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Gary Parrish Walked Away From 92.9 ESPN With No Regrets

“I don’t walk away easily, because I wasn’t looking to leave. I was just presented with an opportunity where I felt like I needed to go.”

Tyler McComas




It’s Friday night December 23rd in the 92.9 ESPN studios in Memphis and the clock is just seconds away from turning to 6:00, which will signal the end of the local shows for the day on the station. Gary Parrish is behind the mic, just like he’s been for the 13 previous years. It’s time for his final send off of the night before the holiday break. But this send off isn’t like any of the others over the previous 13 years. That’s because it’s his final send off on 92.9 ESPN.

“Everybody enjoy the holiday and the rest of 2022,” Parrish says. “I’m going to try and do the same. I’ll catch up with you down the road. Until then, be careful, be kind, be good.”

And just like that, The Gary Parrish Show is no more on 92.9 ESPN. An incredibly successful 13-year run has come to an end on a station he helped build. Sure, he’s sad about it. Parrish wasn’t looking to leave the station, and 92.9 ESPN wasn’t looking to get rid of him. He just finally got an offer he couldn’t turn down. Starting in 2023, The Gary Parrish Show will be on Grind City Media in Memphis. 

“I had talked to Grind City Media previously and I’m friends with most of the people over there,” said Parrish. “John Pugliese who sort of runs the whole thing over there, he and I have been friends for a while. Chris Vernon is one of my closest friends forever and they approached me previously when my contact with 92.9 was about to expire, and this was maybe three years ago. I thought the right thing to do at that time was to stay at 92.9.

“I respectfully passed on the opportunity then, but when my contract was about to come up again, I was approached again, and this time, and I hope it makes sense, I can still feel like it was right to pass last time, but felt like it would have been wrong to pass this time. The timing just felt right.”

Being at 92.9 ESPN for 13 years, there were multiple times when Parrish’s contract was up for renewal. Every time his contract was up, he had options to do other things or take the radio show to a bigger market. An opportunity to do a national show was even an offer he received. Every time that happened, Parrish would sit down with his wife and discuss the options on the table. But everytime they came to the same conclusion. They wanted to stay in Memphis at 92.9 ESPN and continue The Gary Parrish Show. That’s because he and his family loved the station and the city of Memphis. 

Those feelings haven’t changed, the Parrish family just finally decided it was time to make the move to Grind City Media. It was the right time. 

“This is nothing about 92.9,” said Parrish. “I hope it’s clear I was happy there, felt appreciated there, felt wanted there, and they did everything they could responsibly do to try to convince me to stay. Because I think everyone understands the score, we depart from one another on the greatest of terms. There’s no animosity. Everybody just understands it was probably time for me to move on to something new.

“I’m excited to do this, while also recognizing I’m walking away from something that we built basically from nothing into one of the more successful sports radio stations in the country. Walking away from that, there’s feelings connected to that.

“I don’t walk away easily, because I wasn’t looking to leave. I was just presented with an opportunity where I felt like I needed to go.”

What was it about Grind City Media that Parrish felt he couldn’t pass up? He was presented with multiple other opportunities before and turned them down, including one with Grind City Media in the past. What was the thing that made him want to chase a new venture? 

“There are a lot of things that factored into me making this move now,” said Parrish. “None of which are an indictment of 92.9. I loved working there through the very last day. I wasn’t looking to leave. I was happy doing what I was doing. I felt appreciated and I was flattered by every attempt 92.9 made to keep me. But the truth is that, in 13 years, I had done just about all you can do in that role and pretty much stretched it as far as it can be stretched.

“So my family and I just felt like it was the right time to make this move and try something new, in part because this was the second time the Grizzlies approached me, and, frankly, I wasn’t comfortable passing again and possibly missing out on a career-changing opportunity because who knows if they’d ever ask a third time?

“Sometimes in life you have to give up something you love to pursue something that seems like the next step, and that’s more or less what I’ve done here. I will miss being at 92.9, miss being on a big FM signal in my hometown. I’m proud of what I accomplished there. It wasn’t an easy thing to walk away from. But the Grizzlies presented an incredible opportunity that, like I’ve previously said, was just too good and intriguing for me and my family to pass on, and now I’m super-excited to attack this new challenge and see how far we can take it.”

Again, this wasn’t an easy decision for Parrish. He knows what he’s leaving behind at 92.9 ESPN. Simply put, he’s leaving a drive time show on an FM station in a city he loves, where his ratings — and every other show on the station — does really well. That’s not easy to leave, especially when you’ve been a huge part of that success, which has included a couple of Marconi nominations for the station. Parrish is leaving the station on the best of terms. During his last show he admitted he didn’t shed tears as much as he laughed and smiled. 

His last radio show was Friday, so he’s had close to a week to reflect on his time at 92.9 ESPN. As he’s done that, he’s figured out what he’s most proud of. 

“I am proud that Dan Barron was willing to take a chance on me even though I wasn’t an established or successful solo radio host,” Parrish said. “I had literally never hosted my own radio show. I had done two years of radio with a co-host, Geoff Calkins. When we decided to launch this show, Jeff could not do afternoons. Just for life reasons, he couldn’t. Dan Barron wanted the first show on 92.9 to be an afternoon show, because he had just flipped it from a rock station.”

“Initially they were just running national ESPN shows and when we convinced Dan to take a shot on us, Jeff couldn’t do afternoons and Dan wanted afternoons, so that meant the only real option was to let Gary host afternoons by himself. I decided to do it, with Brad Carson as my producer. Not only did Brad and I not know each other, we didn’t even know of each other. We start from that place, with no idea if it would work.

“I remember Dan Barron sitting down with me and saying ‘Hey, we have this strong FM signal, I believe in you’. I asked what the expectations were and we set some goals. If we can ever get a 4 share in this time slot from 4-6, wow, that would really be unprecedented in the Memphis market and evident that this is going to work.

“I don’t say this for any other reason than to tell the story, but we had got to a point where we had 19, 20, 21 shares. We consistently lived in the high teens and got into the 20’s, every now and then. And that was just my show from 4:00-6:00 PM, everything else was national. And then we started adding shows and now 92.9 is local from 9:00 AM to 6:00 PM.

“I believe if you pull the numbers it’s one of the most consistently highly rated sports talk stations in the entire country. And I’m proud of that. Whatever role I’ve played in that, I’m proud. I’ll still be a listener of the station.”

The time and building of The Gary Parrish Show might be changing in 2023, but his daily grind won’t be. That’s because he’ll still be commuting back and forth to New York on a regular basis for his college basketball duties with CBS Sports. That’s also one of the reasons why the new show on Grind City Media won’t officially air until April. He wants to let the college basketball season pass, before he fully dives in to five weekday shows on his new platform

“That’s one of the priorities,” said Parrish. “If you employ me, you have to know CBS is the priority. I want to really give 92.9 a lot of credit for that. I am traveling a lot and my schedule is hectic, particularly in January, February, and March. You have to deal with a lot to have me employed. They always did it with a smile, enthusiasm, never with a complaint. Grind City Media understands that my primary job is covering college basketball for CBS Sports. That is among the reasons, not the single reason, but we’re going to launch the show April 10th. That is the Monday after the National Championship Game.

“The reason is to give us time to build it, plan it and hire the people. But also to get me through this part of my schedule so that when we start, I am in studio inside FedExForum everyday. So it looks and feels the same everyday. And then going forward, we will adjust and I will be doing shows from a hotel or studio in New York City, but we didn’t want to start with me not being in studio. When we’re trying to get people to latch on, it’s consistent and sounds the same every time.”

Parrish is a broadcasting pro that’s consistently registered strong ratings, but moving the show to Grind City Media is going to be a lot different than hosting a radio show. For starters, there’s a video component to his new show, which will make things drastically different. The good thing is Parrish isn’t approaching the new venture with arrogance. Quite the opposite, actually.

He knows he needs to talk to others that have been in this space, to identify how to handle it. Needless to say, The Gary Parrish Show will be different. But how different? Parrish doesn’t know the answer to that yet. 

“Well for one, I’m kind of a weirdo, and since I do the show by myself, I don’t like lights,” laughed Parrish. “I like darkness and working in the dark. First and foremost I’m going to have to turn the lights on because there’s a video component to this. It’ll be a well-lit Gary Parrish Show which is not something I’ve done in years. And then, beyond that, If I’m being completely honest, I don’t know. There’s no urgency to figure it out today, so I haven’t thought about it much.”

“I think I need to be smart enough to know this is something different. I’ll still be me and tell the same kind of stories and do a lot of the same things, but I think this type of show is different from radio, in that most people may listen after the fact and not see or hear it live. I’ll talk to people who have been successful with the video component, such as Chris Vernon and Jessica Benson and other people who’ve done audio and video shows that live on apps and the internet.

“I want to talk to people who are more successful than I and figure it out. I’m operating with the understanding that I need to do some things differently, but exactly what those things are, I’m not entirely sure.”

BSM Writers

Beyond The Mask: Henrik Lundqvist Embraced 2nd Career in Sports Media

“It’s not a coincidence you see a lot of goalies working [on] panels and analyzing the game because that’s a huge part of playing in goal.”

Derek Futterman




Plucking the strings of an acoustic guitar, Henrik Lundqvist found himself beneath the bright lights once again, poised to put on a worthy performance. Just as he aimed to stop pucks from going in the net as the star goaltender of the New York Rangers for 15 seasons, Lundqvist sought to captivate viewers as half of a musical duo featuring former NHL forward Paul Bissonnette.

Their performance of “Good Riddance” by Green Day was in tribute to Rick Tocchet, a former NHL on TNT studio analyst who recently departed the network to serve as head coach of the Vancouver Canucks.

Lundqvist serves as a studio analyst for TNT’s coverage of the NHL, breaking down players and teams throughout the broadcast and bringing his own unique style to the set. His pursuit of a post-playing career in sports media was no guarantee from the moment he retired in August 2021; in fact, he never intended to stop playing the game and competing for a Stanley Cup championship at that time.

During the 2019-20 season, Lundqvist had lost playing time to young goaltenders Igor Shesterkin and Alexandar Georgiev, and by the year’s end, his deal was bought out by the team. In an effort to continue playing, Lundqvist signed a contract with the Washington Capitals – marking the first time in his NHL career that he would not step between the pipes for the Rangers.

Lundqvist never played a game for the team though, as it was discovered in a medical exam that he would need open-heart surgery to replace his aortic valve while also having an aortic root and ascending aortic replacement. Less than two months after the successful five-hour operation, he was back on the ice rehabbing and attempting to make a full recovery – but a few months in, he began to feel unexpected chest pain. Following a medical checkup, Lundqvist was told he had inflammation around his heart. It was a significant setback that required him to step off the ice, take off his goaltender equipment and rest for several months.

After discussions with his family and friends, Lundqvist determined that the risk of taking the ice outweighed the rewards and officially stepped away from the game. Rather than conjuring hypothetical scenarios wherein he did not experience the misfortune and played for the Capitals, Lundqvist looked to the future amid the ongoing global pandemic and thought about how he could best enjoy his retirement.

“I was just mentally in a very good place,” Lundqvist said. “I didn’t have a choice; I guess that makes it easier sometimes when the decision is made because you can’t go back-and-forth – ‘Should I?’ ‘Should I not?’ Yeah, I wanted to play but it was just not meant to be for me.”

Before any definitive resolution on his future endeavors was made though, the Rangers announced that the team would retire Lundqvist’s No. 30 in a pregame ceremony during the 2021-22 season, making him just the 11th player bestowed that honor in franchise history. As a five-time NHL All-Star selection, 2011 Vezina Trophy winner, and holder of numerous franchise records, Lundqvist had the accolades to merit this profound distinction.

Moreover, he was an important component in growing the game of hockey and contributing to the greater community, serving as the official spokesperson for the Garden of Dreams Foundation and founder of the Henrik Lundqvist Foundation. He also was a two-time recipient of the organization’s prestigious Steven McDonald Extra Effort Award, honoring the player “who goes above and beyond the call of duty.”

Throughout the night, attendees regaled Lundqvist with chants of “Hen-rik!” and were treated to flashbacks of some of his memorable career moments. The night was of monumental importance for Lundqvist, during which he expressed his gratitude to the Rangers’ organization, former teammates and fans. Then, Lundqvist — referred to as “The King” — promptly took his place among team legends beneath the concave ceiling of “The World’s Most Famous Arena.”

“When I look back at my career, I know, to me, it was all about preparation; how I practiced and how I prepared for each game at practice,” Lundqvist said. “There’s no regrets, and I hope people, when they think about how I played, [know] that it was 100% heart and commitment to the game.”

Before this ceremony though, Lundqvist and Rangers’ owner James Dolan had held several meetings with one another. The purpose of these conversations was to determine the best way for Lundqvist to remain involved with the team, its fans, and the community. In the end, he was named as a lead studio analyst on MSG Networks’ broadcasts of New York Rangers hockey before the start of the 2021-22 season: the start of his foray in sports media.

This past summer, Lundqvist negotiated a new deal with Madison Square Garden Sports and Madison Square Garden Entertainment in which he maintained his in-studio responsibilities while increasing involvement in other areas of its sports and entertainment ventures. In this new role, Lundqvist supports the business operations for both companies, assisting in digital content development, alumni relations, and partner and sponsor activities.

When Lundqvist is not in the studio or the office, he can often be found at Madison Square Garden taking in New York Rangers hockey, New York Knicks basketball, or one of the arena’s renowned musical performances. Usually, when he is in attendance, he is shown on the arena’s center-hung video board as an “NYC Celebrity” and receives a thunderous ovation from the crowd.

“The network is just part of it, but it feels great to come there,” Lundqvist said of Madison Square Garden. “Every time I go there – to see the people that I’ve known for so long – but also I love that place; I love The Garden. I think the energy [and] the variety of things that happen there is something I really appreciate. It feels really good to be a part of that.”

Sitting alongside former teammate and studio analyst Steve Valiqutte and sportscaster John Giannone, Lundqvist appears in the MSG Networks studios, located across the street from the arena, for select New York Rangers games. From the onset, he brought his allure and expertise to the set and appealed to viewers – so much so that national networks quickly began to take notice.

“I enjoy watching hockey [and] talking hockey, but the main thing to me is the team; the people that you work with,” Lundqvist said. “The guys on the panel [and the] crew behind. I really enjoy that part of it and having a lot of fun off-camera.”

One month later, Lundqvist was on his first national broadcast for the NHL on TNT where he and Bissonnette famously performed a cover of “Nothing Else Matters” by Metallica that went viral on social media. It had been known that Lundqvist was a musician, famously performing on Late Night with Jimmy Fallon in his Rangers uniform to celebrate the end of the 2012-13 NHL lockout.

In fact, during his retirement ceremony, the Rangers gifted him with a custom-made guitar painted by David Gunnarsson, the same artist who used to paint Lundqvist’s goalie masks.

Aside from occasional music performances, Lundqvist brings an esoteric base of knowledge to the NHL on TNT panel as its only goaltender. Whether it be through player breakdowns, interviews, or dialogue with other analysts, Lundqvist has a perspective to which few professional hockey players can relate. There are various goaltenders among local studio panels surrounding live hockey game broadcasts, and Lundqvist is in a unique situation with MSG Networks in that he and Valiquette are both former goaltenders. Yet on Turner Sports’ national coverage, he is the only voice speaking to this different part of the game.

“It’s not a coincidence you see a lot of goalies working [on] panels and analyzing the game because that’s a huge part of playing in goal,” Lundqvist explained. “Yes, you need to stop the puck, but a huge part of being a goalie is analyzing what’s going on. We can never really dictate the play so you need to analyze what’s happening right in front of you.”


In broadcasting at both the local and national level, Lundqvist is cognizant of the differences in each network’s studio programs. Lundqvist says appearing on the MSG Networks studio panel is more about being direct with the viewer, whereas the NHL on TNT views its panel as being conversational in nature. With Turner Sports, Lundqvist also asks his colleagues about the different teams around the league since he is most familiar with the Rangers both as a former player and studio analyst.

“I’m closer to the Rangers; I see more of what’s going on,” Lundqvist stated. “When you work [national] games, maybe you focus in on teams on the West Coast or [part] of the league you don’t see as often. You try to talk to the other guys on the panel and the crew and figure out things that are interesting about those teams.”

Hockey is a team sport, and Lundqvist felt grateful to play with his teammates and face his competitors over the years. Now as an analyst though, it is his job to analyze their games and critique them when necessary; however, he does not try to be excessively critical.

Lundqvist knows the trials and tribulations associated with the sport and can relate to scenarios many players face on a nightly basis. Therefore, he thinks about his own experience before giving an opinion, especially a critique, instantiating it with comprehensible, recondite knowledge and/or by recounting a similar situation.

“I’d much rather give them positive feedback obviously because I know it is a tough game,” Lundqvist said, “and sometimes it might look like an easy mistake, but if you can give the viewer a better explanation of why he did that, they might have a different view of that mistake.”

Now metaphorically being beyond the goalie mask, Lundqvist’s vision of the game has evidently shifted. He discerns just how intense the schedule is and the rapid pace of the game, axioms he was aware of while playing but inherently avoided thinking about. He has implemented his refined viewpoint of the game accordingly into his analysis, simultaneously utilizing the mindset and savvy he cultivated on the ice. It is, quite simply, a balancing act.

“I think people can be pretty quick to jump on guys and critique them,” Lundqvist said. “That’s where maybe you take an extra look and try to understand why it happened and give those reasons. I think that’s where it helps if you played the game [for] a long time and just love the game [because] you have a pretty good understanding of why guys react a certain way.”

The challenge tacitly embedded in the jobs of most studio analysts – Lundqvist’s included – is in presenting the information to the audience in a manner through which it learns without being confused. It is a delicate craft that takes time and genuine understanding to master, especially related to promulgating hockey analytics as Valiquette does on MSG Networks and within his company, Clear Sight Analytics.

“There’s a lot of educated viewers out there, but there’s also a lot of people that maybe don’t watch as much hockey,” Lundqvist said, “so you want to find that middle ground where you kind of educate both sides.”


By broadcasting both locally and nationally in addition to working in a specially-designed business operations role, Lundqvist is staying around the rink in his retirement while facilitating the growth of hockey. Despite the profusion of young talent, dynamic action and jaw-dropping plays, viewership of the sport on ESPN and TNT’s linear channels has dropped 22% from last season, according to a report by Sports Business Journal.

For Lundqvist though, he does not feel much has changed from playing regarding his responsibility to advance the reach and appeal of the sport. He played professionally for 20 years, beginning his career in his home country of Sweden, primarily in the Swedish Elite League (SEL). In the 2004-05 season, his final campaign before arriving in New York City, Lundqvist had won the award for most valuable player. Furthermore, he was recognized as the best goalie and best player, leading Frölunda HC to its second Elitserien championship in three seasons.

His NHL debut came five years after he was selected in the seventh round of the 2000 NHL Entry Draft by the New York Rangers but unlike many rookies over the years, he came polished and prepared to embrace the lights of Broadway. Following an injury to starting goaltender Kevin Weekes, Lundqvist was inserted into the starting lineup and, from that moment on, virtually never came out.

By the end of his first year, he had been named to the NHL All-Rookie Team and was a Vezina Trophy finalist for best goaltender. Additionally, he remains the only goaltender to begin his NHL career with seven consecutive 30-plus win seasons.

“I think the league is doing a great job of growing the game,” Lundqvist said. “In the end, it comes down to the product and right now, it’s a great product. I feel really good about, the best way I can, to promote the game [by] talking about it, but… it feels like I’ve been doing that for 20 years.”

One means through which Lundqvist attempts to grow the game is within the studio demos he performs with the NHL on TNT, displaying different facets of the game in a technical manner. The show also embraces the characteristics of their analysts and implements them in lighthearted segments, such as zamboni races, putting competitions, Swedish lessons and, of course, musical performances.

“I’m huge on mindset and the pressure,” Lundqvist said. “I love to talk about that type of stuff and give the viewer a better understanding of what goes through their heads. In terms of personality, I don’t know if I can say [that] I’m a serious guy because I love to have fun and laugh and do fun things.”

Lundqvist thoroughly enjoys what he is doing both locally and nationally, and he ensures he surrounds himself with people he wants to be around. There are plenty of other broadcast opportunities for former hockey players, such as moving into the booth as a color commentator or between the benches as a rinkside reporter. At this moment though, he is more focused on being immersed in his current roles, performing them to the best of his ability while ensuring he allocates time to spend with friends and family.

“I see myself more as an analyst in the studio more than traveling around and being in the rink,” he said. “I think that’s another thing with the schedule; it works really well with my schedule to have one or two commitments with the networks, but then I have other things going on in my life that I commit to.”

Plenty of comparisons can be drawn between playing professional hockey and covering the sport from the studio in terms of preparation and synergy. Yet the end result is not as clearly defined since “winning” in television is quantifiably defined as generating ratings and revenue. Undoubtedly, Lundqvist is focused on doing what he can to bolster hockey’s popularity; however, he also wants to enjoy this new phase of his career being around the game he loves.


“In sports, you win or you lose,” Lundqvist explained. “With TV, you want to be yourself [and] you want to get your point out – but at the same time, if you do it at the same time you’re having a good time, I feel like that’s good TV.”

Once their careers conclude, many athletes think about pursuing a post-playing career and oftentimes end up taking on a role in sports broadcasting. On MSG Networks alone, there are plenty of former players who take part in studio coverage on live game broadcasts, such as Martin Biron of the Buffalo Sabres, Bryce Salvador of the New Jersey Devils, and Matt Martin of the New York Islanders. At the national level, Turner Sports employs Paul Bissonnette, Anson Carter, and Wayne Gretzky for its studio broadcasts, while ESPN’s top studio crew includes Mark Messier and Chris Chelios.

All of these former professional hockey players had an obligation to regularly speak with media members, answering questions about games and the season at large. Lundqvist maintained a professional relationship with journalists and beat reporters, and he most enjoyed taking questions when the team was doing well. Regardless of what the end result of a game was though, he had a responsibility to divulge his thoughts and, in turn, be subject to criticism and/or negative feedback.

His stellar career and persona all came from emanating a passion for the game – and it continues to manifest itself beyond the television screen. Listening to those passionate about the game discuss it usually engenders euphony and lucidity to viewers, analogous to the sound of the puck hitting the pads or entering the glove. It is a timbre Lundqvist created 27,076 times throughout his NHL career (regular season and playoffs) in preventing goals, and one he now aims to explain en masse.

“The reason why I kept going to the rink and put all the hours in was because I really enjoyed it,” Lundqvist said. “If you decide to go into media or whatever it might be, I think the bottom line is [that] you have to enjoy it and make sure you have good people around you.”

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BSM Writers

Should the NBA Nationalize Local TV Rights Like MLS?

The NBA’s upcoming rights negotiations will be this transformational idea’s first testing grounds.

Avatar photo




Diamond Sports has been anything but a diamond in the sports world. As subscribers leave cable and satellite for streaming services, companies are dropping RSNs nationwide because they are too expensive to carry. This has caused an impending bankruptcy for the company, which owns the local rights to dozens of sports teams nationwide. It is also putting the NBA, NHL, and MLB at major financial risk. 

In the short term, it is known that teams will still broadcast on their RSNs even if they aren’t getting the paychecks they were promised in previous rights deals. This will affect teams’ ability to pay players and could even create an unfair advantage among the haves of the sports world like the Yankees and Lakers and the have-nots. The NFL doesn’t face the same problems that the other leagues are facing because its rights have been nationalized.

With the NFL’s continued television dominance, college conferences also bundling up games together for more money, and the MLS guaranteeing themselves television revenue after packaging local and national rights together, could we see the other leagues follow suit? It is an option that is much easier said than done but it seems like we are moving closer to it becoming reality. 

The NBA’s upcoming rights negotiations will be this transformational idea’s first testing grounds.

The biggest problem the NBA and other leagues would face are that the local rights to all of its teams don’t expire at the same time. If the league were to sign a deal that included giving all local rights to a streamer, the amount which the league was getting paid would be very unique year after year. It would be crazy for a streamer to pay a huge chunk of money to the NBA all at once if the number of teams they have local rights to changes every year.

It would also be insane to pay an astronomical amount if the streamer is only getting the local rights to small-market teams like the Cavs and the Pistons. A major market team like the Lakers doesn’t renew their local rights until 2032. We’re still in 2023. How does that affect the league’s operating costs? 

The NBA would also have to figure out whether teams whose rights don’t expire yet deserve to be included in the pot of money garnered from selling local rights to a streamer. Whether they are or they aren’t, does it put each team at different competitive advantages and/or disadvantages when trying to acquire free agents or front-office personnel?

One of the most interesting puzzles to figure out is what influence a league owner like Washington’s Ted Leonsis has in this potential measure when all is said and done. Leonsis just acquired complete control of the regional sports network — currently named NBC Sports Washington — that broadcasts Wizards and Capitals games for millions of dollars, although the exact amount remains undisclosed.

What does Leonsis do with his network if his team’s games can no longer air there? Can his team opt out of participating in a potential league offering? Or if the games continue to air on his network but are simulcasted locally on the streamer that wins local rights on a national scale, does the streamer have the ability to pay less money for rights?

If so, does that make the deal as lucrative for the NBA? And what does that mean for retransmission fees that cable companies like Comcast pay to Leonsis and other RSNs they’re still carrying?

The league will face a similar problem with the Lakers, Bulls, Knicks and other franchises that either wholly own or partially own a part of the RSNs where they broadcast their games. 

I don’t have the answers to any of these questions which is why they are written here in this column. Unfortunately for the leagues, they don’t have the answers either. But if the NBA figures out a way to nationalize their product even more and make streaming games more appealing by ending local blackouts, it’ll benefit the game more than it hurts the game. 

NBA, NHL, and MLB games are still some of the highest-rated programs locally in many markets when you look at how they rate vs. other cable and broadcast offerings. But at this point, the ability to charge everyone for a program that only ten percent of subscribers are watching is a losing business proponent.

The leagues should start from scratch and sell a mass package of games for maximum profit. It gives fans a more centralized location to watch their favorite teams and puts the leagues on a much more steady path than where they could be headed sooner rather than later.

Diamond in the rough to sparkling jewel of light? Only time will tell.

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BSM Writers

Do You Have Affirmations Of Gratitude?

“We are told to be grateful for what we have and remember it could be worse. That feels like a really low bar, right?”

Jeff Caves




Having gratitude for your life is all the rage. If you, like me, have trouble starting your day with positive affirmations and maintaining a positive outlook about your job, read on! 

We are told to be grateful for what we have and remember it could be worse. That feels like a really low bar, right? Here is another version. Try a few affirmations of gratitude instead.


With interest rates rising, inflation increasing, and spending down; corporations are laying people off. PayPal laid off 7% of its entire workforce. Amazon let 18,000 go. Alphabet (Google) said goodbye to 12,000 jobs. Radio sales managers need to hire people like you – experienced sellers with a track record of bringing home the bacon. 


You solve a problem for your company when it comes to revenue. You know people, and you sell advertising better than anything they can come up with…so far. 

Yes, they are trying to replace you, but Zoom Info reports iHeart’s self-serve spot buying service,  AdBuilder, is doing under 5 million in business. You have time to solidify your value. Be happy you are the rainmaker. 


Sports talk radio is the ultimate companion to millions of listeners. They aren’t robots, and your stations improve their lives by talking about what they care about 24/7. Celebrate selling access to callers, Twitter followers and FANS who go to games. You also get to work with local celebrities that everybody knows but you know best. We all need a connection to other people and want to be seen and heard. 


In this job, you determine your value, feelings about your work, and who you work with. You get to set a strategy and talk to the businesspeople you want to help and do business with. It’s like running your own business with a tremendous support staff. Try to do it independently, and you will appreciate accounting, traffic, production, and sales assistance. Those wins produce deposits in your bank account.  


That format competitor across the street does things differently and sometimes better than you or tries to imitate you and looks terrible. They motivate you to beat them to a new account or put a moat around your best clients so they can’t be touched. They keep you sharp and willing to try new things. Good competition schemes to take money from your station, and your management needs you to protect them. And they also provide a place for you to work one day. The FTC wants to eliminate non-competes so you can walk across the street this year.  

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