built champions. And I think passing it down is how the new generation gets inspired.”
How does LeBron James feel about the constant comparisons to Michael Jordan? This show is made for those kinds of conversations.
Similarly, the June 25th 2nd episode featured another athlete in the conversation for the greatest of all time, Tom Brady. James missed that show, and while the conversation was compelling, James’ absence spoke loudest.
This is not the fault of any of the other panelists, or the show’s co-creator, Maverick Carter. There is no issue with Carter being on the show, and he adds a perspective from his career that is welcomed.
Still, he knows as well as anyone, that he can’t replace LeBron, nor should he be asked to.
Carter is a longtime friend of James and is a partner in Springhill Entertainment, which is instrumental in most if not all of James’ media exploits.
I recently wrote a column about today’s athletes making so much money during their careers, that they don’t NEED to honor broadcasting commitments. Paul Pierce and Chris Webber were examples of guys who left broadcasting gigs and it did not make a dent in their wallets.
It’s easy to make the same insinuation with LeBron. However, seeing him recently on the ESPN ManningCast of Monday Night Football made me realize how much I enjoy his insight. I find the guy fascinating, and while I do not always agree with his stance, I certainly respect the perspective he offers.
Springhill Entertainment has a contract to make The Shop. It begs me to wonder whether or not they can alter their production schedule to include James. The show needs it that much.
With no insight as to just how busy LeBron is, it is more important to say that the Shop should not do shows without him than to govern how much or how little he should work.
In the recent Michael Jordan documentary The Last Dance, it was fascinating to see how much time went into making Space Jam in 1996. When did LeBron film Space Jam 2? Or Trainwreck? Does he have time for all these media projects?
Ever since FOX News’ Laura Ingraham told LeBron James to “shut up and dribble,” I’ve paid particular attention to athletes having a proper voice on issues they are passionate about. The Showtime documentary Shut Up and Dribble focused on the history of the NBA and activism. That contact is fascinating, and the hope is that The Shop can continue to be that high-quality programming.
My favorite LeBron James story involves the Cartoon Network and the show Teen Titans Go! During the 2015 NBA Finals, after a Lebron-lead Cleveland Cavaliers victory over the Golden State Warriors (Golden State won that series 4 games to 2), LeBron James tweeted something to the effect that he was celebrating a big Cavs win by watching a marathon of Teen Titans Go! Episodes.
The creators of the show were amazed that the superstar watched their show. They offered to write a LeBron-centric episode if he would voice it. Fast forward a year or so, and the episode “The Cruel Giggling Ghoul” was born.
In it, the Teen Titans visit a basketball camp that LeBron is hosting. He helps them fight crime, albeit obeying two rules.
He could not walk anywhere without dribbling the ball (that would be traveling) and every time he dribbled he said, “dribble dribble dribble dribble.”
My two children were both under 10 at the time. To this day, they have never seen a game LeBron James has played in. Yet, if I asked either one of them who their favorite basketball player is, they unquestionably tell me it is LeBron James.
The value of LeBron James’ voice should never be undervalued. This is why, if HBO and HBO Max are airing The Shop, Lebron James has to be in a chair getting a shave. Make it work with his schedule and do not do the show otherwise.
Media Noise – Episode 47
Demetri Ravanos says he can tell Urban Meyer and the Jaguars are headed for a divorce based on the reaction of local media to the coach’s latest misstep. Brandon Kravitz stops by to talk about how much vaccine talk is too much and Andy Masur tries to make sense of the AL Wild Card Game and ARod’s time on ESPN.