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Michelle Beadle Launching Podcast Network Through The Athletic

“The tri-weekly show is the first addition to the Beadle Podcast Network and will air show on Monday, Wednesday, Friday, with episodes launching next week.”

Russ Heltman

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Courtesy: ESPN

Michelle Beadle made a return to sports media by joining select San Antonio Spurs broadcasts this season and she is diving deeper into the comeback with a new podcast deal.

The former-ESPN star signed a deal to build a podcast network with The Athletic. According to The Hollywood Reporter, Beadle is fleshing out a full podcast network starting with her show, What Did I Miss?

“I learned so much in the last two years. Knitting, ice cream making, and that the world needed just one more podcast. I’m more than happy to oblige,” Beadle said in a statement to The Hollywood Reporter.

The tri-weekly show is the first addition to the Beadle Podcast Network and will air on Monday, Wednesday, Friday, with episodes launching next week. More shows are being added to the network at later dates. The Athletic is handling all production and sales duties for the Beadle Podcast Network.

Beadle has already made appearances on Spurs broadcasts this season as a unique boost to Bally Sports Southwest telecasts.

“Veteran broadcaster Bill Land returns for his 19th season of calling Spurs basketball as the lead play-by-play announcer,” The press release said. “Former Spur Sean Elliott is in his 21st year as the lead analyst. Former Spur Matt Bonner is back for his fourth season at the studio desk alongside primary host Dan Weiss. Fans will notice two new additions during select broadcasts this season—former sports reporter Michelle Beadle as a special correspondent and former Spurs center Fabricio Oberto as a studio analyst.”

Beadle fits in nicely with the crew in San Antonio and figures to bring an infectious delivery to her new podcast network. What Did I Miss? can be found on major podcast platforms everywhere when it debuts on Nov. 15.

Sports Online

Mike Francesa: George Steinbrenner’s Idea to Put Mike and The Mad Dog On YES Network

“It was George’s idea. So give him credit for it. He wanted Mike and The Mad Dog as part of the CBS Radio contract, and we were.”

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Mike and The Mad Dog is often cited as one of, if not the, best sports radio shows of all time. The show saw an expanded reach with its partnership with the YES Network beginning in 2002. During his podcast Tuesday, Mike Francesa gave all the credit to the simulcast hitting the air on YES Network to the late Yankees owner George Steinbrenner.

“It was George Steinbrenner that came up with the idea of Mike and The Mad Dog being on the YES Network. No one else,” Francesa said.

“They came to us when they were negotiating a new radio deal with him and they said ‘Hey, we need a quick answer on this. Would you guys want to be on the YES Network every day, simulcasting? You know what Imus is doing with MSNBC? We wanna do it with you guys, but we need a very quick answer’.”

Francesa said the show airing on YES Network was a sticking point for the Yankees in negotiations with CBS Radio to continue airing the franchise’s broadcasts.

“Our first deal with them were not for a lot of money. Our later deals with them were for a very significant amount of money. But it was George’s idea. So give him credit for it. He wanted Mike and The Mad Dog as part of the CBS Radio contract, and we were. Our joining the YES Network was part of the CBS Radio contract.”

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Sports Online

Dave Portnoy Reveals Back-And-Forth With New York Times Reporter Who Claimed He ‘Did Not Provide Answers’

“You waited till (sic) your hit piece was done and now you just need to say you gave me a fair chance to speak even though you have no interest in the truth and your article is already written”.

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A story from The New York Times centered around “aging casino company” — Penn National Gaming — and its relationship with “degenerate gambler” — Barstool Sports founder Dave Portnoy — caught the eye of the face of the online outlet after the claim that he “didn’t provide answers”.

In the story, Steel claims “Penn and Barstool executives did not respond to repeated messages. Mr. Portnoy did not provide answers.” Portnoy brought the receipts to Twitter with a video of all of the correspondence he had with Times writer Emily Steel.

The alleged conversation takes place sporadically from May through November, with Portnoy offering to meet face-to-face with Steel for an interview that is mutually audio and video recorded, which Steel declines. She offered to meet Portnoy in New York for an audio recorded interview, which he declined, saying the interview needed to take place in Miami, because “I’m not running around to accommodate you at the 11th hour.”

He added “You waited till (sic) your hit piece was done and now you just need to say you gave me a fair chance to speak even though you have no interest in the truth and your article is already written”.

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Sports Online

Kareem Daniel Leaving Disney After Bob Iger Reassumes Role as Company CEO

“This is a time of enormous change and challenges in our industry, and our work will also focus on creating a more efficient and cost-effective structure.”

Jordan Bondurant

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Bob Iger is back as the CEO of Disney, and one of the first moves he made was to announce a company restructure. Part of that restructure includes the departure of Kareem Daniel, the chair of Disney Media and Entertainment Distribution (DMED).

DMED was formed under now-previous CEO Bob Chapek. The division manages Disney’s streaming services which includes ESPN+.

Daniel was considered one of those closest to Chapek. Iger announced Daniel’s departure in a memo to employees at DMED.

“It is my intention to restructure things in a way that honors and respects creativity as the heart and soul of who we are,” Iger said in the memo. “As you know, this is a time of enormous change and challenges in our industry, and our work will also focus on creating a more efficient and cost-effective structure.”

ESPN president Jimmy Pitaro will join other company leaders in coming up with a new company structure that Iger hopes “puts more decision-making back in the hands of our creative teams and rationalizes costs.”

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