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Dwight Jaynes is the Reluctant Godfather of Portland on Rip City Radio 620

“My brother called me one day. He said ‘You know this whole ‘Godfather’ thing?’ I said ‘Yeah, I know. I’m going to tell them to knock it off’. He said ‘No! It’s really catching on!”

Tyler McComas




It was a bit embarrassing at first. Everyone else seemed to love the nickname “The Godfather”, but Dwight Jaynes just didn’t love the idea of being the recipient of the new nickname. Truth be told, he felt embarrassed by it. Gavin Dawson came up with the nickname and it immediately stuck. But it took a family member to convince Jaynes the new nickname was a good thing for him and his career.

“My brother called me one day,” Jaynes said. “He said ‘You know this whole ‘Godfather’ thing?’ I said ‘Yeah, I know. I’m going to tell them to knock it off’. He said ‘No! It’s really catching on! It’s a great brand for you, don’t stop. Everywhere I go people are saying, hey, how’s The Godfather?’”

Jaynes decided to let the nickname stick around. It’s a good thing he did, because it’s turned into one the most well-known nicknames for a local sports media personality in all of Portland. Jaynes is still a little embarrassed by all of it and the attention it still creates, but he knows the branding is extremely valuable to his career.

“Chad (Doing) picked it up and had a sound drop made of people singing God-father!” said Jaynes. “And so now when I go out, I’ll hear people singing that to me. I think I’m still a little embarrassed about it but branding is what everyone needs in today’s world.”

Whether Jaynes is embarrassed by the nickname or not, he’s deserving of the commending nickname. Jaynes is both an accomplished writer and radio host in the Portland market and was the first in Oregon to ever be named both Sports Writer of the Year and Sportscaster of the Year. If you’re a sports fan in the state of Oregon, you’ve almost certainly consumed an opinion article or radio show of Jaynes’. Likely both. 

His journey into sports media began in newspapers during the mid-70’s. At that time, there was no sports media or online opportunities, so the newspaper industry was the premiere form of sports media and the best way to gain entrance into the games. When sports radio made its way to Portland, Jaynes was working for The Oregonian as a columnist. He was one of the first people the new station reached out to, in hopes of convincing him to do a daily show.

“Unfortunately at The Oregonian at that time, we had a publisher who was adamant that his writers could not do any other media,” said Jaynes. “I was trying to get kids through college and all that and he barred me from doing sports radio. So I wasn’t able to get in at that time.”

So in newspapers he stayed for several more years. Until “The Godfather” got an offer he couldn’t refuse. 

“Eventually what happened, many years later, I got an offer to do radio I couldn’t refuse,” Jaynes said. “So I left the newspaper to do radio and it wasn’t even sports. That’s what was attractive to me, was the idea of doing talk radio, because I enjoy talking about the issues Portlanders face, not necessarily political, but quality of life issues, that we’re still dealing with right now.”

The world of radio was new to Jaynes. But he quickly adapted and found his style. After a short stint doing general talk, he soon found himself where he was supposed to be, on the sports side of the radio dial at 95.5 The Game in Portland. Sports radio was a transition for him, because it was new. Jaynes didn’t grow up immersed in sports radio, simply because it wasn’t around during that time. He had to learn the business, seemingly on the fly. Jaynes quickly learned to love the business but his first impression of it was wildly interesting.

“In the beginning I thought they put a bunch of people on the radio that didn’t know what the hell they were talking about,” laughed Jaynes. “That was an era where, if you were a good enough caller, they’d give you a show, sometimes. That was the way it worked. You wanted to listen to find out what people were talking about or to hear if they were criticizing me. It was pretty wild in the beginning.”

Today, Jaynes is the co-host of Rip City Drive on Rip City Radio 620 with his old partner Doing. This is the third installment of the duo working together and reunited once again this past July. From 3-6 p.m. every afternoon Jaynes and Doing talk Portland and Oregon sports with an entertaining twist. 

Jaynes and Doing hadn’t previously worked together since 2011, but the two picked up right where they left off when the new Rip City Drive debuted last summer. How were they able to pick things up so quickly? Jaynes credits the chemistry the two have shared for many years. 

“We just have a chemistry together that we’ve had from the start,” Jaynes said. “I was really lucky, I had left my original talk thing to get back into newspapers and I was in-between jobs and they used me as a guest on a show that Chad was hosting, along with Gavin Dawson. I would come on frequently and then finally, they gave me a call and said, why don’t you come on with all the time? So I showed up and I was in the studio and I was learning from Chad and Gavin. Somehow Chad and I bonded almost immediately and we just had fun together.”

“Chad knows how to set people up. Not only his guests, but me. He is always making me look smart and sacrificing himself to do it. It’s an honor to work with him.”

There’s something to be said about someone who has the ability to be successful on both the print and radio side, as well as in other avenues of the business. Jaynes has even co-authored two books in his career. His secret to success seems to be preparation. Whether that’s writing an opinionated article or hosting a daily three-hour show, Jaynes seemingly never goes into a situation without being prepared and informed. 

He found out quickly that life in radio means a lot of preparation. That was a life he was prepared for. 

“My first opportunity doing general talk I was on the air for three hours straight with no prior experience,” said Jaynes. “I didn’t realize what it took to fill three hours of radio. Much preparation is needed and a good producer is a big help. I did have some help from people I worked with and they got me going.”

One of the things Jaynes has grown to love about sports radio is how spontaneous it can be. He and Doing put an incredible amount of prep into each show, but sometimes the show takes a direction of its own. Those are the days that Jaynes seemingly likes best. 

“You go to work everyday and just have no idea,” said Jaynes. “We did a show not too long ago, where we talked about Sasquatch half of the show, because we got a call from a guy who was tipping us off to a sighting in Alaska and he thought it was important people know about it.

“Before long, a guy called us from Portland, who just produced a documentary on Netflix about it. It was an interesting show, but you realize the callers can run the show for you, and if they’re running it right, you let it go. You follow the leader. You have to be able to pivot and go where the fun and entertainment is. I’ll come out with an opinion and someone will want to call and argue with me and I welcome that. I think it’s fun to test yourself in those situations.”

Jaynes probably never dreamed early in his career that the future would hold a radio microphone, but he’s glad it has. The enjoyment he gets out of doing a show everyday is something that fits him perfectly. And he’s really good at it. There’s similarities between the newspaper business he spent so long in and the radio business, but also some distinct differences, as well.

“The similarities are you have to pay attention and really do your homework with both,” said Jaynes. “The one thing I used to tell people about radio is I can pretty much say what I want about the radio, because it skips out into the atmosphere and it’s forgotten 15 minutes later. Whereas in newspapers it had a way of sticking around longer. That’s still true, the printed word has the tendency to last longer with the internet than it ever did before. You’re more responsible for the things you say in the written word than you are in the spoken word.”

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BSM Writers

NBC Must Develop a Real No. 2 NFL Crew for Playoffs

Is the network’s only other option Jac Collinsworth and Jason Garrett?

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Several years ago, the NFL objected to NBC wanting to employ Mike Tirico as the lead play-by-play voice for its Thursday Night Football broadcasts. The league preferred Al Michaels because he was NBC’s No. 1 NFL play-by-play announcer and wanted the TNF telecasts to carry the same prestige as Sunday Night Football.

Following the network’s heavily-criticized broadcast of Saturday’s Wild Card playoff game between the Los Angeles Chargers and Jacksonville Jaguars, the NFL may want to impose its authority again and insist that a top-tier broadcast team call the action of an important postseason game.

The consensus among fans and media watching Saturday’s broadcast was that Michaels and analyst Tony Dungy were surprisingly low-energy for an NFL playoff game, let alone one that became so exciting with Jacksonville rallying from a 27-0 deficit for a 31-30 victory on a last-second field goal.

Such a lackluster broadcast led to questions of whether or not Michaels was now past his prime after a season of calling subpar TNF games for Amazon and what initially appeared to be another snoozer when the Jaguars fell behind by 27 points. Pairing him with Dungy, who was a studio analyst all season, certainly didn’t help.

Dungy was as basic as a game analyst could be, typically narrating replays viewers could see for themselves while adding little insight. Worst of all, he demonstrated no enthusiasm for the action, leaving Michaels to fill most of the airtime. The veteran broadcaster showed that he can no longer carry a broadcast by himself. He needs the energy and back-and-forth that Cris Collinsworth or Kirk Herbstreit provide.

So how did NBC get here?

Most football fans know that the network’s top broadcast team is Tirico on play-by-play alongside analyst Cris Collinsworth. But they had their own assignment during Super Wild Card Weekend, calling Sunday night’s Ravens-Bengals match-up. With the postseason field expanding from 12 to 14 teams, resulting in six games being played on Wild Card weekend, NBC was awarded one of the additional playoff broadcasts.

Thus, another broadcast team was needed for that second Wild Card game. Fortunately, NBC had a renowned play-by-play man already in place. Michaels finished out his final season as SNF‘s lead voice by calling Super Bowl LVI, part of a powerful one-two combination for NBC Sports coming toward the end of its 2022 Beijing Winter Olympics coverage.

Ending his legendary career with a Super Bowl broadcast would’ve been a wonderful final note for Michaels. That appeared to be a natural path when Tirico moved from ESPN to NBC in 2016. Network executives admitted that a succession plan was in mind for Tirico to take over SNF eventually. At the time, Michaels also likely thought he would retire by then.

But when confronted with the possibility of retirement, Michaels realized he wasn’t interested. He was still enjoying broadcasting the NFL. His skills were still sharp. And perhaps most importantly, he was in demand. Amazon wanted Michaels as the lead voice for its Thursday Night Football broadcasts, bringing instant credibility to a streaming venture that drew some skepticism. ESPN considered him as its Monday Night Football play-by-play man.

As it turned out, ESPN made a bold move for MNF, swiping Fox’s No. 1 NFL crew of Joe Buck and Troy Aikman. That left Amazon for Michaels, and the streaming giant paid him a commensurate salary with the top broadcasters in the industry as part of his three-year contract.

Yet Michaels wasn’t done with NBC either. After his agreement with Amazon became official, NBC announced that its relationship with Michaels would continue in an “emeritus” role allowing him to broadcast the network’s Olympics coverage and that additional Wild Card playoff telecast.

NBC can’t have been happy that most of the social media chatter afterward focused on the broadcast, rather than the game result. Especially when the discussion centered on how poorly Michaels and Dungy performed in what turned out to be a thrilling playoff game. That’s a pairing that the NFL probably doesn’t want to see again.

Michaels will likely call at least one more Wild Card playoff game for NBC since he intends to work on the 2024 Paris Summer Olympics. He’s also under contract with Amazon for another two seasons unless he decides to retire before that deal expires. So perhaps the simple solution is keeping Dungy out of the broadcast booth and giving Michaels a better partner.

But can NBC drop in another analyst who hasn’t worked with Michaels all season? Anyone would arguably be an improvement over Dungy. Is it at all possible for Herbstreit to be hired on for a one-off playoff broadcast, thus ensuring that the broadcast team will have some on-air familiarity and chemistry?

Otherwise, NBC’s only other option may be its Notre Dame broadcast team of Jac Collinsworth and Jason Garrett. (The network tried that last season with Tirico and Drew Brees, only for Brees to wilt under the harsher NFL playoff spotlight.)

The pair also called USFL broadcasts for the network, so at least there would be familiarity rather than trying to figure each other out during a telecast. Yet Collinsworth and Garrett aren’t terribly popular with viewers. And as with Brees, that crew will face intense scrutiny with a larger playoff audience.

Unfortunately, NBC appears to be stuck here. Unless the new Big Ten broadcast team of Noah Eagle and Todd Blackledge gets a shot. That might be the best option! Other than Notre Dame or USFL games, where are the other opportunities for NBC to develop a No. 2 NFL broadcast team? No one wants to put Al Michaels through Chris Simms in the broadcast booth, right?

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BSM Writers

Al Michaels Has Options But He Has To Make a Choice

“It does all of us in the sports industry well to remember 99% of our audience would gladly trade places with us.”

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I don’t ask much out of game announcers; get excited when appropriate, get the simple information correct, don’t get so caught up in your shtick you put yourself above the game. Al Michaels has been doing all those things well for the better part of half a century and few would argue that he’s not one of the best to ever do it. That doesn’t mean he can’t lose his fastball.

Before you read any longer, I am not here to say Al Michaels has lost his fastball. What I am here to say is Michaels has all too often this season seemed upset with and disinterested in the game he is calling. That isn’t entirely surprising when you consider some of the Thursday night action he called on Amazon Prime where the average margin of victory was almost nine points per game.

On top of that, the Amazon schedule had a dreadful two week stretch with Colts 12-9 win over the Broncos in Week Five and the Commanders 12-7 win over the Bears the next Thursday. It was in that Broncos-Colts game Michaels asked Herbstreit if a game “can be so bad it is good?” Herbstreit’s answer was “No”, by the way. It was the full 15 game schedule that Michaels told The Athletic’s media critic Richard Deitsch was like trying to sell a used car.

All of that is fine, the inaugural Amazon Prime season was not a smashing success. The streaming giant missed audience projections and will lose advertising revenue because of it. The lackluster schedule did not help that. But Michaels was given a second life; he was the NBC play-by-play announcer for the Saturday Night Wildcard Playoff game between the Chargers and Jaguars. It initially looked like Michaels might be the problem as five first half Jags turnovers had them in a 27-0 hole. But the home team staged a nearly unprecedented comeback for the win.

It was the performance by Michaels and, to a lesser degree, his analyst Tony Dungy that has led to criticism. Criticism might be too soft of a word, Michaels was roundly dragged for his lack of enthusiasm during the comeback and specifically on his call of the Jacksonville game winning field goal. The enthusiasm of the call of the game winner had a mid-3rd quarter of week four feel to it.

Me telling Al Michaels how to do play-by-play of an NFL game would be the equivalent of me telling a physicist how to split an atom. So, this isn’t just a Michaels criticism, few things bother me more than hearing a game announcer complain about the length or quality of a game as if he’d rather be anywhere else. It does all of us in the sports industry well to remember 99% of our audience would gladly trade places with us.

How many NFL viewers would sit in the seat Michaels, or any NFL announcer occupies, for free? They’d feel like they won the lottery if they also were getting the money those announcers are getting paid to be there. The guy that works a 12-hour Thursday construction shift just to get home and crack a beer for the NFL game probably doesn’t want to hear how tough that game is to announce.

On top of all of that, Michaels was given the gift of one of the wildest NFL Playoff comebacks you’ll ever see and, at times, sounded as if he was completely disinterested in being there. Pro tip: the best NFL announcer in those moments is Kevin Harlan (see: Miami at Baltimore from earlier this season. That has nothing to do with my lifelong Dolphins fandom). Michaels’ lack of enthusiasm was compounded by the exact opposite from Mike Tirico on the very same network for the Bengals-Ravens Wildcard game Sunday night. 

Tirico, like Michaels, has a sterling resume of play-by-play accomplishments. The difference is Tirico sounded like he was having the time of his life on Sunday night. 

To be fair, their two styles are different. Michaels has a very old school, Pat Summerall approach. Summerall, Vin Scully and Dick Enberg came along at a time when announcers were far more likely to let the pictures tell the story. More new school guys like Harlan and Tirico approach it differently.

Look, Al Michaels helped us believe in miracles. His place in the Sports Broadcaster’s Hall of Fame has long since been cemented. Being a hall of fame inductee doesn’t mean your style will forever be accepted by the masses. That leaves you with a few options; you can continue your style and accept or ignore the criticism or you can ride off into the sunset and enjoy the fruits of your decades of labor.

Al Michaels has what we all want; great options. He can choose any of them and be a winner in the game of life. It doesn’t matter if he enthusiastically embraces them, or not. 

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BSM Writers

Bernie Kosar Was the Victim of a Policy That Doesn’t Work Anymore

“The NFL has bigger fish to fry than Bernie Kosar. Hell, it has more pressing issues in Cleveland alone.”

Demetri Ravanos




One week ago, Bernie Kosar lost his job on the Browns Radio Network for placing the first legal sports bet in the state of Ohio. Kosar, just like Jets coach Miles Austin weeks earlier and Calvin Ridley last year, violated a league policy that forbids team employees from placing a bet on any NFL game.

The integrity of the games still matters. The belief that what we are all seeing is being fairly contested is what gives those of us that like to have a little vested interest in the outcome the desire to lay our money down in the first place. I get the league’s discomfort with a coach on the staff of a team in the middle of the playoff hunt making bets. I get its fear of the message it sends to have players making bets.

Roger Goodell and the 32 team owners are well within their rights to object to men that can potentially control the outcome of a game or postseason seeding doing anything that even appears to jeopardize its fairness. Even perceived impropriety can compromise the league’s tremendous value.

But Bernie Kosar doesn’t have that kind of influence on the outcome of a game. He is just a broadcaster and not even a game analyst. He is part of studio coverage.

I am far from the first to point this out, but in 2023, the NFL has three official sports betting partners. Just last week, it approved the first ever in-stadium sportsbook, which Fanatics is set to open inside of FedEx Field. If the NFL is comfortable enough with the reality that its fans like to bet to make those things a reality, then Kosar losing his gig is absurd. It is the result of nothing other than “well, that’s the way we’ve always done it” thinking.

Maybe Kosar was terrible on the radio and the team was looking for a reason to move on. I don’t live in Cleveland and I am not a Browns fan, so I have no idea.

How many times have we heard that NFL owners hired Goodell to “protect the shield”? I’m not even really sure what it means or when it applies anymore. If I had a vested interest in the public perception of the league, I know that I would want someone to do the PR math on this situation.

Bernie Kosar isn’t an addict that can’t watch a game without the high of winning or the emotional distress of losing everything at stake, at least not as far as we know. This was a bet made through an advertising partner, to benefit charity. He even said on his podcast this week that the purpose of making the bet was to generate some money for former players in need of help.

This is like Disney threatening daycare centers with lawsuits for painting Mickey Mouse on a classroom wall. The NFL has bigger fish to fry than Bernie Kosar. Hell, it has more pressing issues in Cleveland alone.

Surely you have seen Garrett Bush’s impassioned rant on the Ultimate Cleveland Sports Show about the obstacles facing Damar Hamlin because of how many hoops the NFL makes former players jump through in order to get some kind of pension.

On January 2, we were all united in our concern for a guy that hadn’t even completed his second full NFL season. We didn’t know if he was going to live, but if he did, we all knew that the NFL had done everything it needed to in order to protect itself from ever having to pay a dime for his medical care. Less than a week later, Bernie Kosar was fired for what amounted to a charity stunt that was meant to raise money and attention to very similar issues.

At both the league level and the team level, there was incompetence that lead to a man unnecessarily losing a gig and to the Browns and the NFL looking horribly out of touch with reality.

Are we acknowledging that people gamble or not? Are we acknowledging there are responsible ways to bet on football and are interested in generating revenue off of it or not? Because it doesn’t seem to me that the same league that just gave the thumbs up to open a sportsbook inside of a stadium is really that concerned with people that cannot affect the outcome of games betting on those games.

Has the NFL come out and said that it is going to cover every medical bill for everyone that has ever played the game? We know that this is a brutal game that leaves a physical and physiological impact on the men that played it. Why would we make it harder for someone that knows that pain to help others do something about it?

I feel awful for Bernie Kosar. Whether he needs the money or not, it is embarassing to be at the center of a controversy like this, particularly because in the NFL in 2023, there is no reason for a controversy like this to exist.

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