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Sean Salisbury Imagines Epic, ‘Austin 3:16’ Return for Carlos Correa to Astros

“What would happen if we’re standing out there, and out of the main door where they come out, this music just starts blaring and here comes Jim Crane and Carlos Correa?”

Derek Futterman

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As baseball’s free agent market continues to move at a quick pace following the conclusion of the Major League Baseball lockout, rumors have circulated suggesting that the Houston Astros may be interested in bringing back All-Star shortstop, World Series champion, and 2015 American League Rookie of the Year Carlos Correa.

The 27-year-old free agent superstar is highly regarded throughout MLB and may be willing to take a short-term deal with a high average annual value to return to the only team he has played for. It is a possibility Astros fans and players have clamored for in an effort to return to the World Series for the fourth time in six years.

If you were to put a soundtrack to Correa returning to Houston, look no further than The Sean Salisbury Show on SportsTalk 790. Out of a commercial break, show producer Tyler Soto – also known as “Heavy T” – played a guitar-heavy rock track to introduce the next segment of the show. It is safe to say show host Sean Salisbury was fired up and excited to continue the show speaking over the track, which opens with a sound effect of glass shattering.

“My man – Heavy T!” exclaimed Salisbury in the third hour of Wednesday’s show.

Co-host Michael Connor mentioned a scenario where this music would play to create a sublime experience for Astros fans at spring training in West Palm Beach, Florida, in which a door would open and reveal the presence of two prominent figures in Houston Astros baseball.

“What would happen if we [were] standing out there, and out of the main door where they come out, this music just starts blaring and here comes [Astros’ owner] Jim Crane and Carlos Correa?” said Connor. “You hear the glass-break sound, and then they just walk out.”

The adrenaline-inducing rock track reminded Salisbury of appearances he made in the past on a podcast hosted by former 106.7 The Fan host Chad Dukes. Initially, Salisbury said he had a moment of confusion when Soto played that specific rock track out of the break.

“You freaked me out with that; [do] you want to know why?,” said Salisbury to Soto. “You know my guy, Chad Dukes? He was in D.C. all those years and has his podcast. Every single time I’ve joined his show over the last decade, this is the intro song.”

So what is the name of this rock track? And why had it not been played until March 16 on The Sean Salisbury Show? The answer comes in the notation of the date itself – 3/16 – and the fact that “Austin 3:16” is the notorious catchphrase associated with WWE wrestler “Stone Cold” Steve Austin.

Since the date is referred to by wrestling fans around the globe as “Steve Austin Day,” and Austin just released a new lager beer in association with El Segundo Brewing Company, Soto decided to play the wrestler’s theme song, called “I Won’t Do What You Tell Me” by composer Jim Johnston, on the air Thursday.

“You caught me off guard; I’m like ‘What are you doing?’” said Salisbury. “It got me, ‘Oh, this is from there…’ I love the fact you played this; I like this cut. That would be a hell of an entry with Crane and Correa.”

“I’m going to open up a can of whoop-ass,” replied Soto in the idiomatic nature of “Stone Cold” Steve Austin on his special day.

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Caroline Fenton Announces She is Leaving 102.5 The Game

“Please bear with me today as I work through the emotions of leaving a place that has become my home with people that grew into family.”

Barrett Sports Media

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Logo for 102.5 The Game in Nashville and a photo of Caroline Fenton
Photo Courtesy: 102.5 The Game

Caroline Fenton, who has been a part of 102.5 The Game in Nashville since 2021, announced today on her X account that today will be her last day with the station. She did not say what she’d be doing next but said she would announce that soon.

Fenton’s announcement said, “Today is my last day at 102.5 The Game. Please bear with me today as I work through the emotions of leaving a place that has become my home with people that grew into family. I’ve felt so much love this week, so thank you.”

Fenton joined the station in 2021 as part of the Stillman & Company show in afternoon drive. When the station shuffled its lineup around in January 2023, Fenton was moved to middays where she has been part of Caroline, Willy & DMase with Willy Daunic and former Tennessee Titans wide receiver Derrick Mason.

Fenton came to Nashville from ESPN in Bristol, CT where she created content and contributed on-air as a social/digital video producer. She is a native of St. Louis and a graduate of LSU.

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Sean Pendergast: I Didn’t Know Brian Windhorst Had This in Him

“He destroyed Luka in the postgame after Game 3.”

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Brian Windhorst
Courtesy: Juan Ocampo, ESPN Images

The Boston Celtics are preparing to take the court Friday night with a 3-0 series lead in the NBA Finals, only needing to secure one more victory to obtain the 18th championship in franchise history. Dallas Mavericks guard Luka Dončić, who helped lead the team to the NBA Finals with a strong postseason performance, has struggled throughout the series and been on the receiving end of criticism about his conduct and play on the court. Seth Payne and Sean Pendergast of SportsRadio 610 in Houston spoke about how Dončić was evoking a similar sentiment to that of former Rockets guard James Harden in that he is an offensive-minded player who demonstrates minimal effort on the defensive end.

Payne expressed that Rockets fans had been frustrated that Dončić would be praised for his style of play while Harden would be somewhat castigated over the years. The plaudits that he has received though seems to have taken a turn amid this series because of the lackluster play.

“This is not a great Finals – [it] could get closed out tonight – and Luka in Game 3 was a mess,” Pendergast said. “He’s arguing with the refs, he’s arguing with his bench… yelling like a child at his coaches. Not a good look.”

The criticism of Dončić from ESPN senior NBA writer Brian Windhorst on SportsCenter with SVP gained notoriety on Wednesday night because of the tone used and the way in which Dončić was called out for carrying himself. The Payne & Pendergast morning drive show played audio of Windhorst delivering his analysis of what occurred on the court and the sentiment surrounding the team.

“Brian Windhorst, man,” Pendergast said. “I didn’t know Windhorst had this in him. He destroyed Luka in the postgame after Game 3.”

Windhorst believed that Dončić put himself in an unacceptable position fouling out of Game 3, specifically in how he looked at his bench after committing his sixth foul and stating that they “better bleeping challenge it.” Within his report, he stated that he was standing in the Mavericks tunnel and that the winners are within the Celtics tunnel and then referenced what Dončić would have to do in order to render the Mavericks tunnel the location of the winners.

“His defensive performance is unacceptable – he is a hole on the court; the Celtics are attacking him,” Windhorst said. “They are ahead in this series because they have attacked him defensively, and you’ve got a situation here where Luka’s complaining about the officiating. They have begged him – they have talked with him, they have pleaded with him. He is costing his team because of how he treats the officials.”

Windhorst continued to voice that Dončić was going to have to get over it, but the fact that he blamed the officials after the game demonstrated to him that he is not close. The performance he had in Game 3 is one that Windhorst called “unacceptable” and attributed it to a reason as to why the Mavericks are not going to win.

“So maybe over the summer somebody will get to him because nobody with the Mavericks or anybody else in his life has, and that’s where the Mavericks are at this point,” Windhorst said. “They’re never going to get to this tunnel with the trophy if he doesn’t improve those aspects of his game.”

The comments from Windhorst elicited further discussion on SportsRadio 610 about the similarities and differences between Dončić and Harden. Whereas Dončić is gaining a reputation for complaining to the officials, Payne conveyed that Harden was “surgical” in his understanding of how to create fouls during the game. Although everyone in the league “begs for calls at some point,” according to Payne, he never recalled Harden having an issue with the officials throughout an entire series.

“If they get swept out of the Finals, that’s going to be a huge story,” Pendergast said. “That’s going to hover over him all summer, like the poor performance in the Finals [and] just the complete fade. You could argue Luka would have been better off playing heroically in a seven-game loss in the Conference Finals than making it to the Finals and getting destroyed.”

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Joe Davis Discusses Landing Dodgers Play-by-Play Job, Plays Voicemail from Vin Scully

“I called my wife and I told her, ‘Hey yeah, I’m one of four people they’re considering,’ and she said, ‘Oh my gosh, we’re moving to Los Angeles.'”

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Joe Davis
Courtesy: FOX Sports

Throughout the last decade, Joe Davis has established himself as one of the preeminent play-by-play voices in Major League Baseball through his work with FOX Sports and the Los Angeles Dodgers. Davis was hired by the Dodgers ahead of the 2016 season to call road games on Spectrum SportsNet LA and became the full-time play-by-play announcer the next year following the retirement of Vin Scully. Yet Davis had learned of the potential job opening two years before he called his first game for the team when his agent asked if he had any tape of him calling baseball games. Once he asked what the purpose of providing such material would be, he learned that the Dodgers were considering him to fill the play-by-play job following the retirement of Scully.

At this point, Davis had only called a couple of Major League Baseball games and recently moved to FOX Sports after working at ESPN. Within his broadcast career, he had called hundreds of minor-league games and was surprised to be in consideration. A few months later, Davis was in the Los Angeles area for FOX meetings, and he decided to go to the Dodgers offices to introduce himself amid the process and went in assuming that the organization did not genuinely know who he was.

“Well I go and I sit down and I meet with them and they tell me that I’m one of four people that they’re considering, so now it’s like, ‘Wow,’” Davis recalled during a recent appearance on the Rich Eisen Show. “It’s still, ‘No chance. I’m sure it’s a who’s who of broadcasters, and I’ve done two games at this point.’ I called my wife and I told her, ‘Hey yeah, I’m one of four people they’re considering,’ and she said, ‘Oh my gosh, we’re moving to Los Angeles.’”

Davis’ agent received a voicemail while they were playing golf together to call Lon Rosen, executive vice president and chief marketing officer of the Los Angeles Dodgers. Rosen then informed him that the team wanted to hire Davis, but after a few months of negotiations, he decided to turn the job down. The rationale behind his decision was that the Dodgers were not going to allow him to continue calling national games, which is what he had always wanted to do. The team ended up calling his agent back and asked what Davis wanted, looking to materialize a deal to hire him as a play-by-play announcer.

“I go, ‘Well, we’ve been for a few months kind of discussing what I want, but okay. I want the ability to do this and this,’” Davis recalled. “Lon Rosen with the Dodgers said, ‘Okay, put it in an email.’ We’re like, ‘Okay, we will,’ and by the end of the night, we had agreed we were doing it.’”

On the day before Davis was officially announced as a play-by-play announcer with the team, he saw an unknown phone number call and sent it to voicemail. Upon playing the voicemail, he recognized that it was Vin Scully and figured he was off to a great start in the new role. They spoke the next day, and although they did not have a deep relationship, Davis cherished the time he spent with him and still implements the advice he received to this day. Eisen asked Davis what kind of advice he received from the team’s broadcaster of 67 years, one of which involved how to handle climactic moments.

“‘If your house is burning down and you’re trying to get everybody out safe, you can’t be freaking out,’” Scully said, utilizing an analogy. “‘Your heart rate can’t be spiking. If you’re going to save the cat from the top floor, you’ve got to be cool,’ and he said, ‘Think of the big moments kind of the same way as that. You got to be the coolest guy in the burning house,’ so an amazing part of doing Dodger games is they’ve been so good since I’ve been here, there’s been a lot of chances to practice that.”

In addition to his role with the Dodgers, Davis is the lead play-by-play announcer for the MLB on FOX and calls marquee matchups and events throughout the season, including the MLB All-Star Game and World Series. Davis also calls NFL on FOX games during the football season, most recently working with analyst Daryl Johnston and reporter Pam Oliver. Davis has fond memories of Scully, who passed away in August 2022 at the age of 94, and played the recording over the air upon finding the voicemail message on his phone.

“Joe, it’s Vin Scully in Los Angeles,” Scully said on the recording. “I tried to get you earlier in the day, so I start off the year 0-for-2, but I was calling just to welcome you to the family, to wish you great success, and I know you will love the ballclub and the way they treat people. I look forward to seeing you somewhere along the line, although I doubt if it’ll be on the road. Anyway, good luck. I’ll see you, I’m sure, soon, and I’ll be thrilled to wish you all the best wishes possible. I know what it was like to be 27, 28 and starting out with a big club, and I know it’ll be a great marriage, so congratulations and look forward to seeing you.”

“It is cool,” Davis reflected, “and that’s the first time I’ve listened to it in a while, and it feels good to share because it’s almost like bringing him back a little bit for people; something that people have never heard that they hopefully get to hear and enjoy today.”

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