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Andrew Marchand Just Wants To Report On What You Can See And Hear

“I don’t think everyone necessarily would want to cover sports media but for me, there’s really nothing I’d prefer to cover more.”



When Andrew Marchand set out on a career as a sports writer, there was always one aspect of the business that intrigued him – the business of sports media. During his college years and when he was just starting out as a sports writer, Marchand quickly developed an interest in that particular side of sports and it would turn out to be the bread and butter of his career.

“I just have a passion for it,” said Marchand, now a sports media writer for the New York Post.  “That’s always fascinated me. I don’t think everyone necessarily would want to cover sports media but for me, there’s really nothing I’d prefer to cover more.”

During his career, Marchand has covered teams like the Yankees and Mets, but he has established himself as a go-to source for fans to get breaking news and trends when it comes to goings-on in the sports media. Whether it’s local sports radio wars, who is going to get a marquee play-by-play or analyst job, or what network or streaming service is going to land a television rights deal, Marchand is consistently in the know of what’s happening and it’s a subject that fans care a great deal about.

Sure, fans want to know what’s going on with their favorite players and teams but they also have a vested interest in who they are listening to on the radio and who they are watching on television.  

“I think what sometimes has been lost through the years, kind of pre-internet, is just how much interest fans have in this,” said Marchand. “If you look at the business deals, they’re for billions of dollars. The NFL just did their contracts with the TV networks and Amazon as well that will add up to $110 billion so that’s huge business and that’s a big story.”

It’s a huge story and there are many people who pay close attention to anything and everything when it comes to sports media, especially the NFL.

Of the 100 highest-rated shows on television, 75 of them are NFL games. That’s a lot of eyeballs on what is inarguably the most popular sport in the United States. In addition to who is playing in the game, what’s at stake, any star players that are in action, and the popularity of sports gambling, sports fans are also dialed into who is calling the action.

There’s been a lot of NFL broadcaster news recently with Joe Buck and Troy Aikman moving from FOX to ESPN’s Monday Night Football and with Al Michaels teaming with Kirk Herbstreit to form the broadcasting combo for Amazon’s Thursday Night Football. Sports fans have big opinions on the sportscasters they watch and listen to, and Marchand has the platform to give people the information they’re looking for.  

“Everyone has an opinion about ‘I like this guy’, ‘I like this woman’, ‘I don’t like this guy’, ‘I don’t like this woman,’ said Marchand. “So, they all have an opinion and everyone can have one.”

A lot of people grow up loving sports but they realize at a certain point that maybe we’re not going to get to play catcher for the New York Yankees, right wing for the New York Islanders, or tight end for the New York Jets…well, at least that’s what I was thinking when I was 8, 9, or 10 years old. I do remember watching a baseball game on television with my father and telling him that I wanted to be a sportscaster when I grew up.

Being a sports reporter is a bit more relatable to a lot of sports fans than being an athlete.

“Most of us know we can’t do anything Lebron (James) can do on a basketball court but could you be like Mike Breen or Ian Eagle?” said Marchand. “Maybe not at their skill level because as it turns out it’s much more difficult than people realize but it’s much more relatable that ‘I can do that’ and you have an opinion on it.”

And you know what they say about opinions right? 

Everyone has one and it’s no different for Marchand covering sports media. There is a similarity between covering an athlete or a team to covering a sportscaster or sports talk show host in the sense that you’re reporting on the story and the fans have an interest in what’s going on.

With that reporting also comes the potential for writing something both positive and negative about the subject. An athlete may get upset about something that is written or said about them, but that is generally regarding performance on the field, court or rink.  

A play-by-play announcer, reporter or host can get criticized or lauded simply because of an opinion.    

“What I’m covering is subjective,” said Marchand. “In radio, there are ratings so that kind of means something but still you can have an opinion on a show. If you’re writing about a football broadcast, there’s no scoreboard at the end. I write opinion, but I really try to make my hay on reporting. My thing always is trying to report what you can’t see or hear so that to me is where the money is.”  

So, what goes into being a good sportscaster?

When it comes to being a host, a host certainly has to be knowledgeable and likeable.  

“A good talk show host…you want to hang with that person,” said Marchand. “It’s not about that they know more than anybody else because, by the nature of the job, they don’t. They can be well-read and they can be informed in cases but the idea that they’re in a studio and they know more than the people that are out there every day is just ludicrous.”

There is also an entertainment element of being a good sports talk show host, but with that also comes the potential for not being truthful with the audience. There’s a saying that ‘you can’t put lipstick on a pig’ and that could also apply for hosts who try to talk about a subject that they’re not knowledgeable about.

If you don’t know anything about hockey, it’s probably not a good idea to force an opinion because loyal sports fans can see right through you.

“I personally like it if they’re honest,” said Marchand. “I don’t really like people who fake it or say things that are just wrong just to try to get a rise. I’m not a fan of that. They don’t need to be larger than life.” 

As far as play-by-play is concerned, it’s all about the announcer painting the picture on the radio or being the trusted voice that supplements the images on your television. There are really no shortcuts when it comes to being a solid play-by-play announcer because there’s a lot of work that goes into it.

“Number one is preparation,” said Marchand. “You have to know what you’re talking about. Number two, I would, say is a passion for what you’re talking about because the people who are watching or listening are choosing to watch.”

In addition to sports media deals and contracts, Marchand also spends a good deal of time covering the local sports radio battle in New York. WFAN, the first all-sports radio station in the United States that launched in 1987, competes with ESPN Radio New York, which made its debut in 2001. The ratings war between the two rival stations has been well-documented for more than two decades.

“It’s not the most read thing that I do by far, but it has become to where it has a life of its own,” said Marchand. “It’s not the most fun thing to cover just because the ratings and how they’re interpreted over the years have been looked upon differently which kind of made for a grey area.”

That grey area comes from a ratings system that is a bit complicated and, in many ways, controversial because now there is a combination of fans who listen on traditional radio and those who tune in via streaming. There always seems to be a disagreement as to the true rating and what should be included.  

“(The system is) made for those of us who write about it in some respects to be a judge when we really don’t want to be and we didn’t even create the system,” said Marchand. “I would even argue that the system that we use isn’t necessarily the best. If I were the one creating it, I don’t think I would use 25-54-year-old males. I think you can argue that we’re leaving out a lot of people who should be included.”  

So, Andrew, what’s the solution?

“It’s not my place to change the rules,” he says. “There’s always complaining on both sides and that’s part of the job. I don’t want to be the judge on this thing and what streaming is and what should count.”

Sports media is something that caught the attention of the New York Post’s Andrew Marchand a number of years ago. He’s made a career out of being a trusted reporter for fans, as well as many of us in the industry who also crave this information.

BSM Writers

Adam The Bull Is Giving Cleveland Something It’s Never Had Before

“It was only more recently that I was like why do I have to only be a radio guy?”



After spending 22 years on the radio, Adam “The Bull” Gerstenhaber was ready for a new adventure.  In fact, the former co-host of Bull and Fox on 92.3 The Fan in Cleveland did not have a new job lined up when he signed off from his 11-year radio home last month.

“I was already leaving without having a new project,” admitted Gerstenhaber during a recent phone interview with BSM.  “I left before I knew for sure I had a ‘next project’.”

Gerstenhaber was preparing for his final show with co-host Dustin Fox on April 1st when he was contacted by an executive producer for TEGNA, a company that was developing a Cleveland sports television show on YouTube.  The executive producer, who had just found out that Bull was a free agent, made it clear that he wanted Bull to be a part of the new project.

It all came together very quickly. 

“Let’s talk on Monday,” Gerstenhaber told the executive producer. “And within a week they signed me up.”

The Ultimate Cleveland Sports Show on YouTube featuring Gerstenhaber, former ESPN personality Jay Crawford, 92.3 The Fan’s Garrett Bush, and rotating hosts to make up a four-person round-table show, made its debut last Monday.  The show, which airs weekdays from 11am to 1pm, features passionate Cleveland sports talk, live guests, either in-studio or via Zoom, as well as interaction from the audience through social media.

“I’m very excited,” said Gerstenhaber.  “It’s a definite adjustment for me after 22 years on radio doing television.  For the last 11 years, I’ve been doing a radio show with just one other host and I was the lead guy doing most of the talking and now I’m on a show with three other people and it’s such an adjustment.  So far, I’m having a ball.”  

And so far, the reaction to the show has been very positive.

A big reason why is that it’s something that Cleveland didn’t have and really never had, unlike a city like New York, where there are local radio shows that are simulcast on regional sports channels. 

“There’s nothing like that in Cleveland,” said Gerstenhaber.  “And there was certainly nothing like this with a panel.  Cleveland is such a massive sports town and now people that don’t live in Cleveland that are maybe retired in Florida or Arizona, now they actually have a TV show that they can watch that’s Cleveland-centric.”

The new venture certainly represents a big change in what Bull has been used to in his radio career.  He’s enjoying the freedom of not having to follow a hard clock for this show. In fact, there have already been some occasions where the show has been able to go a little longer than scheduled because they have the flexibility to do that on YouTube.

Doing a show on YouTube gives the panel a great opportunity to go deep into topics and spend some quality time with guests.  And while there is no cursing on the show at the moment, there could be the potential for that down the road.

Don’t expect the show is going to become X-rated or anything like that, but the objective is to be able to capture the spirit and emotion of being a sports fan and host.

“It’s something we may do in the future,” said Gerstenhaber.  “Not curse just to curse but it gives us the option if we get fired up.  It is allowed because there’s no restrictions there.  The company doesn’t want us to do it at the moment.”  

There’s also been the shift for Gerstenhaber from being the “point guard” on his old radio show, driving the conversation and doing most of the talking, to now taking a step back and having Crawford distributing the ball on the television show.

For a guy called “The Bull”, that will take some getting used to. 

“Jay is a pro’s pro,” said Gerstenhaber.  “He’s the point guard for this but he’s also part of the conversation.  I’m not used to not being the point guard so I have to adjust to that.  I think it’s gone pretty well and the chemistry is pretty good and with time we’ll get used to the flow of it.”  

Gerstenhaber’s move from sports radio to an internet television show is a perfect example of how the industry is changing.  A good portion of the listening and viewing audience these days, especially those in the younger demographic, are not necessarily watching traditional television or listening to terrestrial radio.  For a lot of sports fans, watching and listening on a mobile device or a computer has become a very important way of life.

The desire to adapt, along with a shorter workday, was very enticing to him.

“It was only more recently that I was like why do I have to only be a radio guy?” wondered Gerstenhaber.  “There were things about my job that I was unhappy about.  I was doing a five-hour radio show.  It’s too long. That’s crazy.  Nobody should be doing a five-hour radio show at this point.” 

Broadcasting on the internet has arrived and it’s not just a couple of sports fans doing a show from their garage anymore.  The business has evolved to the point where the technology has provided more opportunities for those who have already enjoyed success in the industry and are looking for new challenges.

Kind of like Adam The Bull!

“I think years ago, probably like many people in the radio business, we looked at internet and podcasts as like whatever…those guys aren’t professionals…they’re amateurs,” said Gerstenhaber.  “But the game has changed.”

Gerstenhaber, Crawford and everyone associated with the “Ultimate Cleveland Sports Show” should not have much of a problem attracting the younger audience. That demographic is already accustomed to watching shows on YouTube and other streaming platforms.  The challenge now is to get the more mature audience on board. There are certainly some obstacles there.

I know this from experience with trying to explain to my mother in Florida how she can hear me on the radio and watch me on television simply by using her tablet.

Bull can certainly relate to that.

“My mother is still trying to figure out how to watch the show live,” said Gerstenhaber with a chuckle.  “The older fans struggle with that. A lot of my older fans here in Cleveland are like how do I watch it? For people that are under 40 and certainly people that under 30, watching a YouTube show is like okay I watch everything on my phone or device.  It’s such a divide and obviously as the years go by, that group will increase.” 

With the television show off and running, Gerstenhaber still has a passion for his roots and that’s the radio side of the business.  In the next couple of weeks, “The Bull” is set to announce the launch of two podcasts, one daily and one weekly, that will begin next month.  But he also hasn’t ruled out the possibility of returning to terrestrial radio at some point.

“I have not closed the door to radio,” said Gerstenhaber.  “I still love radio.  I would still, in the right set of circumstances, consider going back to radio but it would have to really be the perfect situation.  I’m excited about (the television show) and right now I don’t want to do anything else but I’m certainly going to remain open-minded to radio if a really excellent opportunity came up.”

The landscape of the broadcasting industry, particularly when it comes to sports, has certainly changed over the years and continues to evolve.  Adam Gerstenhaber certainly enjoyed a tremendous amount of success on the radio side, both in New York and in Cleveland, but now he has made the transition to something new with the YouTube television show and he’s committed to making it a success.

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BSM Writers

I Heard A Lot of Boring, Uncreative Sports Radio On Friday

“Sometimes your first idea is your best one. You don’t know that though if you stop thinking after one idea. That is what it feels like happens a lot the day after NFL schedules are released”



Maybe this one is on me for expecting better. Maybe I need to take my own advice and accept that there are times the sports radio audience just wants a little comfort food. Still, this is my column and I am going to complain because I listened to probably six different stations on Friday and all of them were doing the exact same thing.

The NFL schedule was released on Thursday night, so on Friday, regardless of daypart, every show seemingly felt obligated to have the same three conversations.

  1. How many games will the home team win?
  2. What does the number of primetime games we got mean for how much respect we have nationally?
  3. Why do the Lions still get to play on Thanksgiving?

Football is king. I get that. Concrete NFL news is always going to take priority. That is understandable. But where was even an ounce of creativity? Where was the desire to do better – not just better than the competition, but better than the other shows in your own building?

I listened to shows in markets from across the league. The conversations were the same regardless of size or history of success. Everyone that picked in the top 5 in last month’s draft is going to go 10-7. Every team that got less than 5 primetime games feels disrespected. It was all so boring.

Those of us in the industry don’t consume content the way listeners do. We all know that. Perhaps I am harping on something that is only a problem to me because I listen to sports talk radio for a living. If you don’t ever want to put more than the bare minimum of effort into your show, decide that is the reason for my reaction and go click on another article here.

Consider this though, maybe the fact that I listen to so much sports radio means I know how much quality there is in this industry. Maybe it means that I can spot someone talented that is phoning it in.

I want to be clear in my point. There is value in giving your record prediction for the home team. Listeners look at the people on the radio as experts. I will bet some futures bets in a lot of markets were made on Friday based on what the gambler heard coming through their speakers. All I want to get across is there is a way to have that conversation that isn’t taking two segments to go through each week one by one. I heard no less than three stations do that on Friday.

Sometimes your first idea is your best one. You don’t know that though if you stop thinking after one idea. That is what it feels like happens a lot the day after NFL schedules are released. It’s a very familiar rhythm: pick the wins, get a guest on to preview the week 1 opponent, take calls, texts and tweets with the listeners’ predictions.

I didn’t hear anyone ask their listeners to sell them on the over for wins. I didn’t hear anyone give me weeks that you could skip Red Zone because one matchup is just too damn good. I didn’t hear anyone go through the Sunday Night Football schedule and pick out the weeks to schedule dates because the matchup isn’t worth it.

Maybe none of those ideas are winners, and that is fine. They are literally three dumb ideas I pulled out of the air. But they are all ways to review the schedule that could potentially leave a smile on your listener’s face.

Show prep is so important, especially in a group setting. It is your chance to tell your partner, producer, or host that you know you can do better than the idea that has just been thrown out. Quit nodding in agreement and challenge each other! It may mean a little more work for you, but it means more reward for the listeners. And if the listeners know they can rely on you for quality, creative content, that leads to more reward for you.

And lay off the Lions. It’s Thanksgiving. You’re stuck at home. The NFL could give you Lions vs Jaguars and you’d watch.

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BSM Writers

Why You Should Be Making Great TikTok Content

“We’re specially trained in the world of TSL (time spent listening), and the longer people view your content on TikTok, the more the app rewards you by shoving your content into more and more feeds.”



It feels like there’s a new social media platform to pay attention to every other week. That makes it easy to overlook when one of them actually presents value to your brand. It wasn’t long ago that TikTok was primarily used by teenagers with the focus being silly dance trends filmed for video consumption with their friends and followers alike. Now, as the general public has become in tune with how this complicated app works, it’s grown far beyond that.

TikTok is now an app used by all types of demographics and unlike TikTok’s closely related cousins Instagram and Facebook, this app provides a certain type of nuance that I think people in our line of work can really excel in. 

Before I get into the nuts and bolts of how you can use TikTok to your advantage and how to make your videos catch on, I think it’s important to first mention why this matters for you. Now, if I’m being realistic, I’m sure there are some that have already stopped reading this or those that could scroll away fast enough when they saw the words TikTok. You might be thinking that this doesn’t fit your demo, or maybe that it’s a waste of time because productivity here won’t directly lead to an uptick in Nielsen ratings. But I’m not sure any social network directly leads to what we ultimately get judged on, and we aren’t always pumping out content directly to our core audience.

TikTok, like any other app you may use, is marketing. This is another free tool to let people out there know who you are and what you offer in this endless sea of content. And the beauty of TikTok is that it directly caters its algorithm to content creators just like us. Bottom line, if you are a personality in sports talk, there’s no reason you can’t be crushing it on TikTok right now. All it takes is a little direction, focus, consistency, and a plan. 

Unlike Instagram, Facebook, and Twitter where you can throw a photo up with a caption and be done for the day, TikTok’s whole model is built on creative videos that keep users engaged for longer periods of time. This approach works. According to Oberlo, a social media stat tracking site, people spend more time per day on TikTok than any other popular social media application. 38 minutes per day!

This is where this is good news for us in talk radio. We’re specially trained in the world of TSL (time spent listening), and the longer people view your content on TikTok, the more the app rewards you by shoving your content into more and more feeds. TikTok’s algorithm doesn’t care how many followers you have, your level of credibility, or the production on your video. All ir cares about is 1) Is your content good. and 2) Are people watching it. 3) How long are they watching it. The more people watch and the longer they watch creates a snowball effect. Your videos views will skyrocket, sometimes within hours. 

So, how do you create content that will catch on? It’s really not all that different than what you do every day. Create thought-provoking commentary that makes people think, argue, or stay till the end to get the info you teased up for them. I’ve found through my own trial and error that it’s best if you stay away from time-sensitive material, I’ve had more success the more evergreen my content is. That way, the shelf life expands beyond just that day or week. This is different for everyone and there’s no one-size-fits-all, but this is where I’ve seen the most success. 

Also, put yourself out there, don’t be afraid to say something that people are going to vehemently disagree with. Again, it’s not unlike what we do every day. It’s one thing to get someone to listen, it’s another to get them to engage. Once they hit you in the comment section, you’ve got them hooked. Comments breed more views and on and on. But don’t just let those sit there, even the smallest interaction back like a shoulder shrug emoji can go a long way in creating more play for your video. 

If you want to grow quickly, create a niche for yourself. The best content creators that I follow on TikTok all put out very similar content for most of their videos. This means, unlike Instagram where it’s great to show what a wildly interesting and eclectic person you are, TikTok users want to know what they’re getting the second your face pops up on that screen. So if you are the sports history guy, be the sports history guy all the time. If you are the top 5 list guy, be the top 5 list guy all the time, and on and on, you get the point. 

Other simple tricks

  • Splice small videos together. Don’t shoot one long video. 
  • 90 seconds to 2 minutes is a sweet spot amount of time. 
  • Add a soft layer of background instrumental music (this feature is found in the app when you are putting the finishing touches on your video) 
  • Label your video across the screen at the start and time it out so that it disappears seconds later. This way a user gets an idea of what the content is immediately and then can focus on you delivering your message thereafter.  
  • Research trending hashtags, they are far more important than whatever you caption your video. 
  • Use closed captions so that people can follow your video without sound. 

Finally, don’t be intimidated by it or snub your nose at it. Anything that helps your brand is worth doing and anything worth doing is worth doing well. 

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