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The Mac Attack Isn’t Living In Mayberry

“I’m just grateful to still be here and I know what we have and what’s been established. If someone doesn’t think that’s good enough, that’s on them.”

Brian Noe

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Some people say that sports talk radio is like hanging out with others at a bar. There aren’t many hosts around the country that I’d prefer to spend time with in a bar setting more than Chris “Mac” McClain and Travis “T-Bone” Hancock. They both have a great blend. They’re opinionated without being know-it-alls. They make you laugh but also point out things that make you think. Neither carries himself like, “Don’t you know who I am?” They present themselves as if to say, “Next round’s on us.”

Their friendship and radio partnership began way back in 2005. They’ve been the morning show on WNFZ in Charlotte for 13 years now. It’s interesting how two very different radio paths still led to their successful stint that has lasted nearly two decades. The duo talks about being the constant among so much change within the building. Mac and Bone also describe how the national media drives them crazy at times, how they aren’t hillbillies from Mayberry, and the art of bagging groceries. Enjoy! 

Brian Noe: Where are you guys originally from?

Chris McClain: I’m from York, Pennsylvania originally. Went to college at Towson in the Baltimore area. Bounced around in radio until I got here. I’ve been here now for, shoot, coming up on 18 years. Before that it was the normal radio thing, bouncing around. I got here in 2004, started off on the midday show and T-Bone came in as an intern a year or so after.

Travis Hancock: I’m from a small town in Connecticut called Brooklyn, Connecticut. I grew up listening to Mike and the Mad Dog with my dad. I certainly wanted to do it growing up. Then I ended up moving down here. I came to broadcasting school in May of 2004. In 2005, I was his intern and then two months later I was his producer and have been with him ever since. Now as a host. We’ve been in the city the same amount of years, he just got a year head start on me.

BN: Would you have ever thought you’d be together as long as you have in the same city?

CM: Hell no. I definitely wouldn’t have thought any place would have me this long. The radio business began for me in Jacksonville, Florida when the whole staff got fired one day because they switched from an all sports station. Somebody that I knew that I’d worked with in radio for years said welcome to radio. You now have officially started, you’ve been fired.

Since then I’ve been lucky to bounce a couple of times on my own but there’s no way, you know how the business is, there’s no way when you go somewhere you’re thinking oh man, I’m going to be blessed to be here for close to 20 years. Then T-Bone, I try to think about how many interns we’ve had. Some of them have actually gone on to do their own shows and really good stuff.

TH: Made a lot of money.

CM: [Laughs] And somehow Bone’s still dealing with me. We went through so many interns. He’s one of my best friends, to think we spend all this time together, to think that he ends up elevating to being the co-host of the show. He’s improved so much, grown up so much — this is kinda awkward — since we started.

TH: I wake up every day and feel more blessed by the day, as cliché as that sounds, because you get older and life happens. He moved around, he bounced around. I’ve had two jobs my whole life. I bagged groceries, went to broadcasting school, and I’ve been here ever since.

To go from intern in May to producer July 1 and to be around ever since, I skipped over so many things. I just got lucky. I’ve been blessed. The more we go along, the more grateful I am that this is not normal to have this bond for this long in one city. I never take it for granted. As I get older I really cherish it a lot more than I used to.

CM: Man, this shit is getting too sappy.

TH: It’s like a Bravo show.

BN: [Laughs] What would you say is your biggest flaw as a radio host?

CM: Probably just getting distracted in a segment. Terry Foxx, our boss, tells us about it all the time, that he can hear when he listens to me that there are eight thoughts popping into my head all at once and try to just stay on one topic. There might be another branch of this topic but don’t just all of a sudden end up back over here. That’s probably the thing because I’ve got just so many things I’m fired up about and I just want to get them all out.

I think in the past, Bone will probably admit this, like just caring too much about phone calls was an early thing for me. But Terry came in and he wanted to make it about us and our relationship on the air. I think that’s helped me as a host because I don’t think I’m so worried about I’m going to get this person mad, or I’ve got to get this person on my side. I think that’s helped me with that. Those are two things that I can admit about myself.

TH: I would say probably for me at times being too concise. I’m not long-winded naturally because my role for so long was that of a producer so I was in and out. I trained myself almost, hey one comment, you’re gone. He’s been talking to himself in a way for years. For me, I’m so used to giving the ball right back. I’m trying to learn how to wrap my mind around making the point longer. It’s not a bad thing to share it, but sometimes they want me to put a little bit more meat on the bone.

Also trying to balance out that I’ve certainly been viewed as a comedic character for a long time, a guy that chimes in with jokes. I sort of have to be more serious now in this role and not as antagonistic and just be down the middle on certain things. Adjusting from my role for 15 years as that other guy to this, it’s a little bit of an adjustment.

BN: Where are you guys with a PD because Terry Foxx is in Texas now, right?

CM: Yeah, I mean he’s still technically in charge. We’ll talk to him throughout the week, but we are in the process of hiring someone else. We’re in that transition. We’ve been dealing with a lot of transitions at FNZ.

TH: We didn’t have a PD from March of 2020 — we went through the whole pandemic without a PD.

CM: Right in the middle of the pandemic and no program director at that point.

TH: Highest ratings ever. [Laughs]

CM: Which is crazy about it. Then we get Terry in here and we’ve gone through an ownership change from Entercom to Radio One. It’s been a lot of uncertainty at the station and that’s one of the things, this team that we’ve got here, man, everybody’s done a great job. All of the shows, guys behind the scenes working their butts off despite the uncertainty.

You know how it is, Brian, in radio anything uncertain like that, we’re paranoid as radio folks anyway. Oh no, what’s going to happen? What did you hear? Then all of these different things, what’s this new boss going to think? And what about this new company? We’ve been through a lot of that stuff and I feel like everybody’s still been putting on good shows, staying focused, but it’s just been a challenge. I’ve realized everybody’s got similar stories in radio. It’s definitely a challenge.

BN: A lot has changed during your time in Charlotte [the station has been owned by CBS, Beasley, Entercom and now Radio One]. What’s it like for you guys to be the constant among so much change?

TH: You want to embrace it. I think also when there’s change whether it’s the ownership or GMs or PDs, because of our longevity and the fact that we don’t cause a lot of drama, the last person is going to tell the next guy hey, these are your guys that are the voices, your leaders, the guys who have been there through everything the last almost 20 years. The word trickles down that hey, these guys are going to do the right thing.

You embrace the fact that when there’s change, we’re going to be at the forefront of it. We’re going to do the best that we can and knowing that we’re respected by the new people most of the time, we’ll see if the next guy does or not, but you know what I mean. They went to us right away because of our longevity and as the guys who know what to do. You just learn to embrace it and adapt and keep rolling.

CM: I definitely feel lucky seeing how much has changed here, being able to be a part of all these different phases of WFNZ. I feel lucky because nothing is guaranteed in this business at all, much like life. I don’t want to do radio anywhere else either, man. That’s why if they don’t have me, it’s going to be an adjustment for me. I just love the city. It’s just perfect. I love the growth of the sports city, but it’s not the big, huge city that’s a little too crazy. It’s perfect for my family. I’m so glad it’s worked out this way for us, but it’s definitely been an entertaining ride as a station without a doubt.

TH: I wouldn’t know how to leave if I tried to leave. I wouldn’t even know what to do. I’d be like, we can leave here? I didn’t know that. I’ve been here the whole time.

CM: Go back to bagging groceries.

TH: That’s a possibility at some point though. For this article, I was the three-time employee of the month for that grocery store. So I did have success before radio.

CM: That’s big.

TH: Yeah.

BN: [Laughs] That’s good, man. I caught your rant about LaMelo Ball, Mac. Building off of that, what else annoys you about the national media and how they cover Charlotte sports?

CM: Man, we very rarely matter. I hate to sound like the small-town local yokel, but Charlotte just doesn’t bring eyeballs to those talking head shows. I understand what they’re doing. Just like we have to talk about the stuff that people here are going to care about, I understand that they have to play the hits: Lakers, the Cowboys, the Yankees and all that stuff. But yeah, you heard me on that one, just trying to take something.

We finally have a nice thing. We finally have a nice thing happening with the Hornets and we finally have this kid who looks like he’s going to be a superstar in two years and they want to snatch him away. That drives me crazy.

What else gets me? I get angry about the small-town thing a lot, don’t I? The lack of airtime even when we’re good. Only Cam Newton got us airtime. I felt even when we had good teams, except in 2015 when the team was just ridiculously good, but I feel like, Bone, there was a while there where we could be good and it didn’t matter. They only wanted to talk about Cam.

TH: It feels like a lot of the national narratives don’t seem to be accurate to what we know here. We’ll hear things that don’t make sense. Shannon Sharpe and Skip going in on Michael Jordan as the GM of the Hornets. He’s never been the GM of the team, he’s been the owner. Yes, he was a guy who was hands-on for a while, but he’s not anymore for the last four or five years. I know that Michael Jordan the name for those shows is of course the marquee. I get it. But you guys are talking about the Hornets with absolutely no knowledge of anything going on.

CM: You know what else gets me too? Now he’s got me. Now we’ve opened it up.

TH: You think we’re on the air here.

CM: The whole freaking thing like we’re hillbillies. Small-town hillbillies. I get it when you’re based up in New York or in Boston, I understand that you look at Charlotte a certain way. This has been one of the fastest-growing cities around in the country for years now in terms of people migrating here. A lot of people coming from the North, by the way, Brian. They want to live down here.

It’s now a media market. The media market size is 22nd so I feel like this thing is growing and it’s no longer Mayberry. We’ve been called Mayberry by so many national media personalities. I’m not insulted by it, there’s a lot of country around here. I grew up in the country actually, but it’s like come on, this is more than that.

TH: Mayberry is actually an hour away to be real about it. So we’re not Mayberry. We’re almost ready for Major League Baseball. NBA, NFL, and soccer is doing tremendous attendance-wise. If you give us one more year, we’re getting there. When you have baseball, basketball, soccer, all that we’re going to have, that’s a real sports city. I think sometimes we don’t feel respected as one of those cities yet. We’re coming, though.

BN: As far as the future goes, what ideally would you like your future to look like over the next five, 10 years? What would make you the happiest?

CM: Getting on FM was huge for us. That had been a goal for as long as we have been at the station. Every boss that has been in charge, everybody we’ve worked with, it’s always been a mission to get that FM signal. We’ve got to tip our cap to Terry Foxx, Marsha Landess, and everybody in charge here at Radio One.

None of the other companies we worked for, and it’s been many, have ever given us that stick. So to be on 92.7 now, that was always one of my goals is I want to be a part of it when we get it. I know it might sound crazy to a lot of people in sports radio, like y’all just got on FM in a city like Charlotte? We had an FM transmitter at one point but never had a full-blown FM. Now that that one’s off the list, I just want to keep getting better at doing what we’re doing.

TH: Yeah, just keep building on what we’ve established already. I think it’s important that when a TV show or radio show goes on for a long time, you’ve got to make sure it never gets stale. It’s why TV shows don’t last unless it’s The Simpsons or something. Sitcoms and all of that, they don’t last usually past 10 years or so. It’s important for us to never get stale, always be creating new things, new characters or new forms of who we are.

We’ve never gotten stale. I think it’s important that we always will be creative and knowing we can’t do the same stuff for 20 years and keep the same people. Always be moving, always be crafty. I think that’s important for us the next couple of years.

BN: With so many ownership changes and PD changes, have you guys gotten to a point now where you feel like hey, we’re established, we feel safe, or is it still like I don’t know, man, you never know?

CM: Yeah, I mean being in radio, man, I never feel totally safe. I think you feel like you should be maybe. [Laughs] You know what I mean?

TH: He’s got a different perspective because he’s been through that before. I don’t. I just keep going about my regular day. I’m not naive to that, but I also know that we’ve established something really great here and if they end it, they end it, but it takes away nothing we’ve already done and will continue to do.

CM: You know what it is, Brian, I’ve just seen, and I’m sure you’ve experienced the same sort of things personally and you’ve seen other people, I’ve seen so many rough days in buildings that I’ve worked in. I’ve seen 40 co-workers let go back at CBS SportsLine all at once. Luckily, I survived there. I saw the one I told you about earlier when it was AM 600 The Ball in Jacksonville. Man, we’ve got guys who are now all over the country. We had a really good team.

It was fun living in that city when I was young, but we had a change in ownership. Cox Broadcasting bought us out. Literally put Mickey Mouse, Disney on the air and fired the whole sports station in one day. I’ve experienced that. Then I was at XM Satellite Radio before the merger with Sirius. It was difficult trying to raise capital. I saw 100 people fired in one day and luckily I survived that one.

You see all that stuff so it’s hard to feel – you just know how the business is – it’s hard to ever feel like man, I can’t be that one day. But I know this, man, I try hard to not have that happen because this is where I want to be. This is the city I love. This is the sports town I love. So every day I’m motivated because I don’t want that to happen here.

TH: I don’t worry too much about it because I’m surprised we’re here at this point.

CM: It’s all gravy now?

TH: It’s like soccer extra time. We’re fine. Don’t worry about it. I’m just grateful to still be here and I know what we have and what’s been established. If someone doesn’t think that’s good enough, that’s on them. It doesn’t take away from the last 17 years of what we’ve done.

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Nobody Looks Good in 670 The Score vs John Schriffen Feud

Nothing makes you look like an insecure bully quite like not being able to take it when you’ve already dished it out.

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A photo of the 670 The Score and John Schriffen

John Schriffen had the unenviable task of replacing Jason Bennetti as the TV voice of the Chicago White Sox. And the reaction from 670 The Score hosts — namely Danny Parkins, Matt Spiegel, and their producer Shane Riordan — hasn’t helped matters.

To call Schriffen’s first six or seven weeks on the job a rough stretch would be an understatement. Not a baseball play-by-play savant, Schriffen has struggled to get into the groove of working an everyday broadcast and has made mistakes that aren’t unexpected.

However, the 670 The Score afternoon show of Parkins & Spiegel was quick to jump on Schriffen’s miscues. In some instances, the criticism was warranted. For instance, Schriffen called former White Sox owner Bill Veeck (pronounced VECK), Bill “Veek.” In a rather innocuous comment, Schriffen showcased his inexperience and lack of knowledge.

But the reaction from 670 The Score hosts quickly went from “criticism” to being borderline ridiculous. They continually ridiculed the relatively green but promising play-by-player, taking any chance they could to take potshots.

While I’m certain the hosts and producer found the quips amusing, they quickly became meanspirited. This is surprising, because Matt Spiegel is a baseball play-by-play voice in his own right, filling in at times on Chicago Cubs broadcasts. There’s an almost unspoken agreement between play-by-play broadcasters that you really don’t critique someone else’s broadcast without that person asking for your input. Everyone is different, and everyone has their own style, but what 670 The Score did went past criticism and turned into questioning the resume and reasoning for why Schriffen was hired in the first place.

Which isn’t their place. I imagine if I were to question why Parkins, Spiegel, or Riordan were hired for the roles they currently hold, they’d have a conniption. And rightfully so, because who the hell am I to say who does and doesn’t deserve this job or that job. But that’s the point.

John Schriffen, however, isn’t innocent in this ordeal. After analyst Gordon Beckham flubbed an ad read during a broadcast last week, instead of just letting sleeping dogs lie, he commented “If any of those radio losers clip it and try to make fun of you, nobody cares about them anyway.”

Before that moment, Schriffen had the upper hand in the feud, because at that point it wasn’t a feud. It was a one-sided, often times mean-spirited approach from 670 The Score. But he needlessly added fuel to the fire.

When somebody wants to pick a fight — and make no bones about it, a fight only benefitted Parkins, Spiegel, and Riordan — you have to avoid the fight, hold in your anger, and walk away/ignore it. And ignoring criticism, even when high-profile people are questioning your credentials, is just something that has to come with being the TV play-by-play voice of a Major League franchise.

Schriffen, no matter how difficult it is, has to take the high road when it comes to media criticism. Nothing, absolutely nothing, good comes from engaging. And frankly, those tearing him down were hoping to do just that, bring them down to their level, where they’d beat him with experience. Part of being a great sports radio host — and despite criticizing them in this story, I think Parkins & Spiegel is the best local show in America — is defending your opinions, and coming out on top no matter what. It’s an avenue Schriffen was never going to win.

I’ve been hesitant to use the word “bully” or “bullying” in this case because I think the word is thrown out all too often in 2024. It’s as if there is no middle ground between “everybody love everybody” and “bullying.” But, after Schriffen’s comments, Shane Riordan went into textbook bully mode. His “If you mess with the bull, you’ll get the horns” response, couldn’t be more bully-esque. Nothing makes you look like an insecure bully quite like not being able to take it when you’ve already dished it out.

Riordan was suspended in 2023 after claiming he’d “bone” the mom of a conservative Chicago talk radio host after speaking poorly of the Windy City. Instead of being somewhat remorseful over the situation, Riordan wore it like a badge of honor in a tweetstorm after Schriffen’s comments, claiming that his response to the White Sox TV voice would lead to another suspension. He later said Schriffen “just opened the f—ing floodgates” and had “no f—ing clue what he has done” by criticizing the station and the afternoon show.

After weeks of criticism, going as far as to say Schriffen “didn’t know baseball”, he called the folks making fun of him “losers”, and that’s the response? After making attacks that could absolutely be viewed as personal, to take being called a “loser” by someone you’ve denigrated for weeks so personally is bizarre. The idea that you’d even care about someone you’ve already un-invited from the cool kids club is truly asinine. Again, if you can’t take it, don’t dish it out.

I’m sure they would deny this, claiming a role as an “equal opportunity offender”, but I can’t help but think that if 670 The Score was the radio flagship of the White Sox, or if Schriffen was the Cubs TV voice, this would have never happened. Boog Sciambi is often lambasted by Cubs fans for his work (and I’ll never understand why), but I can’t remember a time when a Score host took time to criticize his performance.

For what it’s worth, Parkins & Spiegel aren’t the only Chicago media members talking about Schriffen. Jonathan Hood, morning co-host at ESPN 1000 (the flagship of the White Sox) said he didn’t “understand the chip on the shoulder” of Schriffen, adding that “no one is out to get” the new White Sox TV voice. I think it’s pretty clear, however, to see why Schriffen would feel differently.

Nobody wins here. Everyone looks like a loser. Each side is at fault. And instead of being able to take the high road, both sides look like petulant children. It’s a pissing match that no one can win, and no one included in the beef has taken the slightest moment to be introspective, nor retrospective, and think “Maybe I should just be an adult — and a professional — and grow up.”

And while it’s great for content, when it gets personal, it becomes — at least in my opinion– no fun. If there were a clear-cut winner, or someone that deserved to be defended, that would be a different story and a different column. But in this case, it doesn’t feel like either side deserves to be praised for their conduct.

As observers, we often forget the people we see on TV or hear on the radio are real people, with real thoughts, real feelings, and real ambitions. It’s just unfortunate that the people who are often subjected to it the most lost sight of that in this situation, too.

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Netflix Knows Dallas Cowboys and Jerry Jones Bring Eyeballs

The team still draws a crowd.

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A photo of Jerry Jones and a logo for Netflix
Photo: Sports Illustrated

A 10-part series on Jerry Jones here in 2024 feels like roughly eight parts too many. But that is not the Netflix calculation.

No, the math is far simpler: Dallas Cowboys = eyeballs.

It’s been true for as long as most of us can remember – and that particular part about the Cowboys franchise isn’t hype. The team still draws a crowd.

The news in the recent announcement of the 10-parter on Jones, the Cowboys’ owner and general overlord, isn’t that it is being produced. That was known last year. But Netflix’s involvement answers the question about on which platform the project might land.

So get ready for plenty of Jerry Jones, but also Cowboys, Cowboys, Cowboys. And make note of the timeline, because this multi-parter is going to be almost exclusively rooted in a brief, glorious and now quite distant past.

You’ll need to put your 1990s goggles on to recognize the triumphs documented here. It was then that Jones, as a still-young owner by NFL standards, having bought the team in 1989, was the man of record as the Cowboys reeled off three Super Bowl victories in a four-season period.

That is a tremendous accomplishment in any era, and those Cowboys teams were a blast to watch: talented, cocky, demonstrative, controversial. They made news on and off the field, not all to the good. For those of us who wrote about the league in those years, they were a gold mine of source material. And, of course, winning in the NFL is the cologne that masks any little odor that might arise.

Those Dallas teams knew how to win games. How much of that actually had to do with Jerry Jones is a fair question, especially judging by what’s happened since, and I guess we’ll have to wait for Episode 5 or 7 or 9 to find out how this series answers that. But given the fact that the NFL itself insists that the series is “the definitive story of Jerry Jones and his unique journey in transforming the Dallas Cowboys franchise,” we’re already a good ways there.

“For several years, Forbes has ranked the Dallas Cowboys as not only the most valuable team in the NFL, but the most valuable sports team in the world,” the Netflix news release intones. “In 2023, the Cowboys were worth $9 billion and rising — the result of decades of exceptional athletic talent, coaching, and management that took shape during the ’90s, when the once-struggling team transformed into three-time Super Bowl champions.”

As Preston Jones put it in the Dallas Observer, “There are a lot of words doing a lot of heavy lifting in there.”

Jerry Jones and Jimmy Johnson were certainly the architects of the roster that Johnson coached, but in that time – during those precise years of the Cowboys winning and winning – I can tell you that most of the NFL cognoscente understood Johnson as the driving force and creative genius.

Jones was well aware of that; it was the source of much of the well-publicized friction between those two. They were high-level, high-ego competitors even as they were part of the same multi-championship run – so much so, in fact, that by the time those Cowboys won ring No. 3 in the 1995 season, Jimmy Johnson had already been replaced, with Jones bringing in longtime friend Barry Switzer after functionally running Johnson off the job.

The decision to part with Johnson was more than three decades ago. Coincidentally, the Cowboys’ drought of winning a Super Bowl – or appearing in a Super Bowl, or appearing in an NFC conference championship, for that matter – is now roughly three decades old.

It’s silly to pre-judge the entire series, which includes interviews with many of the leading lights of those ‘90s successes. The list includes Troy Aikman, Michael Irvin and Emmitt Smith, and it also includes Johnson. That alone sounds worth watching.

Of course, you could cover that in an episode or two. But the producers of the series, and now Netflix as distributor, understand the greater value lies in promoting a Cowboys-branded product. Jerry Jones might not like hearing it (or he might not care), but it is a brand whose popularity far, far predates his appearance on the scene.

Brands equal viewers. You watch network baseball, you’re going to get a lot of Yankees and Dodgers. The NBA? Prepare for Celtics, Knicks, Lakers. These are the ratings anchors of large-scale broadcast deals, and in the NFL, the Cowboys are firmly part of the mix.

They may be 5-13 in the playoffs since their last Super Bowl victory back in the ‘90s, but the Dallas Cowboys draw. A 10-part series about Jerry Jones is really just another way of saying, ‘Here’s some more Cowboys material.’ It’ll be consumed.

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Allie LaForce Honored to Have the Best Seat in the House for TNT Sports

“I’m not in the business to break news or to become famous or gain followers – I’m here to cover live sports.”

Derek Futterman

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Allie LaForce
Courtesy: Warner Bros. Discovery

During an NCAA Men’s Basketball Tournament game on TBS, the broadcast read a promo for upcoming coverage of The Masters on CBS Sports and Paramount+. Rather than keeping the camera on the court though, they panned to sideline reporter Allie LaForce, who was sitting courtside unaware of what was going on and suddenly saw herself on the broadcast monitor. Once she realized that her green jacket tied into the promo, she stood up and portrayed a golf swing for the camera, adding to the overall programmatic value of the promotional read.

For LaForce, it served as an example of reacting to spontaneity and showcasing personality without it coming across as forced or contrived. As a multifaceted reporter in a variety of different roles throughout her sports media career, she has adapted to changing times and handled the dynamic game atmosphere with ingenuity and confidence.

While LaForce is the lead sideline reporter for the NBA on TNT and set to cover the Western Conference Finals, she recently completed another run within March Madness. Assimilating into the grind of this role since joining then-named Turner Sports in 2018, she needed to pace herself and ensure she was aptly prepared. Eight practices in one day followed by a four-game First Four slate in Dayton, Ohio and subsequent drive to the first region is a taxing assignment but one she has mastered through her professionalism and college basketball experience at Ohio University. Although her team fell just short of a tournament berth, the exhilaration and adrenaline therein continues to endure, nonetheless.

“I could sit and watch those college kids get one last shot at the tournament all day long, so it gave me energy more than me having to find the energy,” LaForce said. “It gave me so much natural energy.”

Once her stretch of March Madness games ended, LaForce immediately went back on the road to cover the NBA, commuting to various cities every week and contributing within the broadcasts through live reports, interviews and observation. In her reporting role, LaForce scrupulously watches the action and takes in the environment in an effort to identify and convey key storylines to the viewing audience. Executing the job requires synergy and stamina, perseverance and poise while respecting the game and understanding the inherent commitment to fair and accurate reporting disseminated to viewers.

“I think portraying to the audience the closest reality of being in a moment live and recognizing that it’s an honor and a privilege to be sitting courtside,” LaForce said. “How can we portray that same energy, newsworthiness and accuracy to the viewers through television that I get to witness in person?”

The NBA Playoffs have been accompanied by the backdrop of ongoing media rights negotiations as the league looks to solidify its partners for the 2025-26 season and beyond. The Walt Disney Company and Amazon Prime Video have both reportedly reached the framework of a deal with the league, presumably leaving one remaining rights package being pursued by both Comcast’s NBCUniversal and Warner Bros. Discovery. Within the latter, TNT Sports, formerly known as Turner Sports, has been broadcasting NBA games since the 1984-85 season and hopes to extend its multiplatform relationship through a deal that makes sense for all parties involved.

“I think there is a direct correlation and association with TNT and our personalities,” LaForce explained, “and how much fun we have while also calling the moment and the game in a newsworthy fashion that the viewers are comfortable with and look forward to that gets to take their mind off of their everyday grind and just live in a moment of freedom and fun and excitement.”

As a national reporter, LaForce is assigned to a variety of games throughout the season containing different teams, thus requiring a broad knowledge of the league. With the strenuous schedule plus trying to raise a family and run a growing charitable endeavor, it can be difficult to balance everything effectively.

When LaForce was growing up, she watched her mother run a modeling agency in Atlanta, Ga. and fly back home to Ohio every week to spend time with family. Her mother happened to be a previous winner of the Miss Ohio pageant, something she had not told her daughter until she received a letter to participate in the Miss Ohio Teen USA pageant. LaForce initially did not want to compete, but her two victories ended up paying dividends through broadening her worldview and gaining creative inspiration.

“I am on a plane every two days, and I’m trying to be a great wife and a great mom and work full time and present myself in a confident way that people that are viewing me believe in me, and storytell in a way that’s honest and compassionate,” LaForce said. “I think when I was 15 years old, I was trying to take high school classes, play three high school sports, travel the country and present myself and make other young men and women believe in me in a genuine manner.”

While LaForce was in college playing on the basketball team as a walk-on member, she remembers realizing that she would need to eventually give up the sport. Her mother had previously commented on her resonant baritone voice and recommended that she be a broadcaster. LaForce was granted an opportunity to work as an analyst on the radio for her team and took part in a variety of other ventures at the school with WOUB Public Media and volunteering for the Mid-American Conference.

LaForce perceived herself as being restricted because of her role as a sideline reporter, something that changed upon her joining CBS Sports as lead sideline reporter for its broadcasts of SEC football. The endeavor marked the first time she recognized the strategy behind when and how to deliver a live game report, something taught to her by producer Craig Silver.

“There’s a sense of urgency to this game that the audience needs to feel because we’re feeling it here on the field, right?,” LaForce said. “The roar and the clock and the band and the pageantry of the game. It has to be short because there’s a pace and a momentum and a newsworthiness to this game that’s warranted, and your reporting needs to match that.”

Through a cognizance and acceptance of her role as an element of a larger component, LaForce began to find her niche in reporting. On top of that, her background as an athlete allowed her to easily decipher plays, mannerisms and proclivities. The challenge exists in delivering observations and updates precisely and at the correct time. In covering NBA games at the national level since 2018, LaForce has worked to hone her craft and embrace the setting without being buried in patterns of overthinking and inflexibility.

“I used to over plan and take a trillion notes throughout the course of the game, and now I just let myself live in the game,” LaForce said. “And when we get down to the last minute or two, I start jotting down notes about, ‘This guy whispered something to this guy here,’ or, ‘During this free throw, I noticed this,’ or, ‘During a timeout, I felt tension.’”

Although LaForce has refined her in-game process, she still tries to prepare before each contest. Part of that comes in re-reading conversation transcripts with the top eight players on every team and grasping the necessary context. Moreover, she reviews lineups, rotations and other facets of the game she would want to know as a basketball fan.

“I like to take my job seriously but not too seriously,” LaForce said. “I want the viewer to think that I’m hanging out with them watching sports, but also I want to be professional enough to be able to distinguish between just having fun and actually being a reporter.”

Over the course of a typical game, LaForce is doing more than appearing on camera and conveying the latest information. In part because of her vantage point and expertise, she is consistently communicating with those in the broadcast truck and helping to guide the composition of the broadcast. LaForce takes part in production meetings every morning and ultimately has an implicit yet tangible presence on the end product throughout the show.

When LaForce conducts interviews, she tries to begin with a sense of levity to foster a sense of comfort and amicability. Commencing a casual dialogue before these conversations also helps break down a barrier that can sometimes exist because of the nature of the schedule. This is not always possible though, as was evidenced when LaForce was forsaken by the Oklahoma City Thunder after a playoff win to speak with Bally Sports Oklahoma.

“You have to realize that as the national broadcaster, you come in out of nowhere and get the first interview and are asking questions that they perhaps have been being asked for the last week to 10 days from their local broadcast crews,” LaForce said. “They’re there daily and really know them, so you have to remember that the people interviewing them daily understand their career and their team in the moment.”

Working as a reporter requires LaForce to have relationships around the league that are built on trust and respect. No matter the circumstance, she adheres to rules of attribution and does not divulge details that have been classified as being off the record. At the same time, if she develops friendships with team or league entities, she expects them to understand that she needs to do her job professionally and may not always be able to portray them in an auspicious light.

“I’m not in the business to break news or to become famous or gain followers – I’m here to cover live sports,” LaForce said. “And then if there’s something that they don’t say is off the record, but I feel should be, I will figure out a way to tell that story without using that piece of information but use that information to shape the way in which I tell the story.”

LaForce cherishes the balance of professional and personal ventures in her life and aspires to continue covering marquee events, such as the National Championship, Super Bowl and Olympics. Having the chance to experience a wide array of moments in sports is something she knows would be a dream come true, but she is focused on the present moment in closing out the season strong for the NBA on TNT. After all, an essential value proposition of the broadcast is predicated on disseminating insights and developments in real time, part of which is actualized by the work of LaForce and her unrelenting commitment to the grind.

“Be prepared in the beginning to work for free, and always surround yourself [with] people that are helping you become a better version of yourself as a professional and as an individual, even if they tell you things you don’t want to hear,” LaForce said. “But avoid the people that are trying to have influence on you because it makes them feel important or powerful.”

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