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Mike Florio Proves He Can Tell Any Story He Wants to With Father of Mine

“I think pride can be a very dangerous element when you’re talking about something like this. I think you have to be willing to go back and push yourself to make it better.”

Derek Futterman

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In 1973, mob rule was commonplace in small towns such as Wheeling, WV and it engendered immense levels of fear and anxiety among residents. On one hand, some people chose to join the mobs while others were influenced by the actions of those groups. Some of the groups garnered a familial sense in that progeny followed in the footsteps of their kin, most of them accustomed to it as a way of life; however, some former mob members recognized the err of their ways and tried to discourage others from entering it.

Take Johnny Mesange, for example, who left his life in the mob and is now watching his son J.J. Jenkins begin to immerse himself in the lifestyle. He is not sure how to feel about him joining mob boss Paul Verbania and falling in love with his mistress Leslie Fitzpatrick, a haphazard decision caustic to the safety and wellbeing of he and others in the community.

Although the story told in the forthcoming book Father of Mine is fictional, its contents are based on true events. In fact, the idea for the story was contrived by Mike Florio – an NFL commentator on NBC Sports and owner of ProFootballTalk – when he was in a deep slumber on the night of his birthday. In the middle of the night, he began experiencing a particularly vivid dream about his father, who really had been a bookie for a mob in Wheeling.

“When you wake up, it was like you actually lived it but it was so ridiculous that it doesn’t make any sense, and if you try to tell somebody about it, nobody cares,” Florio said. “It was one of those moments, but it had elements in it that made me think, ‘You know what? In a weird sort of way, there’s a story to be told in all of this.’”

In June 2020, the sports world had come to a screeching halt due to the unmitigated spread of COVID-19. While sports eventually did make their return, most did so without fans at venues, and there were a litany of rules and regulations in place to ensure participants and employees would remain healthy. The National Football League was in the midst of its offseason and working to safeguard its players and personnel for the upcoming season. 

There were no offseason programs across the league over that summer. With an inordinate amount of free time on his hands, Florio, who had authored various other nonfiction books about the sport, decided to write a fictional story in a first person point of view. His ability to be receptive towards criticism and the exactitudes in the passion he has for storytelling resulted in changing course entirely after the first draft, introducing perspectives from other characters to effectuate a broader parlance and understanding of the situation.

“This thing’s had a three-year life cycle where it goes from the original draft, and it’s hard to be critical of your own writing because your inclination is, ‘I put all this time into it; why would I tear it down and rebuild it? I’ve already put the time in; I’ve already done it,’” Florio expressed. “I think pride can be a very dangerous element when you’re talking about something like this. I think you have to be willing to go back and push yourself to make it better.”

Throughout his life, Florio has been an avid reader and possesses an unquenchable thirst for knowledge, whether it be about professional football or extraneous topics. He wants to make an impact on readers and hopes to establish himself as a trusted, reputable storyteller in works of imagination, fact-based reporting and erudite opinement alike.

“I know how I enjoy the experience of having a book that gets me immersed and engrossed,” Florio said. “I don’t want to put it down, but I also do want to put it down because I’m going to finish it and then I’m going to have to find something else to read. I know how hard it is to find a book that sparks that kind of zeal to just get fully immersed in it.”

While Florio had a nascent interest in football and grew up watching myriad contests, he never pursued a career in sports media and effectively stumbled into it by accident. He attended Carnegie Mellon University where he graduated with multiple degrees focused in engineering, and enrolled in West Virginia University to study law. When he began studying the law, it was the first time in his young life Florio saw any clarity about his future, and he proceeded to have great success in the profession.

In April 2000, Florio remembers discovering NFLTalk.com through AOL, a website featuring digital articles about players and teams across the National Football League. He would often consume it during his lunch break, and had the perspicacity to send the website a writing sample on a whim when it advertised openings. As an attorney practicing labor law, Florio was familiar with what it took to compile the information and testimony necessary to conceive a thorough discernment of events and how to evoke congruent imagery in the courtroom.

The storytelling he was transitioning into pertained solely to professional football writing for a completely different audience. Having that awareness guided Florio on how to transmit information, intersperse opinion and appeal in a clear and concise manner. Few people outside of the legal spectrum generally engage with content in courts – reporters, scholars and students notwithstanding. The parlance imbued in the American legal system greatly contrasts with that of quotidian patois, posing a quandary to Florio about how to define “good writing.” Answering this question has been essential in building a successful, multiplatform career spanning sports media and now, fiction writing. The answers he has found have formed the basis on which he constructs every piece of content he produces.

The premise can be thought of in a variety of ways. Some would say good writing includes a strong lexicon and command of the English language; others would argue it is less about the language and more focused on fostering a connection with the audience. Experienced writers find their niche and establish distinctive styles conducive to the task at hand, but most do not discover this on their first day. In taking an atypical path into a dynamic industry predicated on promulgating news, opinion and analysis as it pertains to sports, Florio knew that no matter his style, he needed to keep people interested. For inspiration, he looked to various mentors in sports media, including Peter King of NBC Sports (formerly of Sports Illustrated), but did not want to perturb those in the industry and usually embarked on new endeavors through trial and error.

“I was always kind of an interloper and a disruptor, and I really wasn’t looking for mentors in the classic sense because I was coming into an established business through a new pathway that people in the established business probably didn’t appreciate,” Florio said. “I always kind of kept to myself and tried to make my own way.”

One person Florio considers a bonafide mentor is Bruce Springsteen, one of the most beloved rock artists and live performers ever.. Despite not being able to read music, he is a savant when it comes to sketching out melodies and pairing them with metrical, compendious poetry. What makes Springsteen an icon though, is undoubtedly his stellar consistency, and it is something to which aspiring and existing sports media professionals can take heed.

“That’s required musical catalog for any sports writer,” Florio said of Springsteen, who recently became the first artist to have a No. 1 album in five consecutive decades. “It’s an artist I’ve discovered just in the past few years. There is such a brilliant simplicity in his lyrics, and that has really been a guide for me. As you construct a story, it doesn’t have to have big, flowery words to be good writing. It’s just how you tell the stories; how you press the buttons of the reader; and how you get them engaged in turning one page to the next.”

Especially in today’s era where people generally garner disinterest towards monotonous content, it is crucial that authors captivate consumers at the start of a piece of content. That is what Florio wants from every piece posted at ProFootballTalk

“The most important relationship is the relationship with the audience,” Florio said. “To me, that’s more important than anything else – it has to be one that’s founded on trust, authenticity, originality and ultimately giving the people what they want. I think one of the reasons so many media outlets have failed over the years is they get mixed up in failing to give their audience what their audience wants.”

At the same time, Florio and other columnists need to stay aware of the circuitry of information, meaning they cannot devote all of their time on one topic. Since 2004, Florio estimates he has written tens of thousands of columns for the website – about 12 to 20 per day – and has worked every day to curate and produce compelling and engaging content to serve the audience. The impermanence of today’s reporting keeps Florio motivated to stay in the cognizance and psyche of readers, while simultaneously inspiring him to embark on long-term projects with the intent of fixating himself in the content ecosystem.

“Everything I write today is meaningless by tomorrow,” Florio said. “Everything I write tomorrow is meaningless by the next day. Nobody’s going back and reading something I wrote from six months ago saying, ‘Wow, that’s a really great, well-crafted and well-formed story that you have there.’ No, it’s meaningless. All they want to see is what you’re writing today because it’s driven by the information you’re providing.”

Florio hopes his book serves the same purpose — as an outlet for people to take enjoyment and find an escape in their day, but he wants the story told in Father of Mine to have a little more staying power both for the audience and for the culture at large.  

One venture he has not had the opportunity to become involved in is the world of cinematography. While it is largely out of his control, making it to the silver screen is a goal Florio has for himself, along with interspersing his creative expertise.

“I think anybody that writes a novel likes to think of how it would look if it were a movie or a TV show,” Florio said. “A lot of what we consume comes that way, and I think everything I’ve written would be conducive to something like that.”

Whether it is as a lawyer, journalist or entrepreneur, Mike Florio has followed a basic principle – outworking his competition in order to find success. Through it all, he has built meaningful and enduring relationships, and stayed true to himself. As his book, Father of Mine, prepares to hit shelves on April 25, he will pause to recognize the moment but quickly pick up a pen and resume masterfully crafting and telling stories in a variety of different ways. All of it hinges on the ability to create and maintain relationships.

“The challenge is to do your job the right way without undermining relationships, and that can be difficult from time to time,” Florio said. “People do have hard feelings, and sometimes you do damage that has to be undone and sometimes you have some difficult conversations.”

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Jen Lada Has Built a Multiplatform Presence at ESPN

“I always say my job is to make the viewer care about somebody and root for somebody that they might ordinarily not root for or care about.”

Derek Futterman

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Jen Lada
Courtesy: Phil Ellsworth, ESPN Images

When Jen Lada appeared on Around the Horn earlier in the month, she became the 58th panelist to be part of the program since its launch in 2002. Facing off against three other panelists from around the country, she garnered a victory in her on-air debut and elicited plaudits from her colleagues. Throughout the program, Lada demonstrated her deft sports knowledge and nuanced opinions that have crafted her into a venerated, skilled reporter at the network.

Although she had appeared on many ESPN programs previously, Around the Horn represented a show to which she wanted to contribute for many years. In fact, she has memories of watching the show just out of Marquette University and remarking about its brilliance and ingenuity.

Utilizing reporters with comprehensive knowledge of various sports who have chronicled several events, the show provides them an opportunity to give their opinions on issues and engage in debate with their contemporaries. Lada earned a spot on the show by being persistent, continuing to express her proficiency in commentary and sports discussion. The journey to arrive at this stage of her career, through which she has realized high-level assignments and a presence both at the local and national level, required adaptability and fortitude, and she continues to never take opportunities for granted.

“It’s great that I won, but it just sets the bar really high for the next time I go out there, which is not something I’m afraid of,” Lada said. “I love a challenge, and I love proving to myself that I can keep trying new things and doing new things well, and I hope that if people see me as some sort of example in the industry, that that’s what they walk away with.”

The approach adopted by Lada within her multifarious career ventures is to develop and maintain versatility, always innovating within her approach to content. As she looks to build off her initial victory on Around the Horn, she aims to be more compendious in her discourse and applying a more succinct approach. Making the adjustment in order to deliver compelling, distinctive points quickly differs from her other work, but it is all ultimately centered on sports.

While studying at Marquette University, she observed her classmates having a conversation about the men’s basketball team and what had happened in a recent game. Lada, who at the time was dating a player on the team and cheerleading at games, began to give her thoughts and was subsequently asked if she had ever considered sportscasting.

“I didn’t know that women could be sportscasters,” Lada said. “It wasn’t on my radar as a real career that women held because there were so few of them at the time doing it, and so once I realized that that was something I could do, then I kind of turned all my attention to, ‘Well, how do I make this happen?’”

As Lada began to complete internships and navigate through the media industry, she learned to develop a thick skin and refined her conduct. Out of school, she had completed a year of a non-paid sports internship and was waitressing on the side to pay the bills. The first interview she took for a job at a television station in a top-10 market ended with her being sexually harassed. It was a jarring experience that disappointed Lada because of her propensity to give people the benefit of the doubt, and it also forced her to evaluate her own disposition.

“I think it’s only natural that you wonder how you contributed to the circumstance or what you could have done differently to maybe not put yourself in that space,” Lada said, “but I was very lucky that when I told my family about what had occurred, they very quickly knocked any notion of that out of my head.”

In navigating the industry with good intentions, Lada recognized that it is not her fault if other people fail at treating others professionally and create a misogynistic work environment. Receiving the lesson early in her career has made her more aware of the people to avoid, and she remains wary of advice given to women in the industry that they should just be nice. Lada was recently on a panel where someone advised a broadcast class that being nice would result in things working out for them in the future.

“I felt myself cringing internally because I don’t think that that is a luxury women are afforded,” Lada said. “I don’t think – maybe now is different, but when I was coming up, and I’ve been doing this for more than 20 years, there were people who preyed on niceness. And so the way that I would tweak that is to be professional; to carry yourself in a professional manner and recognize that sometimes being ‘traditionally nice’ puts a target on your back to be mistreated, and the best thing you can do is alert those people who would see you as a target that you’re not going to fall victim to that or you refuse to be victim to that.”

Lada joined ESPN in 2015 where she was hired to contribute to Colin Cowherd’s radio program. When Cowherd left the network and joined FOX Sports on a full-time basis, she started co-hosting a new, national program alongside Jorge Sedano. The show, however, had an evanescent run and left her feeling as if she had failed.

It took her a full year to recognize that she had been involved in a series of circumstances and decided to enact the necessary change, asking producers for advice and attending seminars. One of these was an interviewing course hosted by journalist John Sawatsky where he synthesized the art of the craft. Akin to when she was in college, she overheard in passing that the network needed more women in the features space.

“I was fortunate enough to have done a lot of features during my time in Milwaukee because we had a 9 p.m. newscast that required a local sports feature every night of the week, so between our three-person department, we had to fill that timeslot,” Lada said. “I had done a lot of lengthy sports features in Milwaukee [and] had a good foundation of what that job required.”

The meeting led to Lada doing features on an interim basis at the network and later granted her a spot on College GameDay, where she works as its features reporter. Lada presents stories every week to the audience that go beyond the gameplay and divulge a bigger picture.

“I always say my job is to make the viewer care about somebody and root for somebody that they might ordinarily not root for or care about,” Lada said. “One of the things that has occurred to me over the last few years is just what a skill is required to do that job well because not only are you preparing questions to ensure that you have all of the details and information, you’re also gathering perspective on what they’ve been through – the adversity and the situation that has led them to where they are now.”

Lada recently found herself in a high school classroom at 8 a.m. sitting with other students taking the ACT standardized test. She had to complete the exam as punishment for finishing last in fantasy football at ESPN Milwaukee this past season. After four hours, Lada emerged from the school and revealed her score this past week on the Jen, Gabe, and Chewy morning show. Hosting the local program alongside Gabe Neitzel and Mark Chmura, she has established chemistry over almost four years in the three-person format discussing hyperlocal topics.

“I try to be conversational,” Lada said. “We don’t lean on stats – obviously, we want to be accurate, and we want to be, again, fair to the subjects we’re talking about, but we try to also just be friends who are talking about what’s going on on any given day on the Milwaukee [and] Wisconsin sports scene.”

In balancing a variety of different roles, Lada has tried to master everything that she is doing, refraining from being content with her abilities. Although working in local radio regularly has been a newer role for her, she has grown into the job and has co-hosts who understand the subject matter and allow her to utilize her strengths.

“I just want to keep learning,” Lada said. “I’m not satisfied with what I’ve done, [and] I’m not complacent about the skills I have. I’m always interested in adding more jobs to the résumé, and I think that in this industry, you’re rewarded for versatility.”

Once College GameDay commences, Lada adds the responsibility of feature reporting on that program to her schedule and continues making appearances across additional ESPN programming. Lada hosted the Friday edition of College Football Live last season and has also filled in as a host on shows such as First Take and SportsCenter. Moreover, she continues to complete projects for SC Featured and is working on a documentary for E:60 scheduled to premiere later in the summer. 

Lada aims to keep showcasing her indefatigable work ethic and passion for the craft without slowing down. Whether it is hosting a podcast, taking part in more panels or writing essays, she is open to exploring new forms of disseminating stories.

“I have a lot of knowledge and experience rattling around my brain, [and] I think the next iteration is figuring out a way to continue passing those experiences on to the next generation.” Lada said. “I don’t ever want to gatekeep the secrets of success – I think that’s selfish – so as I continue to do the media work, I think the next phase for me is figuring out how to pass a lot of these lessons on to future broadcasting generations.”

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Local Radio Advertisers Can Become Experts with Hosted Shows and Interviews

Overall, local radio interviews and talk shows can be a strategic and effective way for a local expert to enhance their business, build their reputation, and connect with the community.

Jeff Caves

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Photo of people talking on the radio

When looking for that extra edge for local radio advertisers, packaging radio commercials with an “expert” client-hosted talk show or interviews on your local shows or newscasts can be a game-changer. This strategy can build long-term business relationships with suitable clients, such as lawyers, business accountants, agents, psychologists, or sports handicappers. These professionals can provide valuable editorial contributions to sports and news stations. Of course, the expert must have good communication skills, be comfortable speaking their mind, and be ready to be the face of the business.

The radio commercials can tout the expertise the person has and give a call to action for listeners to move on. You can often find these experts on social media writing blogs or doing a series of vignettes about their business. For these types of clients, engaging in local radio news interviews or hosting a 1-2 hour talk show can enjoy several advantages:

Visibility and Brand Recognition

Visibility and Brand Recognition: Regular appearances on local radio help the expert become a well-known figure in the community. This visibility can lead to increased recognition and brand awareness and is a much faster track than just blogging on social media. Attorney Bill Handel and his ” Handel on the Law” show have created a directory business for Handel.

Public Trust and Credibility

By sharing their expertise and providing timely insights, the expert can build trust and establish credibility with the audience. Being perceived as an expert can enhance any client’s reputation and create top-of-mind awareness needed to lead business categories.

Client Acquisition

Listeners impressed by the expert’s knowledge and demeanor may seek their services. This exposure can lead to new clients who might not have been reached through other forms of advertising and give credibility to the expert who uses social media.

Community Engagement

Engaging with the local community through radio shows helps experts connect with potential clients more personally. This can foster a sense of community and loyalty. Question and answer segments can lead to deeper connections.

Educational Outreach

The expert can educate the audience on various issues, which can empower the audience. An informed audience is more likely to recognize when they need the expert’s assistance and whom to contact.

Stand Out in a Crowd

Stand out in a crowd: Being active on local radio can set the expert apart from competitors who may not use local radio. Often, the local shows or interview segments are exclusive to the expert.

Immediate Audience Feedback

Interacting with the audience through call-ins or live questions provides immediate feedback and allows the expert to address common concerns directly in real-time. The expert can be of service NOW.

Professional Development

Regularly discussing current topics can keep the expert sharp on trends and issues, contributing to their ongoing professional development.

Networking

Local radio stations often have a vast network of listeners and other professionals. This can open doors to new professional relationships and opportunities for collaboration. The station also provides a loyal audience who typically don’t follow the expert on social media. But they may start to after hearing the expert.

Overall, local radio interviews and talk shows can be a strategic and effective way for a local expert to enhance their business, build their reputation, and connect with the community.

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‘We Need To Talk’ is Insightful, Intelligent Conversation on CBS Sports Network

The show is not going to be a ratings giant like ESPN’s First Take or offer the decibel level of commentary on FS1’s First Things First, but it is a necessary and unique slice of sports television.

John Molori

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A photo of the women who host We Need to Talk on CBS Sports Network
Photo Courtesy: CBS Sports Network

CBS Sports Network’s ‘We Need To Talk‘ features a rotating roundtable of female sportscasters offering their views on a variety of topics in sports. The premise is important. Female voices in sports need to be heard. They bring perspective, weighty conversation, and thoughtfulness to each discussion.

Over the past few years, women have made major strides in being heard and seen in sports media whether it is hosting, commentary, reporting or play-by-play. This is a good trend, but We Need To Talk is about more than just female talking heads. It’s about insight, depth, and needed attention to athletes and sports that do not bask in the mainstream limelight.

This particular episode featured host AJ Ross joined by Summer Sanders, Katrina Adams, and Renee Montgomery. It was an eclectic and accomplished group with Ross, an experienced and versatile reporter, Sanders, the erstwhile U.S. Swimming star and a broadcast veteran, Montgomery, the former WNBA star, activist, and co-owner of the WNBA’s Atlanta Dream, and Adams, former tennis player, CEO of the United States Tennis Association, and chair of the US Open.

Montgomery got the conversation going looking back on the Celtics winning the NBA Championship. She also made a telling comparison between the Celtics-Lakers rivalry, renewed in the 1980s with Larry Bird and Magic Johnson, and compared it to the current WNBA rivalry between the Indiana Fever and Chicago Sky with Caitlin Clark and Angel Reese. It’s a valid comparison, and Montgomery brought it to life effectively.

The WNBA was up next with Montgomery talking about Cameron Brink, the LA Sparks’ rookie who is making a splash not only on the court, but on the social media and fashion scenes as well.

It should be noted that this episode of We Need To Talk was taped before Brink suffered a season ending torn ACL, but Montgomery’s point was clear. It is not only important to be a great player. Today’s athletes also need to use multimedia platforms to raise their profiles.

Adams segued into a discussion on Wimbledon and No. 2 ranked Coco Gauff. It was good to hear some tennis talk on the airwaves, but this is a hallmark of We Need To Talk. The show makes it a point to move beyond the front-page stories and hit angles and areas that do not get much coverage.

These ladies are not afraid to get in each other’s grills as well. Sanders actually interrupted Adams to start a discussion about the upcoming Paris Olympics, but Adams would not relent and moved forward to an analysis of 2023 Wimbledon men’s singles winner Carlos Alcaraz.

The variety of sports continued with Ross starting a discussion about US track star Sha’Carri Richardson. I’ve been a fan of Ross for a long time. She does an expert job of mixing in her own commentary, while making sure all of the panelists on We Need To Talk get their due time. She’s also multitalented, seamlessly moving from reporter to host to debater.

We Need To Talk takes its roots in diversity with an all-female cast, but there is a deeper variety within the makeup of the cast. Sanders is a longtime veteran of sports, sports broadcasting, and entertainment. Ross is in the prime of her journalistic career. Adams brings perspective as an athlete, administrator, and leader, and Montgomery offers a fresh and contemporary style with her commentary.

Block 2 of the show featured Montgomery and Ross interviewing Naomi Girma of the San Diego Wave women’s professional soccer team. Girma was named 2023 US Soccer Women’s Player of the Year, the first defender to ever win that award. This is what We Need To Talk offers those who watch the show. It is almost like a smaller scale, studio version of the classic Wide World of Sports on ABC, “spanning the globe to bring you the constant variety of sport.”

The interview was managed well with Ross asking meaningful questions and Montgomery enthusiastically following up with her thoughts and input. This edition of the program also featured a wonderfully produced feature story on USC basketball player Aaliyah Gayles.

The talented Trojan hoopster was on the fast track to basketball stardom when, in April 2022, she was shot at a house party in Las Vegas. Gayles required two emergency surgeries to save her life.

The pace, video, and sound bites in the package were equal parts frightening, sobering, and uplifting. Gayles literally had to learn how to walk again as the feature focused on her rehabilitation and eventual return to the USC lineup.

Coming back from a break, the panel engaged in a great discussion on the talent link between collegiate and US Olympic athletes. A graphic showed that 75% of Team USA athletes and 82% of United States medalists played an NCAA sport.

As the discussion expanded, Montgomery talked about the fact that in order to enter the WNBA, players have to complete four years of college or be of the age of someone who has completed four years of college. I actually did not know that. We Need To Talk passes my personal litmus test for important sports television, namely, it tells me something I don’t already know.

Bringing still another sport and recognizable female athlete into the fold, Dara Torres joined the show next for an interview. The 12-time Olympic swimming medalist talked about her new role as head coach of the Boston College men’s and women’s swim and dive teams. Sanders asked a solid question about how, as a world-class athlete, Torres will manage her expectations of the BC athletes.

 As sports continues to meld with social issues, so too does the subject matter on We Need To Talk. Ross introduced a segment on the National Gay Flag Football League. Again, kudos go to the show’s production team for a slick and enlightening feature story. Praise should also go to the program itself for expanding the boundaries of sports and opening up a whole new world of knowledge for viewers.

Following the feature story, Montgomery and Adams made a point that sports unite people and bring diverse groups and personalities together as one. Montgomery is a fast-developing on-air talent. Her wit, energy, and knowledge go far beyond the basketball court making her a rising star in sports media.

The program continued to bring sports and life together by connecting the June celebrations of Pride Month and Father’s Day with an emotional poem written by renowned DJ Zeke Thomas, the son of NBA Hall of Famer Isiah Thomas. This was part of the We Need to Listen segment of the program.

Let’s keep it real. We Need To Talk is not going to be a ratings giant like ESPN’s First Take or offer the decibel level of commentary on FS1’s First Things First, but it is a necessary and unique slice of sports television.

The show consistently provides uncommon subject matter with an inimitable approach and tenor. Check it out when you get a chance and bring an open mind and a joy of sports. They need to talk, and we all need to hear them talk.

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