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Tom Rinaldi: I Tell As Many Positive Stories As Sad Ones

“Even though by volume there’s an equality, there is a disproportion of meaning and memorability to those stories.”

Ricky Keeler

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Tom Rinaldi
Sports Illustrated

Tom Rinaldi is one of the better, more captivating storytellers in sports media. One of the many roles that Rinaldi had at ESPN for 19 years was the main voice for features on College GameDay. 

Now, in addition to working the sidelines on big games for FOX, Rinaldi is telling feature stories on their college football pregame show, Big Noon Kickoff, a show that is rising in popularity. This week, Rinaldi was a guest on The Ryen Russillo Podcast to discuss his time at ESPN. 

During the interview, Russillo threw out a theory about College GameDay since he used to host the radio version of the show on ESPN Radio. He said he felt the show has been pushing for longer-form storytelling and that it “veers towards sadness” a lot. He wondered if there was research by programmers that showed people wanted to see more redemption in stories.

“It’s a fascinating theory,” Rinaldi answered. “That was never brought up. Features were brought up. If you actually took a season’s worth of storytelling content, whether it’s Big Noon Kickoff or on Gameday, you would see that there’s a balance of he’s good, she’s good, the lighter story, and the heavier story.

“I would submit that what people perhaps fail to recognize is that it is the heavier story that is more memorable. Even though by volume there’s an equality, there is a disproportion of meaning and memorability to those stories.”

While Rinaldi isn’t on any form of social media, but he does hear what some critics think of the amount of stories that air on a two or three-hour show. That doesn’t mean he is fazed by the criticism.

“I think there is at times a thought that these stories are wrong to tell or there are too many of them or I hear terrible terms suggested to me like tragedy porn or things of that nature. I would just suggest you always have the right not to watch. You always have the right to look away.” 

As for how Big Noon Kickoff is doing, Rinaldi feels that while GameDay is set in stone for what it is, the FOX college football pregame show is still establishing its identity.

When asked to compare the two networks, Rinaldi had nothing but good things to say about both. He said the decision to move on from ESPN was not an easy one to make.

“It’s difficult to leave a place that you love and you’ve been for 19 years. I’ll always love ESPN. I’m grateful for the next. There is so many wonderful things I got to do during my time at ESPN. Now, the chance to do not only Saturdays, but Sundays, the chance to do the World Cup, some features for the World Series, I’m just so grateful and I’ll always love ESPN, but so far, things have been tremendous on FOX.”

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ESPN Sees Larger Than Average Audience For Big City Greens Classic

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ESPN aired Tuesday night’s New York Rangers and Washington Capitals game. DisneyXD and Disney Channel aired an alternate broadcast that included players being 3D animated to resemble the cast of Disney Channel’s popular cartoon Big City Greens. It turned into a ratings win for the networks.

The alternate broadcast featured players animated in real time to mimic what was happening on the Madison Square Garden ice. Players were equipped with special chips in the padding to aid the animation, and special pucks were used to ensure a smooth transition from video to computer-animated graphics.

An average of 589,000 viewers tuned into the game on ESPN. Meanwhile, nearly 175,000 watched the broadcast between Disney Channel and DisneyXD.

The figure for ESPN represents its largest NHL broadcast since a November 1st broadcast featuring the Pittsburgh Penguins and Boston Bruins.

The combined total for the broadcast — 765,000 — outdrew the World Baseball Classic broadcasts but did not top the NCAA Tournament’s First Four round that was broadcast on truTV.

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Sports TV News

Greg Gumbel: I’m Lucky That I’ve Never Been Fired

“I worked for some people who didn’t like me, I’ve worked for some people I didn’t like. It’s a strange business, there’s no doubt.”

Ricky Keeler

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Greg Gumbel

This week, it was announced that Greg Gumbel will no longer be a play-by-play announcer for the NFL on CBS after working on CBS’s NFL coverage every year since 1998. Gumbel has had an illustrious career and he takes pride in the fact that one thing has never happened to him.

Gumbel was a guest on the Tell Me A Story I Don’t Know podcast with George Ofman (Part 2 from an interview back in September) and he told Ofman that while he has never been fired before, but he doesn’t think broadcasters should be embarrassed when they get fired because of what the business is.

“It’s the nature of the business. I honestly think I’ve been extremely fortunate in that I’ve never been fired in a business that is known for firings. Being fired in this business is no shame, no embarrassment because it’s a subjective business. Because this guy at this network likes my work, it doesn’t mean that this guy at that network does. It’s extremely subjective and if you can buy that and understand it the way it is, then it shouldn’t bother you at all.

“It’s never happened to me. If it had, it would not have surprised me. I worked for some people who didn’t like me, I’ve worked for some people I didn’t like. It’s a strange business, there’s no doubt.”

Gumbel has been the host of CBS’s NCAA Tournament coverage for the last 25 years and he knows it’s a job that he is very grateful to have.

“I know there are people who would give their right arm to be sitting there next to Clark Kellogg and Seth Davis on Selection Sunday or sitting next to Kellogg, Kenny Smith, and Charles Barkley when the tournament begins to talk about what we’ve just seen or what we are going to see. I am never, ever going to take for granted the fact that I have been very fortunate to be able to do that.”

One thing Gumbel tries to avoid whenever he is on air is the mispronunciation of someone’s name because he knows how it feels to have his name distorted accidentally by some people.

“Pronunciations are important to me. There’s been a lifetime of people who may not completely mispronounce my name, but distorting it a little bit from time to time. I never want to do that to an athlete. If I ever mispronounce an athlete’s name, I hear it from his family, I hear it from the school or the team and I apologize for it as soon as I can. I don’t think that is something light or should be taken for granted.”

Toward the end of the interview, Gumbel was asked by Ofman when he will know it will be time to end his career.

“Other people have given it more thought than I have. I think when that time comes around, it will hit me over the head more than I will think about it. There are people who ask me why I still do what I do. The very bottom line is I love it, I enjoy it.”

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Diamond Sports Group Misses Arizona Diamondbacks Rights Payment

It is believed that the missed rights payment by Bally Sports Arizona triggers a clause in the contract that reverts the television rights back to the Diamondbacks and Major League Baseball.

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Last week, Diamond Sports Group — operator of the Bally Sports-branded regional sports networks — claimed it had paid every rights fee it was contractually obligated, except for the Arizona Diamondbacks.

At the time, the company said it had a grace period until it needed to make a payment. That payment was due by Thursday, March 16th at 11:59 PM. That time has come and gone, and the company failed to deliver its fee.

It is believed that the missed rights payment by Bally Sports Arizona triggers a clause in the contract that reverts the television rights back to the Diamondbacks and Major League Baseball.

The Diamondbacks are not the only team affected by the situation. Bally Sports — which filed for Chapter 11 bankruptcy earlier this week — has also reportedly entered a grace period with the San Diego Padres. According to a report from Sports Business Journal, that grace period ends on March 30th, baseball’s Opening Day.

Previous reporting claims that contract is one the network hopes to get out from under. The company loses a reported $20 million per season on its television deal with the Padres. The Cincinnati Reds and Cleveland Guardians are the other two baseball franchises the network holds the rights to that it hopes to terminate deals for.

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