His thumb hovered over the send button as he re-read his text for the last time. He was strategically sending the message via an app called Cyber Dust, because he knew the two people he was trying to reach were most likely to respond via this platform. As Parker Hillis hit send to both Ben Rogers and Jeff Wade of Ben and Skin, then-at 105.3 The Fan in Dallas, he waited for the moment that would change his professional world.
Hillis’s upbringing as a kid that would later make a career in sports radio is an all-too-familiar one. He was a huge sports fan in the Dallas Metroplex and would often listen to both The Ticket and The Fan while in the car with his father. However, his actual journey into sports radio was the complete opposite of all-too-familiar.
Hillis initially thought his career choice would be in aerospace engineering. That’s why he left DFW for Auburn University after graduating high school. However, even while in Alabama, he was constantly listening to The Fan to keep up with his favorite teams in the metroplex.
After two years, he returned home and enrolled at The University of Texas at Arlington to continue his aerospace engineering pursuit. But a year later he found himself burnt out and in need of a change. Hillis wanted to enjoy his next venture and when he thought about what that would be he came to an easy conclusion.
“That was when my love for sports and connection to sports radio began,” said Hillis.
That’s when Hillis decided to reach out to Ben and Skin via Cyber Dust, now known as Dust. After listening to The Fan relentlessly, he knew the two hosts were tight with Mark Cuban and pushing the new app. He figured his best chance to reach the two would be there.
“The app was like a precursor to Snapchat,” said Hillis. “It’s one of those where you send a message and it disappears after 10 seconds. As I’m listening to those guys, I know they’re invested in this app, and on a whim, I sent both of them a Cyber Dust message, that said, ‘Hey, I’m curious about what you guys do. I don’t have any idea where to start or how somebody would get into your industry. You probably won’t even read this, but I’d love to know if there’s anyway I can come introduce myself, see what you guys do at the station, go behind the scenes and take a look.’”
His intuition was dead on. Quickly after sending both messages, Ben and Skin both responded and got Hillis in touch with their producer.
Soon after, Parker Hillis was changing his major in college to broadcast journalism and was interning at The Fan. His foot was officially in the door.
“The timing of it was perfect,” said Hillis. “I did an internship and finished school. Gavin Spittle and Tim Collins were the ones that hired me on.”
Little did Hillis know at the time, but he was working for his first influential programmer that would help shape his career. Hillis didn’t realize it because his initial pursuit in the business was on the talent side. But after a short time as a producer for shows such as K&C Masterpiece, who was very critical in his quick ascension in the industry, he soon realized how hard it was going to be to get his own show in a major market like Dallas. So once again, he pondered his next move.
“I sat back and asked what I enjoy the most about what I’m doing,” said Hillis. “At that time I was doing a lot of training and working with multiple shows, producing content, producing segments, producing shows and working with our young talent. That’s what I enjoyed doing.”
Hillis decided to lean into the programming side of things and it was the best decision he could have made. That’s where the benefit of having Spittle in the same building really helped. Hillis noted how exceptional Spittle was at developing content, managing relationships with the Dallas Cowboys and Texas Rangers and managing his talent amongst several other things.
“Parker was a Swiss army knife for us,” Spittle said. “We put him in so many positions, and he thrived and embraced all of them both on and off the air. His passion for his teammates and our product was noticeable.”
“The way he develops content is something I really leaned in to,” Hillis said. “The way he would meet with shows and talk through specifically how to build segments. How to be conversational and relational as opposed to just providing information and telling you X and O’s as to what’s going on in the headlines. How he managed both of our partnerships with the Cowboys and Rangers. He actually gave me a ton of insight into those relationships when I was there. I started out just cutting highlights and worked my way up eventually to EP’ing the Rangers and assistant EP’ing the Cowboys and it was really crucial in my growth in explaining, hey, here’s how we handle these situations.”
Parker Hillis is grateful for his experience with Spittle and is quick to say how critical he was in his growth as a programmer. If that wasn’t enough of a blessing, the next step in his career was going to be alongside another well-known programmer.
A connection with Armen Williams is what got Hillis to 104.3 The Fan in Denver. Williams was leaving The Fan for SportsRadio 610 in Houston, so APD Raj Sharan was being promoted to PD. Upon leaving Denver, Williams left Sharan a list of names that would fit for the APD position at The Fan.
“I had built a relationship with Armen, initially,” said Hillis. “When he was in Denver he was looking for a producer of his afternoon show, which at the time was Big Al and D Mac. He reached out to me because we had some mutual connections, he came from The Fan, so he knew Gavin. Kevin Turner had worked with Armen in the past and sent my info along to him. So he reached out to me and we got pretty deep in the process of me going out there to produce that show.”
“But I just got married and promoted at The Fan to basically be working every night with K&C. So it just didn’t work out. But Armen and I stayed in contact after that. So when he left Denver and Raj stepped into his position, he left my name as a reference.”
Sharan essentially cold called Hillis, seeing as the two had no relationship with one another. However, after the application and interview process, the situation clicked for both sides. The kid that had spent the vast majority of his life in DFW was about to leave for the Rocky Mountains.
Hillis soon realized just how different his new market was from Dallas. He was at a place where the Broncos were far and away story number one in town, no matter the time or season. As he listened to The Fan to prepare for his move, he noted he heard one segment in 12 hours of content that wasn’t Broncos centric. Sure, the Cowboys were king in Dallas, but he was also used to mixing in segments involving the Mavericks and Rangers.
“That rocked my world,” Hillis admitted.
But just like he leaned into learning from Spittle, he leaned into learning from Sharan on his new surroundings.
“Raj really forced me to stretch my thoughts on what the industry is and adapt my content and development to meet what the market calls for. A lot of that is building a perception of what you are as a brand. The biggest thing he taught me was brand recognition and development. How do I make myself sound like the biggest thing in town and make myself sound like we’re talking about every single sport, every single segment every day, when in reality we’re catering to the needs of our listeners and creating this perception of how big we can possibly be.”
Those were far from the only things Sharan taught him. Hillis still marvels at Sharan’s creative side and his ability to be proactive and ahead of the curve.
“Raj’s creative side, I don’t know if I’ve met a programmer in the industry that thinks the way that he does,” Hillis said. “He’s so proactive and ahead of the curve. For me, the biggest growth while I was there was working with Raj on dealing with certain situations, creating content, creating imagery in a market that called for something very different than what I was comfortable with.”
It was the perfect relationship to form for what was about to come next. After a series of big breaks, the biggest was about to happen with an opportunity to return to Texas and be the PD at SportsRadio 610 in Houston. It was an incredible offer for someone at such a young age, but with the influence he had picked up and how talented he was, there was no question he was ready.
“Parker had a very clearly defined philosophy and belief in what he wanted his station to sound like,” said Sharan. “He had a very set philosophy and belief on what he wanted. As well as a vision. That’s why I was confident he was going to be successful.”
“You hate to lose a person like Parker, but our clubhouse continues to cheer him on and we are so excited that he rejoined Audacy and a station that is so close to my heart in SportsRadio 610 and their great team,” Spittle added.
Nobody could blame Hillis if he had nerves upon getting to Houston. He was arriving as the new guy at the most established sports radio station in the city. Hiliis knew the success of SportsRadio 610 and realized he wasn’t hired to engineer a complete overhaul. So he approached his first few weeks in a role of hearing out his new hosts.
“It was a lot of listening,” he said. “Even before I set a guideline as to my philosophy on air, my goal was to get to know the hosts, where not only could we talk about content, but we could talk shop. I had to figure out who each of my hosts were before I could give them a directive of what I wanted us to sound like. I made it really clear when I was coming in that I was looking for ways to make sure they were at their best.
“I knew I was the new guy and my baby voice obviously would show in a market like this with guys that have a ton of experience. Seeing a new face probably wasn’t going to be easy, so I made sure I did a ton of listening.”
It was a professional and mature way to handle the first few weeks of his new PD gig. And the hosts at his new station appreciated the opportunity to share their input.
“I thought it was awesome,” said Sean Pendergast, of Payne and Pendergast on SportsRadio 610. “It’s logical, particularly with our show, because Seth and I have had a really good run since Armen put us together back in July of 2019. We’ve been No. 1 in mornings virtually the entire time we were put together. I like that he sat back and listened. There were and are things we want to add and do better, our digital presence is still something that’s being worked on. I was really excited to hear that he skewed younger because I think he’s in tune with the audience that we are trying to attract at the younger end of our target demo. I loved his approach.”
Many will point out sports radio needs more young programmers and ones that are forward-thinking to help push the industry. Parker Hillis fits exactly into that. He’s a young programmer is doing big things in this business. Though he could be one of the faces that helps push sports radio forward for the next several years, in the meantime, his philosophy in Houston is one that has won out consistently.
“The philosophy that I pass along to all of my guys, and the core of what I think makes for good sports talk radio, comes from the connection to the audience,” said Hillis. ”I handle my business on a day-to-day basis with my guys by trying to connect with them as best as I can and I feel like that’s exactly how we should handle our business as we put out to listeners. We have to be more about the headlines, we have to give a connection that allows someone to want to invest in us as much as we invest in this town and market.”
Tyler McComas is a columnist for BSM and a sports radio talk show host in Norman, OK where he hosts afternoon drive for SportsTalk 1400. You can find him on Twitter @Tyler_McComas or you can email him at [email protected].
Tricia Whitaker Will Find The Story That Matters
“My role is to really bring the viewers down to that level of the dugout and into the clubhouse.”
When St. Louis Cardinals designated hitter Albert Pujols hit his 700th career home run in his final season in the majors last September, the baseball world erupted in mass jubilation. Although the milestone achievement occurred during a road game, the fans still showered one of the sport’s quintessential athletes with praise as they witnessed the fourth player enter this exclusive pinnacle of power hitters. For fans watching from afar, they were treated with crisp, vivid footage of the moment since the matchup was exclusive to Apple TV+ as a part of its Friday Night Baseball slate of games.
The game broadcast featured field reporter Tricia Whitaker, who had just joined the Apple TV+ presentations to begin the second half of the season. Being there as one of the voices tasked with keeping viewers informed and captivated by the action was a special experience that she will never forget.
“You’re talking about the best cameras in the entire world capturing one of the most iconic players ever,” Whitaker said. “I thought the call was amazing; I thought the quality of the shots was amazing [and] I’l never forget that broadcast, ever, because it was so cool.”
Whitaker grew up in Bloomington, Ind. and would journey to Wrigley Field with her father once per summer to watch the Chicago Cubs. Through those games, she realized that a ballpark was her ideal future workplace.
“We just didn’t have a ton of money, [so] I would sit in the nosebleeds with him once a summer and that was the biggest treat in the world,” Whitaker said. “I just realized that I loved telling stories and I loved sports, so I decided to do that.”
Whitaker’s journey in the industry genuinely began as an undergraduate student at Indiana University Bloomington where she adopted a mindset to seize any opportunities offered to her. Despite having no knowledge or previous reporting experience, she accepted a role to cover a tennis match and quickly started preparing. After one of her professors saw her nascent media acumen, they recommended she audition for the university’s student television station to hone her skills. Whitaker earned a spot and began covering Indiana Hoosiers basketball and football for the show Hoosier Sports Night. From there, she simply kept on accepting anything in her purview.
“Your best asset is your availability, so I basically just said ‘Yes’ to everything,” Whitaker articulated.
Once it became time to search for a full-time position, her experience and tenacity helped her land a role at WBAY-TV in Green Bay as a sports reporter and anchor. After two football seasons working there, Whitaker relocated closer to home to report for WTTV-TV Channel 4 in Indianapolis. The time was valuable for her to cultivate new relationships with those around the industry while strengthening existing ones, serving as a foundational aspect of her reporting.
“If they don’t trust you to tell their stories, they’re not going to talk to you,” Whitaker said. “You have to be able to have a good relationship with the players; with the coaches and everybody involved.”
At the same time, Whitaker felt compelled to make a lasting contribution to Indiana University through teaching and inspiring the next generation of journalists. She is now an adjunct professor for the IU Media School and wants her students to know how integral it is to make themselves available while being open and willing to try new things to make inroads into the profession.
“There’s always a story to be told, so even if it’s a random event that you don’t think anyone’s paying attention to, there’s people there; there’s human stories and their stories matter,” Whitaker said. “That’s what I always try to tell my students is [to] just find that story that makes people interested in it and find that story that matters.”
Over the years working in these dual roles, Whitaker became more skilled in her position and proceeded to audition to join the Tampa Bay Rays’ broadcast crew on Bally Sports Sun as a field reporter. When she received news that she had landed the coveted job, she remembers starting to cry in her closet while trying to organize her clothes. After all, Whitaker had just learned that she would get to perform the role she idolized when she was young. The access her role gives her to the players and coaches on the field is not taken for granted.
“I’ll interview hitting coaches about a guy’s hands and where they’ve moved and about his stance,” Whitaker said. “….In the next hit, I’ll tell a story about a guy who drinks a smoothie every day before the game and he feels [that] putting spinach in it has really made a difference or something like that. My reporting style is pretty much all of it, but I do like to do the human interest stories more than I like to do anything else because I think that’s unique.”
After each Rays win, Whitaker takes the field and interviews one of the players on the team. Earlier in the season, she remembers speaking with Rays outfielder Jose Siri after he drove in three runs against the Detroit Tigers; however, the broadcast was not on Bally Sports Sun. Instead, she was doing the interview for Friday Night Baseball on Apple TV+, a national broadcast property the company pays MLB an estimated $85 million annually to carry. Going into the interview, Whitaker knew that she would need to appeal to more than just Rays fans and appropriately started the conversation by asking about the game.
Yet she also knew that it was “Salsa Night” at Comerica Park in Detroit and thanks to her work with the regional network, was cognizant of the fact that Siri likes to dance in the dugout. As a result, she concluded the interview with a request for Siri to demonstrate his salsa dancing skills, something that made an ordinary conversation stand out.
“I tried to personalize it a little bit to help people get to know Jose Siri a little bit better because I think that’s important,” Whitaker said. “….You make sure you talk about baseball, but then you add a little flair to it; add a little personality to it. Everybody loves salsa, right?”
The Apple broadcasts require Whitaker to prepare as she executes her role with the Rays, keeping her wholly invested and consumed by baseball. There are occasions where she is afforded the luxury of reporting on Rays games for her Friday night assignment, but they are rare. Therefore, she needs to become familiar with two teams by reviewing statistics, reading local reporting and conversing with those involved. She keeps her notes on her cell phone and makes lists of what she is going to do during the day to keep herself organized and focused.
Throughout the week, Whitaker actively prepares for the Friday night matchup and meets with her producer to contribute her ideas and learn about the macro vision of the broadcast. The Apple broadcast, aside from using high-caliber technology, also regularly equips microphones to place on players that allow viewers to hear what is transpiring on the field. Whitaker, along with play-by-play announcer Alex Faust and color commentator Ryan Spilborghs, coordinate with the production team throughout the game to present an insightful and compelling final product.
There was criticism of the Apple TV+ live game baseball broadcasts during its inaugural season, but the noise continues to diminish in its sophomore campaign. Whitaker views her role as accruing a confluence of stories about the game and more insightful looks at the personalities on the field. Before each contest, she interviews a player in the dugout and asks questions that put the season in context, granting a comprehensive understanding about a subset of their journey.
“We try to get their thoughts on the season so far at the plate, but also try to get to know them on a personal level,” Whitaker said. “My role is to really bring the viewers down to that level of the dugout and into the clubhouse.”
It is considerably more facile to execute such a task before the game than it is during gameplay because of the introduction of the pitch clock. While it has undoubtedly sped up the game and made the product more appealing for fans of all ages, its actualization threatened the viability of unique aspects of baseball broadcasts. The Apple TV+ crew may work together once per week, but over a 162-game season spanning parts of seven months, there is a perdurable bond and unyielding chemistry evident therein.
“Everybody on that crew – and I seriously mean this – is so supportive no matter who you are as long as you do your job well,” Whitaker said. “They don’t even think about the fact that I’m a female in sports [and] they just support me. They help me take constructive criticism because they care and because they truly see me as an equal.”
Whitaker has had the chance to report from Wrigley Field with Apple TV+ and vividly remembers her experience of stepping inside as a media member for the first time. It was a surreal full-circle moment that has been the result of years of determination and persistence to make it to the major leagues.
“I walked into Wrigley and I started to tear up because I remember when my dad and I used to go there and I was 12 years old,” Whitaker stated. “If you would have told me at 12 years old [that] I would be doing a national game at Wrigley, I would have told you [that] you were lying because I just wouldn’t have thought that was a possibility.”
Although Whitaker is receptive to potentially hosting regular sports programming in the future, she has found the joy in her roles with both the Tampa Bay Rays and Apple TV+. Being able to experience historic moments, including Pujols’ milestone home run, and then diving deeper into the situation makes the countless flights, hotel stays and lack of a genuine respite worthwhile. She hopes to continue seamlessly fulfilling her responsibility this Friday night when the New York Mets face the Philadelphia Phillies at 6:30 p.m. EST/3:30 p.m. PST, exclusively on Apple TV+.
“There’s always a story to be told, and if you’re good at your job, you’re going to find that story even on a day where you’re like, ‘Oh gosh, there’s nothing going on,’” Whitaker said. “I take that pretty seriously.”
Derek Futterman is a contributing editor and sports media reporter for Barrett Sports Media. Additionally, he has worked in a broad array of roles in multimedia production – including on live game broadcasts and audiovisual platforms – and in digital content development and management. He previously interned for Paramount within Showtime Networks, wrote for the Long Island Herald and served as lead sports producer at NY2C. To get in touch, find him on Twitter @derekfutterman.
Radio Advertising Can be the Secret Weapon For In-House Digital Marketers
“The trend of businesses gaining digital marketing proficiency presents a unique opportunity for YOU.”
Remember when in-house marketers were primarily focused on traditional media and needed help navigating the digital and social media landscape? Well, the tables are turning!
The rise of digital-savvy in-house marketers is opening up exciting opportunities for radio ad salespeople. As local businesses increasingly invest in digital marketing, some are fiding they need your expertise in radio advertising.
Borrell Associates has released their latest Business Barometer, and included in the findings was a slight but noticeable shift favoring traditional forms of broadcast media. Let’s dive into how sports and news radio ad salespeople can leverage this shift to target businesses with proficient digital marketing people on board who may need to know more about the potential of radio advertising.
1. Digital-Marketing Trending UP!
Borrell Associates’ recent findings indicate that businesses are increasingly proficient in digital marketing. They are adeptly managing their websites and social media channels, driving results through online campaigns. However, this digital surge doesn’t necessarily translate to expertise in traditional media, such as radio. Hey, do you know a business like that? And make sure you know of an outsourced digital agency you can refer who can handle your clients’ digital and social media for very few dollars. You can help manage the rest of the budget!
2. Target In-House Buyers
Make a list of businesses you know that have in-house people who are digital-oriented or younger owners who handle mostly digital advertising independently. Or, how about the in-house marketing person who only takes on marketing initiatives like events or sales promotion and knows nothing about advertising? Get ’em!
3. We create demand
One of the unique selling points of radio is its ability to generate demand and send more customers to Google or your client’s website. Digital marketing can often direct buyers seeking a specific purchase but can’t create lasting impressions and build demand and loyalty like your station. Use this advantage to demonstrate how radio can reinforce the brand story and enhance the effectiveness of digital campaigns.
4. Surround the listener
Recognize that businesses with digital marketing expertise may want holistic solutions. Sell packages that combine digital and radio advertising. Include your streaming endorsements with social media and geo-fencing. They get it and will be impressed with reaching their target audience across multiple touchpoints.
5. Be the Teacher
Your prospects may be experts in digital marketing, but they might not fully understand the potential of radio advertising. Take on the role of an educator. Provide resources, case studies, and success stories that showcase how your station and radio have boosted digital-savvy businesses’ results.
6. 1+1=3 for Creativity
Collaboration is key when working with clients with a digital marketing team. Involve them in the creative process of writing and producing radio ads. Creativity could be their strength, and they will bring fresh perspectives to your production.
The trend of businesses gaining digital marketing proficiency presents a unique opportunity for YOU. Maybe your client is struggling with their digital strategy. Imagine that now they may be seeking you out to help them understand what they have already read about buying radio advertising. It’s time to adapt your approach and position radio as a complementary and powerful tool in the digital marketing person toolkit.
Jeff Caves is a sales columnist for BSM working in radio, digital, hyper-local magazine, and sports sponsorship sales in DFW. He is credited with helping launch, build, and develop SPORTS RADIO The Ticket in Boise, Idaho, into the market’s top sports radio station. During his 26 year stay at KTIK, Caves hosted drive time, programmed the station, and excelled as a top seller. You can reach him by email at [email protected] or find him on Twitter @jeffcaves.
Bill Parcells Shaped The Media By Giving Them Hell
“Parcells doesn’t belong in a studio chatting with a quarterback. He belongs in a temper tantrum screaming at a sportswriter.”
Two of the most talked about media stories of the past couple of weeks intersect in the form of one legendary NFL head coach – Bill Parcells.
In the wake of Aaron Rodgers’ potentially season-ending Achilles injury in Week 1 of the NFL season, many media pundits harkened back to 1999 when then-Jets quarterback Vinny Testaverde suffered a similar injury in the first game of the season. Like Rodgers, Testaverde was a veteran signal-caller looking to bring the long-suffering Jets to a Super Bowl.
One week after Rodgers’ injury, Los Angeles Chargers Head Coach Brandon Staley was in the media mechanism for an exchange with a reporter after his club fell to 0-2. Staley took issue with a query about whether the team’s monumental playoff collapse last season versus Jacksonville has carried over to their slow start this season.
ESPN’s First Take included video of Staley’s comment on their September 19 show building it up as some rash, heated interaction between coach and press. It was not. In fact, Staley merely directly answered the question asserting this season has nothing to do with last season.
Both of these headlines find common ground in the person of Bill Parcells. Parcells was the head coach of the Jets in 1999 when Testaverde’s season ended in that fateful game vs. New England. In addition, he was notorious for some truly vitriolic run-ins with post-game reporters.
Forget about Staley or even the infamous press conference rants of Jim Mora (“Playoffs!?”), Herm Edwards (“You play to win the game!”), and Dennis Green (“Crown ‘em!”). To the media, Parcells was Armageddon, Three Mile Island, and Hurricane Katrina rolled into one. Never has there been a football character so inexplicably loved and despised.
In New England, Parcells’s arrival as head coach of the Patriots in 1993 signaled the turnaround of the franchise, but fans refuse to vote him into the team’s Hall of Fame because of his unceremonious jump from to the Jets after the 1996 season.
When that happened, Parcells again grasped the media spotlight stating, “If they want you to cook the dinner, at least they ought to let you shop for some of the groceries.” He was referring to new owner Bob Kraft taking final say personnel decisions away from Parcells.
Like him or not, Parcells, known as The Tuna, rejuvenated five NFL franchises. The New York Giants were a mishmash of Joe Pisarciks and Earnest Grays before Parcells turned them into two-time champions.
Patriot fans actually cheered for the likes of Hugh Millen and Eugene Chung until Parcells came to town and brought in players like Drew Bledsoe, Ty Law, Willie McGinest, Adam Vinatieri, and Tedy Bruschi, laying the foundation for a dynasty.
And the Jets? They were living off the fumes of Joe Namath’s Brut 33 until Bill Parcells constructed a team that went from 1-15 in 1996 under Rich Kotite to 9-7 and 12-4 in 1997 and 1998 respectively with Parcells.
The Cowboys were 5-11 under Dave Campo in 2002. The next year, they went 10-6 with Parcells. Miami was 1-15 in 2007. The next year, with Parcells as executive VP of Football ops, they won the AFC East with an 11-5 record.
The Catholic church has its Apostle’s Creed. Those who follow the gospel of The Tuna have A Parcells Creed, and it goes as follows: I believe if a reporter asks Parcells if he outcoached a colleague, that reporter will be called a “dumb ass.” I believe that the media are “commies” and “subversive from within” as Parcells once labeled them.
I believe in using the media to denigrate young players to keep their egos in check. After Jets QB Glenn Foley had a solid preseason performance a few years back, the New York media surrounded the redheaded QB as if he had won the Super Bowl.
Parcells walked right in front of Foley and sarcastically asked, “Do you mind if I get past Sonny Jurgensen over here,” referring to the similarly redheaded Redskin quarterbacking legend.
In 1995, when all of New England was agog over a rookie running back named Curtis Martin, Parcells slyly commented to the press, “Well, we’re not carving his bust for Canton just yet.” And of course, there was the late Terry Glenn. When asked how the former Patriot wideout was recovering from an injury, the Tuna spouted, “She’s doing just fine.”
Parcells’ stints as a studio analyst on ESPN, although insightful, seemed out of place. He would sit there, dressed in a dark blue suit talking strategy with fellow ESPN gabber Steve Young. Honestly, he looked like a rotund funeral director searching for someone to embalm.
Parcells doesn’t belong in a studio chatting with a quarterback. He belongs in a temper tantrum screaming at a sportswriter.
I interviewed Boston media personality Steve DeOssie about Parcells. DeOssie was the defensive signal caller for the New York Giants (1989-93) when Parcells was the team’s head coach. He again played for Parcells in New England in 1994.
He told me, “Parcells realizes that the media is the enemy. Let’s face it, the media cannot do anything positive for a team, but they can put stuff out there that could lose a game. The bottom line with Parcells is whether it helps his team win.”
“He loves the camera and the camera loves him. He enjoys that part of the business. The media can spin it any way they want. Parcells does not suffer fools gladly and a lot of media types don’t like being called out in press conferences.”
Another Boston media legend also gave me his reflections of Parcells. Bob Lobel is the most revered sports anchor of all-time in New England. He stated, “I did a one-on-one interview with Parcells awhile back. He is so down to earth yet has this aura. It’s easy to be in awe of him.”
The national perspective is similar. When Troy Aikman was an analyst for FOX Sports, the current Monday Night Football color commentator credited Parcells with restacking the Cowboys’ roster and bringing winning back to Dallas.
When asked about playing for Parcells with the Jets, FS1’s Keyshawn Johnson offered, “He taught me how to do things, how to pay attention.”
Even people whom Parcells fired maintain a respect for him. Sirius NFL Radio’s Pat Kirwan was the director of player administration for the Jets when Parcells arrived in 1997.
Kirwan told me, “Parcells rebuilds a franchise from top to bottom. He evaluates everyone from the trainers to the doctors to the equipment guys. In 1997 when Bill came to the Jets, I knew I was qualified, but I also knew that Bill would let me go.”
In a September 12, 2023 story, New York Post reporter Brian Costello interviewed Parcells about the Rodgers injury.
This master of media mind games famous for the quote, “You don’t get any medal for trying,” revealed his visceral core telling Costello, “You are charged with winning games under any circumstances … They’re not canceling the games. They’re not canceling them. You’re coaching them. It’s your job to get your team ready to play to the best of their ability.”
John Molori is a weekly columnist for Barrett Sports Media. He has previously contributed to ESPNW, Patriots Football Weekly, Golf Content Network, Methuen Life Magazine, and wrote a syndicated Media Blitz column in the New England region, which was published by numerous outlets including The Boston Metro, Providence Journal, Lowell Sun, and the Eagle-Tribune. His career also includes fourteen years in television as a News and Sports Reporter, Host, Producer working for Continental Cablevision, MediaOne, and AT&T. He can be reached on Twitter @MoloriMedia.
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