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Dan Mandis Has Done Every Job Imaginable in Radio

Mandis has been in the news radio business for a long time, which means it presents him the opportunity to wear many hats throughout his career.

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When WWTN personality Dan Mandis was ten years old, he wanted what every other red-blooded young man wanted; to have something to do with professional baseball. 

Only one problem; he sucked as a player.  

“I played little league, but I was terrible,” Mandis said. “They stuck me out in right field. I was Lupus in Bad News Bears.”  

Wow. Lupus? He must have really sucked. But Lupus made a mean martini for coach Buttermaker. Mandis had another baseball dream.  

“I wanted to be Vin Scully,” he said. “He was the greatest play-by-play guy in history, the absolute best. He drew pictures with his words.” His love of baseball hasn’t aged well. Instead of current teams and games, Mandis said he likes to flick on YouTube and watch the 1977 World Series between the Yankees and Dodgers. 

“If you grew up with baseball, it has a place in your heart,” Mandis said. “I collected baseball cards, and I was the kid who had the transistor glued to his ear listening to games.” 

There are two things I know for sure about Nashville; Minnie Pearl and the drinks are way overpriced.   

“We’re all about the free market,” Mandis said. “People from the north can come down, and we’ll take their money.” He’s been working in Nashville for eight years and just signed for another four years. According to Mandis, Nashville feels comfortable because the city embraces ‘everything that makes this country great.’ Oh, and there’s no state income tax. To avoid the exorbitant drink prices, Mandis suggests you go to a liquor store and pre-game before you go downtown. If you don’t know what that means, ask one of your kids.  

“I hate to sound like I’m pandering, but this state is ripped right out of Americana,” Mandis said. “Cities like Los Angeles and San Francisco are crime-ridden and have massive homeless issues. Down here, we have southern values.” He admits Nashville has its share of crime but nothing like other cities. The suburbs, he says, are second to none. 

If you find yourself in Nashville and are into presidential history, he says you have to visit Andrew Jackson’s Hermitage. There are lots of wineries and whiskey producers. Mandis sounds like a public service announcement for Tennessee.  

He loves baseball films too, like For Love of the Game and Moneyball. 

“For me, those are comfort movies,” Mandis said. “If it has baseball and a love story, I’m hooked.”  

Mandis likes prequels more than sequels, especially the Star Wars franchise.  

“I prefer Better Call Saul to Breaking Bad. Saul is one of the more intriguing characters in history.” He said movies don’t pack the same punch they used to.  

“I was a terrible student in high school. My passions didn’t really lend themselves to do a lot of reading. With one exception, I’m fascinated by the Civil War and so much of that went on down here. If I could go back in time, I’d be in the crowd for the Gettysburg Address.” 

That seems like a wasted wish. Lincoln’s speech was only two minutes long. 

The south and things southerners love have been a target during the past few years. Mandis said he understands when folks became upset when some of the statues were taken down. “I’m against it,” he said. “If you’re going to take down a statue of Robert E. Lee, that’s a mistake. He’s an important historical figure, and many in the south appreciate his role in the Civil War.” 

Mandis said he wouldn’t think of going up to someone and tell them to tear down their statue because he didn’t agree with them. 

What would he do if he got fired after the next four years? Retire and go off into the sunset? “I work in radio, and I’m a man of modest means,” Mandis said. “My goal in radio has always been to be that morning guy who has been in the market forever.” He’s not looking for syndication, a major market, or hoping to be a top-ten radio personality. That’s not on the radar. “I’ve had a long and pleasant career.” 

You can listen to Mandis daily from 5:00 a.m. – 9:00 a.m. on Nashville’s Morning News on WWTN.

Working in radio for as long as he has, Mandis has become a deft interviewer. He counts his interview with Steve Perry of Journey as one of his best and favorite.  

“I was allotted 20 minutes to talk with him,” Mandis said. “We ended up talking for about an hour and twenty minutes. He found the first question I asked to be interesting, and it was golden from there.” 

He said it pays to do your research on a subject. “I cared enough to really know about him, prepped for the interview, and I could tell Perry respected that.” Mandis said rock star Perry used to clean Turkey coops for a living.  

Mandis has done it all; worked as a call-screener, board operator, producer, news anchor, a news and traffic reporter, and now host. He also worked with Dr. Laura Schlessinger for many years.   

Mandis said his favorite all-time radio gig was traffic reporting in his hometown of Los Angeles. “I loved it. It goes back to my dream of play-by-play. Back in those days, all the reports were (for the most part) live. In a region the size of Los Angeles, it was a blast to do live reports on big-time radio stations as the traffic situation evolved. Such a blast.” 

“I was an off-air PD, then became a full-time host. I believe that’s unusual, but not sure.” He has amassed a collection of awards, including the Colorado Broadcasting Award for best radio imaging. Mandis was an AP winner for best reporter in Indiana and was nominated for a Marconi last year. “I was robbed,’ he jokes.  

He said his father was a big talk radio fan, listening to KABC in Los Angeles. “Early, I hated it, but tastes change,” Mandis said. “It was always a dream of mine to host a show on KABC in honor of my dad. I kind of did. I guest-hosted Red Eye Radio, and their LA affiliate is KABC. Given my lack of success in getting an opportunity on KABC, that will have to do.” 

“I’ve never really worked in anything but talk radio,” Mandis said. “It’s the greatest and most viable format, in my opinion.” 

If the radio gigs dry up, he’ll always have Lupus’ spot in right field.  

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BNM Writers

News is the Only Thing Missing From Election Coverage

Coverage of the election is, as we’ve discussed, still very horse-race-centric, and there’s been, of course, coverage of the various Trump court cases, but where is the coverage of exactly what the candidates plan to do if elected?

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The first thought I had when I heard NBC had hired Ronna McDaniel as a commentator for $300,000 a year was to wonder how many actual journalists they could have hired for that money. Then, I recalled that NBC had laid off dozens of news staffers just a few months ago. Then, I remembered that I had just recently written a column decrying news organizations throwing pretty much anybody on the air as a “pundit” and this….

This was worse. It’s one thing to grab some rando who happened to be a minor functionary for the Executive Branch. It’s another to hire someone whose job was to promote election denialism and pretend that her opinion is something valuable for viewers. And, yes, it’s just as ridiculous when news organizations hire former presidential press secretaries (that’s you, Jen Psaki and Sean Spicer), their very jobs were to spin everything in their bosses’ favor and now you’re going to pay them big salaries for, um, what? Because they “have a name” or you’re afraid someone else will snap them up? Why them?

The McDaniel deal lasted five days, one completely unilluminating interview, and one unexpected Chuck Todd spine-growing outburst, so it’ll all blow over soon enough. The problem is, though, the part about having fired several news staffers, and what it means in an election year on both the national and local levels. If you have the money to hire an alleged pundit – any alleged pundit – you have the money to hire reporters, and I don’t mean anchors or opinion show hosts.

Coverage of the election is, as we’ve discussed, still very horse-race-centric, and there’s been, of course, coverage of the various Trump court cases, but where is the coverage of exactly what the candidates plan to do if elected? Who’s probing Project 2025 and why isn’t it front-page, first-segment news? Who’s pressing the Biden administration on Gaza? Is anyone reporting on the candidates’ record on climate change?

Beyond prescription drug prices, is anyone digging into the broken healthcare system and demanding answers from the candidates about what they’ll do to fix it (and not letting Trump get away with “I’ll have a better plan, a beautiful plan” without a single specific detail, like they did in 2016)? Why didn’t anyone focus on, for example, the GOP candidate for governor of North Carolina and his incendiary past comments well before the primary?

Pundits are not going to do the legwork on the issues; they’ll just talk about swing states while John King and Steve Kornacki point at their touchscreen maps. We need reporting on the things that matter (and can affect that horse race, even if most people have made up their minds). It shouldn’t just be Pro Publica and scattered independent journalists doing the dirty work.

Honestly, I don’t want to hear the complaints about the quality of the candidates or how this is a rerun or any of that. (We’ll leave that to The New York Times.) We are a horribly underinformed electorate and we got the horse race we deserve. It might just be idealists like me who think that, just maybe, the news media can play a role in educating the public and bursting the bubbles and echo chambers. This country has survived and prospered for a few centuries with the press shining a light on injustice and corruption.

Now, when we need that most, they’re more concerned with what they think will bring them ratings and money (although someone will have to explain to me who thought having Ronna McDaniel as a paid commentator would draw a single viewer to NBC).

Here’s a thought: Don’t lay off reporters, especially in an election year.  Assign them to dig deep on issues that matter to the voters.

Let the pundits talk about that.

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8 Ways to Take Your Commercials From Drab to Fab

Our main source of income is derived from commercials. There are a lot of bad commercials.

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Another reason to read this column, I often add an Easter egg. We are in the advertising business. Our main source of income is derived from commercials. There are a lot of bad commercials. Frequently, clients write these ads. You can excuse it if the spots suck. But when the commercials are written by Account Executives or the production department at the station, it is kind of unforgivable.

I am going to share the most meaningless phrases in commercials.

Locally Owned and Operated

Customers do not care. If customers cared about a business being locally owned and operated, Walmart would not exist. People want service, selection, and value. They do not want to get soaked. When you purchase something, are you willing to pay 20% for a local company? If you say yes, you are wrong. People want a deal.

The Phone Number

Doing 70 down the 405, John slammed on the brakes to write down the phone number for an amazing HVAC Company. That is not how it works people. HVAC companies rarely have or should have regular customers.

Normally, your AC is out. You call the HVAC Company that you are familiar with. Radio advertising allows people to have “TOMA”: Top of Mind Awareness. There are stats that show when a company is advertising on your radio station, their website shows an increase in traffic. When you needed a service for your home, you hit Google and choose the company that you’ve heard of. It’s that simple. I actually heard a commercial asking listeners to add a businesses phone number to their contact list. That is a moronic use of advertising real estate.

Street Addresses

“Tequilaberry’s Prime Rib is located at 106 East Governors Drive in Peoria.” 

The people listening cannot process that detail. You could say “Tequilaberry’s Prime Rib is on Governors Drive just off 10th in Peoria.” That is almost digestible. That creates a picture of where it is.

Trust me, people interested in prime rib will Google you and load the address in their navigation system. Spend that precious spot time selling the experience of the restaurant.

Always Using the Company Owner/Founder in Commercials

Sometimes, it is amazing when business owners are their spokesperson. They have passion and are natural salespeople. Some business owners are terrible at speaking about their product.

When you have a business owner who is a natural promoter, they can drag listeners into their business. I once worked with a family who owned a couple of hardware stores. They spoke about the benefits of visiting their stores. It was heartfelt and real. They promised that their employees can help solve any problem in your home. If you went to that store and had a simple or complex problem, the employees helped you out.

I once worked with a man who owned a really nice flooring company.  For whatever reason, he thought that he was funny. He had spots written by him, his wife, or a kid. The ads were dreadful. They were not funny at all. Account Executives need to talk these clients out of doing commercials like this. Nothing says wacky hijinks like flooring.

Overuse of Numbers

“We have grapes at 99 cents a pound, Chuck steak at $1.99, two-for-one zucchini.”

Trust me, no one driving in city traffic can keep track of that. “The 2025 Chevy Chevette is back with 45-mpg efficiency and amazing 18-inch tires. Prices start at $19,999…  The New Chevy Silverado starts at $32,999.”

It gets really confusing fast.

WWW.

Yes, I hear commercials saying check us on the internet at “W-W-W dot business name here dot com.”

WWW is assumed and not needed anymore unless you are running a Commadore-64 with the latest floppy disc technology.

Yellow Pages Ad

“Check out our new ad in the Yellow Pages!”

OMG, no one reads those damn things anymore. Most people born after 1960 just toss those suckers in the trash. There was a time when the Yellow Pages were the largest revenue generator in advertising. Yes, a book of ads. Like Facebook, without your buddy’s political, vacation, or food posts. It was just ads. Zero content.

I had stuffed salmon tonight that I engineered myself. I would make Sydney Sweeney quite the trophy husband. Set us up. Hey, I am single. It was not that long ago that you would hear a radio ad that promoted a coupon in the Sunday paper.

Well, that copy should be deader than a doornail.

Amateur Theater

A husband and wife discussing their lawn and how she heard about Telly’s Lawn Service from her friend Stacy. 

Those commercials are obviously contrived and not interesting at all. 

______________________________________________________________________________________________________

Open every commercial must have an attention-grabbing opener. “Totally Jammed…  The floor covered with the guest towels. Fearing the horrific consequences of another flush…  I did the right thing. I called ABC Plumbing. Quick service, a great price, and peace of mind.”

The next time that the plunger is failing to get the desired results, the listener of that commercial will identify with the very realist scenario.

We are in the advertising business. Use radio as it was meant.

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The Lost Art of Using Sound as a Springboard

Use sound it wherever you can. All you need is a loyal, capable and willing board operator, to go along with a conscientious host.

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Jon Stewart was the first guy to do it — take a politician’s words from the news of the day or week. Search his or her entire past and find a sound byte saying the exact opposite.

It became an art form – and a great way to keep people accountable.

Most radio operations don’t have the resources necessary to consistently do something like that, but truth be told, that kind of journalism isn’t really the point of this week’s column.

It’s an example of the simple power of sound. We need to use it more within our shows. Use sound it wherever you can. All you need is a loyal, capable, and willing board operator, to go along with a conscientious host.

Speaking from experience, not doing it is lazy.

Doing it takes minimal effort and helps conversations tremendously – especially when it’s in real-time. I know. I’ve been there – missing opportunity after opportunity because I didn’t think of it, ask for help or just do it myself.

Put simply, good sound is a better springboard to a question than just a question.

Just the other day, I realized how well it works and how little I’ve been doing it.

Here’s what happened.

We have one particularly heated congressional race in our state. The Republican candidate is running for a second time after narrowly losing in 2022 in an election where Connecticut’s gubernatorial candidate from the same party got smoked, and the Republican presidential candidate lost the state as well.

This time around, there’s a struggling Democratic President with real doubts about the economy and the country’s standing in the world.

Put simply, the Democratic congressional incumbent has a massive task ahead to get re-elected.

On my show, I try to be consistently independent and be a place for both parties to appear with the expectation that the conversations will be fair and honest.

The Republican candidate came on the show earlier this month, and we went through a number of issues. Connecticut is a relatively strong Democratic stronghold, where the party controls the legislature, the Governor’s Mansion, and the entire congressional delegation.

Having said that, the largest voting block is unaffiliated, so appealing to independents is crucial for either side to win. I asked the Republican candidate twice about whether he will support Donald Trump, and both times, he equivocated. I asked the follow-up, we were on the record, so I moved on.

The following week, his opponent, the Democratic incumbent, was scheduled to appear on the show. Before her arrival, I realized the Trump Q&A should probably be replayed for her. Duh.

My producer found it, clipped it, and had it at the ready. I felt that I should have realized it sooner and not put some added strain on my partner’s morning routine. He was fine, but it definitely added unnecessary work within the show.

Lesson learned.

The sound byte worked well. I played it. She responded. We moved the story forward, and it was compelling – as you might imagine, the topic of Trump vs. Biden is pretty compelling these days.

By no means did it create a “wow” moment. That would be a little much. But it did make the show better, using the opponent’s own voice as opposed to my paraphrasing something. That lends credibility, not only to the topic but also to the show. He gave this important answer on our show, and she gave her response … on our show.

My final thought on this is that we (I) need to look for more places to utilize sound as a springboard to conversations, as opposed to simply raising the topic and discussing it. Maybe you’re already good at it and do it all the time, but this past week, I realized I need to push myself to do it more.

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