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Noah Eagle Brings a Hardcore Attitude Everywhere

“It wasn’t necessarily the glitz and glamor. It was the relationships; it was the preparation; it was the craft.”

Derek Futterman

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If you have ever been on a job interview, the thought of having to field questions from a hiring manager or executive can be intimidating – especially if it is in your first search for a job, internship or some professional occupation. At the end of his interview for a broadcast position with the Los Angeles Clippers, Noah Eagle was given the opportunity to ask questions in return. He asked what qualities the team was looking for in a broadcaster. His interviewer looked him dead-on in the eyes and replied, “Someone who’s hardcore.”

His interviewer happened to be former Microsoft CEO, business mogul, and Clippers Owner and Chairman Steve Ballmer. Eagle had taken a business trip across the country to partake in this interview as one of the finalists to join the Clippers’ broadcast team out of college.

Eagle, 25, had prepared for this moment from the time he was young growing up around his father: sportscaster Ian Eagle. Whether it was through osmosis or inquisitiveness, Noah became infatuated with sports media at the age of 13 and knew he would find a way to work in the field. On top of that, he knew he had limited athletic ability and yearned to find a way to remain involved in the world of sports.

“I saw him every morning wake up and be excited to go to work; to be excited to do the prep; to be excited to interact with people,” Eagle said of his father. “That’s what drew me to it. It wasn’t necessarily the glitz and glamor. It was the relationships; it was the preparation; it was the craft.”

Eagle was ambitious and adopted a growth mindset, looking to parlay his early experience accompanying his father at games and knowledge regarding how to conduct himself in a professional environment to move ahead in the industry.

On top of that, he began to study his father and other broadcasters to try and determine what made them stand out from others. He would then identify unique parts of their styles and incorporate them into his own. Moreover, he asked his father to provide his opinion on certain aspects of his findings, accessibility to a professional that helped him immensely in his development.

“I was fortunate with him that then I had somebody to bounce that off to now share my findings with and say, ‘Is this how you see it? How do you think that this could work?,’ and he’s always there,” Eagle said of his father. “I know that’s not just for me. He’s that way with a lot of people; a lot of young broadcasters [and] he’s very gracious with his time. I was very fortunate for so many reasons and him being probably the number one reason on that list.”

As a high school student, Eagle recognized his abilities as a public speaker and sought to develop them by serving on the school’s student council and writing the sports column in its newspaper. Yet Eagle did not genuinely immerse himself in sports media until he reached college, but the process of selecting Syracuse University, a place where both of his parents matriculated, was not a foregone conclusion from the start of his college search.

After his first visit to Syracuse, on a day where it was 75 degrees Fahrenheit, he did not believe he could go there simply because it did not feel right to him. His parents were determined in helping him find a place where he would be comfortable and that had a robust sports media program; therefore, they traveled to several schools throughout the country including UCLA, Indiana, and Miami.

Yet Syracuse was always in the back of his mind as a potential landing spot and he gave the school a second chance by visiting before the start of his senior year of high school. During that visit though, his mother gave him an experience deviating from the standard recruitment proceedings during which she took him on a personalized tour of the school from her perspective as a former student.

“About 15 minutes into our drive home… she said, ‘Well, what do you think this time?,’” Eagle remembered. “I said I would apply early decision. It was just that extra viewing of some of the other spots…. [and] that feeling [that] you know it’s the right spot for you.”

From the moment he began at Syracuse University, Eagle’s goal was to join the campus radio station, WAER-FM, as soon as he possibly could. He arrived early to the information session, adding his name on a list with an indefatigable mindset of doing whatever it would take to quickly establish himself and gain experience. Syracuse University is well-known for its alumni network in sports media, attracting many students to its campus each year. As a result, it is a competitive environment in which students gain real-world experience and are required to go the extra mile to earn air time.

“I think the competitive nature pushes you to be the best version of yourself every day just because you know the man or woman next to you is doing the same thing,” Eagle said. “It is also very supportive. Everybody, at least in my experience, is supportive and wants to see everybody succeed. That’s a healthy competition; a healthy drive to be the best.”

Part of joining WAER-FM was having to wake up at the crack of dawn once per week to go to the station to record a sportscast that would not hit the airwaves. He knew from his father, who initially decided not to join the station because of it, that it was a necessary inconvenience to embrace and make the most of.

From there, he called Syracuse Orangemen basketball, football and lacrosse games on the station and became involved with other student media outlets such as CitrusTV and Z89 (WJPZ-FM). Eagle not only sought to develop his skills in sports broadcasting, but also in performing other types of roles in media – including anchoring news coverage and in-arena hosting for events ranging from new student welcomes to midnight madness.

“Every sport; every category; anything else in-between – I just said, ‘Give it to me. I’ll try the challenge. I’ll see if I can make it work,’” Eagle said. “That was the best thing I did because it allowed me to learn what I really like; what I really don’t like; what I want to do long term and then I went from there.”

During his early days at Syracuse University though, Eagle decided not to use his last name, introducing himself to colleagues and friends simply as ‘Noah.’ Once his father heard this, he had a conversation with his son that changed his perspective, saying he had nothing to be ashamed of and that he should embrace his roots. On top of that, it was and remains best practice to divulge your surname in professional environments.

“I should be very proud not just of him but of my mom and my sister and where I come from and the people [who] came before us and the generation before us,” Eagle said. “I shouldn’t run away from that.  He’s well known as a really good person, first and foremost, and that’s what I care about more than anything else. I am proud to be attached to that and I am proud to continue that legacy the best I can.”

In his junior year, Eagle had the opportunity to host his own radio show on SiriusXM’s ESPNU and ACC channels. Moreover, he covered events for NBA Entertainment, such as the NBA Summer League, NBA Draft Lottery, and the G-League Winter Showcase – and worked at the U.S. Open for the Tennis Channel. Gaining this professional experience helped further enhance his portfolio and made him a multi-faceted, skilled broadcaster on the marketplace – although he did not remain there very long if at all.

Eagle became just the second Syracuse University graduate to start broadcasting in the NBA immediately after his graduation (Greg Papa joined the Indiana Pacers’ broadcast team out of college in 1984). Just how this all came together was a combination of extraordinary talent and timing, the latter which was simply out of his control.

As an undergraduate senior, Eagle was told to send his résumé and demo reel to Olivia Stomski, the director of the Newhouse Sports Media Center at Syracuse University. He was not aware that the opening was to broadcast games for the Clippers, but nonetheless provided the materials requested from him. 

Approximately a month-and-a-half later, Eagle received a call from a Los Angeles area code on his cell phone. After some initial hesitation regarding answering the call, he decided to accept and heard Nick Davis, vice president of production for FOX Sports West and Prime Ticket, on the other end. He told him that the network was looking to compile a new broadcast team for the Clippers and that they were interested in flying him in to Los Angeles to audition for the television play-by-play job.

Following calling a pre-recorded Clippers game against the Boston Celtics, he flew back to Syracuse, unclear of how he had done – but if anything, had just gained invaluable real-world experience in landing a job. It turns out he did well enough to make it to the next round of interviews, which would be with team owner Steve Ballmer, and possessed the same mindset that even if he did not land the job, he at least was becoming familiar with the process of a job search.

“I went in with this mentality and I think it helped me because the nerves were just gone,” Eagle said. “I didn’t have any nerves. I walked in there and just said, ‘I’m going to be me and whatever happens happens.’ I got very fortunate in that point just because whatever I did worked. Once I realized that whatever I did worked, I just kept doing it.”

Once he concluded his interview with Ballmer, Eagle remembered calling his parents and saying that he was unsure if he would land the job, but at least he was completely honest rather than telling the team owner what he wanted to hear. Speaking with candor and probity kept Eagle grounded, refusing to abandon his moral principles throughout the process of trying to land a coveted role in the country’s second-largest media marketplace.

“Steve is probably the smartest guy in every room that he’s in, but you would never know it,” Eagle said. “He’s very normal [and] just down-to-earth. He wants knowledge; he’s naturally curious [and] genuine. He was asking me questions and actually wanted to know the answers, [such as,] ‘What do you think of the future of broadcasting? Where do you think this is going? Do you take classes on this? How do you feel about this?’”

In addition to his work with the Clippers Noah Eagle has served as the preseason voice of the Los Angeles Chargers Photo provided by Eagle

In the end, the organization decided to move radio play-by-play announcer Brian Sieman to the television broadcast, replacing Ralph Lawler. That created an opening on the radio side, distributed to multiple broadcast outlets on terrestrial and digital platforms, and one the organization decided Noah Eagle was best suited to fill. As soon as he received the formal job offer, Eagle emphatically accepted and prepared to make the move across the country to the “City of Angels.”

As is in the case in most new jobs, there is a lot to quickly grasp and learn to effectively perform your role. Having his father as a resource was especially helpful in determining how to best prepare, conduct himself and adjust to his new lifestyle. Whenever he did not know what to do, he fell back on Ballmer’s answer of being “hardcore,” and that state of being uncomfortable began from the onset – as Eagle was hired to do the games solo.

“It’s not just by yourself for a game or two; it’s 82 games plus preseason plus playoffs,” Eagle said. “That part was the most daunting where I looked at it and it’s like, ‘How am I going to fill an entire game alone?’ Now I look at it and laugh that I was even ever questioning it because it’s just become second nature.”

Keeping an audience interested and focused on the game throughout the duration of a radio broadcast can be difficult with the amount of external distractions and sources of entertainment available to consumers today.

For Eagle, broadcasting in a city with regular congestion and standstill traffic jams certainly works to his benefit. However, sports are far from the only format on terrestrial and satellite radio – plus there are audiobooks, podcasts and other forms of aural entertainment with which to compete. As a result, Eagle does his best to make the broadcast sound as if there are multiple voices behind the microphone telling the story of the game, almost maintaining different characters.

“Most people that talk to [themselves] get labeled as insane; I get paid to do it,” Eagle remarked. “It’s a pretty good gig [and] I’m lucky [that] I’ve got good people around me. I’ve got a lot of help from engineers and our host Adam Auslund does great work.”

When Eagle was broadcasting within the auspices of a college radio station, the broadcasters were often relegated to locations with vantage points that were not always the easiest to work with. A part of Eagle’s development, therefore, was to find other ways to see the game and depict what was going on to the audience.

Although the vantage points for NBA broadcasts are usually better than those at the college level, they do not all have an unimpeded view of the game. Oddly enough, it gives Eagle somewhat of an advantage over more seasoned broadcasters placed in a similar situation – as he is not too far removed from participating in college broadcasts.

“[In] my first year, I was still so conditioned in that it was like second nature,” Eagle said. “Now I’ve only gotten better with it because I know…. you have to rely on all those tricks that you had learned for yourself over the years.”

Attempting to humanize the game on the court is part of how Eagle has contributed to the rapid and sustained growth of the game of basketball, helping the sport dominate the conversation whether or not games are on the slate. He has also helped foster lifelong connections between the players and the fans both as a radio broadcaster and host of several events for the team.

“Basketball has been a passion of mine since I was a kid,” Eagle said. “Being around the NBA and my dad from a very young age helped spark that love for the game. I played it as long as I could through high school and I was around it as much as I could be.”

Social media permits the real-time transmission of the game through highlights, which generally get posted right away. It is the broadcasters, though, who provide the soundtrack to the moments on the screen mixed with the mellifluous tones of a zealous crowd. Eagle remembers the excitement of his first regular season broadcast with the Clippers in a matchup against the rival Los Angeles Lakers; in fact, he took his headset off to look around and take in the atmosphere at Crypto.com Arena, simultaneously adjusting to his new home court.

“The one good thing… of me starting when I was so young is they’re used to that in L.A. They’ve had a lot of people do that,” Eagle said. “….I think people were just looking forward to what my career was going to turn into – whether that was staying in one spot or doing all these other things. I think people just were there to root [for my] success.”

Now in his fourth season with the team, Eagle has had the chance to call various memorable moments both in the regular season and in the playoffs. With a robust roster including superstars Kawhi Leonard and Paul George, along with a new arena in the Intuit Dome projected to be just a couple of years away from opening, Eagle will provide the dialogue and effectively write the words to all of the action surrounding the team.

It is crucial, though, that Eagle dictates the action rather than letting the action dictate him. Sure, Eagle cannot impact what happens on the court in real time – but what he can do is stay on top of each play, give the location of the ball and try to anticipate what may happen in advance to be ready to make an appropriate call. All of that occurs while being ready to adjust to unforeseen action at a moment’s notice and being authentic in his love of the game and the craft.

“You can sense when someone has control of the action or control or command of the broadcast,” Eagle said. “That’s crucial and it comes with just more and more reps. It comes with practicing and doing it and having a better understanding of, ‘Oh, I need to push it here. I need to pull it back here.’”

Those traits of a play-by-play announcer carry over to announcing gigs outside of the Clippers, although the preparation process differs by sport. Eagle closely follows the Clippers throughout the regular season, making it easier to stay informed about the latest going on with the team down to the minute details.

Conversely when he is broadcasting NFL on FOX games, Los Angeles Chargers preseason games, or college football matchups on FS1, he has to learn the players on the roster, read about the current events of the team, watch press conferences and speak to the coaches to get a broad picture of the team itself.

“I was around the Syracuse football team all the time,” Eagle said. “I knew those guys inside and out; I knew about those guys inside and out. Now you’re preparing for two teams altogether and you’ve got 100 kids essentially on a football roster in college. It’s a lot; there’s a lot more work and just a lot more to learn.”

NFL football, according to Eagle, is the sport most optimal for television broadcasts because of its regular cadence established from the opening kickoff. On the other hand, college football teams often play a hurry-up offense, requiring broadcasters to be set for a play to commence at any moment.

It is something Eagle will have to adjust to, as he is reportedly set to become the primary play-by-play announcer for Big Ten football on NBC, according to Andrew Marchand of the New York Post, in which he will work with analyst Todd Blackledge. While Eagle declined comment regarding this news, he did elaborate on the nature of a typical college football broadcast.

“I worked with Mark Helfrich this year and when he was at Oregon…. They were getting right back to the line,” he said. “They were going to just keep going; they were as conditioned as they possibly could be, and they were going to score on you and they were going to go for two [points] and that was that. It can be really, really exciting but you have to be ready.”

Noah Eagle has called each of the NFL broadcasts that have aired on Nickelodeon Photo provided by Eagle

Aside from standard football broadcasts, Eagle has been the voice of the NFL on Nickelodeon alternate broadcasts produced by CBS Sports. He recently broadcast the Christmas Day matchup between the Denver Broncos and Los Angeles Rams at SoFi Stadium in Inglewood, Calif. – and he was joined in the booth by Nate Burleson and various Nickelodeon sitcom stars.

By following the shrewd advice of Syracuse alumnus and sportscaster Marty Glickman regarding considering the audience, he prepares for this alternate broadcast and others like it by thinking about what a typical viewer may want to hear.

“I just think you can now create a different audience,” Eagle said. “Isn’t that we want at the end of the day for sports or any of the stuff that we cover? We want as large or as vast of an audience as possible. If that can create this at all, it’s all good. It’s fun; you just have to approach it [in] the right way.”

Broadcasting sports is considered a “dream job” for many sports fans; yet if you are afforded an opportunity to do that on a regular basis, the law of diminishing marginal utility may start to take effect. Keeping Eagle motivated, outside of loving sports, is finding ways to improve.

“My goal, and it remains the same from when I first got the job [to] today and all the way through the rest of my career, is ‘Can the next broadcast be better than the previous one?,’” Eagle shared. “As long as I’m doing that whether it be with the Clippers or other jobs that I have right now, then that’s all I care about.”

Being a well-rounded person with interests outside of sports and media help Eagle on these broadcasts as well, and it is sagacious advice for young broadcasters. While he had the chance to see broadcasting from a different perspective as the son of an accomplished sportscaster, Noah Eagle enjoys his work and is excited to embark on his career.

At the same time, he treats everyone with dignity and respect, modeling after his father and displaying professionalism in whatever job he may be working.

“If you’re going to do this, do this for the love of it,” Eagle expressed. “Don’t do this for the prestige or whatever else comes with it. Do it because you thoroughly enjoy it because that’s the only way you’re going to reach that height that you eventually want to…. If you’re excited about it and you’re ready to have fun with it, then a lot will take care of itself.”

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How to Help Your Clients with Low Website Conversions

Don’t assume there isn’t enough traffic; focus on optimizing user engagement once visitors arrive on the site.

Jeff Caves

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Graphic for how to increase website conversions
Credit: WPDesigner.Biz

Are your clients dealing with low website conversions? Whenever a marketing campaign is run, and the goal is to convert website visitors into leads, the temptation is to blame low traffic, amongst other issues, for low form fills or appointments being generated.  Just spend more money, you may think! Sometimes, you must look at at least four other potential issues to tackle poor conversion rates. Here are some actionable steps using the IT services industry to increase website conversions.

IT Solutions specializes in providing products, services, or solutions related to technology, particularly in areas such as software development, hardware sales, IT consulting, cybersecurity, cloud computing, networking, and digital transformations. They faced challenges with their website conversions. Despite driving substantial traffic through Google Ads and other SEO tactics, they struggled to convert website visitors into form fills for appointment requests. A 2% to 5% conversion rate could be considered reasonable. Of course, conversion rates can vary based on various factors, such as the competitiveness of the local market, the quality of the website (and radio stations help most to fix that) and its user experience, the effectiveness of marketing campaigns, and the reputation and offerings of the IT solutions business. Focusing on improving the quality of leads and providing exceptional customer service can be just as crucial as achieving high conversion rates. Don’t blame EVERYTHING on the marketing tactics! 

The Diagnosis

Upon thorough analysis, several critical issues were identified with IT Solutions’ website:

1. High Bounce Rate: Nobody was checking out the business. If 70% or more of website visitors only visit the landing page, that is an issue.  It could be slow loading times, irrelevant content, poor user experience, or unclear calls-to-action that prevent them from wanting to know more about IT Solutions. You can check the bounce rate on the Google Analytics page for the website in the left-hand sidebar, click on “Behavior” to expand the menu, then click on “Site Content,” and finally, click on “Landing Pages.” You’ll see a list of landing pages and their respective bounce rates.

2. Complex Navigation: It was hard to move around the website to find relevant information about IT services, and it was unclear who they were initiating contact with and for what purpose.

3. Unclear Calls-to-Action (CTAs): The website lacked clear and compelling CTAs guiding visitors toward requesting an appointment. Simply stating “click here for an appointment” is like asking for a meeting whenever or without establishing value. Here are 28 CTAs for free.

4. Lengthy Forms: The appointment forms were long, without qualifying information, and requested excessive information upfront, deterring potential leads from completing them.

Action Plan

1. Optimize Landing Pages:

   – Redo high-traffic landing pages with clear messaging and compelling CTAs.

   – Showcase IT Solutions’ services as benefits, making it easier for users to request appointments, thereby increasing user engagement and conversions.

2. Simplify Navigation:

   – Reorganize the menu and add more action-oriented links.

   – Provide additional options for users to access relevant information, such as “Get a free IT Solutions 15-point checkup NOW” and “Take this 5-question survey to diagnose your IT issues,” motivating them to book appointments.

3. Enhance CTAs:

   – Utilize concise and persuasive messaging throughout the website.

   – Encourage visitors to take action, whether requesting a free download about “5 things you can do to solve your IT issues on your own” or “get a free pizza for booking an appointment.”

4. Improve the Form Fill:

   – Add a further line about the number of employees who qualify for incoming leads.

   – Highlight the value of leads based on company size, prioritizing forms with higher potential impact.

Review landing pages, navigation, CTAs, and form experience to address website conversion issues. Don’t assume there isn’t enough traffic; focus on optimizing user engagement once visitors arrive on the site.

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‘NHL on TNT’ Gives Hockey Fans the ‘NBA on TNT’ Treatment

Watching Albert and Olczyk call a hockey game is like watching Picasso paint and da Vinci sculpt. They are masters of their respective crafts.

John Molori

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NHL on TNT studio

Let’s play a little word association, sports media style. If I say TNT, what is your response? Chances are it will be a three-letter abbreviation of your own, namely, NBA. Over the years, TNT has built a reputation as arguably the premiere network to telecast the National Basketball Association.

The NBA on TNT pregame and halftime shows have become the gold standard with stars like Ernie Johnson, Jr., Kenny Smith, Charles Barkley, and Shaquille O’Neal. Still, it’s not just this quartet of roundball royalty that has fortified TNT’s hoops coverage.

The rep was also built on tremendous play-by-play announcers like Bob Neal and Kevin Harlan, color analysts like Doug Collins and Reggie Miller, and courtside reporters like the late Craig Sager and current sideline star Allie LaForce.

Indeed, TNT and the NBA have become synonymous, but I have some news for you. This network is not just about professional basketball. This past week I went off the grid with TNT looking at their in-game and studio coverage of the NHL.

On March 24, the NHL on TNT provided coverage of the Pittsburgh Penguins at Colorado Avalanche matchup. Kenny Albert did play-by-play with Eddie Olczyk on color. Albert is not as noted as his legendary broadcasting father Marv Albert, but he has certainly staked his claim as one of the best in the business – able to cross over to multiple sports with equal aplomb.

Hockey is a strong suit for Albert. His rat-tat-tat, drama-building style draws viewers in and keeps us on the edge of our seats. Similarly, Olczyk is one of the top four or five NHL game analysts in the business. His style is understated, providing calm and clear analysis of key plays. They work really well together.

Albert eschews any kind of hackneyed and trite catch phrases for his goal calls. An emphatic, “He shoots and scores!” is plenty enough.

Hockey is a different beast when it comes to play-by-play. Unlike basketball, baseball, football, or even soccer and tennis, there is a minimum of breaks in the action. With hockey, a play-by-play announcer has to know the names of the players like he or she knows her kids’ names.

To me, it is the hardest sport for play-by-play and equally difficult for a color analyst. In basketball, after a team scores, the play-by-play announcer will keep silent and give the color analyst time to talk until the play crosses center court. In baseball and football, there is ample room for commentary.

Hockey does not offer such space, but Olczyk gets the most out of the minimal amount of time. Watching Albert and Olczyk call a hockey game is like watching Picasso paint and da Vinci sculpt. They are masters of their respective crafts.

Coming back from a break in the game, Albert and Olczyk provided on air commentary and then tossed to ice level reporter Brian Boucher who has grown into a tremendous asset to the TNT broadcasts. Boucher provided real talk about Colorado’s objectives of staying on top of their division and vying for the top seed in the Western Conference.

The Penguins, squarely in a rebuilding year having dumped talent at the NHL trade deadline, surprisingly jumped out to a 2–0 lead in this game, and the TNT between periods studio crew was all over it. The excellent Liam McHugh hosted alongside Colby Armstrong, Anson Carter, and Keith Yandle.

Armstrong was especially entertaining. With Pittsburgh outshooting the Avs 16-4, Armstrong noted that it’s the best he’s seen Pittsburgh play in a long time. His reasoning was that teams get geared up for playing Colorado even if it’s out of fear. Great stuff.

Both teams tallied two goals in the second period giving Pittsburgh a 4-2 lead heading into the final frame. When Colorado’s Nathan MacKinnon set up Jonathan Drouin for a goal to make it 4-3, Albert and Olczyk showed their strengths.

Albert called the pass from MacKinnon and one-timer goal from Drouin, and immediately noted that MacKinnon now had a point in all 34 of Colorado’s home games this season. On the goal replay, Olczyk showed how the play developed pointing out how McKinnon allowed Pittsburgh’s Evgenii Malkin to come in close before making the past to Drouin.

The TNT production team then showed a graphic displaying that McKinnon is now second all-time in longest home points streaks trailing only Wayne Gretzky. This was a sublime sequence of symmetry between talent and technicians like a songwriter, musician, and singer creating beautiful music.

What was supposed to be a blowout win for Colorado had now become a hockey barn burner, and the TNT crew was up to the task. Every goal and key play was followed up with replays from multiple angles showing the genesis of the action.

TNT has certainly taken to the velocity of the hockey broadcast with movement that challenges directors, graphics professionals, and videographers.

When there were breaks in this non-stop action, Olczyk was at his best. No hockey analyst draws on his experience as a player and explains that experience better to viewers. The TNT broadcast also lets Boucher freewheel and join in the flow of discussion without having to be introduced.

TNT does not merely rely on the traditional wide shot of the entire rink. We see close-up shots of each goaltender after a great save and the sweat of players on the bench or in the penalty box.

When McKinnon tied the game at 4-4 with 4:38 left in the third period, we got a series of tremendous crowd shots showing the Colorado fans going absolutely berserk. The sage Albert and Olczyk wisely remained quiet for several seconds, letting the cheers do the talking.

When Drouin scored the game winner at 4:06 of overtime, Albert exercised controlled enthusiasm, raising his voice on the call of the goal, but not becoming the show and overshadowing the play itself. He is definitely in the mold of Dan Kelly, Gary Thorne, and Sean McDonough, announcers who enhance but do not supersede the game.

Putting a cherry on top of this hockey Sunday, TNT showed a graphic that the Avalanche now led the NHL in comeback wins this season with 25 and that they were riding a 9-game winning streak. In analyzing the goal, Olczyk opined that the altitude of playing in Colorado was prevalent as the Penguins seemed to tire as the game progressed – really interesting insight.

In the postgame show, Anson Carter made a great point that the chemistry between Drouin and MacKinnon stems from the fact that they have been playing together going back to junior hockey. McKinnon joined in from the arena for a postgame interview. The analysts asked solid questions and even did a funny MVP chant together as the interview ended.

The NHL on TNT takes no back seat to its elder NBA sister. The broadcast provides viewers with flash, dash, and serious hockey talk from every angle – in studio, from the broadcast booth, and on the ice.

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Kim Mulkey Now Has Everyone Anticipating Washington Post Story

I can’t imagine what headline, under normal circumstances, the Washington Post would have to put on a Kim Mulkey story to make me want to read it.

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photo of LSU women's college basketball coach Kim Mulkey
Credit: Dailymail.co.uk

The Washington Post, you might’ve heard, has a story coming out about controversial LSU women’s basketball coach Kim Mulkey. The reason you might’ve heard is because Kim Mulkey told you. The Tigers coach read a fiery prepared statement just before her team started the Women’s NCAA Tournament. In the statement, Mulkey threatened to sue The Post for defamation before the first word was even published.

Now, I’ve never run a public relations firm but that did not seem like a good idea. The Washington Post story on Mulkey is one of the bigger stories in sports right now and nobody even knows what’s in it. The reason the story, apparently unflattering to Mulkey, is even on anyone’s radar screen is Mulkey herself.

It all started with an innocuous social media post by Sports Illustrated’s Pat Forde right in the middle of the most anticipated two days in sports, the NCAA Tournament Round of 64. On his X account, Forde posted: “Hearing some buzz about a big Washington Post story in the works on LSU women’s hoops coach Kim Mulkey, potentially next week. Wagons being circled, etc.”

You know what generally will go unnoticed at 4:00 on the first Friday of the NCAA Tournament? A post on X about a women’s basketball coach. But don’t tell Mulkey, she saw Forde’s post and decided to fight fire with nuclear weaponry. The result: the average person like me now is really interested in what has Mulkey so incensed. By “average person like me” I mean that I can’t imagine what headline, under normal circumstances, the Washington Post would have to put on a Kim Mulkey story to make me want to read it. Maybe:

“LSU Women’s Coach Discovers Ark of the Covenant”

Or:

“Mulkey Reveals True JFK Assassin(s)”

Perhaps:

“Famed Women’s Basketball Coach Reveals the Mystery Behind Slow Drivers in the Left Lane”

Literally any of those catch my attention more than whatever will likely be the Washington Post headline about Mulkey. But now Mulkey is “Mad as Hell and is not going to take this anymore” so I now have an interest I would never before have had in this story. It has been fascinating to watch the online speculation about the subject of the article and all we really know, as of now, is that it will be written by Kent Babb. This is a dream come true for Babb; he writes an article that is, presumably, not flattering about Kim Mulkey and, before it is even published, she gives the article the greatest commercial anyone could give it. Babb couldn’t have entered into a business agreement with Mulkey and had this turn out better for him.

For those who don’t follow Babb, he is a former NFL reporter who now is an award-winning writer for the Washington Post. In his 14 years with The Post, he has written sports features and authored a couple of books. One of those sports features stories was a deep dive into what he viewed as a large inequity in the level of pay for LSU head football coach Brian Kelly and his LSU players. It is this piece Mulkey described as a “hit piece” and, based on that piece, referred to Babb as a “sleazy reporter.” Babb, and many others, resented the fact his story was labeled as a hit piece. In fact, Babb essentially confirmed he was the author Mulkey was referencing when he shared the original article on X with the comment: “Hit piece?”

Whether a printed piece or a recorded interview, I can’t imagine a better promotion for it than the subject of the interview threatening a libel/slander lawsuit, especially before it is even released. That simply screams “This piece is salacious!!” Also, libel and slander suits get settled all the time, right? Of course they don’t, they seem to never even get filed. That little thing called discovery is a scary thing for most public figures.

The NCAA Tournament has been very entertaining, and I think the Sweet 16 and Elite Eight will be terrific. For only the fifth time ever, the top two seeds have advanced to the third round which sets up for a remarkable weekend. For me, I guess it will now include a Washington Post article, not a sentence I’d normally say.

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