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Greg Olsen Learned Broadcasting Grind From the XFL

“It wasn’t until that 5-week XFL stint that I saw the monotony of the week after week.”

Ricky Keeler

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Greg Olsen

Before 2020, current lead FOX NFL analyst Greg Olsen didn’t know what the grind of a broadcaster necessarily was. It was when he and Kevin Burkhardt were calling XFL games during the pandemic-shortened 2020 season that he learned about a different aspect of the industry.

Olsen was a guest on The Ryen Russillo Podcast this week and he mentioned how the XFL taught him about the week-to-week grind and some of the monotony that can come with that role compared to the one game a year he would do on his bye week in 2017 and 2019.

“It wasn’t until I did the XFL 2.0. Kevin and I were partners back in 2020. We called the first 5 games of that season. Until that point, I never was in week after week after week. You come home on a Sunday, you regroup on a Monday, and you dive back into next week’s prep and you get ready to go back on the road.

“It wasn’t until that 5-week XFL stint that I saw the monotony of the week after week. You come off the high of calling a great game. It’s just like as a player. Tomorrow that game is over, you’ve got to get ready to do the next one. That was really the first time this isn’t something you just prep for one time, you check the box, and move on.”

Olsen mentioned that while calling the games and doing the preparation is fun for him, he knows that you have to treat the analyst role as a full-time position because if someone isn’t prepared before being on air, people will notice.

“Calling the games, preparing for the games, that was a blast. I always loved that part of it. You have to really come to grips with if you are going to do it and you are going to do it right, this is a full-time gig. If you are not prepared and if you are not into the game, especially in today’s world, people can tell and they know and they are not shy of telling you how they feel.”

Of course, even if someone is fully prepared with as many notes as possible, a sporting event can take many twists and turns. Olsen talked with Russillo about how the broadcast crew goes through all possible contingencies to be prepared for anything that can happen.

“One of the coolest challenges, but also one of the more difficult ones of calling the live game is we prepare all week. You know the depth charts, game stories, injuries, game styles. Just as a player, you can do all the prep you want. When that ball kicks off, you are following a live game that you really don’t know which direction it’s going to go.

“That’s why we work out all these different contingencies, all these storylines. If the game takes one of those paths, you’ve put some forethought. You have no control over the game. For 3.5 hours, you are reacting to a live football game and you have to prepare for wherever it goes.”

Burkhardt and Olsen did a chance to call their first Super Bowl back in February and the former tight end knows it is going to take a while for people to get accustomed to the duo calling the big game because they might have just heard them for the first time this year.

“It sounded new and sounded different because it is. People have obviously heard Kevin for longer than me. Unless you watched a bunch of Dallas Cowboys 1:00 PM games last season, we were getting those doubleheader where we would have pretty good-sized audiences, but we did no playoff games, like 2 primetime games on NFL Network.

“Our crew, as the B crew, wasn’t calling 4:30 Green Bay-Dallas with 40 million people. It just wasn’t our gametime. I think people this year, a lot of them just heard us for the first time. It’s voices that you weren’t accustomed to hearing. You were accustomed at 4:30, turning it on and hearing Joe and Troy. It just becomes ingrained in your mind.

“I remember as a kid growing up and you hear Madden and Summerall. You just hear the voices you are accustomed to hearing and over time, you just say those are the games when I hear the voices, I absolutely relate it to this must be a big moment.”

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Sports TV News

ESPN Sees Larger Than Average Audience For Big City Greens Classic

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ESPN aired Tuesday night’s New York Rangers and Washington Capitals game. DisneyXD and Disney Channel aired an alternate broadcast that included players being 3D animated to resemble the cast of Disney Channel’s popular cartoon Big City Greens. It turned into a ratings win for the networks.

The alternate broadcast featured players animated in real time to mimic what was happening on the Madison Square Garden ice. Players were equipped with special chips in the padding to aid the animation, and special pucks were used to ensure a smooth transition from video to computer-animated graphics.

An average of 589,000 viewers tuned into the game on ESPN. Meanwhile, nearly 175,000 watched the broadcast between Disney Channel and DisneyXD.

The figure for ESPN represents its largest NHL broadcast since a November 1st broadcast featuring the Pittsburgh Penguins and Boston Bruins.

The combined total for the broadcast — 765,000 — outdrew the World Baseball Classic broadcasts but did not top the NCAA Tournament’s First Four round that was broadcast on truTV.

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Sports TV News

Greg Gumbel: I’m Lucky That I’ve Never Been Fired

“I worked for some people who didn’t like me, I’ve worked for some people I didn’t like. It’s a strange business, there’s no doubt.”

Ricky Keeler

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Greg Gumbel

This week, it was announced that Greg Gumbel will no longer be a play-by-play announcer for the NFL on CBS after working on CBS’s NFL coverage every year since 1998. Gumbel has had an illustrious career and he takes pride in the fact that one thing has never happened to him.

Gumbel was a guest on the Tell Me A Story I Don’t Know podcast with George Ofman (Part 2 from an interview back in September) and he told Ofman that while he has never been fired before, but he doesn’t think broadcasters should be embarrassed when they get fired because of what the business is.

“It’s the nature of the business. I honestly think I’ve been extremely fortunate in that I’ve never been fired in a business that is known for firings. Being fired in this business is no shame, no embarrassment because it’s a subjective business. Because this guy at this network likes my work, it doesn’t mean that this guy at that network does. It’s extremely subjective and if you can buy that and understand it the way it is, then it shouldn’t bother you at all.

“It’s never happened to me. If it had, it would not have surprised me. I worked for some people who didn’t like me, I’ve worked for some people I didn’t like. It’s a strange business, there’s no doubt.”

Gumbel has been the host of CBS’s NCAA Tournament coverage for the last 25 years and he knows it’s a job that he is very grateful to have.

“I know there are people who would give their right arm to be sitting there next to Clark Kellogg and Seth Davis on Selection Sunday or sitting next to Kellogg, Kenny Smith, and Charles Barkley when the tournament begins to talk about what we’ve just seen or what we are going to see. I am never, ever going to take for granted the fact that I have been very fortunate to be able to do that.”

One thing Gumbel tries to avoid whenever he is on air is the mispronunciation of someone’s name because he knows how it feels to have his name distorted accidentally by some people.

“Pronunciations are important to me. There’s been a lifetime of people who may not completely mispronounce my name, but distorting it a little bit from time to time. I never want to do that to an athlete. If I ever mispronounce an athlete’s name, I hear it from his family, I hear it from the school or the team and I apologize for it as soon as I can. I don’t think that is something light or should be taken for granted.”

Toward the end of the interview, Gumbel was asked by Ofman when he will know it will be time to end his career.

“Other people have given it more thought than I have. I think when that time comes around, it will hit me over the head more than I will think about it. There are people who ask me why I still do what I do. The very bottom line is I love it, I enjoy it.”

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Sports TV News

Diamond Sports Group Misses Arizona Diamondbacks Rights Payment

It is believed that the missed rights payment by Bally Sports Arizona triggers a clause in the contract that reverts the television rights back to the Diamondbacks and Major League Baseball.

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Last week, Diamond Sports Group — operator of the Bally Sports-branded regional sports networks — claimed it had paid every rights fee it was contractually obligated, except for the Arizona Diamondbacks.

At the time, the company said it had a grace period until it needed to make a payment. That payment was due by Thursday, March 16th at 11:59 PM. That time has come and gone, and the company failed to deliver its fee.

It is believed that the missed rights payment by Bally Sports Arizona triggers a clause in the contract that reverts the television rights back to the Diamondbacks and Major League Baseball.

The Diamondbacks are not the only team affected by the situation. Bally Sports — which filed for Chapter 11 bankruptcy earlier this week — has also reportedly entered a grace period with the San Diego Padres. According to a report from Sports Business Journal, that grace period ends on March 30th, baseball’s Opening Day.

Previous reporting claims that contract is one the network hopes to get out from under. The company loses a reported $20 million per season on its television deal with the Padres. The Cincinnati Reds and Cleveland Guardians are the other two baseball franchises the network holds the rights to that it hopes to terminate deals for.

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