BSM Writers
Sports Broadcasting Hall of Fame Welcomes Class of 2022
“You look at the names that are in ahead of you and you think, ‘What am I doing on this list? Somebody made a mistake.’”

Published
3 months agoon

Commentators, engineers, directors, producers, executives and other personnel from around the world in sports media gathered in New York on Tuesday night to celebrate the Sports Broadcasting Hall of Fame induction class of 2022.
Created by Sports Video Group, the mission of the Hall of Fame is to honor those who have made an indelible impact across the world of sports broadcasting, whether or not they are behind the microphone. In 2007, the museum inducted its first class with some of the honorees including former NFL Commissioner Pete Rozelle, the founder of NFL Films Ed Sabol and legendary play-by-play announcer Howard Cosell.
Past and present inductees of the Sports Broadcasting Hall of Fame attended Tuesday night’s ceremony held at the New York Hilton Midtown and shared their thoughts on the event with Barrett Sports Media before the proceedings began. Chris Berman, who has worked in different capacities with ESPN since the year of the network’s launch in 1979, was inducted into the Hall of Fame in 2017.
“You look at the names that are in ahead of you and you think, ‘What am I doing on this list? Somebody made a mistake,’” Berman expressed. “Tonight, I will look back at not my name, but the names of the people I, if not idolized, really respected and some after me.”
Berman’s unique on-air delivery and style helped grow his career and ESPN into the sports institution it has become today. By staying true to himself and accepting that not everyone would take a liking towards him, he has been able to appeal and draw a level of respect across key demographics.
While he has been on the network for many years, Troy Aikman is a rookie – hardly so, however, in the world of sports broadcasting. Working alongside Joe Buck throughout his entire sports broadcasting career, which began in the 2001-02 season with Fox Sports, he was on hand to celebrate his partner’s achievement.
“He’s the best to do it,” Aikman told Barrett Sports Media regarding his colleague Joe Buck. “I’ve had a front row seat watching him for the last 21 years. He’s incredible and it’s well-deserved [and] long, probably, overdue based on what he’s been able to accomplish.”
Aikman’s contract with Fox Sports expired following the 2021-22 season – leading him to negotiate with various other networks to bring him in as a football analyst. Once he signed with ESPN, Buck followed him shortly thereafter to continue their partnership on Monday Night Football.
“Once he went, it was kind of a next step for me and fortunately it worked out,” Buck told Barrett Sports Media. “We’re closer now probably than we’ve ever been; our families are close and that’s a big part of a happy work life.”
“The companies are obviously a little bit different, but other than that what we do in the booth is what we’ve always done,” Aikman added. “We have the same people up there. It’s been a pretty smooth transition for him and I.”
Working with Buck and Aikman for the first time is Lisa Salters, who is the longest-tenured sideline reporter in Monday Night Football history. Although their first season together is not yet complete, she feels a connection towards the duo and was excited to be present for Buck to receive this extraordinary pillar of honor and respect in sports media.
“I feel like I’ve been working with him for the last 20 years,” Salters told Barrett Sports Media. “It’s just so cool to think that somebody that you work with is that so highly regarded, which we knew already, but it’s just really cool and I’m happy for him.”
Buck expressed gratitude towards those at Fox Sports; in fact, the company honored him with a full-page advertisement in the event program. For 28 years, he called baseball and football games for the network, including many memorable World Series and Super Bowl finishes. Although the company and primary day of the week on which he calls primetime games differs, the goal of bringing viewers an informative, compelling and entertaining broadcast remains the same.
“It’s just different, philosophically, because when you’re at a network whether it’s CBS or Fox, you can kind of ride the hot team,” he said. “We’ve known our schedule since whenever that comes out… [and it is] broken weird. Some of the games have been kind of ‘Eh,’ but I’ve loved every minute of being [at ESPN].”
Buck grew up around the industry and observed the work ethic, preparation and commentating of longtime St. Louis Cardinals broadcaster – his father and Sports Broadcasting Hall of Fame member Jack Buck. Joe attended this ceremony 11 years ago to accept the honor on behalf of his father, who passed away in 2002, and while he admires his father he has tried to craft his own voice in this industry.
“Don’t get into this business trying to sound like anybody else,” Buck said. “I got in trying not to sound like my dad. I think I still kind of sound like my dad in many ways. Forge your own path; do your work and let your personality come out and see what comes of it.”
Buck made it a point to visit his father as he was ailing for seven months in a St. Louis hospital – and while they spoke about broadcasting and sports media at large, the conversations gradually turned towards personal topics, including taking advantage of every day one is alive.
“When we got to his final weeks on this earth, our conversations were not about home run calls; they weren’t about critics; they weren’t about work. They were about our family,” Buck said in his induction speech. “….It was about me living my life because as he said, ‘When you get here laying in this bed, you realize it’s too late. Have fun.’”

Longtime sports broadcaster with ESPN and now voice of Sunday Night Football and primetime Olympics host for NBC Sports Mike Tirico was the event host, celebrating the institution’s 15th year of honoring those across the landscape of sports media. It also happened to be Tirico’s birthday and a night where many professionals he has worked with over throughout his career were being inducted into the Sports Broadcasters Hall of Fame, making the day extra special.
“Personally, it’s a very special night for me,” Tirico said. “I’m proud to call these people not only friends but colleagues…. Week-in, week-out, you know the people in this room… are the stars and the MVPs of television.”
Tirico works directly with Drew Esocoff, longtime director of Sunday Night Football on NBC, who was inducted into the Hall of Fame Tuesday night as well. For many years, Esocoff and executive producer Fred Gaudelli were a tandem that helped lead the show to an unprecedented 11 straight seasons as primetime’s most-watched television program. Gaudelli, along with longtime play-by-play announcer Al Michaels, moved over to work on the inaugural season of Amazon Prime Video’s Thursday Night Football slate of games. As a result, NBC Sports leadership elevated Rob Hyland to the role of coordinating producer and Tirico into the play-by-play chair.
“In 2000, Howard Katz and Dan Ohlmeyer gave me the opportunity of a lifetime,” Esocoff reminisced in his induction speech. “They named me the director of ABC’s Monday Night Football. I would actually be the one to call for a tape to roll and the next words you would hear would be, ‘Are you ready for some football?’. Just getting to work with the Monday Night Football crew [was] amazing, and that year marked the beginning of an amazing run.”
In addition to directing a myriad of primetime football games, Esocoff also sits in the director’s chair for NBC broadcasts of the Triple Crown. He previously worked with ESPN as the director of several NBA Finals matchups and Monday Night Football featuring Michaels, Frank Gifford and Dan Dierdorf.
Salters had the opportunity to work with Esocoff during her first season doing football sideline reporting in 2005 and was honored to be among the large contingent honoring him at the ceremony. Aside from Esocoff, there were many prominent names in sports media present for the event including CBS Sports Chairman Sean McManus, Fox Sports Senior Vice President of Talent and Production Development Jacob Ullman and NBC Sports analyst Cris Collinsworth.
“You’re around sports royalty; sports broadcasting royalty anyway,” she said. “You’re just kind of starstruck – you’re just like, ‘Oh my gosh. There’s such and such. There’s such and such.’”
NFL Commissioner Roger Goodell was inducted into the Sports Broadcasting Hall of Fame on Tuesday night for his leadership in the ongoing advancement of multiplatform league coverage. While he was unable to attend the ceremony in person because of league meetings taking place in Dallas, he submitted a pre-recorded message thanking those who paved the way to effectuate the league’s success.
“My predecessors – Pete Rozelle and Paul Tagliabue – gave the NFL a running head start in this business and impressed on all the importance of ensuring the game was strong and you could never be complacent,” Goodell said. “You always have to pursue innovation and excellence. Exciting, competitive games lead to appointment viewing.”
Manolo Romero, who recently retired as Olympic Broadcast Services chief, was honored with a spot in the Sports Broadcasting Hall of Fame thanks to his leadership in implementing new technology to present the Olympic Games to a worldwide audience. He expressed his gratitude in a pre-recorded message for the broadcasters that helped advance coverage.
“This award together with American broadcasters who shared with me their experience; their knowledge in the technical and creative fields,” Romero said in his message. “I’m indebted to all of them for their help. I think there are too many to name them here. Some of them are already in the Hall of Fame.”
Camera operator Deena Sheldon has worked in the industry for over four decades and during that time has worked many Super Bowls, Triple Crown races and Olympic Games. As a fixture on both ABC’s Monday Night Football and NBC’s Sunday Night Football, she is grateful for the professional relationships she fostered with Esocoff, Gaudelli, Madden, along with NBC Sports play-by-play announcer Bob Costas.
“My goal was to find the shot that the announcers were talking about in under three seconds or find them something interesting to talk about,” Sheldon said. “I love the sense of team in creating something together in the show behind the show on the headsets.”
Part of Sheldon’s job requires her to memorize, or at the very least quickly identify, the players, coaches and team personnel serving as a visual component in telling the story of the game. Through her work, she looks for patterns and tries to anticipate where the next big play may be located or how to best capture the shot to effectively complement the broadcasters’ evocation of imagery.
“I love what I do – all of it – except for the sleet and the downpours,” she said. “….I just love the process of getting ready and then to be able to react to the game and the intensity of a live event.”
Terry Adams was the vice president of IBC engineering for the Olympic Games at NBC and was honored to be among the Sports Broadcasting Hall of Fame Class of 2022. He spoke about the importance of education and making sure the progeny of the industry are able to maintain the standard set and subsequently exceed it.
“A new generation of smart and passionate individuals have begun to leave their impact on how we generate the stories that we all tell,” Adams said. “I think the future is in very good hands. SVG has always been a valuable education resource, and many of the people in this room tonight are involved in those efforts. I would challenge anyone who isn’t to make a concerted effort to do so. You may have to look hard but the opportunities are there.”
Darrell Wenhardt currently works as principal consultant at CBT West and has been in the broadcast industry for over five decades. Through his work, he has had major contributions related to design and equipment installation at major facilities hosting events such as the Olympic Games and the World Cup, and is also a critical part of the ongoing development for the new PGA Tour Digital Media Center.
As he received his place in the Sports Broadcasting Hall of Fame, he recognized that he worked with 36 inductees over his career and thanked them for their contributions, adding that something must have rubbed off on him.
“I’m so honored to receive this acknowledgement of my body of work, but mostly I’m humbled,” Wenhardt said. “To be chosen to stand [with] 132 past and current inductees is really quite amazing – and as I mentioned, very humbling.”
Ross Greenburg worked at ABC Sports as a non-staff, freelance employee to begin his sports broadcasting career after graduating from Brown University in 1977. While there, he learned the aspects of effective storytelling but recognized he needed to make a vertical movement in the industry. As a result, he wrote a letter to HBO resulting in his landing a job in the production department where he would help create, produce and oversee shows including Sports of the 20th Century and Real Sports with Bryant Gumbel.
Over the years, he worked hard to earn the role of president of HBO Sports – during which he launched On the Record with Bob Costas and, for his work, accumulated 54 Sports Emmy Awards. Following his departure from HBO in the summer of 2011, he has worked as the president of Ross Greenburg Productions, a venture that has helped create television programming for networks including ESPN, Fox, NBC and Showtime.
“We are all incredibly lucky to be in the form of entertainment that we all love with friendships and people who are so incredibly talented,” Greenburg said during his induction speech. “The people being honored tonight and many of the people in this room have given the American and worldwide audiences many, many memories of moments in sports history that will last a lifetime.”
Rounding out the Sports Broadcasting Hall of Fame Class of 2022 is football studio analyst Terry Bradshaw who has spent nearly four decades on television. Prior to joining CBS Sports as a live game analyst in 1984, Bradshaw had a storied career in professional football as the quarterback of the Pittsburgh Steelers.
After working in the broadcast booth for several years, he became a studio analyst for The NFL Today and stood out among others as a captivating personality enamored with the game of football. Bradshaw’s liveliness and fervor for the game of football resulted in his being recruited by both NBC and Fox to join their coverage of the National Football League. Since 1994, he has been with Fox Sports on Fox NFL Sunday, working alongside analysts Michael Strahan, Howie Long and Jimmy Johnson, along with reporter Jay Glazer and studio host Curt Menefee.
“When I got the word, I was shocked because I had no idea of what I had done to deserve to be in the Sports Broadcasters Hall of Fame,” Bradshaw told Barrett Sports Media. “I have yet to get an answer and I don’t think I’m going to get one tonight. I’m absolutely honored.”
Working in studio coverage, Bradshaw is grateful for all of the memories he has crafted with his colleagues over the years, several which he shared during his induction speech at Tuesday night’s ceremony. He never thought he would begin to work in broadcasting and was compelled to do so when he received a note from Brent Musburger, who traveled to his home in Grand Cayman, La. in a limousine, to hand Bradshaw a note with a phone number to call.
Five days later, he looked at the note as he was clearing out his pockets to do laundry and is thankful he decided to call the number Musburger had given him – as it led to his first contract in broadcasting, starting what has turned out to be an illustrious career influencing football coverage forever.
“I live each day to its fullest. I have more fun than anybody, and I truly am so honored tonight to be inducted into this Class of 2022. This is something; I have no idea why I’m in it – but I will take it and use it to my best benefit to make more money,” Bradshaw quipped to close out his speech.
Terry Adams, Terry Bradshaw, Joe Buck, Drew Esocoff, Roger Goodell, Ross Greenburg, Manolo Romero, Deena Sheldon, Darrell Wenhardt. They are the nine inductees within the Sports Broadcasting Hall of Fame’s Class of 2022 – pioneers at their craft who have made monumental contributions to sports media. Their legacies will live on in sports media history as the professionals of tomorrow aspire to build careers in the industry and continue to keep the craft of storytelling alive.

Derek Futterman is a features reporter for Barrett Sports Media. In addition, he interns in video production with the New York Islanders and formerly worked as production manager for the team’s radio broadcasts. He previously interned for Paramount within Showtime Networks, wrote for the Long Island Herald and served as lead sports producer at NY2C. To get in touch, find him on Twitter @derekfutterman.
BSM Writers
Amanda Brown Has Embraced The Bright Lights of Hollywood
“My whole goal was that I didn’t need people to like me; I needed people to respect me.”

Published
20 hours agoon
March 17, 2023
The tragic passing of Kobe Bryant and eight others aboard a helicopter, including his 13-year-old daughter Gianna, sent shockwaves around the world of sports, entertainment, and culture. People traveled to Los Angeles following the devastating news and left flowers outside the then-named STAPLES Center, the arena which Bryant called home for much of his career, demonstrating the magnitude of the loss. Just across the street from the arena, Amanda Brown and the staff at ESPN Los Angeles 710 had embarked in ongoing breaking news coverage, lamentation, and reflection.
It included coverage of a sellout celebration of life for Kobe and his daughter and teams around the NBA opting to take 8-second and 24-second violations to honor Bryant, who wore both numbers throughout his 20-year NBA career. They currently hang in the rafters at Crypto.com Arena, making Bryant the only player in franchise history to have two numbers retired.
During this tumultuous time, Bryant’s philosophy served as a viable guiding force, something that Brown quickly ascertained in her first month as the station’s new program director.
“I had people that were in Northern California hopping on planes to get here,” Brown said. “You didn’t even have to ask people [to] go to the station; people were like, ‘I’m on my way.’ It was the way that everybody really came together to do really great radio, and we did it that day and we did it the next day and we did it for several days.”
The 2023 BSM Summit is quickly approaching, and Brown will be attending the event for the first time since 2020. During her first experience at the BSM Summit in New York, Brown had just become a program director and was trying to assimilate into her role. Because of this, she prioritized networking, building contacts, and expressing her ideas to others in the space. This year, she looks forward to connecting with other program directors and media professionals around the country while also seeking to learn more about the nuances of the industry.
“The Summit is kind of like a meeting of the minds,” Brown said. “It’s people throughout the country and the business…. More than anything, [the first time] wasn’t so much about the panels as it was about the people.”
Growing up in Orange County, Brown had an interest in the Los Angeles Lakers from a young age, being drawn to play-by-play broadcaster Chick Hearn. Brown refers to Hearn as inspiration to explore a career in broadcasting. After studying communications at California State University in Fullerton, she was afforded an opportunity to work as a producer at ESPN Radio Dallas 103.3 FM by program director Scott Masteller, who she still speaks to on a regular basis. It was through Masteller’s confidence in her, in addition to support from operations manager Dave Schorr, that helped make Brown feel more comfortable working in sports media.
“I never felt like I was a woman in a male-dominated industry,” Brown said. “I always just felt like I was a part of the industry. For me, I’ve kind of always made it my goal to be like, ‘I deserve to be here; I deserve a seat at the table.’”
Brown quickly rose up the ranks when she began working on ESPN Radio in Bristol, Conn., working as a producer for a national radio show hosted by Mike Tirico and Scott Van Pelt, along with The Sports Bash with Erik Kuselias. Following five-and-a-half years in Bristol, Brown requested a move back to California and has worked at ESPN Los Angeles 710 ever since. She began her tenure at the station serving as a producer for shows such as Max and Marcellus and Mason and Ireland.
Through her persistence, work ethic and congeniality, Brown was promoted to assistant program director in July 2016. In this role, she helped oversee the station’s content while helping the entity maintain live game broadcast rights and explore new opportunities to augment its foothold, including becoming the flagship radio home of the Los Angeles Rams.
“Don’t sit back and wait for your managers or your bosses to come to you and ask what you want to do,” Brown advised. “Go after what you want, and that’s what I’ve always done. I always went to my managers and was like, ‘Hey, I want to do this. Give me a chance; let me do that.’ For the most part, my managers have been receptive and given me those opportunities.”
When executive producer Dan Zampillo left the station to join Spotify to work as a sports producer, Brown was subsequently promoted to program director where she has helped shape the future direction of the entity. From helping lead the brand amid its sale to Good Karma Brands in the first quarter of 2022; to revamping the daily lineup with compelling local programs, Brown has gained invaluable experience and remains keenly aware of the challenges the industry faces down the road. For sports media outlets in Los Angeles, some of the challenge is merely by virtue of its geography.
“We’re in sunny Southern California where there’s a lot of things happening,” Brown said. “We’re in the middle of Hollywood. People have a lot of opportunities – you can go to the mountains; you can go to the beach. I think [our market] is more about entertainment than it is about actual hard-core sports. Yes, obviously you have hard-core Lakers fans; you have hard-core Dodgers fans, but a majority of the fans are pretty average sports fans.”
Because of favorable weather conditions and an endless supply of distractions, Brown knows that the way to attract people to sports talk radio is through its entertainment value. With this principle in mind, she has advised her hosts not to worry so much about the specific topics they are discussing, but rather to ensure they are entertaining listeners throughout the process.
“People know the four letters E-S-P-N mean sports, but really our focus is more on entertainment more than anything,” Brown said. “I think the [talent] that stick out the most are the ones that are the most entertaining.”
Entertaining listeners, however, comes through determining what they are discussing and thinking about and providing relevant coverage about those topics. Even though it has not yet been legalized in the state of California, sports gambling content has been steadily on the rise since the Supreme Court made a decision that overturned the Professional and Amateur Sports Protection Act established in Murphy v. National Collegiate Athletic Association (2018). Nonetheless, Brown and ESPN Los Angeles 710 have remained proactive, launching a sports gambling show on Thursday nights to try to adjust to the growing niche of the industry.
Even though she has worked in producing and programming for most of her career, Brown is eager to learn about the effect sports gambling has on audio sales departments. At the same time, she hopes to be able to more clearly determine how the station can effectuate its coverage if and when it becomes legal in their locale.
“I know that a lot of other markets have that,” Brown said regarding the legalization of sports gambling. “For me, I’m interested to hear from people who have that in their markets and how they’ve monetized that and the opportunity.”
No matter the content, though, dedicated sports radio listeners are genuinely consuming shows largely to hear certain talent. Brown recalls receiving a compliment on Twitter earlier this quarter where a listener commented that he listens to ESPN Los Angeles 710 specifically for Sedano and Kap. Evidently, it acted as a tangible sign that her philosophy centered around keeping people engrossed in the content is working, and that providing the audience what it wants to hear is conducive to success.
At this year’s BSM Summit, Brown will be participating on The Wheel of Content panel, presented by Core Image Studio, featuring ESPN analyst Mina Kimes and FOX Sports host Joy Taylor. Through their discussion, she intends to showcase a different perspective of what goes into content creation and the interaction that takes place between involved parties.
“A lot of times in the past, all the talent were on one panel; all the programmers were on one panel,” Brown said. “To put talent and a programmer together, I think it’s an opportunity for people to hear both sides on certain issues.”
According to the most recent Nielsen Total Audience Report, AM/FM (terrestrial) radio among persons 18-34 has a greater average audience than television. The statistical anomaly, which was forecast several years earlier, came to fruition most likely due to emerging technologies and concomitant shifts in usage patterns.
Simultaneously, good content is required to captivate consumers, and radio, through quantifiable and qualifiable metrics, has been able to tailor its content to the listening audience and integrate it across multiple platforms of dissemination. The panel will give Brown a chance to speak in front of her peers and other industry professionals about changes in audio consumption, effectuated by emerging technologies and concomitant shifts in usage patterns.
Yet when it comes to radio as a whole, the patterns clearly point towards the proliferation of digital content – whether those be traditional radio programs or modernized podcasts. Moreover, utilizing various elements of presentation provides consumers a greater opportunity of finding and potentially engaging with the content.
“We do YouTube streaming; obviously, we stream on our app,” Brown said. “We’ve even created, at times, stream-only shows whether it’s stream-only video or stream-only on our app. We all know that people want content on-demand when they want it. I think it’s about giving them what they want.”
As a woman in sports media, Brown is cognizant about having to combat misogyny from those inside and outside of the industry, and is grateful to have had the support of many colleagues. In holding a management position in the second-largest media market in the United States, she strives to set a positive example to aspiring broadcasters. Additionally, she aims to be a trusted and accessible voice to help empower and give other women chances to work in the industry – even if she is not universally lauded.
“I’ve kind of always made it my goal to be like, ‘I’m no different than anyone else – yes, I’m a female – but I’m no different than anyone else,’” Brown expressed. “My whole goal was that I didn’t need people to like me; I needed people to respect me.”
Through attending events such as the BSM Summit and remaining immersed in sports media and the conversation at large about the future of sports media, Brown can roughly delineate how she can perform her job at a high level.
Although the genuine future of this business is always subject to change, she and her team at ESPN Los Angeles 710 are trying to come up with new ideas to keep the content timely, accurate, informative, and entertaining. She is content in her role as program director with no aspirations to become a general manager; however, remaining in her current role requires consistent effort and a penchant for learning.
“Relationships are very important overall in this business whether you’re a programmer or not,” Brown said. “Relationships with your talent; relationships with your staff. If you invest in your people, then they’re going to be willing to work hard for you and do what you ask them to do.”
The 2023 BSM Summit is mere days away, and those from Los Angeles and numerous other marketplaces will make the trip to The Founder’s Club at the Galen Center at the University of Southern California (USC).
Aside from Brown, Kimes and Taylor, there will be other voices from across the industry sharing their thoughts on aspects of the industry and how to best shape it going forward, including Colin Cowherd, Rachel Nichols, Al Michaels and Eric Shanks. More details about the industry’s premiere media conference can be found at bsmsummit.com.
“I’m excited to be a female program director amongst male program directors for the first time and get a seat at the table and represent that there can be diversity in this position,” Brown said. “We don’t see a lot of it, but… there is an opportunity, and I hope I can be an example for other people out there [to show] that it’s possible.”

Derek Futterman is a features reporter for Barrett Sports Media. In addition, he interns in video production with the New York Islanders and formerly worked as production manager for the team’s radio broadcasts. He previously interned for Paramount within Showtime Networks, wrote for the Long Island Herald and served as lead sports producer at NY2C. To get in touch, find him on Twitter @derekfutterman.
BSM Writers
Pat McAfee Has Thrown Our Business Into a Tailspin
Yet even with all the accomplishments he’s been able to achieve, McAfee is still anxious and unsatisfied with the state of his show and his career.

Published
20 hours agoon
March 17, 2023
When you have one of the hottest talk shows in America, you’re always up to something. That’s the case for the most popular sports talk show host in America – Pat McAfee.
The former Pro Bowl punter was on top of the world on Wednesday. With over 496,000 concurrent viewers watching at one point, McAfee was able to garner an exclusive interview with frequent guest Aaron Rodgers who announced his intention to play for the Jets.
Yet even with all the accomplishments he’s been able to achieve — a new studio, consistent high viewership, a syndication deal with SportsGrid TV, a four-year, $120 million deal with FanDuel — McAfee is still anxious and unsatisfied with the state of his show and his career.
At the end of the day, he is human and he’s admitted that balancing his show, his ESPN gig with “College Gameday,” and his WWE obligations has taken a toll on him.
McAfee and his wife are expecting their first child soon and he recently told The New York Post he might step away from his deal with FanDuel. Operating his own company has come with the responsibility of making sure his studio is up and running, finding people to operate the technology that puts his show on the air, negotiating with huge behemoths like the NFL for game footage rights, booking guests, booking hotels, implementing marketing plans and other tasks that most on-air personalities rarely have to worry about.
McAfee says he’s looking for a network that would be able to take control of those duties while getting more rest and space to spend time with family while focusing strictly on hosting duties. FanDuel has its own network and has the money to fund such endeavors but is just getting started in the content game. McAfee needs a well-known entity to work with who can take his show to the next level while also honoring his wishes of keeping the show free on YouTube.
The question of how he’s going to be able to do it is something everyone in sports media will be watching. As The Post pointed out in their story, McAfee hasn’t frequently stayed with networks he’s been associated with in the past for too long. He’s worked with Westwood One, DAZN, and Barstool but hasn’t stayed for more than a year or two.
There’s an argument to be made that the latter two companies weren’t as experienced as a network when McAfee signed on with them compared to where they are today which could’ve pushed the host to leave. But at the end of the day, networks want to put money into long-term investments and it’s easy to see a network passing on working with McAfee for fear that he’ll leave them astray when he’s bored.
It’ll also be difficult for McAfee to find a network that doesn’t put him behind a paywall. Amazon and Google are rumored to be potential new homes. But both are trying to increase subscribers for their respective streaming services.
It will be difficult to sell Amazon on investing money to build a channel on YouTube – a rival platform. For Google, they may have the tech infrastructure to create television-like programming but they aren’t an experienced producer, they’ve never produced its own live, daily talk show, and investing in McAfee’s show doesn’t necessarily help increase the number of subscribers watching YouTube TV.
Networks like ESPN, CBS, NBC, and Fox might make sense to partner with. But McAfee faces the possibility of being censored due to corporate interests. Each of these networks also operates its networks or streaming channels that air talk programming of their own. Investing in McAfee could cannibalize the programming they already own.
And if McAfee works with a traditional network that isn’t ESPN, it could jeopardize his ability to host game casts for Omaha or analyze games on Gameday. It’s not impossible but would definitely be awkward on days that McAfee does his show remotely from locations of ESPN games with ESPN banners and signage that is visible in the background.
If SportsGrid has the money to invest in McAfee, they might be his best bet. They have all the attributes McAfee needs and they already have a relationship with him. It is probably unlikely that he’ll be censored and he would even be able to maintain a relationship with FanDuel – a company SportsGrid also works alongside.
Roku is another option — they already work with Rich Eisen — but they would move his show away from YouTube, something McAfee should resist since the majority of smart TV users use YT more than any other app.
If the NFL gave McAfee editorial independence, they would make the perfect partner but the likelihood of that happening is slim to none. NFL Media has independence but it was clear during the night of the Damar Hamlin incident that they will do whatever is necessary to stay away from serious topics that make the league look bad until it’s totally unavoidable.
It’s hard to think of a partner that matches up perfectly with McAfee’s aspirations. But once again, at the moment, he’s on top of the world so anything is possible. The talk show host’s next move will be even more interesting to watch than the other fascinating moves he’s already made that have put the sports media industry in a swivel.

Jessie Karangu is a columnist for BSM and graduate of the University of Maryland with a bachelor’s degree in journalism. He was born and raised in Baltimore, Maryland but comes from Kenyan roots. Jessie has had a passion for sports media and the world of television since he was a child. His career has included stints with USA Today, Tegna, Sinclair Broadcast Group and Sightline Media. He can be found on Twitter @JMKTVShow.
BSM Writers
5 Tips For Networking At the BSM Summit
“Have a plan and don’t leave home without it.”

Published
20 hours agoon
March 17, 2023By
Jeff Caves
Bring your game plan if you attend the BSM Summit in LA next Tuesday and Wednesday. No matter your purpose for attending: to learn, get a job, speak, or sell an idea, you must be able to read the room. To do that, it helps to know who will be there and how you can cure their pain.
Have a plan and don’t leave home without it. If you have time, buy How to Work a Room by Susan Roane. If you don’t, just follow these five tips:
- INTRODUCE YOURSELF: Before you arrive at The Summit, figure out what you want, who you want to meet, and what you will say. Once you get there, scout out the room and see if anyone of those people are available. Talk to speakers after they have spoken- don’t worry if you miss what the next speaker says. You are there to meet new people! Most speakers do not stick around for the entire schedule, and you don’t know if they will attend any after-parties, so don’t risk it. Refine your elevator pitch and break the ice with something you have in common. Make sure you introduce yourself to Stephanie, Demetri and Jason from BSM. They know everybody and will help you if they can.
- GET A NAME TAG: Don’t assume that name tags will be provided. Bring your own if you and make your name clear to read. If you are looking to move to LA or want to sell a system to book better guests, put it briefly under your name. Study this to get better at remembering names.
- LOSE THE NOTEBOOK: When you meet folks, ensure your hands are free. Have a business card handy and ask for one of theirs. Remember to look people in the eye and notice what they are doing. If they are scanning the room, pause until they realize they are blowing you off. Do whatever it takes to sound upbeat and open. Don’t let their clothes, hair, or piercings distract from your message. You don’t need to wear a suit and tie but do bring your best business casual wear. A blazer isn’t a bad idea either.
- SHUT UP FIRST! The art of knowing when to end the convo is something you will have to practice. You can tell when the other person’s eye starts darting or they are not using body language that tells you the convo will continue. You end it by telling them you appreciate meeting them and want to connect via email. Ask for a business card. Email is more challenging to ignore than a LinkedIn request, and you can be more detailed in what you want via email.
- WORK THE SCHEDULE: Know who speaks when. That is when you will find the speakers hanging around. Plan your lunch outing to include a few fellow attendees. Be open and conversational with those around you. I am a huge USC fan, so I would walk to McKays– a good spot with plenty of USC football memorabilia on the walls. Sometimes you can find the next day’s speakers at the Day 1 after party. Need a bar? Hit the 901 Club for cheap beer, drinks, and food.
You’re welcome.

Jeff Caves is a sales columnist for BSM working in radio, digital, hyper-local magazine, and sports sponsorship sales in DFW. He is credited with helping launch, build, and develop SPORTS RADIO The Ticket in Boise, Idaho, into the market’s top sports radio station. During his 26 year stay at KTIK, Caves hosted drive time, programmed the station, and excelled as a top seller. You can reach him by email at jeffcaves54@gmail.com or find him on Twitter @jeffcaves.
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