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Verne Lundquist Originally Fought SEC on CBS Assignment

“I looked at Nancy and I said honey, pack your bags for Tuscaloosa.”

Ricky Keeler

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Verne Lundquist has not called a SEC college football game on CBS since 2016, but he is remembered by so many for his great calls of classic games over the years. He has had the chance to call so many great moments and still does every year at the 16th hole at The Masters, but the SEC holds a special place for him.

Lundquist was a guest on The Press Box podcast with Bryan Curtis and reflected on some of those classic calls and he said the assignment that he treasured the most was calling SEC games on Saturdays from 2000-2016:

“The SEC is in my view hands down the most significant, toughest conference in the country to win. In all the assignments I had throughout my career which still continues for one week a year, the one I treasured the most really of all the things I was lucky enough to do was the assignment of the SEC. I really, really treasure those moments.

“I so much buy into all the pomp and circumstance. I love the bands, I love the pom poms, I love pretending for 3.5 hours every Saturday afternoon that every student-athlete is also a student. That is a challenge at times.”

During their conversation, Lundquist told Curtis what he feels the responsibility of being a play-by-play person is and that was to give the viewer a reason to care about what they are watching.

“I believe that the responsibility of a play-by-play guy is to give the listener or the viewer a compelling reason to be invested in the game and you do that by anecdotal information, stories both good and bad about the competitors, the universities, the coaches, and give them a reason to be alert to want to care whether it is positive or negative and stay with you.

“Yes, the names and numbers are vitally important, down and distance vitally important, but anecdotal information and this is where the play-by-play guy has a responsibility much larger in this context than the analyst does.

“I find myself every Saturday afternoon watching our telecast or ESPN or NBC on Sunday night. I watch myself and pay attention to the lineups, but I don’t get anything out of them. If you get a guy dedicated to your school, he stays 4 years. Now with the possibility of transferring, you need a road map to find out where everyone is going. People are not familiar with these guys unless you are an alumnus or a loyal follower of a specific team. That’s the responsibility you have.”

Back in 1999, Lundquist went from being the number two announcer for the NFL on CBS to becoming the voice of SEC football when CBS brought in Dick Enberg to be the new number two announcer. At first, Lundquist didn’t want to do it, but he found the first SEC game he ever called to be a thrilling experience.

“I fought it. I didn’t want to do it. The rumors became so persistent that I called Sean McManus. We chatted and I told him my concerns and I said now, if you sign Dick, it wouldn’t affect me, would it? He did what executives did so well. He maneuvered sideways and he said he’s such a high-ticket item, I don’t think we would sign him…In the unlikely event that we would hire Dick Enberg, how would you feel about moving to the SEC?

“I said the appropriate things and said goodbye. We were in the kitchen in our home in Steamboat Springs, Colorado and I looked at Nancy and I said honey, pack your bags for Tuscaloosa. My first game ever in the SEC was Florida-Tennessee. I had never been to Neyland Stadium in Knoxville. It was a thrilling experience.”

While Lundquist never tried too hard to be warm on air and he likes the nickname Uncle Verne given to him by Spencer Hall, he mentioned to Curtis that that persona can’t be manufactured by anyone.

“I think it’s the product of my environment growing up. It’s not something that’s manufactured. There’s an amazing quality of television. There’s something going on between the viewer and the person on the other side of the camera. I think this so-called wall is broken down in imperceptible ways. But, the essence of the person who is looking into the camera is conveyed to the person who is viewing. I’ll bet you that if you are watching a television set and you see someone on the air and you think he is an arrogant jerk, 90% of the time he is going to be an arrogant jerk….If you think somebody is going to be nice, they will be.

“I think those of us who choose to be public people have an obligation to be accessible to people. That’s what you aspire to and that’s what comes with the territory.” 

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Ian Rapoport: ‘I Would Be Surprised’ If a Thursday Night Game Gets Flexed

“I think basically is the kind of thing where, like, they want it available, but it’s only going to be used if they have literally no other choice.”

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Is all of the consternation and hand-wringing about flex scheduling much ado about nothing? Ian Rapoport was on with Pat McAfee Tuesday and said despite the NFL owners voting to bring flex scheduling to Thursday Night Football, it isn’t the weekly threat some are making it out to be.

“I would say this from what I know of this, I would still be surprised if any game was flexible,” the NFL Network insider said. “I would be surprised if any game was flexed because they don’t want to use it.”

Flex scheduling in Sunday Night Football is used to create the best matchups in the league’s marquee window. With the option coming to Mondays and Thursdays this season, Rapoport says the bar for justifying moving not just kickoff times, but days, is going to be high.

Thursday Night Football has the most restrictions. The league will have to announce any moves almost a month ahead of when the game actually kicks off. When McAfee pointed to the Pittsburgh Steelers’ visit to New England in Week 14 as a prime candidate to be flexed out of Thursday night, Rapoport outlined a very specific scenario where he could see it happening.

“It’s not going to be like, ‘Well, we have a little bit better game, so maybe we’ll do that,’” he said. “It’s going to be like, ‘Okay, we have Mason Rudolph starting versus Bailey Zappe. Like, no one will watch this. We have to move.’ That’s to me, that’s under the circumstances that you’d see a flex.”

Last season, the matchups for Thursday Night Football were especially bad in some weeks. Al Michaels even made reference to it on the air during games. Having flex scheduling could help to avoid that, but Rapoport says the option is about protecting Amazon in the event circumstances around a game change drastically, not simply placating critics.

“I think basically is the kind of thing where, like, they want it available, but it’s only going to be used if they have literally no other choice.”

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Hall of Fame Baseball Writer Rick Hummel Dies at Age 77

“Hummel is best known for his work covering the Cardinals for the St. Louis Post-Dispatch.”

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Rick Hummel has passed away after a brief illness. The legendary baseball journalist was 77 years old.

Hummel is best known for his work covering the Cardinals for the St. Louis Post-Dispatch. His death comes in the first season after announcing his retirement.

Covering the team was something of a dream come true for the St. Louis native. He reported on three World Series wins and seven National League pennants. He was recognized by the National Baseball Hall of Fame in 2006.

The 2022 season was Hummel’s last of a 51-year run covering the team for the Post-Dispatch. It wasn’t the end of his career though. He went to Jupiter, FL in February to cover spring training as a free lance writer for a number of different outlets.

Rick Hummel will certainly be missed by his friends and loved ones. He will also be missed by the Cardinals community, who already mourned the loss of Mike Shannon earlier this month.

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Pablo Torre Explains Goals of Future Meadowlark Media Project

“I want to take the position of also being able to zoom way in and way out and engage with the news cycle, but not be beholden to it.”

Ricky Keeler

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While we know that Pablo Torre is going to have a new show with Meadowlark Media in the future, he hasn’t exactly been specific as to what it will be. We continue to look for bits and pieces from Torre about his show that will begin sometime before the NFL season begins. 

Torre was a guest on The Rights To Ricky Sanchez: The Sixers Podcast with Spike Eskin and Michael Levin (around the 22 minute mark) and he said that he is at Meadowlark to follow his curiosities and he thinks back to the story he wrote for ESPN The Magazine in 2015 about the 76ers and trust the process serves as a guide to him.

I have things I am obsessed with that I want to explain to people, and I believe there are stories in sports and in the national cultural conversation that either could use a little more smarts or a little more humor and I want to figure out how I can be the place where you find smart and funny when it comes to storytelling in sports in a narratively informed way. I’m being very vague about it, but the magazine sensibility of that process story is something that serves as a North Star in my brain.

“How do I tell a story that people from afar are maybe somewhat familiar with, but can get under the hood of to articulate and reveal and report some things that serve as something close to a definitive treatment to it?”

One thing that Torre thinks is a big opportunity in the media landscape is that there is an open lane to tell sports stories in the audio format. 

“There’s a lot of narrative series, some of which are excellent, but in terms of an always-on show where someone’s job is to follow a curiosity down the rabbit hole and/or tell a story/interviewing a person as a way of explaining something larger. I want to bring a viewpoint that because sports is so much about living or dying with these games as we have been, I want to take the position of also being able to zoom way in and way out and engage with the news cycle, but not be beholden to it.”

Torre isn’t going to be able to cover everything in sports, but he said that he wants to take a complicated story and make it simpler for the listeners.

“My goal is not that I’m going to cover everything, but I’m going to give you stories of a different genre, stories that explain and go deeper. I want to make this fun, but also premised on contextualizing complicated stories in a simpler way.”

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