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How Radio Influenced the Career of WTOP’s Craig Schwalb

Growing up in the St. Louis area, Schwalb said KMOX had a huge influence on him and his career. 

Jim Cryns

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When Craig Schwalb told his mother he was going into radio, she asked how much he’d get paid. 

“I told her how much the salary was, and it wasn’t a lot,” Schwalb said. “Then she asked me if I was sure I wanted to work in that business. I did and was very excited about it.” 

Adversity struck the family early. Schwalb’s father passed away when he was just 12 years old. He had to figure out how to move ahead with only his mother as a provider and role model.  

“I think my father’s death sparked something in me,” Schwalb said. “I was so determined to work hard and focus. I also tried to be a good person and live up to his name. I think that would be what he wanted for me. My mom had to raise two boys by herself. I just wanted to do right by her. I always had that in the back of my mind.” 

There was a lot of love in the Schwalb family. They were prepared for his father’s death as he’d been sick for several years. 

“We took care of my father as best we could,” Schwalb said. “We didn’t have the most, but we didn’t want for anything. I don’t ever talk much about that.” 

His parents were both teachers and enjoyed helping people. 

“I think I became the same way,” Schwalb said. “A Midwestern upbringing made me easygoing. I think part of the Midwest culture is listening, learning. Making sure you’re working hard. It’s that kind of spirit and style that shaped me.”

He went to school at Eastern Illinois University in Charleston, Illinois. Growing up in the St. Louis area, Schwalb said KMOX had a huge influence on him and his career. 

“Anne Keefe and Bob Hardy are voices I grew up with. It was a true blend of news and talk. A terrific format, and it’s still a very influential radio station today. Spoken word was a big part of my life. Through high school and college I was always grabbing those signals.”

He also listened to WGN, WLS, and a huge inspiration for him was The Loop. Schwalb says,  “I had the good fortune to meet Steve Dahl briefly when he was dropped by WNEW/NYC years ago. He’s one of the icons in our business, as a young person who wanted to learn about spoken word radio. I thought Dahl did a lot of things that were amazing. Howard Stern hadn’t come out to my area at that point. We had Brandmeier, Don, and Roma.”

Schwalb said he learned much from listening to Kevin Matthews, Steve Dahl, and Garry Meier. 

“It was all about personality, comedy. Those kind of guys are getting harder to find. There’s so much arguing these days. That just wasn’t part of the genre.”

He cited how Dahl was the man behind the ‘disco demolition’ night at Comiskey Park. “I look back fondly on those times and how those stations informed us what FM talk was all about. I had a lot of great experiences with FM talk in the beginning of my career.” 

Eastern Illinois was the right fit for Schwalb, who said he was able to work at the station as a freshman. “It allowed me to scratch the radio itch early. I was able to start managing from the beginning.”

Schwalb started as music director at WEIU, the college radio station. He was immediately dealing with the stuff behind the curtain, picking the music. 

“I always liked bringing young talent in and watching them flourish. That’s why I took the management side. It has been so gratifying.” 

It’s about a four-hour car drive from New York to D.C. You’d think the lifestyles would be dramatically different, but Craig Schwalb, the director of content integration and operation at WTOP, says that’s not really the case. Schwalb did say there is one huge commonality. 

“It’s hot in D.C., and it’s hot in New York,” Schwalb said. “Everybody is kind of sweltering.”

His family is from Illinois, but Schwalb said he’d traveled to D.C with family and friends over the years. “I think there’s a great feeling for this place, what it means nationally. It just has that feeling of being in the center of power, that powerful vibe.”

Schwalb arrived at WTOP in March 2020, just before the Covid curtain came down on the world. He said his timing was lucky in some regards.

“I was interested in how the station would cover Covid,” Schwalb said. “I was interested in how we’d respond to the community, how we could step forward to help the community. It was a wild time. Even working remotely, we kept the quality high and met our journalistic standards.”

He faced incredible challenges from the start. Schwalb said during Covid, WTOP’s most significant focus was keeping everyone safe. But, in spite of the adversity, Schwalb said things rolled with the highest quality.

“I think that’s a testament to our staff’s commitment to journalism,” he says. “We all did whatever we had to do to keep this station going. It was very important to everybody because of their commitment. Good journalism is hard work.” 

Like most businesses, WTOP had a lot of conference calls and Zoom meetings to keep the business going, to ensure people were on track. 

“I think it was a little more challenging to manage people I’d never even met in person,” Schwalb explained. “I think everybody is mostly back in the office, focused on doing what we have to do now.” 

Before taking the job at WTOP, Schwalb met with GM Joel Oxley and Julia Ziegler, director of news and programming. They discussed the opportunity available. Schwab said their discussions made a lot of sense as he’s always found the multiplatform world exciting.

“One of the coolest things they said in our meeting was WTOP was not just a radio station, it’s a news organization, and that’s what made it more appealing. It’s such a great heritage brand with a family-oriented feel.”

Schwalb said he always liked working for Cumulus and never had any problems. He added an opportunity at WTOP doesn’t happen very often. 

“Anybody who cares about radio, news, spoken word, knows WTOP. You just don’t look at it as an ordinary opportunity. So glad I’m here.” 

Schwalb has managed personalities like Don Imus, Curtis Sliwa, and Sid Rosenberg throughout his career. It’s challenging for a PD when navigating those potentially combustible conditions and delicate egos.  

“I think it’s all about authenticity. I know that word gets thrown around a lot,” Schwalb explained. “I wasn’t the first PD Imus had seen, but unfortunately wound up being the last. I sort of know my spot in their vaunted careers.”

At times, Schwalb can be disarmingly authentic. He admits he’s not perfect but will make strides with his talented talkers. He’s a partner in all aspects of what they’re doing on-air. 

“There are times I’ll disagree with my hosts,  but we’ll have a conversation. I make myself very accessible. They’ve seen so many things, experiences I’ve never had. I’m there to do a job. Make sure their shows are as good as they can be. I do what I can to help them see things in a different way when I need to. I want to be a resource. I also like to share a joke, soften beaches.”

Schwalb said he cannot think of an instance in his career where he threw up his hands and said, ‘I’m not communicating.’

“Part of it is how I approach an issue, how the company allowed me to deal with it. If you come in with good support, quality of character, they can sense it. Do what you say you’re going to do.”

Another component of his communication includes never lying to anyone. “The playbook isn’t that hard if you follow a few basic tenets.” 

Schwalb has developed content and special programming for high-profile personalities like Kim Kardashian, Rudy Giuliani, Bobby Flay, and Julian Lennon, among others.

Schwalb said it was rewarding to work with big brand celebrities. To see how they operate in their world. 

“We’d search for a structure for the show, talk about what we’re looking for. Some were segments of existing talk shows. We were all about generating audience and interest. The Kardashian’s were just getting big, and I created some content with them. We developed a working relationship together.” 

Schwalb recalls Julian Lennon coming in to work with the team at WABC. They decided to focus on Lennon’s children’s books he’d written.

“He came to WABC. We did a panel talk about his book, his life. We also helped him spread the word about his book. It was fun to work with him.”

Throughout his career, Schwalb has sent reporters into hazardous and dangerous situations.

“We had a lot of reporters at the Capitol on January 6th,” Schwalb said. “We took a long and hard look about how we were going to approach the story. We had to make sure our staff was safe. Allow our audience to be apprised of what was going on. You’re trying to react when something is escalating rapidly. In hindsight, you may have wanted some different angles and layers to a story. In those situations, the journalists are hungry for that story.” 

When you work on a story of the magnitude of January 6th, you must marshal your resources. Schwalb directed breaking news coverage of the September 11 attacks in NYC, the Boston bombing, and the Hudson River landing, among many others. The lessons learned were simple but essential. 

“With big stories, we have to figure out how we were going to walk into those situations. We must always make sure we have all our ducks in a row.”

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BNM Writers

Dagen McDowell Is Ready For A New Adventure With Fox Business

“Every decision in America is born of policy, On the show, we bring that to our show. Talk about the news of the day.”

Jim Cryns

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To know Dagen McDowell, you must understand what she comes from, where she comes from. You won’t know her until you know the lessons, kindness, and determination set forth by her parents.

Her parents operated a small grocery store, LW Roark and Company. Charles and Joyce McDowell were high school sweethearts and both went to college but decided to go back home and open a business. “This is in the middle of nowhere,” McDowell said. “It was a wholesale grocery store. They sold it in the late 90s.”

She said her parents were smart, encouraging, and took every opportunity to teach McDowell and her brother.

“They’d constantly talk up people who came into the store. Both of them have and had an insatiable curiosity about everything. They felt they learned things through their customers. It was more fun to learn about things from other people.”

McDowell’s parents never took a week off work. Never. The family took no vacations as most families would. Once while McDowell was in college at Wake Forest University, the family visited the Air and Space Museum on the Mall in D.C.

“Both of my parents were very interested in architecture and landscapes. We’d go to Williamsburg and just look at the buildings.”

McDowell joined FOX News Channel in 2003 and helped launch FOX Business Network as a founding anchor in 2007.

Her mother passed away three years ago and her father is still very much a part of her life. Her father was a constant teacher.

“One time my father, who we called Dowell McDowell, was putting up an outbuilding and asked me how long one line should be if the other line was such and such. He taught me the Pythagorean theorem when I was about 4 years old.”

McDowell was nurtured by parents with endless curiosity.

“I was raised by parents who would always debate and converse around the dinner table. We shared breakfast and dinner together every day. They loved learning, were always inquisitive, never afraid to ask a question. My parents shared a fearlessness and passed that on to me. I’ve never been embarrassed to ask people questions. I love talking to people and finding out about things.”

For a long time, McDowell had no idea what she wanted to do for a living. She knew if she worked at different jobs she’d eventually figure out what she was good at.

“I knew I was a decent writer, but I always tried to get information out of people, what they were doing. Ask if they were fulfilled and happy.”

At Wake, Forest McDowell majored in art history and had every intention of working in a museum, possibly as a curator.

“I interned at the Center for Contemporary Arts. I lived in Venice, Italy for a while. Wake Forest owns a house in Venice.”

After that it was Colorado. She moved back to New York during the recession of 1991 with a duffel bag. She took the Amtrak to New York City and sublet an apartment for six months.

“I had no TV, just a radio. I knew I could find something good to do in New York, there were so many jobs. I always wanted to live in the city. Either the city or way out in the country. Nowhere in between.”

She said being in New York made her feel anything was possible. This was January in 1994 when job ads were still in the physical newspaper, like the New York Times. McDowell interviewed at Institutional Investor through a referral from a friend.

“It was a brilliant magazine with terrific writing,” McDowell explained. “Very prominent in the industry. They were looking for someone to work with the newsletter written for the financial community.”

She’d cover topics like the bond business, Wall Street, and money management. The magazine made her take a reporting test where you’d make up a story and write it. She was offered a job and worked there for three years.

“I learned to be a journalist there,” McDowell said. “I could write but I became a better journalist. We’d break news, create our sources, and learn more and more about finance. People love to talk about what they do if you show interest.”

The next big job was SmartMoney.com, a resource and web newspaper for private investors. There McDowell wrote a personal finance column. She started doing commentary on television shows, the way a lot of people in different professions tend to do. “Then I started making more appearances on weekend financial or business shows,” McDowell said.

She got a call from Neil Cavuto about 20 years ago and he told McDowell, ‘Kid, you want a job? I know you don’t have much professional TV experience. We’ll give you some training and you’ll figure it out. If you do, you stay. If not, you go.’

McDowell said she was glad she was a writer first before she arrived at Fox. She writes her own scripts and has a background in finance and business writing.

“Before the business network was launched, they had only one business reporter and two senior business correspondents,” she said. “I’ve gotten to do so many different jobs, use different muscles, so to speak. As the years have passed I’ve discovered other talents I may have and I’m incredibly grateful for that.”

There’s a new show in town. McDowell and Sean Duffy will co-host The Bottom Line which will air on weeknights from 6-7:00 PM ET.

McDowell said she and Duffy come from extremely similar backgrounds. Duffy is from rural Wisconsin and McDowell is from Virginia.

“We know what small-town living is like, “McDowell said. “I might live in New York City but where I grew up affects the way I view the world. I’m still grounded in my hometown. On the show, we look south and west with everything we cover. You have to think of your audience. Rather than talking about them, we talk with them. That’s our shared background and vision. Sean is extremely down to earth and generous.”

McDowell said the show is not financially based, but steeped in business.

She said Duffy’s experience as a former U.S. Congressman, he understands policy as well as financial matters.

“Every decision in America is born of policy,” she said. “On the show, we bring that to our show. Talk about the news of the day.”

This is different from anything McDowell has done in the past.

“It’s a two-anchor show in the evening,” she explained. “This is not taking place during market hours. We tie all the business happenings together from the day. Again, it’s not about Washington or New York. It’s about the people we grew up with. We talk to them. Build a relationship with them on the air. For me, this is not just sitting in front of a camera. I can run off at the mouth as well as anyone, hang in there with the filibuster.”

McDowell says she is blunt, but hopes she isn’t rude. During a recent interview for the new show she used the terms ‘pig potatoes’ and ‘chapped backsides.’

“Those are terms I just made up,” she said. “I make up a lot of phrases and don’t always know what they mean. I have an entire repertoire of those kinds of phrases.”

Duffy assumed they were southern phrases he had to learn from McDowell, but she assured him she’d never heard them anywhere else.

“I’m just making stuff up,” McDowell said. “You can’t curse. Can’t say BS. At least you shouldn’t say BS on television. You don’t want to say manure. You never want to say something that makes people wince or evokes a smell.”

Dealing with people directly and bluntly seems to come from her mother.

“My mother had grit,” McDowell said. “She was also very kind, never syrupy. I used to say she had no magnolia-mouth.

That’s got to be a southern phrase.

McDowell said her mother was not a servile flatterer, but she was kind. Always there when somebody was in need.

“She had real grit. She’d stand and fight for her friends and family members.”

Her mother passed away after being diagnosed with stage-four cancer.

“She went through unimaginable pain,” McDowell said of her mother. “For nearly six years. You want to talk about somebody who was tough. There was nobody more pugnacious than my mother.”

She explained even with her illness, her mother was always on the go. Continuing to live her life. When questioned about being so active while she was ill, her mother continued to show grit.

“My mother would say she didn’t want to walk around looking like she had cancer. She asked, ‘What choice do I have? I could lay in bed and wait to die, or I can get up and do what I can .’”

McDowell said her mother’s illness taught her to be a caregiver in ways she never could have imagined. Her mother taught her to find moments of joy every single day, in the smallest of things.

“It can be as simple as telling a stranger to have a great day. Treat a perfect stranger with kindness. I do it all day long. I know it sounds corny, but I want to be known as a person who brings a casserole to a friend when they’re ill.”

A one-sheet from Fox tells you McDowell and the culmination of her background is perfect for The Bottom Line. The fact is, it’s true.

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Airing The Tyre Nichols Video Was A Necessity

There were hard moments to watch in those videos, hard sounds to hear. But they aired.

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Far be it for me not to address this outrageous and embarrassing instance in humanity. After the videos of Memphis police brutally beating Tyre Nichols were shown on television there really seemed to be more outrage emerging from society this time than from the media, for a change. One would think that’s how we wish things to be.

In instances like this, where the video and audio images are far from brief but are instead chaptered as they unfold, there are few options other than to let them run their course. Clocks — breaks hard and soft — are out the window, just as in live coverage.

Because that’s what this was, only the live this time was us, and as we all absorbed and reacted to actions disapprovingly familiar yet somehow foreign at the same time, the impact was still becoming apparent even though we already knew the outcome.

It’s happened before.

Not always like this but we’ve seen it before, police encounters shown on the news overtakes and become the news.

It takes effect as the sights and sounds are digested, dissected, and discussed, often before their potential impact could really be imagined.

In 1991, when the Handycam footage crossed screens for the first time and we learned Rodney King’s name, we didn’t know then but we had a feeling.

We were on the right track, though as newsrooms evolved and street reporting incorporated a different type of storytelling.

I was a cop in 1991. Changes came. Some.

It’s 2023, I’m no longer a cop. Changes will come again. Some.

Turning points — or the overused watershed moments — mean just as much to the news media as they do to law enforcement.

The “why’s” that make this a turning point are more society and community based this time around than they were in 1991.

At least I think so. And I don’t think it makes a bit of difference who’s involved this time.

There were hard moments to watch in those videos, and hard sounds to hear. But they aired. Where they couldn’t air, they were described in great detail; descriptions sometimes can be worse than the real thing. Sometimes, not this time.

And they should air, they shouldn’t stop airing. This is what happened and this is what people need to see and hear and this is exactly why we are here.

Warn them, provide them with a heads up that they’re not going to like what happens next. It’s life and we show life, and we show what some of us do with it when it’s someone else’s.

Overall, I would say the news platforms held their composure, even after the videos were released. I saw, read, and heard some refreshingly neutral coverage, even from outlets where I expected hard turns into the lanes on either side of the road.

Legitimate questions were asked by anchors and reporters and much of the time, the off-balance issues were raised more by those on the sidewalks and those on the other side of the cameras and microphones.

As much as I find myself in disagreement with what I often see on the cable networks — all the cable networks — I did find a sense of symmetry watching CNN’s Don Lemon speak with Memphis City Council Chair Martavius Jones in the hours after the videos were released.

Regular protocols be damned, Lemon and producers lingered patiently as Jones, visibly overcome by emotion, struggled to regain breath and composure enough to be able to speak. Rather than cut away or move to other elements, they stood fast and it became an example of what often requires no words.

There were fewer punches pulled on other platforms as well.

The sounds of the screams, the impacts, and the hate-filled commands were broadcast through car radios.

As were Tyre Nichol’s calls for his mom. They aired. They had to.

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Does the Republican Establishment Get It?

For many it seemed that the Republican establishment stood idly by as Democrats changed the rules and worked behind the scenes to alter elections.

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In a move that seemed to go against the wishes of the patriotic American grassroots, the Republican party on Friday re-elected RNC Chairperson Ronna McDaniel. 

The media immediately took notice, as many on television and radio are now wondering why the party would re-elect a chairperson who has been so unpopular with the base of its party. 

Grant Stinchfield discussed this issue Friday night on his program, Stinchfield Tonight, which airs on Real America’s Voice network.

“Ronna McDaniel holds on to her chairmanship of the Republican Party. By a whopping total of — what were the numbers– 111 to 54. Harmeet Dhillon only received 54 votes. Mike Lindell 4 votes. This is proof to me that the Republican establishment is dug in,” Stinchfield — formerly of Newsmax — said. “Don’t tell me they’re out of touch. See, you tell me they’re out of touch, that implies ignorance. They’re not ignorant about anything.”

As sentiment for Dhillon grew in the days leading up to Friday’s vote, many influential politicians and party donors publicly offered her their support and endorsement. These included Gov. Ron DeSantis (R-FL), as well as donors Mike Rydin, Dick Uihlein, and Bernie Marcus.

Also on board were musician and outspoken conservative John Rich, along with the state GOP of Nebraska and Washington State. Countless journalists and media personalities, such as Charlie Kirk, Miranda Divine, and Lou Dobbs, also came out publicly in support of Dhillon. Former President Donald Trump remained neutral, not making a public choice of either of the three candidates.

For many of Dhillon’s supporters, the deciding factor was public sentiment across the party’s base.

“They’re reading the same chat boards. They’re getting the same emails I’m reading. I will literally post something about this race when I was supporting Harmeet Dhillon. There was not one comment – not one – that supported Ronna McDaniel. Everyone wanted change,” Stinchfield said, noting that the party elite saw the same groundswell of support for change.

“Now, nobody has an issue as Ronna McDaniel is some evil kind of person. I don’t believe she is. I believe, though, that she is part of the establishment. She’s been around too long as far as the establishment goes. And she’s been ingrained in doing business as usual. It’s not working.”

In making their choices known, many Dhillon supporters simply pointed to the scoreboard during McDaniel’s reign.

“Think about where we are. 2018, we lost the House. 2020, we lost everything. 2022, we won the House, but we should have really steamrolled the House and we should have taken back the Senate, which we didn’t do,” Stinchfield said. “That means we’re on a real losing track since she took over. I don’t like being on a losing track. I like being on a winning track.

“Something has got to change when you talk about all of this. So how does Ronna McDaniel get 111 votes and Harmeet Dhillon only get 54 votes, when everyone, every Republican voter I talk to said it was time for change?” pondered Stinchfield.

And even more than the losses, for many it seemed that the Republican establishment stood idly by as Democrats changed the rules and worked behind the scenes to alter elections. The most recent example of which came in Arizona, where presumptive gubernatorial favorite, Kari Lake, was “defeated” when countless voting irregularities occurred in some of the state’s most deep-red areas.

“Under her watch, Democrats instituted a mail-in ballot scheme. That may be even worse than losing, when you talk about the House and the Senate and all these things. The fact that we now have a junk mail-in ballot scheme across the country under Ronna McDaniel’s watch is serious trouble. Very serious trouble,” Stinchfield said on Friday. “And so the reason it is is because the Democrats are rigging the system.”

For years – until Donald Trump descended the golden escalator and took the world by storm – the Republican party had the reputation of being the party of the rich. Rush Limbaugh used to refer to this wing of Republicans as “the country club crowd.” President Donald Trump flipped the narrative completely, offering a clear vision of hope and patriotism to working-class America.

Reputable polling — such as Richard Baris’ Big Data Poll — consistently showed Trump running well ahead of almost every Republican candidate during the 2022 mid-term election cycle. In other words, Trump still maintains considerably more support across the country than most of the individual Senate or House candidates experienced.

Many experts believe this is because voters still view Trump as an outsider, while they view the Republican party much less favorably.

“Let’s tell you how out of touch they are, how elitist they are,” Stinchfield said, calling out the GOP establishment. “This meeting that went on, do you know where it is? It’s at the Waldorf Astoria Monarch in California. One of the most expensive resorts in America. You’re lucky if you get a room for a thousand dollars a night down there on Dana Point. Now, it’s a beautiful hotel, but why is the Republican Party holding an event there? Then I went back and I looked at what RedState did. RedState went back and looked at some of the expenses that the Republican Party under Ronna McDaniel’s leadership was spending money on.

“Take a look at this. $3.1 million on private jets. $1.3 million on limousine and chauffeur services. $17.1 million on donor mementos. $750,000 on floral arrangements. Now you compare this to the Democrats. The Democrats spent $35,000 on private airfare. A thousand dollars on floral arrangements. A thousand. Not $750,000. A thousand. And the $17.1 million they spent on donor mementos, the Democrats spent $1.5 million.

“Democrats know where to put the money. It’s not giving donors gifts. Donors shouldn’t want gifts. If you give money, give money. You don’t need the fancy pin to put on your lapel.”

Following her loss, Dhillon warned her party that it must listen to the base, saying, “if we ignore this message, I think it’s at our peril. It’s at our peril personally, as party leaders and it’s at our peril for our party in general.”

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