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‘NHL on TNT Face Off’ Values Authenticity From Former Players, Coaches

“What you see is what you’re going to get…. It’s fresh. If you were to rehearse, your first take is your best take and it usually goes downhill from there.”

Derek Futterman




Prior to last season, the NHL made history when it inked new seven-year media rights deals with both ESPN and TNT, reportedly totaling in excess of $1 billion. Following an exciting season of hockey that culminated in the Colorado Avalanche winning the Stanley Cup championship for the first time since the 2000-01 season, the rest of the league will try to prevent the formation of a bonafide dynasty through the winter months. The broadcast of the Stanley Cup Finals on ESPN, however, will not be repeated until next season, as the media rights deals rotate which network gets to broadcast the coveted best-of-seven series annually.

This year, Turner Sports’ coverage of the National Hockey League will be the exclusive home of the Stanley Cup Finals, marking the first time the network holds such a distinction. Last season, Turner Sports covered portions of first- and second-round matchups and finished its inaugural season by broadcasting an exclusive presentation of the Western Conference Finals between the Edmonton Oilers and Colorado Avalanche.

The network experienced a 58% increase in viewership from the previous year’s matchup between the Vegas Golden Knights and Montréal Canadiens broadcast on NBC Sports. Play-by-play announcer Kenny Albert was joined by analysts Eddie Olczyk, Keith Jones, and Darren Pang to bring viewers the live game action which was preceded by NHL on TNT Face Off.

The studio-based show traveled across the border to both Rogers Place in Edmonton, Alberta and Ball Arena in Denver, providing fans with insightful pregame and postgame coverage. The panel, which includes studio host Liam McHugh and analysts and former NHL players Paul Bissonnette, Anson Carter, Wayne Gretzky and Rick Tocchet, returns intact for its second season together. The group is ready for a chance to showcase their broadcast and promote the game of hockey on the game’s biggest stage at the end of the season.

“I’m very excited to cover the Stanley Cup Finals,” said McHugh, who joined Turner Sports after spending nearly a decade with NBC Sports. “This group is a special one; it’s one that I feel lucky to get to work with. It was a blast doing the Western Conference Finals, especially going to Edmonton with Wayne Gretzky and seeing the reaction there. Now we get to do it for all the marbles: to see who gets to hoist that Cup.”

From the moment the Colorado Avalanche won the Western Conference championship, the team at Turner Sports has been focused on improving its coverage of NHL games for the 2022-23 season, which began earlier this month with an exclusive Wednesday doubleheader. The group has a growth mindset amid an evolving media landscape and aspires to continue being voices that garner the trust and reliability associated with delivering news and giving informed opinions.

“What I love about this group is how we always think about, ‘Hey, how do we get better from last year?,’” expressed Tocchet, a three-time Stanley Cup champion with the Pittsburgh Penguins – one as a player and two as an assistant coach. “We’re not complacent…. There’s just so many storylines that we can tackle.”

Aside from the Stanley Cup Finals, Turner Sports will also broadcast the 2023 Discover NHL Winter Classic from Fenway Park in Boston, Mass. in a matchup between the Pittsburgh Penguins and Boston Bruins. Moreover, the network will broadcast several marquee matchups between rival teams – including tonight’s game between the New York Islanders and New York Rangers from UBS Arena in Elmont, N.Y. – games that could have significant factors in determining which teams can make championship runs.

“With the product and trying to deliver it to the fans… constantly improving is definitely at the top of the list,” Bissonnette said, who is the co-host of the Spittin’ Chiclets podcast with Barstool Sports and a color commentator for the Arizona Coyotes. “….Agents might not be happy about the hard cap but… from a parity perspective in the league, I think we’ve got 10 teams with the possibility of winning the Stanley Cup.”

Authenticity is highly regarded and valued among media members; therefore, generating discussions in which the analysts can utilize their knowledge and expertise to accurately convey and translate what may seem like esoteric information to viewers is most optimal for the growth of the game and success of the program. While the show does not center itself around debates, there are occasionally disagreements – none of which are contrived – which affords viewers the opportunity to hear a broad range of perspectives and ultimately choose a side or form their own dissenting opinion on a subject.

“I think the best part of our show is [that] we don’t rehearse,” said Carter, who also works as a television studio analyst on MSG Networks. “What you see is what you’re going to get…. It’s fresh. If you were to rehearse, your first take is your best take and it usually goes downhill from there.”

Amid a media landscape where fans have augmented levels of jurisdiction over which programming they consume, along with when and where they do it, understanding and appealing to a target audience is ostensibly essential in maintaining success. Following in the footsteps of Inside the NBA with Ernie Johnson, Charles Barkley, Kenny Smith and Shaquille O’Neal, the panel has tried to differentiate itself in terms of their parlance and types of segments. For example, the show had Gretzky and Barkley face one another in a shootout during the show’s premiere last year. In the playoffs after Bissonnette lost a bet to his podcast co-host Ryan Whitney, he had his head shaved bald on national television in a segment that went viral on social media.

“Whether it’s a week before or the summer or even [on] a [gameday], one of the guys may be like” ‘Hey, let’s try this,’” Tocchet said. “We’re not afraid to try things and obviously the company we work for wants that; they welcome that. They don’t want to be overprepared, and I think that’s a big part of why this is successful.”

The key in being relatable to fans who may not be familiar with the parlance and nature of every discussion being had on the show will be to adjust the dialogue and simplify certain aspects of it – especially to prevent coming off as being arrogant regarding their roles. At its core, the purpose of studio programming within a live game broadcast is to preview a matchup, analyze it between periods when it is taking place and reflect on how the game was won or lost after the final buzzer. The team at Turner Sports realizes this goal and goes beyond it to make their program unique and a memorable watch for viewers worldwide whether or not they are dedicated hockey fans.

“We make mistakes out there and I think people kind of laugh about the mistakes,” Tocchet said. “….I think that’s something that we’ve tried to learn even from the NBA guys and their Emmy Award-winning show. We kind of watch them and how they do it. I think that’s the future of televising the game of hockey; [that is], trying to get that person who doesn’t know much about hockey.”

“A lot of people working on our show behind the scenes weren’t ‘Hockey people,’” Carter added. “They would ask a ton of questions that [we] would take for granted. [For] your non-traditional hockey fans though, those were legit questions… [some of which] we thought, ‘Yeah, that’s a no-brainer; every hockey fan gets it.’ We had folks in the studio who didn’t follow hockey in the past [and] they gave us a window into the audience we’re trying to tap into.”

Planning for each show extends far beyond the panelists and producers, as there is always the potential to come up with new ideas or talking points that could enhance the broadcast and that night’s game coverage. The best ideas for a given show, according to McHugh, can be sourced from a number of different areas, including those working as video editors and graphics coordinators tasked with creating the visual elements of the show. It is genuinely a group effort to cultivate a compelling and elucidative program at Turner Sports, one that captivates viewers and keeps them coming back for more.

“I think we’re a show that is willing to take some risks,” McHugh expressed. “We’re all-in as a group in the studio where once we decide we’re going to do something, we’re going full steam ahead… but we’re probably going to have a few laughs either way and maybe we’ll have some more if it’s a trainwreck.”

Sometimes, the conversation being had on the show does not directly relate to hockey but may be relevant in the world of sports or on an even larger scale. As a result, the panelists and crew at Turner Sports need to be ready to conform to potential breaking news or a change in the rundown that may alter the remainder of a given broadcast.

“I like what we’re doing because it’s something different every week,” McHugh said. “At the same point, we’re a show where if there’s something serious or something unpleasant, we don’t shy away from it either. It’s a show that’s willing to pivot.”

As the broadcast has cemented itself into the hockey landscape, Turner Sports has gradually gained greater trust from teams and players around the NHL, giving the network more of an ability to reach players and personnel. Whether it is being able to speak with stars, such as Sidney Crosby, Connor McDavid or Igor Shesterkin, or members of various front offices and coaching staffs, it usually requires fostering some level of trust and respectability. One year after the launch of the broadcast, teams are ostensibly being more open to working with them to elevate the level of game coverage and maintain hockey’s positive growth trajectory.

“Being around the league so long, teams are so protective and not willing to give the access to players that we’re looking for,” Carter said. “….Now that they see we’re trying to do the right thing for our players, they’re granting us more access [and] I think as we continue to work on our broadcasts, we’ll continue to get more access.”

Highlighting the personalities of athletes engenders an enrichment in pathos between fans and teams, sometimes extending to the league as a whole. The panel, with its wide array of experience and vast hockey knowledge, could likely carry a successful show on its own but adding interviews and features with current players only makes the coverage more comprehensive and germane to each specific matchup. Hockey is surely an adrenaline-inducing sport filled with heart-pounding moments and dynamic action, all of which is seemingly amplified once the playoffs begin. Using these facets of the game to its advantage draws sports fans to the game and allows it to leverage its position in a marketplace infused with incessant amounts of choice and freedom in terms of content.

“You see these other leagues – in particular the NFL and NBA – they’re personality and star-driven,” Bissonnette said. “The more you can amplify that and show that off, the more you can grow the game…. I think hockey is catching up to the other leagues… based on a parity standpoint. You get to the Stanley Cup Playoffs – [and] I don’t think there’s anything else like it.”

Turner Sports continues its second year of a seven-year media rights agreement with the National Hockey League, bringing fans exciting matchups largely taking place on Wednesday nights, along with other select games throughout the regular season. Once the Stanley Cup Playoffs begin, the NHL on TNT will have coverage of the first three rounds leading up to the Stanley Cup Finals, of which it is the exclusive rightsholder for the first time. It is arguably the pinnacle of professional hockey and a source of motivation and fervor for those working on NHL broadcasts this year with Turner Sports.

“It stunk watching the Stanley Cup on another broadcast,” Carter said. “I’m not saying [the ESPN] broadcast was bad; I just wanted to be a part of it…. Just being on the road and being a part of it; that’s the best time of year. The weather’s great; the stakes are high; people are pumped up [and] all stakes are on the game. We’re crowning a champion and we’re going to be a part of it.”

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Ian Rapoport Is Competing Against Everyone

“When I’m working, when I’m not working – my brain is still going on overdrive.”

Derek Futterman




The 2023 NFL Draft was a weekend filled with speculation, intrigue and musing among football fans and experts alike. After two quarterbacks were selected with the first two picks – C.J. Stroud by the Jacksonville Jaguars; and Bryce Young by the Houston Texans – Ian Rapoport had the inclination that something was about to break at the event in Kansas City.

The third pick of the night was held by the Arizona Cardinals, but through previous intel, Rapoport knew there was a chance the team would trade it. His phone then lit up with a text message from a source that simply read, “Texans trading.” Receiving a message of this magnitude takes years of networking, credibility and immense trust from the people you cover. Rapoport has worked hard to attain all of them. 

He replied by asking, “Did the Texans trade up to three?,” as the team was not set to pick again until No. 12 overall. Once he got confirmation of the scenario, he began to visibly shake in excitement and captured the attention of the NFL Network team.

“I sit there with a camera in front of me that’s not always on air – this is during the Draft – and the producer gets in my ear and he goes, ‘Can you go on air with whatever you have?,’ and I just say, ‘Yes.’” Rapoport recalled. “And then I hear Rich Eisen go, ‘Ian, you have news,’ and I was able to break that the Texans have traded up to three to go get Will Anderson.”

This is the craft through which Rapoport has cultivated a successful journalism career, ultimately distinguishing him as NFL Network’s goto insider. He hardly ever separates himself from the job, equipped with an unparalleled work ethic to ensure he can communicate messages accurately and in a timely manner. While some people may argue that he is in direct competition with others in his position, such as Adam Schefter of ESPN, Jay Glazer of FOX Sports and Mike Florio of ProFootballTalk and NBC Sports, the reality of the situation is that it is Rapoport vs. the world.

“It’s such a small world now and everyone is interconnected – and with Twitter, literally anyone could break a story and have it go viral,” Rapoport said. “Obviously, you want everything first, but really you’re competing against everyone that exists because anyone could get the story at any moment.”

Work-life balance in such a role is usually quite insurmountable in today’s dynamic, interminable breaking news environment. Rapoport strives to find some level of normalcy in his life by playing golf and attending his sons’ sporting events. In the end though, he knows the world of football never sleeps, and it is up to him to remain in the know at all hours of the day, essentially always on standby to break the next big story.

“I do not turn my phone off because that’s actually way more stressful,” Rapoport said. “At least now when my phone’s on and near me, if something crazy happens, I can react rather than having a fake relaxation moment and then being caught off guard with something.”

Rapoport recognized that journalism was the field for him almost immediately after stepping onto the Columbia University campus. He worked his way up at The Dial to ultimately become its associate sports editor. In the summer preceding his senior year, he landed a coveted internship with ESPN where he gained invaluable experience in the world of television production. 

By the time he graduated, Rapoport envisioned himself becoming a nationally acclaimed sportswriter, but he knew it was going to require he start small. Three hundred eleven job applications and two interviews later, he landed a part-time role with The Journal News in Westchester, N.Y. covering high school sports. It gave him a start in the highly-competitive business – and kept him close to home while trying many new things.

Two years later, he found himself moving from the bright lights of New York City to the quaint town of Starkville, Mississippi for a notable opportunity. He had landed a job covering the Mississippi State Bulldogs for The Clarion-Ledger in the nearby capital city of Jackson and was under the direction of sports editor Rusty Hampton.

“I knew how to write, but I really didn’t know how to report,” Rapoport said. “He was probably the best [at] showing me, ‘This is all about reporting. It’s all about telling people something they don’t know rather than how well you can pen a sentence.’ To be really valuable to society or your newspaper, you really need to inform rather than entertain. I think he was probably the first and best person to teach me that.”

After spending two years in Mississippi, Rapoport became a beat reporter for The Birmingham News tasked with following the Alabama Crimson Tide. Just months into his new role, the program made a coaching change and hired Nick Saban, who has since led the program to six national titles. 

Rapoport learned the thoroughness necessary to cover the Southeastern Conference as he rapidly watched the program become a perennial contender. In turn, he became an eminent college football reporter and his work began to be consumed nationally.

Simultaneously, Bill Belichick, another accomplished football head coach in his own right, was in the process of trying to lead the New England Patriots back to championship glory. Known to be stoic and restrained in his press conferences, reporters asking him questions knew extrapolating answers was not the easiest of tasks. 

When Rapoport saw a job opening to cover the team with the Boston Herald that required NFL experience, he knew that he was not qualified verbatim per se. Yet he figured the experience he had in covering Saban and Alabama would serve him well in the role, and articulated such in a protracted email to the newspaper’s editors. His strategy worked, proving why Rapoport is considered one of the industry’s best communicators at the micro and macro levels.

“You don’t see a lot of sources within the Patriots or sources within Alabama – there’s not a lot of that,” Rapoport said. “So I learned to report despite that and kind of work the edges and get the information I needed, despite head coaches who weren’t always the most forthcoming with information.”

NFL Network oftentimes has local beat reporters on the air to interact with studio talent and give their perspectives about teams, and it was something Rapoport did while at the Boston Herald. He had no television experience outside of other appearances he made on Comcast New England and certainly no intention to pursue the medium as a career. 

In Super Bowl XLVI, the New York Giants overcame the New England Patriots, who were undefeated for the year entering the game. Rapoport was on hand for the proceedings, and shortly afterwards was called into a meeting with NFL Network executives. 

He didn’t know he was interviewing for a job until he asked just why he had been summoned. He expressed his lack of television experience to the executives, who said the network would teach him everything he needed to know. 

Once the meeting concluded, Rapoport called his wife, who he had met while living in Starkville, Mississippi, and told her what had just happened. She tempered his expectations, warning him not to get his hopes up as he remained optimistic. One month later, Rapoport received a job offer and found himself moving once again – this time to the Lone Star State.

“I hired an agent and moved to Dallas and basically spent the next year reporting on the Cowboys and some other things being very, very bad at TV, but learning and eventually figuring it out,” Rapoport said. “At the time, this guy, Eric Weinberger, who was our boss, kind of mentioned to me the possibility of transitioning [me] from reporter to insider.”

Rapoport acknowledged that he did not have the contacts necessary to effectively work as a league insider for a national outlet, but through his years of experience, he knew how to network and he was ready and willing to take the challenge. 

Once he began the new position, Rapoport, along with reporter Michael Silver, was on the road for Thursday Night Football and contributed to its pregame and halftime coverage. While his television skills improved, Rapoport was hard at work bolstering his contacts and took somewhat of a geographical approach. 

Every time he arrived in a new city, he would contact anyone and everyone he could conjure up, including general managers, scouts and head coaches. If he could not schedule a meeting time with them, he would introduce himself by roaming the sidelines at practices and before games. He engaged in a similar practice before the NFL Draft Combine, training camps and the Super Bowl along with other premier events, always staying focused on the task at hand.

“It probably took me five or six years to get a baseline of sources where if something happened, I had someone to call,” Rapoport said. “And then it took me a couple more years to get to the point where I would know before a lot of people when something was about to happen. It’s all a multi-step process, and just [the] layering and layering and layering of sources is really the sort of engine that drives this thing.”

Ian Rapoport always attempts to triangulate his sources to verify information before he releases it publicly. There is no guarantee sources are always truthful or acting in a professional manner. Therefore, it is incumbent on a journalist to ensure the validity of content before publishing it themselves. 

“If you’re only right some of the time, then none of it is really worth it,” Rapoport expressed, “because then you say something and they’re like, ‘Well, wow, that’s a big story if this is true.’ The whole point of doing this is when I pop up on TV or when people see my Twitter alerts or whatever, they have to know that it’s true – they have to know.”

One day, Rapoport was having a conversation with a source and discovered through their conversation that Rob Gronkowski had informed the New England Patriots that he would return to the game of football under the stipulation he be traded to the Tampa Bay Buccaneers to reunite with quarterback Tom Brady. There had been much speculation pertaining to Gronkowski’s future after he had worked as an NFL analyst with FOX Sports, and now Rapoport realized he had a monumental scoop – that is, if it was true. Within six minutes, Rapoport verified the story with three sources, contacted his editor and reported to the world Gronkowski’s intentions. The story was picked up virtually everywhere.

“I just think about the job all the time, and I make little lists for myself of things that I need to track down, and I just make a lot of phone calls for it,” Rapoport said. “When I’m working, when I’m not working – my brain is still going on overdrive. It ends up just a brain full of football thoughts, and then I spend the rest of the time trying to figure out what I can learn from it.”

Working for a league-owned entity can sometimes epitomize an inherent conflict of interest. For Rapoport however, he has found working at NFL Network to be hassle-free. He knows, however, the nature of his job means he will not be universally liked.

“Whatever you do, you’re going to report and the people you report on are going to be happy or upset or neutral – or whatever it is,” Rapoport said. “I’m never going to criticize a referee, for instance, because that’s a nuanced thing and people might say, ‘NFL criticizes referees.’ I’m never going to do that, but I wouldn’t do that anyway.”

Rapoport continues to appear on a variety of external media outlets, perhaps most notably The Pat McAfee Show, which recently concluded its “Up to Something Season.” The grand conclusion of the proceedings was McAfee announcing he would be bringing his show to ESPN’s linear and digital platforms starting in the fall. 

While McAfee is retaining creative control and has expressed on multiple occasions that his show will not be changing, many have wondered whether insiders employed by other networks will be able to continue making appearances. It is an answer Rapoport himself does not know, nor has he asked about.

“When the news broke, my phone blew up with all sorts of people saying all sorts of different things,” Rapoport said. “I have no idea. I really don’t.”

Even so, Rapoport is elated for McAfee and his team taking the next step in their show’s journey and is genuinely glad to see them succeed. He does not think McAfee’s goal was to reshape sports media, but rather to cultivate a distinctive sports talk program built for fans and today’s generation of consumers.

“You get to know someone and you think they’re a good person and you respect the way they work. Some people have success and some people have a little success and some people don’t. It’s really rare to see someone who has every bit of success that’s essentially possible and deserves every bit of it, and that’s kind of how I thought about Pat. It’s really cool, honestly. He’s built it himself.”

It was on McAfee’s show where another prominent football insider – Mike Florio of ProFootballTalk and NBC Sports – said it would be a matter of “when,” not “if” the NFL would have games seven days per week. While devoted football fans like Rapoport are open to such a proposition, he is not sure the league would ever go that far. 

“I don’t even know that it would affect my schedule that much,” he said. “It sort of doesn’t matter. I’ll report all year round anyway.”

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Face-to-Face Sales Meetings Have Never Been More Valuable

“With the increase in virtual meetings, new buyer preferences, limited time, and better tech, we have our work cut out to get the F2F.”

Jeff Caves




When did you last attend a face-to-face (F2F) in-person sales call? Let’s imagine for a second.

In New York, Sarah, a determined sports radio salesperson, got tired of chasing a major client for months. Despite her calls, emails, and text, she couldn’t break through to get a meeting. 

Throwing caution to the wind, Sarah decided to go for it. She loaded her deck and took her burning desire via airplane to Florida to make the pitch. She showed up unannounced at the client’s office and startled the decision-maker. She was given the meeting and won over the client, getting a substantial annual contract and a movie deal in Hollywood. 

We have all seen that storyline. F2F meetings used to be the obvious choice over a phone call, and most buyers were open to that idea. We even conducted market trips to meet our buyers in person and create better relationships. 

With the increase in virtual meetings, new buyer preferences, limited time, and better tech, we have our work cut out to get the F2F. Lots of us work and listen from home. 

Gartner Research points out that live, in person selling is superior to virtual selling in financial services or, as I think, in radio sales. Now, prospecting new clients F2F is much more difficult. You have never met them, you don’t know who you are looking for, and gatekeepers and remote decision-makers make walk-ins more challenging. 

How about getting out and seeing your current or former clients F2F? 65% of outside account executives attain quota, 10% more often than inside reps. Here are some simple strategies to get outside and F2F:


Turn the sales faucet on ‘drip’ and contact your current clients with whatever works: phone calls, emails, or texts. Tell them you are checking in to see if anything has changed, give them a local business lead, or share your latest insight on their favorite team. When doing so, tell them you want to meet F2F and go deep into the next quarter’s ad plan or a new idea to get them back on the air. They may start looking forward to your communication. 


Schedule an annual review ahead of their busiest time of year to review the upcoming messaging in ads. Go over what worked or didn’t last year. Share a success story of a similar advertiser in another market or show them a new opportunity that fits. 

Be upfront that with F2F, we can get more specific, work with better feedback, and partner on hitting their goals. Be the person who looks ahead and helps keep your client focused.


Organize workshops for your current clients. Teach that about streaming, OTT, or Google ads. Get your digital person involved. Let them know you are bringing in other local businesspeople they may want to know or network with and meet F2F! A Mortgage broker may want to meet a realtor who wants to meet a wealthy local businessperson interested in meeting the local head coach. Stand out as a leader in the industry and watch clients brag about working with you. 


Attend trade shows where your current clients will be. This will show you are serious about their business and want to stay current so you can learn and earn. Set up a meeting over coffee or a drink. Share what you learned. 


Client Appreciation Events held at your town’s most meaningful events or places. Do whatever it takes to get hospitality tents at big games and concert suites to show appreciation and bond with your current clients. Host a luncheon at the hottest new local restaurant. Focus on providing an atmosphere or experience everyone wants, but not many can attend. Be the exclusive person in town.


Leverage your existing client relationships to seek referrals. Do it in person. Tell them you want to see them and ask for help and advice. Ask for introductions to potential new clients they know, and you will be surprised how much they like working with you. 


Bring your Digital manager to them and do a free review of their SEO, PPC, whatever. Working off your client’s pc and bringing them an expert at no charge or obligation is much easier. Watch your partnership grow by providing so much expertise at no extra expense. 

Don’t forget the value of F2F meetings. It’s a great way to build trust, connect, and unlock new opportunities. We are in a people business doing business with tons of local directs who still make most of their money serving retail customers F2F. Let’s get out and sell! 

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All Jason Timpf Needed Was A Moment of Clarity

“I didn’t know it until after I was hired, but they said they played my video for Colin and he knew right away that I could do this.”

Tyler McComas




There was once a time when Jason Timpf always included Colin Cowherd in his commute to work. As he made his morning drive to a sales job at Verizon, The Herd was appointment listening each morning for Timpf. The ex-college basketball player would marvel at Cowherd’s ability to make relatable references and break down all of the same basketball games he would watch the night before. 

One of the unique things Timpf can remember from listening to The Herd during that time was Cowherd saying if FOX ever put someone in front of him, he could tell in five seconds if that individual had the skills to be a host. It was far from a hot take on the Lakers, but still a distinct moment that stuck with Timpf for many years. Little did he know at the time but Cowherd would soon give a five-second evaluation of Timpf’s career.

Jason Timpf was a late-bloomer in basketball. He played college hoops at an NAIA school in Utah, but not until his third year, after being a regular student the first two. After graduating, he pursued a basketball career overseas in India. However, after the league folded, he left the game for a normal job in the States.

There was a real desire for Timpf to get into the sports media business, but he was having difficulties finding the right fit. He wanted advice on the best way to start, but the tips he received just didn’t feel like the right initial path.

“I’d hear, hey, go bang on a radio station’s door and ask if you can work the soundboard,” said Timpf. “Or, try to go to a journalism school. Another big one that everyone was doing was the SB Nation blogs and FanSided blogs. I briefly tried to do that a little bit. But none of it was materializing the way that I had hoped.”

But then the lightbulb went off for Timpf and it happened during the middle of a podcast interview. In October of 2020, Jason Maples of Blue Wire reached out to Timpf to talk hoops on his podcast. It was in the middle of that interview when it all made sense. It felt exactly like the camaraderie he enjoyed with his old teammates and friends talking basketball. It was relaxed, fun and what he used to do for enjoyment. The perfect fit had just found Timpf organically. 

“It was, ‘this is it,’” said Timpf. “‘This is how I want to do it.’ It was like a moment of clarity. Like, this is the way I want to talk about the game. Fortunately, I was working in real estate at the time, so I was super flexible, so I literally was just trying to fake it until I made it.”

While Timpf was grinding away on his new platform choice, he was constantly putting out his content on social media. For a handful of years, he had used Twitter as an outlet for basketball talk – not because he was trying to build his brand, but because it was his preferred method of sharing his takes during and after basketball games. 

“My wife actually played basketball in college but she, like a lot of people, got out of it and was like, ‘actually I’m so sick of basketball, since it’s all I did growing up, that I’d rather not talk about it,’” laughed Timpf. 

As Timpf had built up years of basketball takes on Twitter, he also built up followers. Not a crazy amount, but enough to have regular interactions with several basketball fans. He had no idea at the time, though he remembers occasionally interacting with him, but one of his followers in the beginning was Logan Swaim, who just happens to be Head of Content at The Volume.

Being such a huge fan of Cowherd, Timpf was absolutely familiar with The Volume, a company started by the FOX Sports Radio host. In fact, during his first plunge into podcasts, he quickly took note of how much success The Volume was having with instant reaction and video content. He wanted to emulate what they were doing and would host a Twitter Space after each Lakers game.

Swaim kept up with Timpf’s journey and continued to be impressed with what he saw. He was so impressed, in fact, that a video eventually made it in front of Cowherd’s eyes. It was the moment Timpf had always heard about while driving to his job at Verizon. Cowherd was about to make a declaration on Timpf’s abilities. 

“I didn’t know it until after I was hired, but they said they played my video for Colin and he knew right away that I could do this,” Timpf said. “That was a huge boost of confidence for me, because it meant somebody I deeply respected believed I could work in this business.”

Timpf made his dream come true. He was offered a job by The Volume hosting Hoops Tonight. As much of a dream as it was when he was initially hired, the experience since has been nothing but ideal for Timpf. He gets to cover his favorite sport the way he wants to cover it. 

“When I first started and Logan and I were structuring out the show, he kinda viewed it as my show would be the slower, more methodical pace, where I work through my thought process of a game. And also that I’d be a guest on other Volume shows for more conversational podcasts. I really wanted to break down pick and roll coverage. It’s just going to take me a while, so trying to do that in a debate show format or conversational format can get hard. It’s a place where I can let more of my crazy depth out. And I can also have a side format where it’s more conversational.”

Timpf has learned prep for podcasts is one of the biggest elements to being successful. As Hoops Tonight continues to draw impressive numbers over audio and YouTube, he’s figured out the best method to prepare for a long-form podcast where he’s hosting solo. 

“I digest the game from the simple concept of how the game was won,” said Timpf. “Where was it won? There’s 100-something possessions in this game, there’s seven different storylines and several runs and sequences and sways in momentum, but what’s the one? Usually I’ll target that first in the opening segment of the show.

“While I’m watching the game I’ll take ancillary notes. About five minutes before I record, I sift through everything I’ve written down and limit it down to the things I think are most important. But generally the flow of the show is how the game was won.”

The whole experience has been gratifying and a full-circle moment in many ways for Timpf. Not only has it been vindicating to do things his way and see it become a success, but he’s gotten to do it with someone who he considers an idol.

Sure, Timpf always envisioned growing up he would be talking to Cowherd as a pro athlete, but talking to him as a colleague is certainly the next best thing. So when he got the call to talk with Cowherd during last year’s West Conference Finals, he didn’t hesitate.

“I was so incredibly nervous, as you could imagine,” laughed Timpf. “But I immediately remember him making me feel comfortable and confident. It immediately calmed me down.

“This is probably my favorite part of the entire experience, I think a lot of people think that these networks try to shove people in certain directions and The Volume has given me such freedom to cover the game exactly the way I want to and nobody is telling me to say crazy stuff. Nobody is pushing me in certain directions, it’s like total creative freedom. The way that Logan and Colin have been letting me do me, so to speak, has been so cool. To see my version of what I want it to look like makes me feel vindicated for talking about it the way I want to.”

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