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Kevin Harlan is the Luckiest of the Lucky

“If you’re not tweaking, you’re not evolving; if you’re not evolving, you’re not getting better [and] if you’re not getting better, you’re getting worse.”

Derek Futterman

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Kevin Harlan
Courtesy: John Filo, CBS

John Facenda, the legendary voice of NFL Films, helped shape the soundtrack of the National Football League as the sport burgeoned in popularity. His voice is known by most fans of the game and synonymous with the gridiron. The dulcet tones of Facenda compelled a producer for the Kansas City Chiefs pregame radio show on KCMO to send a note requesting that he voice the intro to the Sunday morning program. That was Kevin Harlan, a sophomore undergraduate student at the University of Kansas, working in the role after being asked to produce the show by Chiefs radio voice Wayne Laramie.

Harlan fondly remembers being presented with the idea to compile a three-hour radio pregame show followed by a two-hour postgame program, all utilizing the powerful, ostensibly boundless radio signal that reached about eight Midwestern states. As he did, he continued filling in for Kansas Jayhawks broadcaster Tom Hedrick, an opportunity he was promised by the broadcaster himself as he recruited him to attend the university. Initially, Harlan was deliberating between the University of Wisconsin and the University of Notre Dame, the latter of which had alumni Don Criqui whom he also admired. Hedrick, color commentator for the CBS Radio broadcast of Super Bowl I, presented him with an offer that he could simply not refuse though, and it led to more opportunities to hone his craft.

From the age of 7, Harlan had been infatuated by sports and familiar with the inner workings of the press box. His father, Bob, was the director of public relations for the St. Louis Cardinals and allowed his son to perambulate the corridors of the ballpark. Even though he did not realize the magnitude of commentators he would encounter, such as Lindsey Nelson, Vin Scully and Bob Prince, he was cognizant that they were important professionals in the sports media business. In fact, Harlan would frequently sit in the back of Jack Buck and Harry Caray’s broadcast booth with a bag of popcorn and a Coke just to listen to their call of the contest. The voice of Facenda became part of his consciousness a few years later, and work on projects such as “The Autumn Wind” inspired him to discover a career in broadcasting.

“I remember getting back from class and one of my roommates said, ‘Hey, some guy named John Facenda called you from NFL Films; he wants to talk to you,’” Harlan recalled. “I called him back and he was incredibly gracious. He said, ‘Kevin, I want to know if I can change this sentence and add even a couple of more things I’ve got in my mind?’ I said, ‘Yes, you can do anything.’”

While Harlan’s intonation and timbre are heard worldwide today, those within a 10-mile range were the only ones initially privy to his skillset. Notre Dame Academy, his high school, allowed him to be on the air from the age of 14 to call football games.

On top of that, his father had accepted a role to serve as the assistant general manager of the Green Bay Packers and worked his way to become the president and chief executive officer over an 18-year stretch. By the time he was in Kansas City working with the Chiefs, Harlan was aware of the power of the NFL and the extraordinary job with which he was being entrusted.

“[Facenda] sent me this reel-to-reel tape, and I could hear his different takes of the copy that I had sent him,” Harlan said. “At the end of the reel-to-reel tape, he finished [by] saying, ‘You’re listening to Chiefs Sunday on the Chiefs Radio Network,’ and we had this music bed, and there was a pause and he goes, ‘Now that’s a horse that I can ride,’ which meant he liked the copy; he liked the way that it sounded that he just read.”

By Harlan’s senior year of college, he was hosting Chiefs studio coverage, calling high school games around the state for WIBW and hosting a three-hour talk show on Sunday nights. Combined with his broadcasting and coursework at Kansas, Harlan’s schedule was jam-packed with broadcasting responsibilities, and his ability to seamlessly balance all of it is part of the reason he called Kansas City Kings basketball games at 21 years old.

While it was an obvious decision for Harlan to seize the opportunity, there was some pressure on him in being so young compared to veteran commentators. Bill King, Jim Durham and Joe Tait, voices of his childhood, were now among his broadcasting colleagues, and he was working alongside Hall of Fame center and former NBA champion Ed Macauley. When the team decided to move to Sacramento, Harlan had to choose whether or not he wanted to relocate or remain in Kansas City.

“I really had fallen in love with the area, and I really didn’t want to go to Sacramento, although I had a chance to tour the city with the team at the time, but [I] really wanted to stay in Kansas City,” Harlan said. “I started thinking, ‘Well, I better start looking around, and if all else fails, I can go and be a part of the Kings broadcast in some form or fashion.’”

By stroke of serendipity, Harlan was able to stay in the locale to call Chiefs games, a decision that was sealed following a trial broadcast with analyst and Hall of Fame quarterback Len Dawson. After the experiment, which was in the form of a Missouri spring football game, Dawson gave his unequivocal approval of Harlan as his new on-air partner, and one week later, he received word from team president Lamar Hunt that he had landed the job.

One October day in 1991, Kansas City quarterback Steve DeBerg led his team to a massive 33-6 victory over the Buffalo Bills during a prime-time Monday Night Football matchup on ABC. Harlan called the game on radio and remembers the stadium being filled with a vociferous crowd captivated by the action. After one sequence, Harlan members spontaneously saying, “Oh baby, what a play!,” simply reacting to the atmosphere and thinking nothing of it.

Throughout his career, he has never been one to adopt a catchphrase, but on that day, feedback on his exclamation was validated by fans in the parking lot celebrating the win. Calling into the postgame show he used to produce, the fans shouted, “Oh baby, what a play!” in unison, and unbeknownst to them, Harlan and his wife were listening as they tried to escape traffic.

“From that point on, that phrase caught and kind of rode the success that they had,” Harlan explained, “which eventually led to getting Joe Montana and Marcus Allen, and that was it.”

In 1989, the National Basketball Association was expanding to include the Orlando Magic and the Minnesota Timberwolves, both of whom would need commentators to call the games. Harlan was being courted by the Timberwolves. He and other members of the broadcast team would be tasked with growing the popularity of the league in the Minneapolis-St. Paul region.

While the opportunity to move back into calling NBA games was appealing, Harlan was not entirely sure that he wanted to take the job because he was content with his lifestyle and growing a family. As a result, he called NBA broadcasters Bob Costas and Marv Albert, both of whom emphasized the importance of taking the chance to move into calling games on television. At their behest, he decided to accept the offer, which meant flying back-and-forth between Minneapolis and Kansas City to retain his family life.

One day, Harlan received a call from NBC Sports chairman Dick Ebersol asking if he could fill in on a Sunday NFL game, giving him his first opportunity to be looked at by a national network. NBC Sports was impressed with his performance, granting him more network opportunities – including a two-year run with ESPN calling college football – before his first chance to call the NFL nationally on a regular basis.

Transitioning to predominantly focus on national work in the NFL was not on Harlan’s mind until he ran into Chiefs team president Carl Peterson and NFL Films president Steve Sabol before a game in Buffalo. As fortune would have it, they had just been talking about Harlan, which led Sabol to tell him that he had been asked by FOX Sports to give them who he thought were the top three NFL radio announcers. George Krieger, executive vice president at FOX Sports, had asked Albert a similar question, a query that prompted the broadcaster to recommend Harlan.

“On that roster was me, Kenny Albert, Joe Buck and Thom Brennaman,” Harlan said. “We were the four younger broadcasters in back of [Pat] Summerall and [Dick] Stockton; they wanted to build for the future…. I know the four of us took great pride after this big search because there was a lot of speculation at the time as to who FOX was going to hire to fill out their roster.”

The company launched the NFL on FOX in August 1994, shortly after Major League Baseball players officially went on a 232-day strike. Harlan was one of the first broadcasters to take the air and commenced a property currently in the midst of celebrating its 30th season.

Four years later, he moved to The NFL on CBS. It would not have been possible without the sacrifices his wife made for him and the lengths she went to in order to raise a family and establish a comfortable and healthy atmosphere at home.

“What she did on those many nights that I was gone so I could do something that I loved was an act of unselfishness that is beyond words and measure,” Harlan said. “I guarantee you that if things were not good at home and unhappy at home, it would affect the way I had navigated my career.”

Harlan has been calling two NFL games per week since 2009 when he took the job as the lead voice of Monday Night Football broadcasts on Westwood One. A key factor in being able to maintain such a lifestyle is in the contrasting means of dissemination, rendering variation in the way he prepares. In becoming more comfortable on CBS over the years, he realized that there is not as much time to contextualize and explain detailed stories behind every play and athlete.

Conversely, Harlan’s role on the radio is to inform listeners about what is transpiring on the field and subsequently set his analyst up for success. Harlan has worked with Hall of Fame quarterback Kurt Warner on the broadcast since 2018, which followed a 10-year run with Boomer Esiason, and he knows the challenges they face on a solely aural medium.

“My job is very edited,” Harlan said. “I come in loaded with all the appropriate stuff I need to have, but it’s skeletal compared to what my TV boards look like.”

After his games each week, Harlan reviews his outing and thinks about ways he can continue to improve going forward. Despite wanting to scrutinize over hundreds of minutiae within each broadcast and impugn certain decisions, he ultimately focuses on what is most essential. 

“We all love the challenge of being the best that we can be, and that doesn’t mean there aren’t a couple tweaks here and there along the way,” Harlan said. “If you’re not tweaking, you’re not evolving; if you’re not evolving, you’re not getting better [and] if you’re not getting better, you’re getting worse.”

Once October comes around, Harlan juggles the addition of the NBA on TNT, where he has worked on a full-time basis since the 1997-98 season. The move into television that Costas and Albert cosigned was beginning to pay dividends for Harlan, who entered rarified air by serving as a national voice of two professional sports entities. He has enjoyed stability in his jobs for nearly three decades, something seldom attained within a media career, and considers himself fortunate to be in this position.

“TV is something I really never thought of,” Harlan expressed. “I loved radio – I grew up wanting to be in radio and was, and TV just kind of evolved very organically out of all my radio stuff, as it does for a lot of broadcasters.”

Albert retired from the NBA on TNT after the 2021 NBA playoffs, forcing TNT to have to make a decision as to who would serve as the new primary voice of the property. Harlan began to have chances to work with the lead broadcast team of Reggie Miller, Stan Van Gundy and Allie La Force, and today largely announces games on Tuesdays during the regular season. Last year, he called the Western Conference Finals between the Denver Nuggets and Los Angeles Lakers to conclude the network’s broadcast slate.

Yet Harlan did not genuinely listen to Albert until he became a colleague at TNT, although he was aware of his status as a revered broadcaster. Understanding that it is extremely difficult, if not impossible, to replace an announcer of his stature, Harlan seeks to bring his own approach to the role while honoring the history it garners. 

Most professionals can control how to position themselves for success, whether that be through their talent, work ethic or demeanor, but Harlan also knows that much of it comes down to timing. He made sure to forewarn his kids about the challenges that come with working in sports media before any of them pursued a career in the field.

“‘What you’ve been able to be around is the luckiest of the lucky,’” Harlan said to his children. “This is a business which, more or less, is pretty hard to navigate and gets harder and harder by the day with a myriad of things you’re constantly going against.”

Three of Harlan’s children heeded his advice, but the fourth decided to chase her dreams anyway. Much like her father, Olivia Harlan Dekker found a mentor at the University of Georgia and worked to earn broadcast opportunities. The two made history last January when they became the first father-daughter duo to call an NFL playoff game, doing so together on Westwood One.

With the NBA’s television contracts set to expire following the 2024-25 season, there has been much conjecture as to which companies will garner portions of a new deal. The league is reportedly interested in adding digital and streaming elements to the package, perhaps an impetus for Warner Bros. Discovery launching a Bleacher Report-branded sports tier on Max and ESPN preparing a direct-to-consumer (DTC) interface.

“I think all of us are kind of excited, maybe a little bit nervous [in] knowing that we’ve got two more years to go doing our jobs,” Harlan said. “As someone very smart told me one time – my dad – [he] said, ‘If you’re looking ahead too much or you’re looking behind too much, you’re going to miss what matters most right now.’ What matters right now is the present and doing the best job you can do right now, and then let everything play out how it’s going to play out.”

While having chances to call marquee events is what most broadcasters desire, Harlan does not want to be avaricious in his pursuits. After all, he has called the NCAA Division I men’s basketball Final Four on numerous occasions for both television and radio amid other significant games. Moreover, he is preparing to work his 14th consecutive Super Bowl for Westwood One, the most consecutive of all time, and is eagerly anticipating the moment he steps into the broadcast booth at Allegiant Stadium in Las Vegas.

“We know how many millions of cars are on the roads at any given time at any given part of any day, and some people are just, for whatever reason, [unable to] get the game on their phone or tablet, and so they’ve got to listen to it,” Harlan said. “We’ve had soldiers overseas that have listened in outposts in pretty, pretty remote parts of the world, and the only way they know the Super Bowl is to listen to our broadcast.”

As the pregame countdown approaches 0:00, Harlan will feel a gust of “The Autumn Wind” and begin delivering the call for the most prominent game of the season. Until then though, he is enjoying the journey each week calling games for CBS Sports and Westwood One, along with the NBA on TNT. When Sunday, Feb. 11, 2024 arrives, he will be prepared and enthusiastic to serve as an invaluable emissary tasked with translating the game masterfully composed on the gridiron.

“[Westwood One has] got the history and the know-how and the leadership to navigate those new ways of broadcasting and delivering,” Harlan said, “and for them to select me and put me in that role is an honor which I can’t even describe…. I go back to what I wanted to do when I first got in the business and how lucky I am to be in that chair with that headset on.”

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Give Me Less College GameDay, More Game

“If you cut out all of Desmond Howard’s and Kirk Herbstreit’s fake laughter, you probably only have 90 minutes of content stretched out to twice that length.”

Demetri Ravanos

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The fate of Pat McAfee, as it relates to College GameDay, is uncertain. McAfee has his pride and almost certainly didn’t enjoy being nitpicked by fans for every little thing last season. The show does not absolutely have to have him, but I do think he is more of a net positive than negative for the show. Plus, as I have written before, the network put an awful lot of effort into building rapport between him and Nick Saban last year. It’s hard to imagine ESPN doesn’t find a way to ensure they are working together this season.

McAfee’s drama is what has fans and industry types speculating on the future of College GameDay right now, but there’s something else I have been thinking about lately. Let’s give McAfee a break. Lord knows he has spent enough time as the focus of everyone’s College GameDay criticisms for the last two years.

I want to know how much longer the show intends to stay at three hours. That’s too much pregame show. If you cut out all of Desmond Howard’s and Kirk Herbstreit’s fake laughter, you probably only have 90 minutes of content stretched out to twice that length.

College football is one of my favorite things in the world. It’s an easy thing to say when Bama is your alma matter, but I don’t just watch the Crimson Tide. I watch EVERYTHING on a Saturday and I still don’t think I get enough.

So I have a radical two-part proposal. In the morning, I need less GameDay and more games. I think the average fan would be just fine with a one-hour pregame show, but I don’t expect ESPN to cut a valuable property down that severely. Instead, let’s settle on a two-hour show. The party can still start at 9 am, just stop at 11 instead of noon.

For that last hour? Start an East Coast game an hour earlier. It shouldn’t be hard for the network that controls all of the SEC and ACC inventory. Just be fair about it. Make sure all of the home teams are in the Eastern time zone and none of the visitors are from the West Coast or Rocky Mountains.

Think of the list of teams that gives you access to: Florida, Georgia, Kentucky, South Carolina, and Tennessee from the SEC, the entire ACC outside of the three new additions, and Cincinnati, West Virginia and UCF in the Big 12. 

Even if ESPN wanted to accommodate playoff contenders like Georgia and Tennessee, there’s still a rich inventory of games they could offer at 11 am. Syracuse vs. Georgia Tech will probably be a top 25 matchup, but it is Power Four conference football. Plus, those are schools that should be happy to be on TV at all, so if you are offering them a spotlight time slot on ESPN, who are they to complain? You can swap those names for just about anyone in the ACC or Big 12 and it still works.

There’s a big difference between star power and mass appeal. McAfee and Saban have star power. Football has mass appeal. GameDay cannot deliver the numbers live football can.

On top of that reality, there’s the fact that it’s a decided advantage ESPN has over it’s top competitor. FOX may have the most valuable league in college sports, but they have spent years branding their coverage around the noon hour. Big Noon Kickoff, Big Noon Saturday. That network could not make the same move to 11 am kickoffs without spending huge money on a new marketing campaign. 

Now, let’s talk about part two of this idea. Take Rece Davis, Saban and Howard and give me a meaningful, insightful recap show after the final game of the night on ESPN comes to an end. That, I think, would have even more value to fans than GameDay.

The NFL is and always will be king, but there is a very large population that isn’t ready to jump into fantasy advice the second we wake up on Sunday. Pro games don’t kick off until 1 pm on the East Coast. Why can’t we keep the college conversation going until like 10 am?

College Football Final is fine, but it isn’t at all dynamic. Think of it this way, that replay that’s looped on ESPNU Sunday mornings, if you’re just flipping around, are you more likely to stop if you see Dan Mullen offering an opinion or Nick Saban?

Ultimately, I don’t expect the decision makers at ESPN will consider my idea. Maybe they will, but they’ll dismiss it. It’s always easier to stick with business as usual, and to be fair, the current way of doing things has been very profitable for them, so who the hell am I, right?

However, this is sort of a continuation of the piece I wrote last week about how the network is approaching negotiations with Stephen A. Smith. If you’re building a media company for the future, you have to focus on getting more meaningful games on TV more often. They are the only things that truly move the needle. Football will always be more valuable than football talk.

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Seller to Seller: Sales Meeting

That passion can get you meetings, it can get you sales, it can get you referrals and it can make you rich.

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Graphic for a Seller to Seller feature

C’mon in everyone. Hope your week is off to a great start and you are excited for this week’s sales meeting. Chances are, you’ve already taken advantage of our topic today, which is technology. Some of you probably took out your phone today, looked at the weather forecast to figure out what to wear, or maybe you pulled up the Starbucks app and ordered your morning coffee, which you then paid for with Apple pay.

I still marvel every time I am watching my home cable system, through my phone, with a beautifully clear picture. I am old enough to remember my family having a small television in our kitchen with rabbit ears and sometimes you would have to smack the side of it to hope the picture got better. Now, I can whip out my phone, pull up anything I want in the universe to watch and see it clearly, even on an airplane.

Technology is great. Except for when it comes to sales.

Now don’t get me wrong. There are things about technology that have helped those of us in sales greatly. No more recording the ad on a reel and driving it over to the other station or ad agency that needs it. Just get it in your email and send it on over, or you can even text it over.

The problem is, like a lot of things when it comes to electronic forms of communication, too much gets lost when you are not face-to-face, and the worst part is the person on the other end can’t tell at all if you are passionate about what it is that you are selling. And that has been a huge negative when it comes to trying to communicate with people through email and text or by sliding into their DMs.

The biggest challenge most sellers face is setting appointments with new prospects. We used to call it cold calling but somehow a lot of places let the ‘calling’ part slip away and it became a game of how many emails and LinkedIn messages you could send in a day. And as we all know, the chance you have of someone getting back to you about a first-time meeting through one of those channels is slim. So, why waste the time?

Some would argue that people do not want to be cold called any longer and they would prefer you reach out to them electronically. Of course, that is because it’s easier for them to ignore you or say no to the meeting without actually talking to you. Which, when you think about it, is the exact opposite of what we as sellers want. We want to be in front of them.

So, this is where it gets challenging, but also where we separate the good sellers and the great sellers, or more importantly, the ones who make ok money and the ones who make big money. It is clearly much, much harder today to get that yes to that first meeting. So, we have to work that much harder to get it. And if you want to be successful in this industry, you have to be putting yourself in positions to be in front of people as often as possible.

Whether it is a networking group, Chamber of Commerce event, stopping into businesses, going to games and events or any other way you can be in front of a group of people, if you aren’t doing these sorts of things on a regular basis, you are missing out on a ton of new relationship opportunities.

If you have determined that you are going to meet your financial goals by emailing and sending LinkedIn messages all day, it is going to be a short career for you, and you might want to start looking up new ways to season your Ramen noodles. This is a people business and not many people stop by the studio or office to say hello and ask if anyone is in that can sell them some advertising.

The biggest part of this is the passion with which you sell your product. I believe that you have to have that passion to really make it big in the sports media sales business, and let’s face it, that is why most of us are in the business in the first place. We love it. Many of us eat, sleep and breathe sports. That passion comes out when you talk about what you do and how you can help a local business with the tools and resources you have at your disposal using sports radio as the catalyst. That passion can get you meetings, it can get you sales, it can get you referrals and it can make you rich.

Let people see it. Make a promise to yourself that you’re going to do x number of things every month to increase your time in front of the business community in your area. That is where you will make new connections.

Sales managers, I would encourage you to ask your team weekly in one-on-ones about this time and figure out who is putting in the work to really go out and make new relationships and who is doing the equivalent of ‘sitting by the fax machine waiting for orders.’

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Suzyn Waldman and WFAN Had a Lot to Prove 37 Years Ago

When Suzyn Waldman became the first voice ever heard on WFAN on July 1st, 1987, there weren’t too many people who thought that the radio station would have sustainability.

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Photo of New York Yankees broadcaster Suzyn Waldman
Screengrab: Newsday TV on YouTube

On July 1st, 1987, Suzyn Waldman was about to be the first voice heard on WFAN in New York, the first all-sports radio station ever.  As she settled in to do her first update, a moment that is played back every year when WFAN celebrates its birthday, Waldman could not help but look over on the other side of the glass into another studio and see people holding hands and crying.

It was the staff of WHN, the radio station that WFAN was replacing at 1050 on the AM dial.

“I’ll never forget this as long as I live,” said Waldman who has been in the Yankees radio booth since 2005. 

“I looked through the glass and all of a sudden it dawned on me that when I opened my mouth, they would cease to exist and it really hit me just by doing that.  People were crying and that picture is something that has stayed with me forever.”

Next Monday, WFAN turns 37 years old, and it all started with these words that resonated with Waldman as she drove by Yankee Stadium on her way to work that day.  The old Yankee Stadium had a message board on both sides of “The House That Ruth Built” and that day the message would become part of WFAN history.

“The sign on the message board says, ‘Vintage Guidry’”, said Waldman as she delivered the first words ever heard on WFAN.   “I think I remember what I was wearing…a white blouse with a black skirt.”

But, unfortunately, that’s not all that Waldman remembers about that day.  Her broadcasting career featured some rocky moments early on and it started with what she heard seconds after that first update.

“What I heard through the other side of the glass was get that smart-ass bitch with the Boston accent off my air in afternoon drive,” recalls Waldman.

That first horrible experience did not deter Waldman who would go on to become a pioneer for women in sports broadcasting and a resume that would land her in the Radio Hall of Fame.  There were those at WFAN who tried to move Waldman to overnights with the hope that she would quit.

She wasn’t about to quit.  Instead, she built a career doing things that many of the male employees didn’t want to do.  She covered teams like the Yankees, Knicks and Devils and with that she made a little history.

“What I had to do for that was create my own job which was the beat reporter,” said Waldman. “I was the one who did that.  I took assignments that the guys didn’t want to do.  I did not have an easy time.  I was not going to be defeated because some man thought I was stupid because I was female.”

While there were those who tried to take down Waldman and ruin her career, she did have people in her corner including her family and Yankees owner George Steinbrenner.

“The Boss” was initially tough on Waldman when she covered the Yankees but quickly grew into a big fan of hers.

Waldman isn’t so sure she would have enjoyed the career that she’s had without the support from Steinbrenner.

“My brother says I would have because I would have found a way,” said Waldman.  “I believed in what I was doing, and I was the one that was going to maybe make it safer for young girls to believe that they could do this or have some kind of career in sports.  George, except for my family, is the most important person in my life.”

In their early days, WFAN went through some growing pains.

They brought in a lot of on-air people from outside of New York and it really wasn’t until WFAN took over the 660 signal from WNBC on the AM dial that the station became a success.  By transforming from Sports Radio 1050 WFAN into Sports Radio 66 WFAN, the all-sports station assumed the iconic “Imus in the Morning” show from WNBC.  The station also created “Mike and the Mad Dog”, the most successful sports radio show in history, in afternoon drive and the rest, as they say, is history.

Waldman knew that WFAN could be a success before it started, but it had to be done the right way.

“Being the sports nut that I am and knowing that there were so many teams in New York,” said Waldman.  “What I did know was it was not going to work if they had national people.  Nobody in New York gives a damn about Nebraska football.”

It was during those early days doing updates at WFAN when Waldman would meet her longtime Yankees radio partner John Sterling.  One of the original hosts that WFAN had hired was legendary Cleveland sports talk host Pete Franklin to do afternoon drive.  But, Franklin’s arrival in New York was delayed because he had suffered a heart attack.

A number of people were brought into fill-in while Franklin recovered and one of them was Sterling, who retired from the Yankees radio booth earlier this season.

“I was John’s update person when he did a week at WFAN in 1987,” said Waldman.  “That’s how I met him.  We hit it off immediately.  I talk to him all the time and he’s very happy.”  

And now, as WFAN is set to turn 37 years old, Waldman is happy that the radio station continues to thrive even though the sports talk format may sound a bit different than it did in the early years.

“I’m not the demographic anymore,” said Waldman.  “It should change.  The times are very different.  I’m really glad I got to be at FAN when we were building something and I’m really proud of that.  Things change and the world changes and I have no problem with that.  It’s somebody else’s turn.”

When Suzyn Waldman became the first voice ever heard on WFAN on July 1st, 1987, there weren’t too many people who thought that the radio station would have sustainability.  There were also people who didn’t think that Suzyn Waldman should be on the air.

WFAN and Suzyn proved a lot of people wrong.

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